Gotowe bibliografie tematyczne / Leonora

Gotowa bibliografia na temat „Leonora”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "Leonora"

Chakravortty, Dipshikha. "Leonor Michaelis and Maud Leonora Menten". Resonance 18, nr 11 (listopad 2013): 963–65. http://dx.doi.org/10.1007/s12045-013-0123-2.

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Rodríguez Romero, Nana. "Leonora". LA PALABRA, nr 22 (10.09.2013): 163. http://dx.doi.org/10.19053/01218530.2026.

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Reunir a dos mujeres extraordinarias de la historia de la literatura y la pintura del siglo XX, en una novela, es un disfrute para el espíritu. La escritora mexicana, Helena Poniatowska, autora de una vasta obra reunida en novelas, cuentos, poesía, teatro y crónica, como La noche de Tatlelolco, La piel del cielo, Querido Diego, te abraza Quiela, etc.; aborda la vida de la pintora y escritora inglesa Leonora Carrington (1917-2011), mediante el género de biografía novelada, en la que narra escenas de la vida de la artista, nacida en el seno de la aristocracia que desafió desde niña, con su temperamento arrollador, marcado por una gran imaginación y rebeldía, conociendo a lo largo de su existencia no sólo las tragedias del siglo XX en la Europa de la II guerra; sino también, como víctima del exilio, la cultura extraña del México ancestral y el cosmopolitismo de Nueva York.

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Adetu, Edith Georgiana. "Structure of the Vocal Discourse of the Character Leonora From the Opera "Il trovatore" by Giuseppe Verdi". Studia Universitatis Babeş-Bolyai Musica 66, nr 1 (30.06.2021): 273–83. http://dx.doi.org/10.24193/subbmusica.2021.1.17.

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"The opera ""Il Trovatore"" crowns the famous Verdi trilogy (”Rigoletto”, ”Il Trovatore”, ”La Traviata”) leaving as a legacy in the history of lyrical theatre vocal archetypes relevant to the Italian romantic opera. This research aims at the formal and stylistic analysis of the vocal discourse of the character Leonora, considering the solo moments and outstanding overall moments, attributed to the role. In carrying out this approach we will highlight the vocal peculiarities of the character, as well as relevant technical and interpretive aspects. In essence, the research represents a correlation between the structure of the moments that make up the vocal discourse and the nature of the character’s Verdi vocality, Leonora’s role summing up various technical and interpretive requirements. Keywords: Verdi, Il Trovatore, Leonora, Structure, Discourse, Vocality "

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Aberth, Susan, Holly Barnet-Sanchez i Leonora Carrington. "Leonora Carrington". Art Journal 51, nr 3 (1992): 83. http://dx.doi.org/10.2307/777352.

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JAMES, Edward, i Inés AMOR. "Leonora Carrington". Pleine Marge 48 (31.12.2008): 41–59. http://dx.doi.org/10.2143/pm.48.0.2036157.

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Paterson, Catherine F. "Leonora Waterston". British Journal of Occupational Therapy 75, nr 12 (grudzień 2012): 562. http://dx.doi.org/10.1177/030802261207501204.

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Ruíz Solórzano, Jaime. "Carlos Hernán García o "Canán": Una imaginación desbordada por los sueños". Paideia Surcolombiana 1, nr 18 (1.02.2014): 121. http://dx.doi.org/10.25054/01240307.1160.

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Cuando nos hablan de los sueños hechos imágenes a través de las artes visuales, nuestro recuerdo trae a la mente las obras de los artistas europeos y latinoamericanos que han trabajado dentro de la tendencia verista del surrealismo; es decir, aquellas obras que podemos asociar con elementos y seres de nuestro mundo circundante. Tal es el caso de Salvador Dalí, Rene Magritte, Paul Delvaux, Max Ernest, María Izquierdo, Frida Kahlo, Mercedes Varo, Leonora Carrington, Leonor Fini o el pintor huilense Filomeno Hernández.

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De la Fuente Rocha, Eduardo. "Leonora Carrington. Metamorfosis hacia la autenticidad / Leonora Carrington. Metamorphosis towards authenticity". RICSH Revista Iberoamericana de las Ciencias Sociales y Humanísticas 6, nr 12 (25.07.2017): 26–51. http://dx.doi.org/10.23913/ricsh.v6i12.124.

