Gotowa bibliografia na temat „Lantern projection”
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Artykuły w czasopismach na temat "Lantern projection"
Christensen, A. Kent. "Preparation of 2″ X 2″ Projection Slides From EM And Other Negatives". Microscopy Today 2, nr 2 (marzec 1994): 6–7. http://dx.doi.org/10.1017/s1551929500062982.
Pełny tekst źródłaSTAUBERMANN, KLAUS B. "Making stars: projection culture in nineteenth-century German astronomy". British Journal for the History of Science 34, nr 4 (grudzień 2001): 439–51. http://dx.doi.org/10.1017/s0007087401004472.
Pełny tekst źródłaKlein, Susanne, i Paul Elter. "The Tartan Ribbon or Further Experiments of Maxwell’s Disappointment/Sutton’s Accident". Heritage 6, nr 2 (24.01.2023): 968–78. http://dx.doi.org/10.3390/heritage6020054.
Pełny tekst źródłaEgelmeers, Wouter. "The Example of Joan of Arc. How a Belgian Teacher Created a Lesson Illustrated by Means of Lantern Slides". TMG Journal for Media History 26, nr 1 (5.06.2023): 1–18. http://dx.doi.org/10.18146/tmg.863.
Pełny tekst źródłaMalt, Johanna. "The Blob and the Magic Lantern: On Subjectivity, Faciality and Projection". Paragraph 36, nr 3 (listopad 2013): 305–23. http://dx.doi.org/10.3366/para.2013.0096.
Pełny tekst źródłaVERMEIR, KOEN. "The magic of the magic lantern (1660–1700): on analogical demonstration and the visualization of the invisible". British Journal for the History of Science 38, nr 2 (25.05.2005): 127–59. http://dx.doi.org/10.1017/s0007087405006709.
Pełny tekst źródłaNawata, Yūji. "Phantasmagoric Literatures from 1827 : Johann Wolfgang von Goethe, Sin Chaha, and Kyokutei Bakin1". Jahrbuch für Internationale Germanistik 54, nr 1 (1.01.2022): 145–66. http://dx.doi.org/10.3726/jig541_145.
Pełny tekst źródłaWashitani, Hana. "Gentō". Feminist Media Histories 2, nr 1 (1.01.2016): 61–85. http://dx.doi.org/10.1525/fmh.2016.2.1.61.
Pełny tekst źródłaVogl-Bienek, Ludwig, i Yvonne Zimmermann. "Paul Hoffmann (1829-1888), « Screen Practitioner and Media-Entrepreneur ». Formation and Practices of a 19 th Century Travelling Lantern Lecturer". Le Temps des médias 41, nr 2 (20.10.2023): 36–53. http://dx.doi.org/10.3917/tdm.041.0036.
Pełny tekst źródłaDa Rocha Gonçalves, Dulce. "The Nutslezing and the lantern: Public lectures with image projection organized by the Maatschappij tot Nut van 't Algemeen in the first decades of the 20th century". TMG Journal for Media History 26, nr 1 (5.06.2023): 1–29. http://dx.doi.org/10.18146/tmg.828.
Pełny tekst źródłaRozprawy doktorskie na temat "Lantern projection"
Hartrick, Elizabeth. "Consuming illusions : the magic lantern in Australia and Aotearoa/New Zealand 1850-1910 /". Connect to thesis, 2003. http://eprints.unimelb.edu.au/archive/00002203.
Pełny tekst źródłaDuarte, Fernanda Carolina Armando 1980. "A aplicação dos efeitos visuais em tempo real na construção narrativa de espetáculos com projeção /". São Paulo, 2017. http://hdl.handle.net/11449/153969.
