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1
Oldmixon, Katherine Durham. "Otherworlds/otherness : the cultural politics of exoticism in the Middle English "Breton" lays /". Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008409.
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Fisher, Tyler. "Jose Marti's Ismaelillo : an english translations". Honors in the Major Thesis, University of Central Florida, 2002. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/272.
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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Arts and Sciences
Spanish
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Truelson, Charlotta. "Adverbial placement in Swedish and English translations". Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-48446.
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The purpose of this paper was to do an investigation of adverbials in fiction and non-fiction texts translated into Swedish and English. Adverbials are more flexible regarding position in sentences than other constituents. It has been of interest to find out if there are any remarkable differences in mean-ing due to repositioned adverbials in translation, and the focus has been on adverbials in initial, medial and final position. The results showed that most adverbials retained their position, and also their meaning in translation. There were no noteworthy differences in how adverbials were translated in fiction compared to non-fiction. The preferred position of adverbials was the end position for most types of adverbials in English and Swedish.
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Luonua, M. M. (Matti-Mikael). "Transfer of meaning in tourist brochure translations". Master's thesis, University of Oulu, 2013. http://urn.fi/URN:NBN:fi:oulu-201303191112.
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The topic of this thesis concerns the translation of tourist brochures and how the message of the original text, along with the intended perlocution, are transferred to the translated text. The thesis mainly looks at translations from Finnish to English. There are two exceptions, where translations in Italian, German, Swedish and Russian were also looked at for comparison. The analysed translations were found from ten brochures that were collected from the Tornio and Pello tourist information offices, and two websites that promote locations in Muonio and in Tornio, respectively. The brochures promote locations situated in Lapland except for one, which promotes the food culture of Finland. The theoretical background for the text includes Relevance Theory and the linguistic concepts of locution, illocution, and perlocution. The analysis utilises concepts from translation theory, including functional, cultural and descriptive equivalents, transference, and the covert and overt methods. The goal of the analysis was to see how the aforementioned concepts from translation theory are used in tourist brochure translations to transfer the meaning of the original text to the translated text, and if the translation process has a negative effect on the relevance and intended perlocution, which in turn can lower the attraction of the brochure and the promoted location. The goal also included seeing if translators attempt to avoid this negative effect and if they do, what are the measures that are taken to prevent it. The results of the study reveal that in some cases, the translators do in fact seem to recognise the importance of relevance and the transferral of intended perlocution, thus striving to improve relevance and take measures to aid the transferral of intended perlocution. In other cases, the translators did not seem to hold relevance and perlocution in importance. In these cases the relevance could even be lowered. It seems that the most negative effect on the translation was created when text was omitted in the translation. The results of this study could be used for example to teach translators in the commercial business how relevance and the transferral of intended perlocution are improved and how to avoid the methods that have a negative effect on relevance and transferral of intended perlocutionTutkielman aihe on matkailuesitteiden käännökset ja miten alkuperäisen viestin sisältö ja sen tarkoitettu tehtävä ja perlokuutio siirtyvät toiselle kielelle. Pääosin gradussa tarkastellaan käännöksiä suomesta englanniksi. Poikkeuksina olivat kaksi tapausta, joissa tarkasteltiin vertailun vuoksi miten sama käännös oli tehty italiaksi, saksaksi, ruotsiksi ja venäjäksi. Käännökset löytyivät kymmenestä matkailuesitteestä, jotka oli kerätty Tornion ja Pellon matkailutoimistoista sekä kahdesta nettisivusta, joista toinen edustaa torniolaista ja toinen muoniolaista matkailuyhtiöitä. Esitteet edustavat pääosin Lapissa sijaitsevia matkailukohteita mutta yksi esite käsittelee koko Suomen ruokakulttuuria. Teoreettisena tukena tutkielmalle toimivat relevanssiteoria ja kielitieteen käsitteet lokuutio, illokuutio ja perlokuutio. Analyysissa käytettiin myös käännöstieteen käsitteitä, jotka olivat funktionaalinen, kulttuurillinen ja deskriptiivinen ekvivalentti, transferenssi, sekä piilokäännös ja ilmikäännös. Analyysin päämäärä on tutkia miten yllämainittuja käännöstieteen käsitteitä käytetään matkailuesitteissä siirtämään alkuperäiskielisen tekstin tarkoitus käännökseen ja se onko käännösprosessilla negatiivinen vaikutus käännetyn esitteen relevanssiin ja perlokuution siirtymiseen, jotka vaikuttavat vuorollaan esitteen vetovoimaan. Päämäärään kuului myös tutkia yrittävätkö kääntäjät välttää tätä negatiivista vaikutusta ja jos yrittävät, millä tavoilla sitä pyritään välttämään. Tutkimuksen tulokset paljastivat sen, että joissain tapauksissa kääntäjät saattoivat tunnistaa relevanssin sekä tarkoitetun perlokuution siirtymisen tärkeyden ja täten pyrkivät parantamaan relevanssia sekä käyttämään toimenpiteitä, jotka auttoivat tarkoitetun perlokuution siirtymisessä. Esimerkiksi ylimääräisen tiedon lisääminen käännösversioon voi lisätä relevanssia ja täten myös tarkoitetun perlokuution siirtymistä. Toisissa tapauksissa kääntäjät eivät pitäneet korkeaa relevanssia tai tarkoitettua perlokuutiota kovin tärkeänä. Näissä tapauksissa relevanssi saattoi jopa laskea eikä tarkoitettu perlokuutio siirtynyt käännettyyn tekstiin kovin hyvin. Kävi ilmi, että negatiivisin vaikutus käännökseen syntyy kun tekstiä jätetään pois. Tutkielman tuloksia voisi käyttää esimerkiksi opettamaan mainosalan kääntäjille millä tavoin käännösten relevanssia ja tarkoitetun perlokuution siirtymistä voisi parantaa ja miten niiden heikkenemistä voisi välttää
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Jones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.