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Este trabajo es continuación del artículo "Leonora Carrington. Frente a la desestructuración". En el presente escrito se aborda la estancia que tuvo la artista en el Sanatorio Santander. Se compara el evento psicótico de Leonora Carrington con el de Daniel Paul Schreber, ambos narrados por los propios sujetos que lo experimentaron. La finalidad de hacer dicha comparación es analizar las diferencias que hay entre el evento de Schreber y el de Leonora, para entender por qué ella sí logró salir y él no. Posteriormente, desde del apartado llamado México, se realizó un análisis psicológico de la artista a través de su obra y la evolución de la misma, donde muestra su proceso de individuación entre los años 1942 y 2011. Para revisar el análisis de su psiquismo se han tomado dos fuentes: la biográfica y la autobiográfica. A través de este análisis puede observarse la evolución psíquica que la artista logró, lo que permite un mejor entendimiento del legado que su trabajo dejó a la humanidad.

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De la Fuente Rocha, Eduardo. "Leonora Carrington. Frente a la desestructuración / Leonora Carrington. Facing the disruption". RICSH Revista Iberoamericana de las Ciencias Sociales y Humanísticas 6, nr 12 (18.07.2017): 1–25. http://dx.doi.org/10.23913/ricsh.v6i12.123.

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En el presente trabajo se busca un acercamiento al conocimiento psíquico de la artista Leonora Carrington. Analizar a un personaje tan complejo no es sencillo, porque las facetas que presenta el desarrollo de su personalidad son múltiples. Aunado a ello está la dificultad para encontrar bibliografía que hable extensamente de su vida, sobre todo de la segunda parte —después de 1942—. Para revisar el análisis de su psiquismo se han tomado dos fuentes: la biográfica y la autobiográfica. A través de este análisis puede observarse la evolución psíquica que la artista logró, lo que permite un mejor entendimiento al legado que su trabajo dejó a la humanidad.

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Kunny, Clare. "Leonora Carrington's Mexican Vision". Art Institute of Chicago Museum Studies 22, nr 2 (1996): 166. http://dx.doi.org/10.2307/4104320.

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Rozprawy doktorskie na temat "Leonora"

Hoffman, Leonora. "Konflikdinamika binne 'n staalmaatskappy te Potchefstroom / Leonora Hoffman". Thesis, North-West University, 2006. http://hdl.handle.net/10394/1222.

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South African organizations experienced more conflict in the past ten years because of all the changes in the management of labour relations. Employees at lower, middle and upper management levels within organizations are not well informed about the different types of conflict, the functionality and dysfunctionality of conflict, how conflict takes place within the different job-levels and how to manage and resolve it. Dysfunctional conflict can be destructive and it can affect the productivity of the organization. Because of the lack of knowledge regarding conflict within the steel organization and the necessity for it to be handled correctly, it was decided to seize the opportunity to contribute to the existing knowledge of conflict. Objectives of the study The major objectives of this study are as follows: To determine how literature conceptualizes conflict dynamics by examining theory, industrial sociology, organizational behaviour and general management. To determine the following aspects by means of an empirical study: - What the main reasons are for conflict within the steel organization. - How the handling of conflict differs among the middle and lower job levels within the organization. Research study and methodology The research study is divided into a theoretical and an empirical framework. Chapters 2, 3 and 4 outline the theoretical basis. Various aspects of conflict and handling or managing it are discussed in detail. The study employs the conflict theories of Ralph Dahrendorf and Karl Marx as points of departure, as found in chapter 2, in an attempt to provide a framework for the problem statement and to attempt the attainment of the set of objectives. This chapter discusses conflict and analyzes it as a social interaction characterized by force, strife and animosity. It also offers and analysis of Dahrendorf s and Marx's theories to determine their suitability to the study. Chapter 3 discusses conflict within a business context with reference to functional and dysfunctional conflict. different approaches to conflict. types of conflict, different reactions to conflict as well as its different stages. Chapter 4 addresses the course, handling and management of conflict by analyzing the conflict process while it keeps the theories of Marx and Dahrendorf in mind. Chapter 5 analyzes and describes the data and results found by means of empirical research according to specific statistical methods. The empirical study was conducted among the employees of a steel company. A standardised questionnaire and personal interviews were used. Major findings Chapter 6 consists of analysed information about the assembled data. The major findings of the study support the set of research objectives and prove all of them. Major findings include the following: Cooperation, discipline and communication are problem areas within the steel organization. A large number of employees show dissatisfaction about the nature and extent of their work. Some of the employees misuse their authority and this is a major cause of conflict. A total of 95% of the population show that they would like further training in the dynamics of conflict management. Half of the population show that they are unaware of any policies and procedures of conflict management in the steel company. Conclusion In conclusion as found in chapter 6 the study makes a number of recommendations centring on the training of employees to handle conflict and policy-making about conflict-handling and management.
Thesis (M.A. (Industrial Sociology))--North-West University, Potchefstroom Campus, 2006.