Pełny tekst źródłaBanca: Josette Maria Alves de Souza Monzani
Banca: Marcus Vinicius Fainer Bastos
Banca: Agnaldo Valente Germano da Silva
Banca: Rita Luciana Berti Bredariolli
Resumo: Esta pesquisa investigou a aplicação dos efeitos visuais em tempo real na construção narrativa de espetáculos com projeção. Partindo de estudos para a construção de um dispositivo direcionado para a aplicação de efeitos visuais em tempo real, pretendíamos localizar como é possível fazer tal aplicação dentro de três modalidades diferentes de espetáculos, que se enquadram no escopo de trabalhos realizados pelo grupo artístico RE(C)organize, do qual fazemos parte, sendo eles: um show musical, um espetáculo performático (sendo que esses devem integrar em seus projetos a videoprojeção) e uma apresentação de vídeo mapping, que seja total ou parcialmente, realizada de forma ao vivo. A opção por essas modalidades foi feita de acordo com a afinidade profissional do grupo. Buscamos, através de um processo teórico e prático, identificar os efeitos que evidenciam um discurso narrativo, de forma simbólica e/ou metafórica, além de detectar aqueles que possuíssem a potencialidade de atender as exigências do espetáculo ao vivo, que a nosso ver são: a urgência (no sentido de que a obra precisa acontecer naquele instante único) e a evidência (no sentido de caracterizar o momento específico de forma clara) - o que é abordado de forma detalhada ao longo deste projeto
Abstract: This research investigated the application of visual effects in real time in the narrative construction of spectacles with projection. Starting from studies to construct a device directed to the application of visual effects in real time, we wanted to locate how it is possible to make such application in three different modalities of spectacles, that fall within the scope of works realized by the artistic group RE(C)organize, of which we are part, being: a musical show, a performance spectacle (being that these must integrate in their projects the videoprojection) and a presentation of video mapping, that is totally or partially, realized in a live form. The option for these modalities was made according to the professional affinity of the group. We seek, through a theoretical and practical process, to identify the effects that evidence a narrative discourse, in a symbolic and / or metaphorical way, as well as to detect those who had the potential to meet the demands of the live show, which we believe are: the urgency (in the sense that the work must happen in that unique instant) and the evidence (in the sense of characterizing the specific moment in a clear way) - which is discussed in detail throughout this project
Resumen: Esta investigación estudió la aplicación de los efectos visuales en tiempo real en la construcción narrativa de espectáculos con proyección. A partir de analisis para la construcción de un dispositivo dirigido a la aplicación de efectos visuales en tiempo real, pretendíamos localizar cómo es posible hacer la aplicación de efectos dentro de tres modalidades diferentes de espectáculos, que se encuadran en el ámbito de trabajos realizados por el grupo artístico RE(C)organize, de lo cual formamos parte, siendo ellos: un show musical, un espectáculo performático (siendo que éstos deben integrar en sus proyectos la videoproyección) y una presentación de video mapping, que sea total o parcialmente, realizada de forma en vivo. La opción por estas modalidades se hizo de acuerdo con la afinidad profesional del grupo. Buscamos, a través de un proceso teórico y práctico, identificar los efectos que evidencian un discurso narrativo, de forma simbólica y / o metafórica, además de detectar aquellos que poseían la potencialidad de atender las exigencias del espectáculo en vivo, que a nuestro ver son: la urgencia (en el sentido de que la obra necesita suceder en aquel instante único) y la evidencia (en el sentido de caracterizar el momento específico de forma clara) - lo que se aborda de forma detallada al largo de este proyecto
Doutor
Hayes, Emily Jane Eleanor Rhydderch. "Geographical projections : lantern-slides and the making of geographical knowledge at the Royal Geographical Society c.1885-1924". Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23096.
Pełny tekst źródłaRavel, Cécile. "Pour une archéologie de l'audio-visuel à travers une production personnelle : pour une poétique de la projection". Paris 1, 1993. http://www.theses.fr/1993PA010513.
Pełny tekst źródłaThis study deals with the history of light projections from the end of the XIXth century to the first decade of the XXth century, and dwells at great length on the passage from still to animated projection. From 1892 (with emile reynaud's "pantomimes lumineuses") to 1910 (the beginning of the motion picture standardisation), a certain kind of light show arises combining motion pictures with transparencies. The projection habits of that time can be characterized by specific features underlying a personal artistic work as well as making it possible to definethe poetic nature of projection. Besides, from the antiquity to descartes, the archaeology of light, actualized again in the sciencefiction novels of the xixth century, reveals a poetical approach to the luminous beam which is used again in our work. The archaeology of audio-visual practises is reinterpreted as a model within some personal audio-visual works according to a synchronic and diachronic passage from still pictures to animated ones : - a play using slide projections; - three audio-visuals creations combining motion picture and slide projections; - a 16 mm film
Trusz, Alice Dubina. "Entre lanternas mágicas e cinematógrafos : as origens do espetáculo cinematográfico em Porto Alegre (1861-1908)". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15547.
