Gotowe bibliografie tematyczne / Laymon, kiese

Gotowa bibliografia na temat „Laymon, kiese”

Autor: Grafiati
Data publikacji: 25 lipca 2024
Data aktualizacji: 26 lipca 2024

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Artykuły w czasopismach na temat "Laymon, kiese"

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Key, Jennifer. "Heavy by Kiese Laymon". Prairie Schooner 93, nr 2 (2019): 189–90. http://dx.doi.org/10.1353/psg.2019.0099.

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Brown, Meghan. "“I Don’t Want People to Forget the Sentence”: An Interview with Kiese Laymon". MELUS 44, nr 1 (2019): 181–96. http://dx.doi.org/10.1093/melus/mly059.

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Lumumba, Chokwe Antar, i Kiese Laymon. "The People of Jackson Are Ready: Chokwe Antar Lumumba in conversation with Kiese Laymon". Southern Cultures 25, nr 3 (2019): 118–25. http://dx.doi.org/10.1353/scu.2019.0035.

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Dunlap, Leslie K. "Review: How to Slowly Kill Yourself and Others in America: Essays by Kiese Laymon". Ethnic Studies Review 36, nr 1 (1.01.2013): 159–61. http://dx.doi.org/10.1525/esr.2013.36.1.159.

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Guerrero, Lisa. "New Native Sons: Ta-Nehisi Coates, Kiese Laymon, and The Phenomenology of Blackness in the Post-Racial Age". CLA Journal 60, nr 4 (2017): 414–33. http://dx.doi.org/10.1353/caj.2017.0015.

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Reese, Ashanté M., Tressie McMillan Cottom i Kiese Laymon. "Interview with Tressie McMillan Cottom and Kiese Laymon: Money, Racism, and Success". Critical Sociology, 27.05.2020, 089692052092801. http://dx.doi.org/10.1177/0896920520928014.

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Gregory, Joseph W., i S. David Jackson. "Hydrogenation of alkynyl substituted aromatics over rhodium/silica". Reaction Kinetics, Mechanisms and Catalysis, 4.08.2021. http://dx.doi.org/10.1007/s11144-021-02039-z.

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AbstractThe cascade reactions of phenylacetylene to ethylcyclohexane and 1-phenyl-1-propyne to propylcyclohexane were studied individually, under deuterium and competitively at 343 K and 3 barg pressure over a Rh/silica catalyst. Both systems gave similar activation energies for alkyne hydrogenation (56 ± 4 kJ mol−1 for phenylacetylene and 50 ± 4 kJ mol−1 for 1-phenyl-1-propyne). Over fresh catalyst the order of reactivity was styrene > phenylacetylene ≫ ethylbenzene. Whereas with the cascade hydrogenation starting with phenylacetylene, styrene hydrogenated much slower phenylacetylene even once all the phenylacetylene was hydrogenated. The activity of ethylbenzene was also reduced in the cascade reaction and after styrene hydrogenation. These reductions in rate were likely due to carbon laydown from phenylacetylene and styrene. Similar behavior was observed with the 1-phenyl-1-propyne cascade. Deuterium experiments revealed similar positive KIEs for phenylacetylene (2.6) and 1-phenyl-1-propyne (2.1). Ethylbenzene hydrogenation/deuteration gave a KIE of 1.6 obtained after styrene hydrogenation in contrast to the inverse KIE of 0.4 found with ethylbenzene hydrogenation/deuteration over a fresh catalyst, indicating a change in rate determining step. Competitive hydrogenation between phenylacetylene and styrene reduced the rate of phenylacetylene hydrogenation but increased selectivity to ethylbenzene suggesting a change in the flux of sub-surface hydrogen. In the competitive reaction between 1-phenyl-1-propyne and propylbenzene, the rate of hydrogenation of 1-phenyl-1-propyne was increased and the rate of alkene isomerization was decreased, likely due to an increase in the hydrogen flux for hydrogenation and a decrease in the hydrogen species active in methylstyrene isomerization.
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Książki na temat "Laymon, kiese"

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Zoom, Book. Summary of Heavy by Kiese Laymon: Book Zoom. Independently Published, 2021.

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SuperSummary. Study Guide: How to Slowly Kill Yourself and Others in America by Kiese Laymon. Independently Published, 2021.

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Leader-Picone, Cameron. Black and More than Black. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496824516.001.0001.