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Ryd, Gunilla. "Ténicas och estrategicas literarias en "Leonora" de Elena Poniatowska". Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-18691.

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The subject of this thesis is Leonora written by Elena Poniatowska. The aim of the study is to analyze the literary technique and strategy used in constructing this book which depicts the life of a famous painter, Leonora Carrington. The analysis concentrates on two aspects: the extent of its feminist character and whether it can be classified as a fictional biography or a biographic fiction. In order to arrive at a conclusion on these issues a brief summary of literary and feminist theory is presented as well as a short description of relevant aspects of the surrealist movement. According to the author Leonora does not pretend to be a biography but rather a tribute to a great woman and artist. This esay however sustains that the book is a feminist fictional biography. In fact it builds upon books written by Carrington herself with a highly autobiographical content as well as on biographical texts. Both the author and her protoganist are well-known for their feminist stand and the analysis shows how feminist theory or thinking is reflected both on behalf on the writer as well as in the construction of the hero and certain aspects of her life that build up this biographical fiction.

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Martinez, Fanny. "Remedios Varo et Leonora Carrington en miroir : images croisées". Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30043/document.

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Cette thèse est consacrée à l’étude en regard l’une de l’autre des œuvres picturales et littéraires de deux artistes nées en Europe, qui fréquentèrent les cercles surréalistes parisiens dans les années 30 avant de s’exiler au Mexique durant la seconde guerre mondiale : Remedios Varo (1908-1963) et Leonora Carrington (1917-2011). Il s’agit de rechercher les points de convergence et les divergences entre les processus créatifs des deux artistes, de faire dialoguer leurs œuvres et d’interroger leurs points de collaboration créative, en se centrant sur la question des images. L’approche proposée dans ce travail est tout à la fois comparative et pluridisciplinaire, puisqu’elle s’élabore au croisement de l’histoire de l’art, de l’analyse littéraire, de l’analyse picturale et de la civilisation.Le concept d’image, dont la délimitation fait l’objet du préambule, est entendu dans quasiment toutes ses acceptions – depuis l’image picturale et l’image verbale jusqu’à l’image mentale, dont l’image onirique – et est conçu comme lieu d’intersection par excellence.La première partie de ce travail explore la question de la fabrique des images ou, pour utiliser une métaphore empruntée au langage alchimique, du laboratoire des images. Le chapitre 1 présente et théorise l’image surréaliste afin de démontrer la manière dont les deux créatrices ont su s’approprier l’« esprit » du surréalisme, invitation à une remise en cause du monde visible, pour mieux le dépasser à travers l’élaboration de « modèles de monde », en analogie avec certains processus alchimiques et occultistes. Le chapitre 2 envisage pour sa part l’exil non pas seulement comme un contexte historique et culturel ayant donné lieu à de profondes dynamiques d’influences mutuelles, mais comme une notion pivot permettant d’appréhender les phénomènes de réappropriations, d’hybridations, de transfusions créatives ou de transgressions à l’œuvre dans leurs productions.La seconde partie approfondit la mise en regard des images des deux artistes suivant un mouvement dialectique unissant images-reflets et images-distorsions. Le chapitre 3 entreprend l’analyse des autoreprésentations féminines et s’attache à mettre en évidence la façon dont celles-ci