Pełny tekst źródłaThis historical study on the origins of the cinematographic spectacle in Porto Alegre investigates the practices which characterized the commercial exploitation of the cinematographer for entertainment purposes from its introduction in the city in november 1896 to the opening of the first permanent theaters specialized in cinematographic exhibitions, in 1908, which gave start to the process of sedentarization of the exhibiting activity. Cinema did not appear as an accomplished spectacle genre and neither the projection spectacle was a new practice; it was closely linked to the tradition of the magic lantern projection spectacles of the 19th century, as explained by the extension of the research to 1861. Between 1896 and 1908, the cinematograph has shifted from being solely a new technical invention and a new mode of projection of optical images to becoming a new spectacular genre, independent from other cultural practices, previous and contemporary, with which it had established various forms of association. Throughout this period, the cinematograph was commercially explored in a discontinuous and temporary fashion by a number of itinerant cinematographic exhibitors who occupied existing entertainment centers and created specialized exhibition spaces, proposing distinct ways of organization of the spectacle and of the programs. The heterogeneity of the exhibition also allowed diversified access from the public to cinema and introduced a great variety of possibilities for the audience to appropriate it, conferring an unparalleled dynamic to the process of affirmation of cinema as a specific spectacle genre and a new cultural practice.
WU, Pei-Shan, i 吳佩珊. "Text Analysis of the Visual Images for Projection-mapping Show of Taipei Lantern Festival". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/00693383414354224433.
Pełny tekst źródła國立臺灣師範大學
圖文傳播學系
101
Since 2005, projection-mapping has been used in Taipei Lantern Festival and variously turned Taipei City Hall into a huge "virtual lantern". By displaying physical and virtual main lanterns simultaneously, it not only highlighted the characteristic of Taipei Lantern Festival, but made a difference to other ceremonies in the last couple of years. However, despite large crowds attracted by the show, no studies have ever tried to put its content and meaning into a discussion academically. Purposes of this study is therefore threefold: (a) to report on trends in usages of projection-mapping for Taipei Lantern Festival; (b) to analyze the culture elements in content; and (c) to discuss the meaning and the impact to the public. For these objectives to be achieved, content of the projecting mapping in Taipei Lantern Festival was analyzed with text analysis and iconography and several interviews were also conducted with academics and audience. According to the findings, visual images of projection mapping in Taipei Lantern Festival are composed of daily elements, historic and ceremonial elements, and others. With these elements, the projection-mapping show reveal the characteristics of modern visual culture combined with the meanings and values of the new era. The virtual main lantern also has the role to make a breakthrough in traditional ceremonies and transmit the culture meaning to the public. This study is hoped can serve as a basis for further study in projection mapping.
Książki na temat "Lantern projection"
Rossell, Deac. Laterna Magica =: Magic lantern. Stuttgart: Füsslin, 2008.
Znajdź pełny tekst źródłaJean-Jacques, Tatin-Gourier, red. La lanterne magique: Pratiques et mise en écriture : actes. [Tours]: Université de Tours, U.F.R de lettres, 1997.
Znajdź pełny tekst źródłaCampagnoni, Donata Pesenti, i Laurent Mannoni. Lanterna magica e film dipinto: 400 anni di cinema. Torino: La Venaria Reale, 2010.
Znajdź pełny tekst źródłaShin'ichi, Tsuchiya, i Miyuki Endō. Gentō suraido no hakubutsushi: Purojekushon, media no kōkogaku. Tōkyō: Seikyūsha, 2015.
Znajdź pełny tekst źródłaRichard, Crangle, Herbert Stephen, Robinson David 1930- i Magic Lantern Society of Great Britain., red. Encyclopaedia of the magic lantern. London: Magic Lantern Society, 2001.