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This thesis explores the first English translations of Molière's works published between 1663 and 1732 by writers that include John Dryden, Edward Ravenscroft, Aphra Behn, and Henry Fielding. It challenges the idea that the translators straightforwardly plagiarized the French plays and instead argues that their work demonstrates engagement with the dramatic impact and satirical drive of the source texts. It asks how far the process of anglicization required careful examination of the plays' initial French national context. The first part of the thesis presents three fundamental angles of interrogation addressing how the translators dealt with the form of the dramatic works according to theoretical and practical principles. It considers translators' responses to conventions of plot formation, translation methods, and prosody. The chapters are underpinned by comparative assessments of contextual theoretical writings in French and English in order to examine the plays in the light of the evolving theatrical tastes and literary practices occasioned by cross-Channel communication. The second part takes an alternative approach to assessing the earliest translations of Molière. Its four chapters are based on close analysis of culturally significant lexical terms which evoke comically contentious social themes. This enquiry charts the changes in translation-choices over the decades covered by the thesis corpus. The themes addressed, however, were relevant throughout the period in both France and England: marital discord caused by anxieties surrounding cuckoldry and gallantry, the problems of zealous religious ostentation, the dubious professional standing of medical practitioners, and bourgeois social pretension. This part assesses how the key terms in translation were chosen to resonate within the new semantic fields in English, a target language which was coming into close contact with new French terms.
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Humed, Kammi G., Kenneth T. Olson i Janet Cooley. "Verification of Non-English-Language Prescription Label Translations". The University of Arizona, 2016. http://hdl.handle.net/10150/613994.
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Class of 2016 AbstractObjectives: To verify a set of translated medication labels in consultation with native speakers of non-English languages, specifically for this study: Amharic, Arabic, Chinese (Mandarin), Somali, Spanish, Tigrinya, and Vietnamese. Methods: Native speakers of target languages were recruited from academic and community organizations in the Tucson area. Participants were asked to review a set of translated directions and complete a survey regarding the validity and comprehensibility of the translations. In some cases, a short interview was used to clarify any comments or corrections made by the participants. Results: Surveys were completed by 23 participants, 12 men and 11 women, covering seven languages, with an uneven distribution between languages. Directions in Somali were the least problematic, with relatively strong agreement between respondents. Amharic directions were rated poorly and scored consistently worse than the overall average. Tigrinya had the most variation between respondents compared to other languages. Chinese, Spanish, and Vietnamese all received rather high scores, but analysis is complicated by a small sample size for each. Among responses to the open-ended questions, comments regarding word choice were the most common, for various reasons. Conclusions: We were able to validate some of the provided translations, but found that certain languages posed more problems than others, and these translations would need to undergo further review before they can be reliably used in clinical practice.
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Reid, Joshua S. "Review Essay: MHRA Tudor & Stuart Translations". Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/3164.
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Wang, Baorong, i 汪宝荣. "Shaoxing Dialect in English translations of Lu Xun's fiction". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40887698.
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Brashi, Abbas S. "Arabic collocations : implications for translations". Thesis, View thesis, 2005. http://handle.uws.edu.au:8081/1959.7/20062.
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The subject of collocability has been a common concern among linguists, lexicographers, and language pedagogues recently. They find the linguistic aspect of collocation interesting, because words due not exist in isolation from other words in a language. They exist with other words. In every language, the vocabulary consists of single words and multi-word expressions. Collocations are among those multi-word expressions. The aim of this thesis is to characterize collocations in the Arabic language, to devise a classification of the semantic and the distributional patterns of collocations in the Arabic language and to examine the problems encountered in translating English collocations into Arabic. This will require an analysis of the collocational patterns in both English and Arabic, a classification of the translation outcomes, and therefore, types of errors adopted by translators, an indication of how frequent and significant each error is, and an analysis of the causes of each error.
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Eichel, Andrew Timothy. "Translating Anglo-Saxon poetry : foreignized translations of "The seafarer" and "The wanderer" /". View online, 2009. http://repository.eiu.edu/theses/docs/32211131566903.pdf.
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Pearce, Adam. "English translations of Daniel Owen 1888-2010 : nation, canon and Welsh-English cultural relations". Thesis, Bangor University, 2015. https://research.bangor.ac.uk/portal/en/theses/english-translations-of-daniel-owen-18882010--nation-canon-and-welshenglish-cultural-relations(b5e7018c-beda-43a7-b6da-a4c43f3ab816).html.
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Diehm, Erin Elizabeth. "An Analysis of Russian diminutives in Russian and English translations". Connect to resource, 1991. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1260983388.
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Slater, Catherine. "The concept of voice in English translations of Ovid's Heroides". Thesis, University of Surrey, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499416.
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An investigation of narrative voice in translation is presented here, in a way which aims to draw together the disciplines of Translation Studies, Narratology and Classical Studies. In recent Classical scholarship, there has been considerable interest in the voices that can be heard in the Latin text of Ovid's Heroides, but there has been no consideration of the way in which readers of this text in English translation may receive and interpret the narrative voice.
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Tso, Wing-bo, i 曹穎寶. "Female sexuality in Grimm's fairy tales and their English translations". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B26736160.
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Hassen, Rim. "English translations of the Quran by women : different or derived?" Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/55511/.