défient les images du féminin élaborées par les créateurs surréalistes masculins ; les notions de déguisement, de travestissement et de mascarade sont examinées et présentées comme inséparables de la quête de soi. Le chapitre 4, enfin, s’intéresse aux « miroirs de la relation » et à la « relation aux miroirs » des deux artistes. Dans un premier temps sont abordées les représentations de l’amitié créative unissant les deux artistes dans leur œuvre, notamment écrite, et les mécanismes de fictionnalisation qui les soutiennent. Les jeux de miroirs qu’ont disposés entre leurs images les deux femmes en écrivant à quatre mains sont ensuite analysés, ainsi que le motif pictural du miroir, lequel peut être considéré comme un emblème de la démarche créative de Remedios Varo et de Leonora Carrington, objet symbolique et magique plus que dispositif spéculaire
This PhD dissertation focuses on a literary and pictorial comparative analysis of European-born artists Remedios Varo (1908-1963) and Leonora Carrington (1917-2011) who, in the 1930s, participated in the Surrealist group in Paris and then went into exile in Mexico during World War II. The purpose of this study is to identify points of convergence and divergence in the creative process of these two artists. Equally important, this thesis will endeavor to enable a dialogue between their artworks and to examine their creative collaboration while focusing on the concept of images. The standpoint of this dissertation is at the same time comparative and multidisciplinary, for it is formulated at the junction of art history, literary analysis, pictorial analysis, and history.The notion of image, the conceptual contours of which are explained in the preamble 2 is to be understood in almost all of its significations – from pictorial and verbal image to mind-made image, in which oneiric image is to be included – and is seen as a conceptual intersection point par excellence.The first part of this study questions the construction of images or, using a metaphor borrowed from the alchemical language, the image laboratory. Chapter 1 introduces and theorizes the notion of surrealist image in order to reveal the ways in which both artists integrated into their works the surrealist state of mind, being an invitation to question the visible world, and went beyond it through the elaboration of “world models”, by analogy with specific alchemical and occultist processes. Chapter 2 not only considers exile as a historical and cultural context that gave way to profound mutual and dynamic influences, but also as a pivotal notion that enables to comprehend, in their productions, phenomena of reappropriation, hybridization, creative transfusion and transgression.The second part delves deeper into the comparison of images realized by both artists – an analysis that follows a dialectical pattern that combines the concepts of image-reflections and image-distortions. Chapter 3 analyzes female self-representations and is dedicated to reveal the way in which these representations challenge the images of the feminine as elaborated by male surrealist creators. Notions of transvestism and masquerade are examined and presented as inseparable from the quest to self-discovery.Finally, Chapter 4 pays attention to both artists’ “mirrors of relation” and “relation to mirrors”. On the one hand, this analysis addresses the creative friendship that unites both artists in their work, more specifically in their written expression, and the mechanisms of fictionalization pertaining to it. The mirror effects that are at play in the images of both artists who created fourhanded works and the pictorial motif of the mirror are also focused on in this research. Indeed, the mirror may be considered as an emblem of Remedios Varo’s and Leonora Carrington’s creative approach, not only as a specular tool but also and more importantly, as an object of symbolism and magic