Znajdź pełny tekst źródłaDennis, Crompton, Franklin Richard, Herbert Stephen i Magic Lantern Society of Great Britain., red. Servants of light: The book of the lantern. Kirkby Malzeard: Magic Lantern Society, 1997.
Znajdź pełny tekst źródłaMinici, Carlo Alberto Zotti. Dispositivi ottici alle origini del cinema: Immaginario scientifico e spettacolo nel XVII e XVIII secolo. Bologna: CLUEB, 1998.
Znajdź pełny tekst źródłaMen, Ségolène Le. Lanternes magiques: Tableaux transparents : 18 septembre 1995 - 7 janvier 1996, Musée d'Orsay. Paris: Réunion des musées nationaux, 1995.
Znajdź pełny tekst źródłaHarald, Hansen. Optisches Spielzeug und Laterna magicas: Ausstellung im Städtischen Museum Schloss Rheydt, Mönchengladbach vom 25. November 1990 bis 3. April 1991. Mönchengladbach: Das Museum, 1990.
Znajdź pełny tekst źródłaPerriault, Jacques. Dialogues autour d'une lanterne: Une brève histoire de la projection animée. Paris: L'Harmattan, 2013.
Znajdź pełny tekst źródłaCzęści książek na temat "Lantern projection"
Teughels, Nelleke. "Teachers’ Agency and the Introduction of New Materialities of Schooling: the Projection Lantern and Classroom Transformations in Antwerp Municipal Schools, c. 1900–1940". W Learning with Light and Shadows, 145–67. Turnhout, Belgium: Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.techne-mph-eb.5.131498.
Pełny tekst źródłaEdgcumbe, Philip, Philip Pratt, Guang-Zhong Yang, Chris Nguan i Rob Rohling. "Pico Lantern: A Pick-up Projector for Augmented Reality in Laparoscopic Surgery". W Medical Image Computing and Computer-Assisted Intervention – MICCAI 2014, 432–39. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10404-1_54.
Pełny tekst źródłaCasid, Jill H. "Empire through the Magic Lantern". W Scenes of Projection, 89–124. University of Minnesota Press, 2015. http://dx.doi.org/10.5749/minnesota/9780816646692.003.0003.
Pełny tekst źródła"Part I. Magic Lantern (Projection)". W Three Metaphors for Life, 28–73. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618115744-003.
Pełny tekst źródłaCrangle, Richard. "Six (or Seven) Ways of Looking at a Lantern Slide". W Practices of Projection, 87–103. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190934118.003.0006.
Pełny tekst źródłaWilliams, Keith. "‘I Bar the Magic Lantern’: Dubliners and Pre-Filmic Cinematicity". W James Joyce and Cinematicity, 35–105. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474402484.003.0002.
Pełny tekst źródłaGunning, Tom. "The Invention of Cinema". W The Oxford Handbook of Silent Cinema, 17–37. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190496692.013.20.
Pełny tekst źródła"Rilke’s Magic Lantern: Figural Language and the Projection of “Interior Action” in the Rodin Lecture". W Interiors and Interiority, 313–46. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110340457-019.
Pełny tekst źródłaAstafieva, Elena, i Eileen Kane. "Manufacturing Russian Attachments to Palestine (1894–1903)". W Russian-Arab Worlds, 82—C8P57. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197605769.003.0009.
Pełny tekst źródłaRoberts, Phillip. "Light and Darkness: The Magic Lantern at the Dawn of Media". W Remediating the 1820s, 88–108. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474493277.003.0007.
Pełny tekst źródłaStreszczenia konferencji na temat "Lantern projection"
Dunham, Laura. "“The Moral of these Pictures:” New Zealand’s Early Urban Reform Movements in Lantern Lectures". W The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5018pv8ke.
Pełny tekst źródłaHursty, Mark, i Victoria Bradbury. "A Magic Lantern Data Projector". W Electronic Visualisation and the Arts (EVA 2015). BCS Learning & Development, 2015. http://dx.doi.org/10.14236/ewic/eva2015.72.
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