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The study of gender as an analytical tool in Translation Studies has highlighted women's position as translators and creators of meaning and has opened the way for questioning established realities, "truths" and norms created by the dominant male voice. The aim of this research is to study four English translations of the Quran by women: The Quran, Arabic text with Corresponding English Meaning (1995) by Umm Muhammad, The Light of Dawn (1999) by Camille Adams Helminski, The Holy Quran: Translation with Commentary (2006) by Taheereh Saffarzadeh and The Sublime Quran (2007) by Laleh Bakhtiar, in order to determing whether these women translators are challenging or reproducing patriarchal gender hierarchies through their renditions of the Sacred Text of Islam. An important second thread is to investigate the assumption that a translator's feminine gender automatically results or leads in/to a woman-centred or feminist reading of the source text. Considering that scholars working on gender and translation have focused on various elements of the translation process, in this study, my research questions revolve around four main areas, namely (1) the role of paratexts, (2) the extent of interventions in the Sacred Text (3) linguistic choices, and finally (4) interpretation of gender-related terms. In order to address these questions, I will adopt a critical and comparative analysis between the four individual English translations of the Quran by women, the original Arabic text, and, occasionally, other English versions translated by men. The main findings reveal that there is a deep divide between translations produced by women translators living in Muslim majority countries and those living in the United States. Finally, this research suggests that the study of women's role as translators of religious texts in different cultural, social and religious settings could help produce a more nuanced and critical view of the impact of the translator's gender on his/her work.
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Widmer, Matthias. "Virgil after Dryden : eighteenth-century English translations of the Aeneid". Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8109/.
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John Dryden’s 1697 translation of Virgil’s Aeneid is often seen as the pinnacle of an English tradition that read the Roman poet in primarily political terms and sought to relate his epic to contemporary matters of state. The present thesis takes a different approach by examining Dryden’s influence on his eighteenth-century successors to determine, on the one hand, what they hoped to accomplish by retranslating the same original and, on the other hand, why none of them was able to match his success. Dryden’s impact as a stylistic (rather than an ideological) model was balanced not only against a newly emphasised ideal of literalism but also against a whole range of other creative forces that posed at least an implicit challenge to his cultural dominance. Chapter 1 demonstrates Dryden’s systematic refinement of the couplet form he inherited from his predecessors and draws on his theoretical writings to suggest how it can be seen as a key aspect of his particular approach to Virgil. Chapter 2 discusses Joseph Trapp’s blank verse Aeneid and its debt to Dryden’s couplet version; I will show that the translator’s borrowings from the precursor text run directly counter to his declared ambitions to remain faithful to Virgil. Chapter 3 focusses on Christopher Pitt, the Virgil translator who came closest to paralleling Dryden’s popular acclaim; encouraged by fellow men of letters, Pitt published his translation in gradually revised instalments that reflect Dryden’s growing influence over time. Alexander Strahan, the subject of Chapter 4, aligned himself with a parallel tradition of Miltonic renderings by absorbing numerous expressions from Paradise Lost into his blank verse translation of the Aeneid and frequently used them to foreground thematic connections between the two epics; however, his revisions, too, show him moving closer to Dryden as time went by. James Beresford, discussed in Chapter 5, stands out among the other Miltonic translators by virtue of giving his borrowings in quotation marks – a practice that will be illuminated in connection with the multidisciplinary work of the artist Henry Fuseli and the equally Mil-tonic Homer translation that William Cowper composed under the latter’s supervision. Chapter 6, finally, offers an analysis of William Wordsworth’s failed attempt at translating the Aeneid. Given that he was one of the key reformers of English poetry, Wordsworth’s return to the traditional couplet form at a later stage in his career is surprising, as is the fact that his style became more Drydenian the further he proceeded.
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Brashi, Abbas S. "Arabic collocations implications for translations /". View thesis, 2005. http://handle.uws.edu.au:8081/1959.7/20062.
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Thesis (Ph.D.) -- University of Western Sydney, 2005."A thesis presented to the University of Western Sydney, College of Arts, Education and Social Sciences, School of Languages and Linguistics, in fulfillment of the requirements for the degree of Doctor of Philosophy, 2005." Includes bibliographical references and appendices.
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Chan, Red M. H. "Politics of translation : mainland Chinese novels in the Anglophone world during the post-Mao era". Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273099.
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Chiu, Ching-li Lily, i 趙靜莉. "Demonstratives in literary translations: a contrastive study of English and Japanese". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B29815964.
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馮陳善奇 i Sydney S. K. Fung. "The poetry of Han-shan in English: a culturalapproach". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31224386.
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Brockman, S. (Suvi). "Dutch translations of character names in Harry Potter and the Philosopher’s Stone". Master's thesis, University of Oulu, 2016. http://urn.fi/URN:NBN:fi:oulu-201604071409.