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Trennheuser, (geb Schacht) Sophie Anabel Leonora [Verfasser]. "Laser induzierte Geweberemodellierung des Trommelfells / Sophie Anabel Leonora Trennheuser (geb. Schacht)". Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2020. http://d-nb.info/1238074146/34.

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Mackaya, Tahnee. "Le Discours des "sans voix"chez Ananda Devi et Leonora Miano". Thesis, Cergy-Pontoise, 2016. http://www.theses.fr/2016CERG0848.

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Les romans d’ Anada Devi et ceux de Léonora Miano sont peuplés de « sans-voix », une autre façon d'évoquer les nombreux invisibles de nos sociétés contemporaines. Handicapés physiques ou mentales, immigrés, ex colonisés, exilés, personnes en précarité sociale et économique, migrants, enfants de la rue, enfants de la guerre, tels sont les visages muets du XXI siècle. Mis au bas, ils sont souvent perçus comme des menaces à l'ordre établi et sont souvent contraints au silence. Par les arts dont la littérature, les deux écrivaines leur inventent un langage producteur d’un contre discours. Peu à peu, par les mots et les silences, les invisibles se fraient un chemin pour dire une identité autre, ouverte et non protectionniste. Si chez Devi, la tradition et le pouvoir masculin annihilent et soumettent des individus dits "Shehtan", "anormaux" parce que différents des canons officiels (beauté, apparence, logique, caste, genre) , chez Miano c'est le choc culturel entre l'Occident et l'Afrique qui a laissé des traces indélébiles sur la psyché et l'identité africaine. Sans les figer dans la douleur de l'oppression, les deux écrivaines francophone, leur rendent leur histoire et leur mémoire. Ainsi, qu'il s'agisse de dé-ponctuation, de diglossie, d'hybridité genrologique ou linguistique, de duplicité narratives, d'effets de styles, de la pensée ou de la communication, les formes littéraires travaillent à inventer d’autres identités. . L'Afropéanisme et l'humanimalité sont ainsi frère et soeur d'une même vision du monde apte à construire un inter espace de dialogue apaisé. . Les identités que décrivent et réenchantent les deux auteures sont celles de l’entre deux qui permet d'accueillir toutes les singularité La posture littéraire devient politique pour lutter contre les discriminations et les inégalités afin d’ "habiter poétiquement le monde"
The novels of Anada Devi and the Leonora Miano are full of "voiceless", another way of talking about the many invisible in contemporary societies. physical or mental disabilities, immigrants, ex colonized exiles, people in social and economic insecurity, migrants, street children, children of war, are the silent faces of the XXI century. Placed at the bottom, they are often perceived as threats to the established order and are often silenced. The arts including literature, both writers invent their language a producer against a speech. Gradually, with the words and the silente, invisible make their way to tell an another identity Open and not protectionist. If at Devi, tradition and masculine power and annihilate submit individuals called "Shehtan", "abnormal" because different official canons (beauty, appearance, logic, caste, gender), in Miano is the cultural clash and West Africa that has left an indelible mark on the psyche and the African identity. No freeze in the pain of oppression, both francophone writers, make their history and memory. So be it de-punctuation, diglossia of genrologique or linguistic hybridity, narrative duplicity, effects of styles, thinking or communication, literary forms working to invent other identities. . The Afropéanisme and humanimalité are brother and sister and the same worldview able to construct an inter space of peaceful dialogue. . Identities that describe and re-enchant the two authors are those between the two that can accommodate all literary singularity posture becomes policy to fight against discrimination and inequality in order to "dwell poetically the world"

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Fox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin". University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.

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Salmerón, Cabañas Julia. ""Errant in time and space" : a reading of Leonora Carrington's major literary works". Thesis, University of Hull, 1997. http://hydra.hull.ac.uk/resources/hull:11073.

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Part One deals with Carrington's association with the Surrealist movement and looks at her texts as dreams/nightmares. Born in 1917, Carrington arrived in Paris just before her twentieth birthday. The opening chapter deals chiefly with biographical material and creates a context for Carrington's writing within the Surrealist movement. Chapters Two and Three explore Carrington's main stories of this period, examining the stylistic devices that make them dream-texts. Part Two deals with the major crisis in Carrington's life and writing: her internment in a Spanish asylum. Chapter Four looks at the biographical events that led Carrington to be interned and suggests that her father and his associations with Imperial Chemical Industries had more to do with her internment than is commonly believed (Appendix I includes a transcript of my interview with her Spanish doctor and testifies to contacts with ICI). Chapter Five analyses the "mad" narrative "Down Below", where the repression of Carrington's "playing with language" is exposed through an impressive imagery of death. Chapter Six explores the stories written in New York immediately after release: "Cast Down By Sadness", "White Rabbits", "Waiting", "The Seventh Horse" and "As They Rode Along the Edge". The grotesque female bodies and the pervasiveness of the monstrous distinguish these stories as Carrington's chaotic, "creative" resurrection. Finally Part Three looks at Carrington's Mexican period, where her writing achieves a voice that, although resonant of previous moments, stops being tragic and becomes revolutionarily comic. Chapter Seven follows Carrington's life in Mexico, where she still lives, from 1942 to the present. Chapter Eight deals with four of her best Mexican writings: the novel The Stone Door, the play The Invention of the Mole, the short story "The Happy Corpse Story" and an unpublished letter to Remedios Varo (1958) included in Appendix II. Finally Chapter Nine deals at length with The Hearing Trumpet.

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Rehberg, Gerlinde. "Treacherous mirrors and the quest for the self in the work of Leonora Carrington". Thesis, University of East Anglia, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300489.

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Turner, M. K., of Western Sydney Nepean University i School of Contemporary Arts. "Representation and womens art". THESIS_XXX_CAR_Turner_M.xml, 1998. http://handle.uws.edu.au:8081/1959.7/732.