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This book analyzes twenty-first century African American fiction through the proliferation of post categories that arose in the new millennium. These post categories—post-black, post-racialism, post-Soul—articulate a shift away from the racial aesthetics associated with the Black Arts Movement and argue for the individual agency of Black artists over the meaning of racial identity in their work. Analyzing key works by Colson Whitehead, Alice Randall, Chimamanda Ngozi Adichie, Paul Beatty, Jesmyn Ward, and Kiese Laymon, this book argues that twenty-first century African American fiction highlights the push and pull between claims of post-civil rights progress and the recognition of the entrenchment of structural racism. The book contextualizes this shift through the rise of, and presidency of, Barack Obama and the revision of Du Boisian double consciousness. It examines Obama through an analysis of the discourse surrounding his rise, Obama’s own writings, and his appearance as a character. The book concludes that while the claims of progress associated with Barack Obama’s presidency and the post era categories to which it was connected were overly optimistic, they represent a major shift towards an individualistic conception of racial identity that continues to resist claims of responsibility imposed on Black artists.
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How to Slowly Kill Yourself and Others in America. Bloomsbury Publishing Plc, 2016.

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How to Slowly Kill Yourself and Others in America: Essays. Scribner, 2020.

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How to Slowly Kill Yourself and Others in America. Agate Publishing, Incorporated, 2013.

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Heavy: An American Memoir. Bloomsbury Publishing Plc, 2018.

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Części książek na temat "Laymon, kiese"

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POLLACK, HARRIET. "Kiese Laymon, Jesmyn Ward, and Natasha Trethewey:". W Faulkner, Welty, Wright, 86–111. University Press of Mississippi, 2024. http://dx.doi.org/10.2307/jj.16063705.8.

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Hopper, Briallen. "Everybody’s Protest Essay: Personal Protest Prose on the American Internet". W The Edinburgh Companion to the Essay, 245–60. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474486026.003.0017.

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This chapter discusses a selection of contemporary ‘personal protest essays’ – often written by women – that employ the ‘mix of narration and reflection’ of the personal essay to explore ‘intersections between individual experience and structures of injustice’. Starting from an outline of the American context for the personal protest essay, Hopper then focuses on essays by Rebecca Solnit, Kiese Laymon, Chanel Miller and Seo-Young Chu. These essays belong to the subgenre of what is termed ‘everybody’s protest essay’, a mashup between the protest essay and the ‘confessional first-person’ form often found on the internet. Such essays show the potential of the essay to be dynamic and relational in unprecedented ways as well as to form connections that can coalesce into a community or a movement.
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Hudson, Berkley. "Reading Pruitt". W O. N. Pruitt's Possum Town, 210–14. University of North Carolina Press, 2022. http://dx.doi.org/10.5149/northcarolina/9781469662701.003.0021.

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This bibliographic essay, accompanying a selected bibliography, provides a research roadmap to buttress the visual stories Pruitt and his subjects tell us. Three main categories discussed are Photographic and Documentary Studies; Southern History and Culture; Oral History, Ethnography and Folklore. Scholars and writers referenced include Alan Tratchenberg, William R. Ferris, Deborah Willis, Walter Benjamin, Michael Lesy, bell hooks, John Szarkowski, Shawn Michelle Smith, Roland Barthes, Jacques Lacan, Frantz Fanon, Robert Coles, Michel Foucault, Stuart Hall, John Berger, Susan Sontag, David Blight, Jacquelyn, Dowd Hall, John Hope Franklin, Leon Litwack, Joel Williamson, C. Vann Woodward, and Grace Hale, Catherine Lutz, James Carey, Don Shaw, Ralph Eubanks, Kiese Laymon, Natasha Tretheway, Anthony Walton, Margaret Walker, Jesmyn Ward, and Etheridge Knight, Gloria Naylor, and Glenn Hinson.
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Miley, Mike. "What’s My Line?" W Truth and Consequences, 34–92. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825384.003.0002.

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Round One explores works that use (and abuse) trivia to reveal how the hypermediated consumer culture of late capitalism traps individuals in a metaphorical isolation booth, unable to establish a stable sense of self. Just as the quiz-show scandals of the 1950s nearly killed the quiz show, works such as Quiz Show, Melvin and Howard,Slumdog Millionaire, and Chuck Barris’s “unauthorized autobiography” Confessions of a Dangerous Mind suggest that a rigged game presents an existential threat to the self. Amidst the pressure to conform to the norms of the community of television, individuals betray themselves to get ahead in America, often finding themselves trapped in the isolation booth of their social class. Further, Philip Roth’s novel Zuckerman Unbound,Kiese Laymon’s novel Long Division,and Robert Olen Butler’s story “The American Couple,” show how these questions of selfhood in the age of the game show can be exacerbated when the protagonist is an outsider to game-show culture.
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