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The topic of the thesis is the Dutch translations of character names in Harry Potter and the Philosopher’s Stone, which is a story about how Harry Potter discovers the magical world after spending the first 11 years of his life in the ordinary, non-magical world. The book has been translated by Wiebe Buddingh’. There are altogether 112 characters in the novel, all of which have been included because effort has been made to create and translate each name. The purpose of the study was to investigate the translation of the names into the Dutch language: how they have been translated exactly and how they compare with translations into other languages. The analysis has been conducted through a careful reading of the names. The origin of the target text names was briefly examined and compared with the source text names to discover the method of translation, after which the names were categorised based on what method has been used to translate them. The categories used in this paper are the ones used by Davies (2003), who analysed culture-specific items in the Harry Potter novels. The categories are preservation, addition, omission, globalisation, localisation, transformation and creation. After analysing each name individually, an overview of the translation was formed and the results of the analysis were discussed in the context of each category. The overview also included discussion on the translation in the framework of relevant translation theories introduced in the theoretical background section. Even though I have studied Dutch for some years, I am not yet fluent in it, which is why any problems or difficulties deducting the meaning of the name were solved by consulting a native speaker of Dutch. It was found that preservation was used the most, which is probably due to the closeness of the Dutch and English cultures. Transformation was also quite common and the new names were often linked to the personality of the character or the spelling of the original name. The names were fairly descriptive and unambiguous. The analysis also revealed that there has been a shift towards the Dutch culture because of the way localisation was used: very strange names were changed into more familiar ones and some English names into Dutch ones. Overall, the level of associations in the names was less difficult than in the source text, which indicates that the target audience has been limited to children. This is probably so because it is an extremely challenging task to translate all aspects of names into another language. An unexpected finding was that the Dutch and German translations appear to be different regarding the names despite the similarities in the cultures. On the other hand, the Finnish names in the novel seemed to be translated in a relatively similar manner compared to the Dutch names. Further studies could investigate the names in the other novels of the series, and perhaps the studies could also include other culture-specific items in addition to character namesTutkielman aihe on hahmojen nimien hollanninkieliset käännökset teoksessa Harry Potter and the Philosopher’s Stone, joka on kertomus siitä, kuinka Harry Potter löytää taikamaailman vietettyään elämänsä tavallisessa maailmassa 11-vuotiaaksi asti. Hollanninkielisen käännöksen on tehnyt Wiebe Buddingh’. Romaanissa on kaiken yhteensä 112 hahmoa, ja tutkielmassa on tarkasteltu kaikkia, koska jokaisen nimen luomiseen ja kääntämiseen on nähty vaivaa. Tutkielman tarkoitus oli tutkia nimien käännöksiä hollannin kielelle: miten ne on käännetty tarkalleen ja mitä selviää, kun hollanninkielisiä nimiä verrataan muunkielisiin nimiin. Nimet on analysoitu tarkastelemalla nimiä huolellisesti. Kohdekielisten nimien alkuperät on selvitetty ja niitä on verrattu lähdekielen nimiin, jotta saadaan selville kääntämismetodi. Sen jälkeen nimet on jaettu kategorioihin kääntämismetodin perustella. Tässä tutkielmassa on käytetty samoja kategroioita kuin Davies (2003), joka tutki kulttuurisidonnaisia elementtejä Harry Potter -kirjoissa. Kategoriat ovat seuraavat: säilyttäminen, lisäys, poistaminen, globalisointi, lokalisointi, transformaatio ja luominen. Yksittäisten nimien analyysin jälkeen käännöksistä muodostettiin yleiskatsaus, jossa analyysin tulokset käydään läpi kategoria kerrallaan. Yleiskatsaus sisältää myös pohdintaa käännökseen liittyvistä käännösteorioista, jotka esitellään tutkielman teoriaosiossa. Vaikka olen opiskellut hollantia muutamia vuosia, en osaa sitä vielä sujuvasti, ja siksi tutkimuksessa on konsultoitu hollantia äidinkielenään puhuvaa henkilöä, jotta nimien tulkinnassa vastaantulevat epäselvyydet on saatu ratkaistua. Tutkimuksen tuloksista selviää, että säilyttämistä on käytetty kaikkein eniten, mikä johtunee siitä, että Hollannin ja Englannin kulttuurit ovat jokseenkin samanlaisia. Transfromaatio oli myös melko yleinen, ja sillä tavalla syntyneet uudet nimet liittyivät usein hahmon luonteeseen tai alkuperäisen nimen kirjoitusasuun. Nimet ovat kuvaavia ja yksiselitteisiä. Lokalisoinnin käyttö käännöksessä paljasti myös pienehkön muutoksen hollantilaiseen kulttuuriin päin: hyvin oudot nimet muutettiin tutummiksi ja jotkin englantilaiset nimet muutettiin hollantilaisiksi. Yleensä ottaen mielleyhtymät olivat kohdetekstissä yksinkertaisempia kuin lähdetekstissä, mistä voidaan päätellä, että käännöksen kohdeyleisöksi on rajattu lapsiin. Se johtuu nimien kääntämisen vaikeudesta, sillä on erittäin haastavaa kääntää nimen kaikki aspektit toiselle kielelle. Yllättävä havainto oli se, että hollanninkieliset ja saksankieliset nimien käännökset erosivat toisistaan, vaikka kulttuurit muistuttavat toisiaan läheisesti. Toisaalta selvisi myös, että suomenkieliset nimet on käännetty samalla tyylillä kuin hollanninkieliset. Jatkotutkimusta voitaisiin tehdä siitä, miten nimet on käännetty kirjasarjan muissa osissa, ja aineistoon voitaisiin myös sisällyttää nimien lisäksi muut kulttuurisidonnaiset elementit
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Craven-Bartle, Peltola Cecilia. "Changes in the Syntactic Structure in Translations from English into Swedish". Thesis, Örebro University, Department of Humanities, 2001. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-2130.
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The purpose of this essay is to study how the major syntactic structure is affected when a literary text is translated from English into Swedish. That is, to study what operations take place and the frequency of the different operations in a translation. The purpose is also to see how much the freedom of translation varies between different translators.
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Backman, Pauline. "Achieving Increased Readability : Swedish Red Cross texts and their English Translations". Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-28602.
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The importance of readable texts is gaining increased recognition, especially when writing for a diverse audience represented by people of various backgrounds and cultures. The present study compares the levels of readability in Swedish and English texts, from the Swedish Red Cross organisation. The Swedish texts were translated into English by the author of the present study, with the aim of producing texts written in plain English for a readership with potentially low proficiency in the language. The methods used to measure the readability levels of the source and target texts included two well-established readability tests online, a textual analysis (focused on linking words and the active vs. passive voice) and questionnaires from the Red Cross supervisor and a small group of informants representing the target readership. The results show that increased readability was achieved for the majority of the target texts compared to the corresponding source texts. However, there are results, mainly from the textual analysis, that deviate from this general picture, which may be the reason why the overall grade of the TTs is, fairly easy. However, whether the readability of the target texts is high enough for the diverse readership they are intended for is difficult to assess within the framework of the present study, such an assessment would be suitable when the texts have been available for a longer time. Keywords: readability, readability formulas, linking words, the active voice, the passive voice, English, Swedish, translation.