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The thesis contains a discussion of surrealism and the work of Meret Oppenheim and Leonora Carrington. In the thesis I also distinguish three groups of paintings in essays and describe my work and the way in which theory and practice have recommended one another. 'Salience and Surrealism' discusses how the features of collaboration, play and partnership involve women artists within the surrealist movement, and how their ideas of the feminine principle evolve and change. I also discuss the changing attitudes to imagination, creative inspiration and activity, and the understanding brought about by the meeting between surrealism and psychology. The salience of surrealism as an introverted urge and instinct toward individuation, is suggested by Kenneth Wack 'as the source of surrealism's most abiding success.' The contemporary use of salience applies to features, characteristics, and from architecture as protrusions or fortifications. The dictionary definition begins with extroverted examples like dancig, leaping about and jetting forth. The archaic meaning is origin or first beginning, hence in old medicine salience applies to the heart when it first shows in the embryo. In salience the anagram of, a silence, gave heed to the atmosphere of silence from creativity and in paintings. A silence, also corresponds with the middle part of Meret Oppenheim's life when she experienced an artisitc crisis and depression. This essay looks back fifty years of self-expression from this artist and finds prominent features to suggest the essential dichotomies which mark the artwork. Meret Oppenheim's ouevre includes painting, sculpture, poetry, books, and theatre costume and apparal. Her multiple talents in the arts and literature are like those of Leonora Carrington who has published several books and plays, in the visual arts she sculpted and painted. The salience of their creative and intellectual endeavours found realisation in the wisdom of the feminine, of animal spirits and of natural worlds. The principles of alchemy also inspired and informed their attitudes to creativity which emerges from the unification of opposites. Both artists called for a new alliance between male and female principles, and evolve concepts of androgyny, which for them lift creation to higher levels. These women as artists found a field of the arts that furnished them with both physical life and spiritual life
Master of Arts (Hons)

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Zange, Leonora [Verfasser]. "Phosphoryliertes α-Synuclein als diagnostischer Marker für eine dermale sympathische Neurodegeneration bei Lewy body-Erkrankungen / Leonora Zange". Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2014. http://d-nb.info/1062949064/34.

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Książki na temat "Leonora"

Ripa, Carmen Torres. Leonora. [Madrid]: Olalla Ediciones, 1998.

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Helleberg, Maria. Leonora. København: Gyldendal, 1997.

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Leonora. México, D.F: Seix Barral, 2011.

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Komaiko, Leah. Leonora O'Grady. New York, NY: HarperCollins, 1992.

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Bürger, Gottfried August. Leonora: 1796. Otley, West Yorkshire, England: Woodstock Books, 2000.

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Gonzalo, Leiva Quijada, red. Contrasombras: Leonora Vicuña. Providencia, Santiago [Chile]: Ocho Libros, 2010.

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Poniatowska, Elena. Leonora: A novel. London: Serpent's Tail, 2015.

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Carlos, Emerich Luis. Leonora Carrington: Una retrospectiva. Monterrey, N.L. México: Museo de Arte Contemporáneo de Monterrey, 1994.

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Lindegård, Hjorth Poul, Akhøj Nielsen Marita, Nielsen Ingelise i Danske sprog og litteraturselskab, red. Leonora Christinas "Jammers minde". København: Reitzel, 1998.

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Carrington, Leonora. Leonora Carrington: Recent works. New York, N.Y: Brewster Gallery, 1988.

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Części książek na temat "Leonora"

Wild, Gerhard. "Carrington, Leonora". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3021-1.

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Rühling, Lutz. "Ulfeldt, Leonora Christina". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22131-1.

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Wild, Gerhard. "Carrington, Leonora: Die Erzählungen". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3022-1.

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Heitmann, Annegret. "Leonora, Gräfin Christina Ulfeldt". W Metzler Autorinnen Lexikon, 297–98. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_209.

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Drexler, Michael J. "Leonora Sansay’s Anatopic Imagination". W Urban Identity and the Atlantic World, 143–57. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137087874_8.

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Svendstrup-Lund, Charlotte. "Ulfeldt, Leonora Christina: Jammers Minde". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22132-1.

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Schonfield, Ernest. "Myths of Anglo-German Surrealism: Max Ernst and Leonora Carrington". W In the Embrace of the Swan, 231–59. Berlin, New York: DE GRUYTER, 2010. http://dx.doi.org/10.1515/9783110215915.3.231.

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Miller, Judith Graves. "Remapping the Memory of Slavery: Leonora Miano’s Theatrical Dream, Red in blue trilogie". W Memory as Colonial Capital, 157–78. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50577-0_9.

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Cakeljić, Vesna. "Un regard autre sur l’histoire de l’Afrique dans La saison de l’ombre de Leonora Miano". W Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 379–89. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch29.

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Hermann, Pernille. "A Female Job and a Witch: High and Low in Leonora Christina Ulfeldt’s Jammers minde". W Acta Scandinavica, 389–408. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.as-eb.5.121353.

