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Artykuły w czasopismach na temat "Larkin’s Poetry"
Rajamouly, K. "Philip Larkin’s Poetry". Poetcrit 35, nr 1 (3.01.2022): 41–52. http://dx.doi.org/10.32381/poet.2022.35.01.5.
Pełny tekst źródłaMole, Tom. "A New Source for Larkin’s ‘Poetry of Departures’". Notes and Queries 64, nr 4 (3.10.2017): 673–74. http://dx.doi.org/10.1093/notesj/gjx160.
Pełny tekst źródłaCauldwell, Richard. "Openings, rhythm and relationships: Philip Larkin reads Mr Bleaney". Language and Literature: International Journal of Stylistics 8, nr 1 (luty 1999): 35–48. http://dx.doi.org/10.1177/096394709900800102.
Pełny tekst źródłaRajamouly, Dr K. "Time in T.V. Reddy’s Poetry with Reference to Thousand Haiku Pearls in Comparison with Larkin’s Poetry". POETCRIT 32, nr 2 (20.06.2019): 28–37. http://dx.doi.org/10.32381/poet.2019.32.02.5.
Pełny tekst źródłaBakir, Ardalan Luqman, i Khadeeja Saeed Ismail. "ANALYSIS OF THE CAUSES OF PHILIP LARKIN’S WOUNDS IN THE MIRROR OF FREUD’S PSYCHOANALYTIC THEORY". Journal of Tikrit University for Humanities 30, nr 6, 2 (30.06.2023): 82–105. http://dx.doi.org/10.25130/jtuh.30.6.2.2023.25.
Pełny tekst źródłaFeldman, Sarah. "Symbolic Cognition in Poetic Experience: Re-representing the Paraphrase Paradox". British Journal of Aesthetics 60, nr 3 (18.06.2020): 283–98. http://dx.doi.org/10.1093/aesthj/ayz063.
Pełny tekst źródłaMarggraf Turley, Richard, i Jennifer Squire. "Haggard and woe-begone: The Arundels’ Tomb and John Keats’s ‘La Belle Dame Sans Merci’". Romanticism 28, nr 2 (lipiec 2022): 154–64. http://dx.doi.org/10.3366/rom.2022.0551.
Pełny tekst źródłaNikhilesh, Nikhilesh. "Critical Assessment of Poetry of Philip Larkin". International Journal of English Literature and Social Sciences 7, nr 6 (2022): 200–205. http://dx.doi.org/10.22161/ijels.76.28.
Pełny tekst źródłaBlake, Jason. "On Philip Larkin's poetry". Acta Neophilologica 34, nr 1-2 (1.12.2001): 7–16. http://dx.doi.org/10.4312/an.34.1-2.7-16.
Pełny tekst źródłaBooth, J. "Why Larkin's Poetry Gives Offence". English 46, nr 184 (1.03.1997): 1–19. http://dx.doi.org/10.1093/english/46.184.1.
Pełny tekst źródłaRozprawy doktorskie na temat "Larkin’s Poetry"
Chakraborty, Avijit. "Larkin Lost, Larkin Found: Towards a New Poetics of Reading". Thesis, University of North Bengal, 2019. http://ir.nbu.ac.in/handle/123456789/2851.
Pełny tekst źródłaAl-Hajaj, Jinan Fedhil Breyo. "Intellectuality, rationality, and awareness in the poetry of the mind : an exploration of Philip Larkin's poetry". Thesis, Durham University, 2016. http://etheses.dur.ac.uk/11879/.
Pełny tekst źródłaHibbett, Ryan. "Proving poetry : Ted Hughes and Philip Larkin, now /". Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1212794171&sid=6&Fmt=2&clientId=1509&RQT=309&VName=PQD.
Pełny tekst źródłaThomson, Winifred Alice. "The collected poetry of Philip Larkin, 1945-1974". Thesis, University of Cape Town, 1986. http://hdl.handle.net/11427/22605.
Pełny tekst źródłaLazic, Boris. ""With Meaning and Meaning's Rebuttal" : A Contrastive Reading of Philip Larkin's The Less Deceived". Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-31058.
Pełny tekst źródłaBalbi, Alita Fonseca. "'"The less deceived": subjectivity, gender, sex and love in Sylvia Plath's and Philip Larkin's poetry". Universidade Federal de Minas Gerais, 2012. http://hdl.handle.net/1843/ECAP-8SBLZ9.