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Nassimi, Daoud Mohammad. "A thematic comparative review of some English translations of the Qur'an". Thesis, University of Birmingham, 2008. http://etheses.bham.ac.uk//id/eprint/263/.
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This thesis provides a thematic comparative review of some of the English translations of the Qur'an, including the works of Abdullah Yusuf Ali, Muhammad Asad, Taqiuddin Hilali and Muhsin Khan, and Zafarlshaq Ansari/Sayyid Mawdudi. In this study, a new and unique approach is used to review and compare these translations along with their commentaries. They are reviewed based on the following four Qur'anic themes: Injunctions, Stories, Parables, and Short Chapters. These are some of the key themes where the Qur'an translations, especially the ones with commentary, often differ from each other and can be assessed objectively. For each theme, three to four examples are taken as samples from the Qur'an, and they are studied from different points of view. For example, the translation of the verses with injunctions will be reviewed for their relative emphasis over the letter versus the spirit of the law, consideration of jurisprudence knowledge, overall objectives of Islamic law, issues of this age, and impact of the translator's environment. This approach is intended to identify further requirements for offering more accurate and more communicative translations of the Qur'an in the English language.
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Baumgarten, Stefan. "Translation as an ideological interface : English translations of Hitler's Mein Kampf". Thesis, Aston University, 2007. http://publications.aston.ac.uk/14863/.
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The present thesis is located within the framework of descriptive translation studies and critical discourse analysis. Modern translation studies have increasingly taken into account the complexities of power relations and ideological management involved in the production of translations. Paradoxically, persuasive political discourse has not been much touched upon, except for studies following functional (e.g. Schäffner 2002) or systemic-linguistic approaches (e.g. Calzada Pérez 2001). By taking 11 English translations of Hitler’s Mein Kampf as prime examples, the thesis aims to contribute to a better understanding of the translation of politically sensitive texts. Actors involved in political discourse are usually more concerned with the emotional appeal of their message than they are with its factual content. When such political discourse becomes the locus of translation, it may equally be crafted rhetorically, being used as a tool to persuade. It is thus the purpose of the thesis to describe subtle ‘persuasion strategies’ in institutionally translated political discourse. The subject of the analysis is an illustrative corpus of four full-text translations, two abridgements, and five extract translations of Mein Kampf. Methodologically, the thesis pursues a top-down approach. It begins by delineating sociocultural and situative-agentive conditions as causal factors impinging on the individual translations. Such interactive and interpersonal factors determined textual choices. The overall textual analysis consists of an interrelated corpus-driven and corpus-based approach. It demonstrates how corpus software can be fruitfully harnessed to discern ‘ideological significations’ in the translated texts. Altogether, the thesis investigates how translational decision-makers attempted to position the source text author and his narrative in line with overall rhetorical purposes.
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Al-Sowaidi, Belqes Saif Abdulelah. "Textuality in near-synonyms translations of the Holy Qurʾān into English". Thesis, University of the Western Cape, 2011. http://hdl.handle.net/11394/2628.
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Philosophiae Doctor - PhDThe Holy Qurʾān, like the Bible, is an acknowledged literary masterpiece. Its linguistic and aesthetic vivacity with an amalgam of religious beliefs, moral values, religious social orthodoxy and historical backgrounds pose a great challenge to any translator and make the task overwhelmingly arduous, if not unattainable. The study aims at examining the problems the Qurʾān translators encounter while translating near-synonyms from Arabic into English. It is based on the translations of two professional translators namely, Yusuf Ali and T.B. Irving. The translations provide an empirical basis for the discussion of the problems while translating Qurʾānnic texts into English. The corpus for the present study includes the translations of four near-synonymous pairs namely, ghayth and maṭar, al-ḥilf and al-qasm, bakhīl and shaḥīḥ and ʿāqir and ʿaqīm in their Qurʾānic context. The two translated texts are compared to determine to which extent the translations reflect the referential and the connotative meaning of the original Qurʾānic text as well as to which extent they maintain the textuality standards such as cohesion, coherence, informativity, situationality and acceptability, intentionality and intertextuality. In short, the study sets out to identify the roblematic areas in the translated Qurʾānic texts at the lexical and textual levels with a view to determining what makes one translation better than the other, or what brings one translation closer to the original text than the other.The study is an intersection between Qurʾānic exegeses (tafsīr) and applied linguistics. The researcher consults different books on translation theories as well as of Qurʾānic exegeses (tafsīr) to facilitate the process of analyzing the near-synonyms in their Qurʾānic context. The researcher opts for eclecticism, instead of confining to a particular rigid model or approach, which is a combination of text-analysis translation-oriented approaches of De Beaugrande & Dressler(1981); Neubert & Shreve(1992); Halliday (1994) and Hatim & Mason (1990). In addition, the study draws upon the multiple and theoretical implications of Nida's dynamic equivalence, Beekman & Callow's (1974) historical and dynamic fidelity and Gutt's (1991) relevance theory and the emphasis on communication as mainly context-dependent. These models are closely related and reliable in the process of analyzing and evaluating the problems encountered in Arabic-English translation of the Qurʾānic near-synonyms. Furthermore, the researcher suggests an outline approach for the process of analyzing the Qurʾānic near-synonyms translations in a systemic and organized way thereby ensuring maximum and effective communication of the Qurʾānic message. The study concludes that the Qurʾān translator, compared to other literary genres, faces many difficulties in translating the Qurʾānic ST message. The selected translations of the Holy Qurʾān have failed to measure up to the depth of the Qurʾānic message, its originality and the connotative shades of meanings of the original expression. The study attributes these problems to contextual, socio-cultural, theological and historical factors which create differences that lead to gaps or absence of lexicalization in the TT. Furthermore, the reliance on dictionary meaning rather than the meaning of the lexical item in context, the negligence of context culture as well as the context of situation (the reason for the revelation of the verses) affect the “periodicity” of the text as indicated by Martin & Rose (2007, p.187), that is, the information flow of the whole text. Accordingly, this affects maintaining the standards of textuality and the fidelity which a religious text should meet. The complexity of the Qurʾān as genre is a great challenge to the translator at both the lexical and Qurʾān textual levels, which dilutes the authenticity of the holy text and misrepresents its true message. The conclusion of the study which contains recommendations based on experience may prove helpful to the future novice and professional translators to improve the quality of translation in general and religious translation in particular. The study is a contribution towards a greater understanding of the subtle differences between the near-synonymous pairs in their Qurʾānic context through Arabic-English translation. It is a novel addition to the world of religious translation, Qurʾān translation, ḥadīth and in English. It also contributes to some extent to modern exegeses of the Qurʾān. It is hoped that the work will encourage further studies in the field of translation to employ a context-based linguistic approach to translating different genres and sacred texts in particular, integrating insights from applicable translation and linguistic approaches.