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Streszczenia konferencji na temat "Leonora"

Miranda Cherem, Rosângela, i Andrey Parmigiani da Silva. "MODOS DE EXISTÊNCIA EM QUATRO OBRAS DE LEONORA CARRINGTON". W 31º Encontro Nacional da ANPAP - EXISTÊNCIAS. ,: Even3, 2022. http://dx.doi.org/10.29327/31enanpap2022.513517.

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Vogler, Michael, Johannes Schleicher, Christian Inzinger, Stefan Nastic, Sanjin Sehic i Schahram Dustdar. "LEONORE -- Large-Scale Provisioning of Resource-Constrained IoT Deployments". W 2015 IEEE Symposium on Service-Oriented System Engineering (SOSE). IEEE, 2015. http://dx.doi.org/10.1109/sose.2015.23.

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Ye, Shen, Sun Xin, Lv Gang i Li Tan. "Antioxidant activity of fruits of Herba Leonuri". W 2011 International Conference on Human Health and Biomedical Engineering (HHBE). IEEE, 2011. http://dx.doi.org/10.1109/hhbe.2011.6028031.

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Zhong, Qing-Chang. "Speed-sensorless AC Ward Leonard drive systems". W 2010 International Symposium on Power Electronics, Electrical Drives, Automation and Motion (SPEEDAM 2010). IEEE, 2010. http://dx.doi.org/10.1109/speedam.2010.5544901.

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Telford, Cody L., i Robert H. Todd. "An Investigation of the Ward Leonard System for Use in a Hybrid or Electric Passenger Vehicle". W ASME 2013 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/detc2013-12051.

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Since the early 1900’s demand for fuel efficient vehicles has motivated the development of electric and hybrid electric vehicles. Unfortunately, some components used in these vehicles are expensive and complex. Todays consumer electric vehicles use dangerously high voltage, expensive electronic controllers, complex battery management systems and AC motors. The goal of this research at BYU is to increase safety by lowering the operating voltage and decrease cost by eliminating expensive controllers and decrease the number of battery cells. This paper specifically examines the use of a Ward Leonard Motor Control system for use in a passenger vehicle. The Ward Leonard System provides an alternative control method to expensive and complex systems used today. A Control Factor metric was developed as a result of this research to measure the Ward Leonard System’s ability to reduce the size and cost of the electronic controller for application in an EV or HEV. A bench top model of the Ward Leonard system was tested validating the Control Factor metric. The Ward Leonard system is capable of reducing the controller size by 77% and potentially reducing its cost by this amount or more. This work also provides performance characteristics for automotive designers and offers several design alternatives for EV and HEV architectures allowing a reduction in voltage, the use of AC inverters, AC motors, expensive controllers and high cell count battery packs.

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Rittenhouse, Sarah, Yamin Li, Kate Hughston-Kennedy, Joanna Fritz, Lauren Cassel, Valentina Baum, Sarah Liem i Tom Mooney. "Delaware Basin Leonard Reservoir Characterization, New Mexico and Texas". W Unconventional Resources Technology Conference. Tulsa, OK, USA: American Association of Petroleum Geologists, 2017. http://dx.doi.org/10.15530/urtec-2017-2668602.

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Peng, Shia-Hui, i Lars Davidson. "Approximation of subgrid-scale stresses based on the Leonard expansion". W Turbulence, Heat and Mass Transfer 6. Proceedings of the Sixth International Symposium On Turbulence, Heat and Mass Transfer. Connecticut: Begellhouse, 2009. http://dx.doi.org/10.1615/ichmt.2009.turbulheatmasstransf.1410.

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Ruela, Ingrid, i Pedro Guimaraes Junior. "Leona Vingativa, uma estrela da convergência". W Congresso de Iniciação Científica UNICAMP. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/revpibic2720192467.

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Na, Yan. "The Internal Logic and Its Creativity of Leonard Bloomfield's Modern Linguistics". W 2017 International Conference on Social science, Education and Humanities Research (ICSEHR 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icsehr-17.2017.43.

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Rusu, Ștefan, Dumitru Erhan, Oleg Chihai, Maria Zamornea, Ion Gologan, Nina Chihai, Mihail Pruteanu i Vadim Rusu. "Diversitatea helmintofaunei la câinii maidanezi în dependență de vârstă și biotop". W International symposium ”Functional ecology of animals” dedicated to the 70th anniversary from the birth of academician Ion Toderas. Institute of Zoology, Republic of Moldova, 2019. http://dx.doi.org/10.53937/9789975315975.58.