Pełny tekst źródłaNessa dissertação, faço uma leitura comparativa das poesias de Philip Larkin e de Sylvia Plath. O foco da leitura é a maneira como suas obras poéticas retratam a subjetividade e as relações interpessoais. A análise leva em consideração três principais conceitos: subjetividade, gênero e amor. Primeiro, estabeleço uma definição do termo subjetividade para o propósito dessa análise, e então comparo e contrasto as maneiras nas quais os poemas de Plath e de Larkin o retratam. Também discuto como os papéis de gênero são vistos nos poemas como (pre)conceitos impostos, e como esses afetam de maneira negativa as relações entre homens e mulheres. O terceiro conceito, amor, é visto como a possibilidade de o sujeito estabelecer ligações emocionais mais profundas com o mundo e as outras pessoas. Tais ligações são freqüentemente retratadas nos poemas como algo que aflora a sensibilidade poética dos sujeitos, já que elas os permitem enxergar o mundo de uma maneira mais subjetiva. Meu principal argumento é que as vozes poéticas nos trabalhos de Plath e de Larkin apresentam visões conflitantes a respeito do conceito de subjetividade: ao mesmo tempo em que elas estão cientes da construção de papéis sociais, elas também acreditam em um eu interior romântico. Embora suas poesias retratem conceitos como normas sociais e papéis de gênero como ilusórios, suas vozes poéticas ainda desejam certas ilusões como a amizade e o amor. Por essa razão, as vozes poéticas dos poemas de Plath e de Larkin são aqui chamadas de menos enganadas, uma referência a um dos poemas de Larkin. Ser o/a menos enganado/a tem um significado ambíguo nesse contexto, refletindo aspectos negativos e positivos. Ao mesmo tempo em que mostra a consciência que as vozes poéticas têm dos paradigmas manipuladores que permeiam as interações sociais, o termo também se refere ao sentimento de privação causado pelo descrédito em questões transcendentais como a fé religiosa e o amor, ambas as quais são ilusões pelas quais essas vozes poéticas anseiam. Ser o menos enganado também se refere ao fato de que saber do caráter manipulador das normas sociais não quer dizer estar livre delas. Pelo contrário, as vozes poéticas nas poesias de Plath e de Larkin ainda se encontram presas em vãos costumes sociais e incapazes de v mudar a sociedade da qual elas tentam, e ao mesmo tempo evitam, ser parte.
Cooper, Stephen Andrew. "Revolt and orthodoxy in the work of Philip Larkin". Thesis, Open University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251388.
Pełny tekst źródłaHassan, Salem Kadhem. "Time, tense and structure in contemporary English poetry : Larkin and the Movement". Thesis, University of Glasgow, 1985. http://theses.gla.ac.uk/3902/.
Pełny tekst źródłaOsterwalder, Hans. "British poetry between the movement and modernism : Anthony Thwaite and Philip Larkin /". Heidelberg : C. Winter, 1991. http://catalogue.bnf.fr/ark:/12148/cb35744530c.
Pełny tekst źródłaDavies, Alexandra Mary. "Poetry in process: the compositional practices of D.H. Lawrence, Dylan Thomas and Philip Larkin". Thesis, University of Hull, 2008. http://hydra.hull.ac.uk/resources/hull:1738.
Pełny tekst źródłaKsiążki na temat "Larkin’s Poetry"
Larkin's blues: Jazz, popular music, and poetry. Baton Rouge: Louisiana State University Press, 1999.
Znajdź pełny tekst źródłaWhalen, Terry. Philip Larkin and English Poetry. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-137-20729-6.
Pełny tekst źródłaPhilip Larkin and English poetry. Houndmills, Basingstoke, Hampshire: Macmillan, 1986.
Znajdź pełny tekst źródłaWhalen, Terry. Philip Larkin and English poetry. Basingstoke: Macmillan Press, 1990.
Znajdź pełny tekst źródłaPhilip Larkin and English poetry. Vancouver: University of British Columbia Press, 1986.
Znajdź pełny tekst źródłaWhalen, Terry. Philip Larkin and English poetry. Vancouver: University of British Columbia Press, 1986.
Znajdź pełny tekst źródłaWhalen, Terry. Philip Larkin and English poetry. Basingstoke: Macmillan, 1986.
Znajdź pełny tekst źródłaC, Watt R. J., red. Philip Larkin: A concordance to the poetry of Philip Larkin. Hildesheim: Olms-Weidmann, 1995.
Znajdź pełny tekst źródłaMichael, Baron, i English Association, red. Larkin with poetry: English Association conference papers. Leicester: English Association, 1997.
Znajdź pełny tekst źródłaHarry, Chambers, i Larkin Philip, red. An Enormous yes: In memoriam Philip Larkin (1922-1985). Calstock, Cornwall: Peterloo Poets, 1986.
Znajdź pełny tekst źródłaCzęści książek na temat "Larkin’s Poetry"
Whalen, Terry. "Larkin’s Proper Peers". W Philip Larkin and English Poetry, 115–39. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-137-20729-6_7.
Pełny tekst źródłaWalczak, Agnieszka. "Chapter 11. Echoic irony in Philip Larkin’s poetry and its preservation in Polish translations". W Relevance Theory, Figuration, and Continuity in Pragmatics, 309–26. Amsterdam: John Benjamins Publishing Company, 2020. http://dx.doi.org/10.1075/ftl.8.11wal.
Pełny tekst źródłaRegan, Stephen. "Gentility in English Poetry". W Philip Larkin, 25–33. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-21941-4_3.
Pełny tekst źródłaBooth, James. "Poetry as a Living". W Philip Larkin, 21–46. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230595828_2.
Pełny tekst źródłaWhalen, Terry. "Poetry of Reality". W Philip Larkin and English Poetry, 95–114. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-137-20729-6_6.
Pełny tekst źródłaBooth, James. "Poetic Histories". W Philip Larkin, 112–43. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230595828_5.
Pełny tekst źródłaOsborne, John. "Larkin and Modernism: Poetry". W Larkin, Ideology and Critical Violence, 50–81. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230598935_3.
Pełny tekst źródłaBooth, James. "The Poet’s Plight". W Philip Larkin, 1–20. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230595828_1.
Pełny tekst źródłaAugustine, John H. "Tentative Initiation in the Poetry". W Philip Larkin: The Man and his Work, 112–17. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-09700-5_11.
Pełny tekst źródłaWhalen, Terry. "Poetic Personality". W Philip Larkin and English Poetry, 10–31. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-137-20729-6_2.
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