South Africa
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Chiu, Ching-li Lily. "Demonstratives in literary translations : a contrastive study of English and Japanese /". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21790905.
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Ploix, Cedric. "A study of prosody in modern English translations of Molière's plays". Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:d044b00c-5993-4f7d-9891-8244678f3c77.
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My thesis discusses prosody, in the narrow sense of verse, meter and rhyme, used by modern English translators to revitalise Molière's comedies in order to make them successful on the modern English-speaking stage. The thesis first discusses the problems and paradoxes of verse translations, and questions the aesthetic equivalence between the alexandrine and blank verse, rhyming couplets and the English dodecasyllable. It points to different cultural associations, and the different reception they have enjoyed on stage. My thesis moves away from the usual criticisms of English verse forms and considers instances where the English and French verse systems can achieve similar dramatic effects and can be more efficient than prose in contributing to the workings of comedy. The reason behind the choice of self-conscious rhyming couplets is to enhance comic effects. Thanks to the use of witty rhymes, translators transform Molière's situational humour into verbal humour, particularly appealing to English audiences. This style serves both Molière, by introducing his comedies to the commercial stage, and also the translators, who gain more visibility. The thesis then analyses a number of strategies used to advertise the presence of rhymes, by way of a methodical computer-aided quantitative analysis and more traditional stylistic analyses, pointing to striking differences in the poetics of rhyme between Molière and his modern translators. The link between verse form and aesthetics is reasserted in the last chapter of the thesis through the analysis of how particular prosodic systems can have a significant impact on the aesthetics and the dramaturgy of the play. Five case studies of non-standard prosodic systems are examined as well as the case of verse adaptations from prose plays.
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Vaz, Maria Augusta Salvia. "A corpus-based investigation on adverbs in portuguese/english journalistic translations". reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/92741.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2009Made available in DSpace on 2012-10-24T11:46:26Z (GMT). No. of bitstreams: 1 275832.pdf: 563544 bytes, checksum: d357f9cc6381c6d382cbe522b3e08723 (MD5)
The main goal of this study is showing the differences between the way the objective language of journalism is expressed in Portuguese and English texts and also showing how translators deal with those differences when they do exist, and if translators really contemplate that. This was done by concentrating on the result of the analysis of the use of adverbs in a parallel corpus of Portuguese and English, original and translated texts while observing some rules which are in the Manuals of Style and Writing of Newspapers in Portuguese (Folha de São Paulo) and English (New York Times). For the sake of organization and selection of terms, the computer program WordSmithTools is used. The results of this study is supposed to help both translators and translation teachers when evaluating, correcting, editing, analyzing, studying or teaching about translated texts. The results also promote some questioning about the translating act and the journalistic genre in Brazil and in the US.
O principal objetivo deste estudo é mostrar como a linguagem direta do jornalismo é expressa de maneira diferente tanto em português como em inglês e também mostrar como os tradutores lidam com estas diferenças quando elas realmente aparecem, e se os tradutores contemplam verdadeiramente estas diferenças. Isto foi feito focalizando o resultado da analise do uso dos advérbios em um corpus paralelo de textos originais e traduzidos em português e inglês ao se observar algumas regras encontradas no Manual de Estilo de Jornais em português (Folha de São Paulo) e inglês (New York Times). Para efeito de organização e seleção de termos, o programa de computador WordSmithTools foi usado. Os resultados deste estudo poderão ajudar tanto tradutores como professores de tradução ao avaliar, corrigir, editar, analisar, estudar ou ensinar a respeito de textos traduzidos. Os resultados também poderão promover algum questionamento a respeito do ato tradutório e sobre o gênero jornalístico no Brasil e nos EUA.
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Wang, Baorong, i 汪宝荣. "Lu Xun's fiction in English translation: the early years". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46969081.
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Birdwood-Hedger, Maya Irina. "Domestication and foreignization in English translations of Anna Karenina the English language or the Russian reality?" Saarbrücken VDM Verlag Dr. Müller, 2007. http://d-nb.info/988591766/04.
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Sin, Hoi Lam Carolina. "Translating rhetorical devices :a case study of translation of advertising slogans". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954269.
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利幗勤 i Kwok-kan Gloria Lee. "Chinese translations of Wilde's plays and fairy tales: a reappraisal". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31222961.
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Lee, Kwok-kan Gloria. "Chinese translations of Wilde's plays and fairy tales : a reappraisal /". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21510246.
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Haraldsson, Mathilda. "Pippi Longstocking: Differences in the translations from Swedish to English, from 1950 and 2007 : A structural comparison of two different translations of Pippi Longstocking from Swedish to English". Thesis, Högskolan i Halmstad, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-25634.