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More than 1200 biological samplings were collected from the free-ranging dogs of various ages and biotopes that allowed to study the diversity of their helminth fauna. The results of investigations revealed that 95% of researched dogs are infested with multiple parasites mostly endoparasites (Eimeria canis, Dipilidium caninum, Echinococcus granulosus, Toxocara canis, Toxascaris leonina, Ancylostoma caninum and Trichocephalus vulpis.). It was established that the level of contamination with the all above mentioned parasites in free-ranging dogs is hogher in the adult dogs compared to the young ones. The young dogs were predominantly infested with parasites from the class Sporozoite (Eimeria canis) and the Nematoda class (Toxocara leonina). The level of contamination with parasites of the free-rangeging dogs is higher in the rural regions compared to the urban area.

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Raporty organizacyjne na temat "Leonora"

Lara Coronado, Catalina. Retratos de Mujeres en Bioquímica: Maud Leonora Menten. Sociedad Española de Bioquímica y Biología Molecular, październik 2011. http://dx.doi.org/10.18567/sebbmdiv_rmb.2011.10.2.

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Del Mauro, Diana. Being Responsive: Leonard Manzanares. Office of Scientific and Technical Information (OSTI), grudzień 2018. http://dx.doi.org/10.2172/1484620.

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Vance, Samuel, Thomas Carlson, Juan Davila-Perez i Dominique Gilbert. Deconstruction feasibility assessment of warehouse district facilities at Fort Leonard Wood, Missouri. Engineer Research and Development Center (U.S.), luty 2022. http://dx.doi.org/10.21079/11681/43120.

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The U.S. Army Engineer Research and Development Center, Construction Engineering Research Laboratory (ERDC-CERL) and Fort Leonard Wood, MO, are in the sixth year of efforts to plan and implement a program in support of installation sustainability. As part of this effort, ERDC-CERL personnel supported the Fort Leonard Wood Directorate of Public Works (DPW) by conducting a deconstruction assessment of multiple buildings in the warehouse district. The project delivery team visited Fort Leonard Wood in April 2017 to conduct quantity take-offs of the buildings. An abbreviated interim report that focused exclusively on Bldgs. 2338 and 2339 was provided to the Chief, Master Planning Branch, at that time. These two buildings were representative of the majority of the buildings in the assessment and thus became the model that we describe in detail in the sections below. Differences between the other warehouses and the model are discussed. Several buildings that had configurations different from that of the model were evaluated independently.

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Gebhart, Dick, Ryan Busby, Annette Stumpf i Susan Bevelheimer. Demonstration of Combined Food and Landscape Waste Composting at Fort Leonard Wood, MO: Fort Leonard Wood Installation Strategic Sustainable Plan. Fort Belvoir, VA: Defense Technical Information Center, styczeń 2016. http://dx.doi.org/10.21236/ad1001865.

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Diaz-Estrada, Grace M., i James D. Westervelt. Black Swan Event Assessment for Fort Leonard Wood, Missouri. Fort Belvoir, VA: Defense Technical Information Center, marzec 2016. http://dx.doi.org/10.21236/ad1007545.

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Jackson, Sarah, i Jason Church. Fort Leonard Wood German POW stonework : maintenance and repair. Construction Engineering Research Laboratory (U.S.), sierpień 2017. http://dx.doi.org/10.21079/11681/22790.

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Palmer, Kevin J., Sarah B. Nemeth, Annette L. Stumpf i Susan J. Bevelheimer. Initial Integrated Strategic Sustainability Plan for Fort Leonard Wood. Fort Belvoir, VA: Defense Technical Information Center, maj 2012. http://dx.doi.org/10.21236/ada572606.

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Tooker, Megan W., Sunny Stone i Adam Smith. Fort Leonard Wood Cantonment Landscape Context, Inventory, and Management. Fort Belvoir, VA: Defense Technical Information Center, wrzesień 2007. http://dx.doi.org/10.21236/ada478592.

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Smith, Adam, i Marcia Harris. Fort Leonard Wood Maintenance and Repair Manual: Black Officer's Club. Fort Belvoir, VA: Defense Technical Information Center, czerwiec 2005. http://dx.doi.org/10.21236/ada439996.

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