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This study focuses on comparing two different versions of Pippi Longstocking translated into English on a structural level. With the help of the research of the known linguistics John Catford and Paul Vinay & Jean-Louis Darbelnet, we compare how the two different translators, Tiina Nunnally (2007) and Florence Lamborn (1950) have translated the same book. This study compares these two translations for grammatical features and word choices on a structural level, for example use of verb tense and differences in Vinay & Darbelnet’s modulation. It also studies how the translators have done differently regarding Catford’s structural shifts. The essay also briefly looks at the cultural differences between the countries and how they have been translated. The aim of this project is not to determine which translation is better, but to compare and describe any differences and similarities found. It will look at how the two translators have handled the same problems differently (or similarly). The translations by Florence Lamborn and Tiina Nunnally have much in common, but in our result and analysis we present the differences.
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Sou, Sok Va. "A study of translations of government leaflets". Thesis, University of Macau, 2008. http://umaclib3.umac.mo/record=b1942469.
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郭康樂 i Hong-lok Kwok. "A comparative study of three translations of Gan Xiao Liu Ji". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31211525.
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Yang, Long. "Reconstructing coherence in English translations of Yu Hua's three avant-garde fictions". Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/18799/.
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This is a study which employs a linguistically-oriented approach to literary translation. The study pays attention to the translation shifts between Chinese source texts and English translations. The main objective of this research is to explore how the target texts rebuild coherence in four English translations of three Chinese Avant-garde fictions authored by Yu Hua. The study sets about identifying the translation shifts taking place in all of these translation, because translation shifts analysis can serve as the basis of descriptive studies (Toury 1980: 89-121). Based on these translation shifts, the study categorized them into three different kinds, namely those related to grammar, to semantics and to stylistics. Also, the study tried to explore how coherence was rebuilt in the target texts from three perspectives, which were grammatical coherence, semantic coherence and stylistic coherence. The analysis reveals several trends: (i) there is a generally distanced spatio-temporal point of view in the translations when we examine grammatical items. Also, there is generally an implicitation trend of deictic expressions, which is different from some previous research (Baker 1993, 1995). The combined effects would be that to rebuild spatio-temporal coherence, the narrative point of view in the translations tend to be distanced so that the events in the target texts become less personally and emotionally involved and less subjective. (ii) there is no or negligible explicitness or implicitness change in the translations in terms of semantic items. So, to rebuild coherence in the target texts, the translators did not spell out too much information. This would be faithful to the source texts to some extent. (iii) when it comes to stylistic expressions, this study found that generally speaking, the translation shifts revolve around free translation, which means that the translators would use another way of speaking to rebuild the stylistic coherence instead of focusing on their original literal meaning. As for the rest of stylistic changes, the number of explicitation and omission almost equals. In fact, these two kinds are not good practice as they both influence the distinguished stylistic features of source texts. It is hoped that this framework of grammatical, semantic and stylistic perspectives can be applicable to other texts or language pairs to compare the results and help gain more understanding of translation norms and universals.
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Birdwood-Hedger, Maya. "Tension between domestication and foreignization in English-language translations of Anna Karenina". Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/1845.
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Abstract One of the key issues in recent translation theories has been on whether translation should domesticate or foreignize the source text. Venuti (1995) defines domesticating translation as a replacement of the linguistic and cultural difference of the foreign text with a text that is intelligible to the target-language reader. Foreignizing translation is defined as a translation that indicates the linguistic and cultural differences of the text by disrupting the cultural codes that prevail in the target language. Other scholars, like Tymoczko (1999), criticise this dichotomy by pointing out that a translation may be radically oriented to the source text in some respects, but depart radically from the source text in other respects, thus denying the existence of the single polarity that describes the orientation of a translation. For my research I have chosen five English translations of Lev Tolstoy’s Anna Karenina, covering over a century of the history of translations into English: Dole (1886), Garnett (1901), Maude (1918), Edmonds (1954) and Pevear and Volokhonsky (2000). My main objective has been to analyse the relationship between earlier and later translations. Since modern English language readers are more familiar with Russian language, literature and culture as well as with Tolstoy’s works than the 19th century readers were, theoretically speaking, translating Tolstoy in 2000 should be easier than it was in 1886. In reality each translator still had to choose between the adequate representation of Tolstoy’s text and the acceptability of their translation for their contemporary English speaking audiences (the terms described in Toury 1995) on a sliding scale between audience and text. In a way, with the higher development of the art and scholarship of translation, the expectations of readers and critics grow, and adequate representation of a text in a different language becomes more challenging. My hypothesis is that literary translation evolves as an exploration of deeper and deeper layers of the source text. In the present thesis I try to show how the history of translation of Anna Karenina into English reflects these different stages of evolution.
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Berdom, Abduladim. "A comparative study of some English translations of parts of three Mu'allaqat". Thesis, Durham University, 2007. http://etheses.dur.ac.uk/1302/.
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This thesis deals with the question of how and why Jiihiliyya Poetry (JP) is translated into English, despite the huge differences between the two linguistic systems. The assumption underlying the answer to this complex question is that this phenomenon is cOImected with trends in the TL culture and literature. The study thus investigates the translations themselves, developing a viable, target-oriented, corpus-based methodology for the systematic study of the nature of the translated poetic text. Translation strategy, technique. equivalent response, accuracy, transparency, practicality and comprehensiveness are discussed along with the implications for translation studies. The thesis consists of nine chapters, each with a strong theoretical and functional basis. The opening chapters review modem theoretical perspectives concerning translation. Conclusions drawn by literary translators bring to the forefront what the various strategies hope to accomplish. Other works in the field of translation are also employed In developing a framework for the assessment of the selected verse translations. Chapter 1 introduces the main arguments and the structure of the thesis. Chapter 2 then concentrates on current approaches to translation, while chapter 3 discusses problems of meaning and methodology in translation in terms of the function of a text and its language. Chapter 4 presents a concise survey of the major theories of translation, and chapter 5 introduces modem views concerning the difficulties of translating poetic texts. Chapter 6 presents a concise survey of lP and its characteristics and themes. Chapter 7 presents a concise overview of the English translations of early Arabic Jiihiliyya odes that were chosen for discussion. Then, forming the main body of the study, a comparative analysis of the sample of English translations brings to light in chapter 8 the most common strategies preferred by some western translators of lP. Finally, chapter 9 summarizes the key findings of the study, assesses the translation strategies used, and suggests directions for further research.
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Todorova, Marija. "Images of the Western Balkans in English translations of contemporary children's literature". HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/190.
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Since the late 1990s there has been an increasing interest in the representation of Balkan culture in the literary works of authors writing in English. Scholars (Bakić-Hayden 1995, Todorova 1997, Goldsworthy 1998, Norris 1999, Hammond 2010) have shown how literary representations of the Balkans have reflected and reinforced its stereotypical construction as Europe’s “dark and untamed Other. However, the contribution of translated literature in the representation of these images has rarely been considered, and in particular that of children’s literature has been seriously neglected. Thus, this study of images of the Western Balkans in translated children’s literature published in the period of 1990 2013, adds a hitherto uncharted literary terrain to the Balkanist discourses and helps shed a new and more complete light on the literary representations of the Balkans, and the Western Balkans more precisely. Children’s literature has been selected for the scope of this study due to its potential to transform and change deeply rooted stereotypes. The study approaches translations as framing and representation sites that contest or promote stereotypes in the global literary market. English has been selected as a target language due to its global position as а mediating language for the promotion of international literature, and with that also carrying stereotypes and transmitting them efficiently. This study looks at the images embedded in the texts, both source and target, and their representation in translation, including the translator’s interventions, but even more at the level of paratexts, and especially in the use of illustrations. It also examines adaptations accompanying the presentation of the translated book into the target society, such as documentaries, music scores and theatre performances. The discussion also considers how a book is selected for translation, and how different production participants contribute in the whole process of translation, including their motivations and goals, as well as their location. Using the methodology of imagology (Leerssen, 2007), and multimodal visual analysis (Kress and van Leeuwen, 1996, 2006), five case studies are elaborated, covering books from five different countries in the Western Balkans (Bosnia and Herzegovina, Croatia, Serbia, Macedonia, and Montenegro) and from five different types within children’s literature (non-fiction, anthology, novel, picturebook, and an e-book). The five case studies confirm the complexity of the topic at hand. Although there are no firm patterns in the production of English translations of contemporary children’s literature from the Western Balkans we can point out several observations. While the translations of the text, in most cases, closely follow the source text, with only slight interventions by some of the translators, the translated books differ quite significantly in their paratexts, especially illustrations and adaptations accompanying the book for the target culture. In terms of the representation of violence, as one of the predominant stereotypical characteristics of the Western Balkans, images vary from direct representation of violence to full erasure of violent acts. The discussion on presenting violence is analysed from two distinct points of view, the two traits of auto- and hetero- images as identifies in the case studies. In cases of self-representation, the case studies show a network of production participants in which the source author can be seen as the driving force in the process, usually recruiting friends and supporters to perform other tasks in the process translators, illustrators, publishers, etc. The auto-images take the form of ‘nesting’ Balkanisms, balancing (non)violent masculinities, or centring on love and humaneness. On the other hand, networks led by translators/editors located in the target culture will more often be motivated by commercial factors, along with representation of the source culture, thus either emphasizing the preconceived stereotypes of dominant violence in the Western Balkans, or turning towards globalizing the images of violence.
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Reid, Joshua. "Lyric Augmentation and Fragmentation of the Italian Romance Epic in English Translations". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2861.
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The translation and transmission of the Italian romance epics of Boiardo, Ariosto, and Tasso across linguistic and cultural boundaries also included genre reprocessing. This paper traces how Elizabethan translators and compilers of these texts tended to read epic lyrically, or to read the lyric into (and out of) the epic. For Elizabethan translators of the Italian Romance Epic—Sir John Harington, Edward Fairfax, and Robert Tofte, for example—this transmutation meant amplification or insertion of lyrical material, such as Fairfax’s enhancement of the Petrarchan subtext of the Armida Blazon in Book 4 of Gerusalemme Liberata and Robert Tofte’s injection of his own Petrarchan mistress Alba into Boiardo’s Orlando Innamorato. Another trend, demonstrated by Robert Allott’s English verse anthology Englands Parnassus (1600), involved extracting lyrical fragments from the romance epic that function as stand-alone poems.
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U, Man Ieng. "A comparative study on translations of daily and banquet menus". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2525842.
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Corrigan, Patsy Kay Looney. "Translation of Ilse Aichinger's short stories". PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3418.
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Translations of three of Ilse Aichinger's stories which originally appeared in the book Eliza, Eliza are presented in this thesis. The three stories translated are "Herodes," "Port Sing," and "Die Puppe."
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沈樂軒 i Lok-hin Kevin Shen. "A comparative study of two Japanese-English and two Japanese-Chinese translations of the Tale of Genji". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B30104518.
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Bisdorff, Claire Janine. "Essayer des mots : translating French and English Caribbean literature". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609255.
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Slagle, Judith Bailey. "Gothic Interactions: Italian Gothic Translations of Margaret Holford Hodson". Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3222.
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Yim, Wing-ha, i 嚴泳霞. "Onomastics translation: with reference to Chinese-English and English-Chinese examples in Hong Kong street names". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40687545.
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Lei, Man Tat. "A study of international news translations done by the Macao Daily News". Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2456348.
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Tam, Ieok Lin. "A comparative study of three Chinese translations of Emily Bronte's Wuthering Heights". Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2554092.
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