Rozprawy doktorskie na temat „Landscapes in art – exhibitions”
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Stretch, Eleanor Eunice, i mikewood@deakin edu au. "Using site as the medium of image-making at Tower Hill". Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.144857.
Pełny tekst źródłaBriggs, Susan H. "Landscape as metaphor: artist as metaphier". Thesis, Curtin University, 2002. http://hdl.handle.net/20.500.11937/1470.
Pełny tekst źródłaBriggs, Susan H. "Landscape as metaphor : artist as metaphier /". Curtin University of Technology, School of Art, 2002. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=14292.
Pełny tekst źródłaLi, Vivian Yan. "Art negotiations : Chinese international art exhibitions in the 1930s". Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1209143379.
Pełny tekst źródłaForstrom, Melissa. "Interpretation and visitors in two Islamic art exhibitions". Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q3610/interpretation-and-visitors-in-two-islamic-art-exhibitions.
Pełny tekst źródłaMcGirr, Diana Rosemary. "Legitimate landscapes: repositioning regional art production". Thesis, Curtin University, 2016. http://hdl.handle.net/20.500.11937/48488.
Pełny tekst źródłaHatcher, Lynn A. "Exhibition in the curriculum preparing students to complete the artistic cycle /". Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/art_design_theses/49/.
Pełny tekst źródłaTitle from title page (Digital Archive@GSU, viewed July 13, 2010) Melanie Davenport, committee chair; Kevin Hsieh, Melody Milbrandt, committee members. Includes bibliographical references (p. 45-46).
Fuller, Michele. "Reviewing medium: paint as flesh". Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008590.
Pełny tekst źródłaJordan, Benjamin Thomas. "Synthetic Landscapes". VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4303.
Pełny tekst źródłaAsquith, Wendy. "Haiti and art : curating the nation for international exhibitions". Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2027099/.
Pełny tekst źródłaKamata, Mayumi. "Chinese art exhibitions in Japan, ca 1900 to 1931". Connect to resource, 2001. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1233600845.
Pełny tekst źródła이윤영 i Yoon Yung Lee. "The Joseon Fine Art Exhibition under Japanese colonial rule". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.
Pełny tekst źródłapublished_or_final_version
Fine Arts
Master
Master of Philosophy
Zhang, Linzhi. "Contemporary art and the exhibitionary system : China as a case study". Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289428.
Pełny tekst źródłaCook, Shashi Chailey. ""Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994)" /". Thesis, Rhodes University, 2009. http://eprints.ru.ac.za/1631/.
Pełny tekst źródłaFrears, Lucy. "Unlocking landscapes using locative media". Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/13330/.
Pełny tekst źródłaPalmer, Daniel. "Exhibiting practice : retrospective survey exhibitions of conceptual art, 1989-2000". Thesis, Kingston University, 2007. http://eprints.kingston.ac.uk/20221/.
Pełny tekst źródłaBorchardt-Hume, Achim. "The history of the Esposizione Quadriennale d'Arte Nazionale 1927-1943 : sixteen years of aesthetic pluralism under Facist patronage". Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248636.
Pełny tekst źródłaMorrison, Ann Katherine 1929. "Canadian art and cultural appropriation : Emily Carr and the 1927 exhibition of Canadian West Coast Art - Native and Modern". Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31244.
Pełny tekst źródłaArts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
Price, Brandi. "Aural Landscapes". VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2451.
Pełny tekst źródłaHolland, Nicole Murphy. "Worlds on view visual art exhibitions and state identity in the late Cold War /". Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p3397171.
Pełny tekst źródłaTitle from first page of PDF file (viewed March 30, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.
Smith, Matthew. "Unpresentable landscapes and the art of the index". Thesis, University of Newcastle Upon Tyne, 2012. http://hdl.handle.net/10443/1913.
Pełny tekst źródłaPontelli, Elena. "Landscapes before the landscape in ancient Etruscan art". Thesis, IMT Alti Studi Lucca, 2022. http://e-theses.imtlucca.it/347/1/Pontelli_phdthesis.pdf.
Pełny tekst źródłaMcMasters, Neil G., i neilgmcmasters@mac com. "Impressions from Virtual Landscapes". RMIT University. Art and Culture, 2003. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090715.142840.
Pełny tekst źródłaTurner, Sarah Elizabeth. "Constructing landscapes : art in Neolithic and modern southern Brittany". Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1446864/.
Pełny tekst źródłaPetty, Nancy. "African Art in Western Museums: Issues and Perspectives". Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/992.
Pełny tekst źródłaBachelors
Arts and Sciences
Art History
Floe, Hilary Tyndall. "The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.
Pełny tekst źródłaLindqvist, Ursula Anna Linnea. "The politics of form : imagination and ideology in 1930s transnational exhibitions and socially engaged poetry /". view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3190531.
Pełny tekst źródłaTypescript. Includes vita and abstract. Includes bibliographical references (leaves 295-305). Also available for download via the World Wide Web; free to University of Oregon users.
Avgita, Louisa. "The remaking of the Balkans in contemporary art exhibitions : a critical view". Thesis, City University London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580612.
Pełny tekst źródłaGhidini, Marialaura. "Curating Web-based art exhibitions : mapping online and offline formats of display". Thesis, University of Sunderland, 2015. http://sure.sunderland.ac.uk/6088/.
Pełny tekst źródłaAllison, Martha. "On the Beginning of Contemporary Tibetan Art: The Exhibitions, Dealers, and Artists". VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1751.
Pełny tekst źródłaSutherland, Ann. "Art exhibitions in the national interest: Australian cultural diplomacy, 1918 to 1941". Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29656.
Pełny tekst źródłaRoberts, Judith. "Drawing the Artesian: Extracting Methods to Visualise Unseen Landscapes". Thesis, Griffith University, 2015. http://hdl.handle.net/10072/366164.
Pełny tekst źródłaThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Arts, Education and Law
Full Text
Haydon, Kirsten, i kirsten haydon@rmit edu a. "Antarctic landscapes in the souvenir and jewellery". RMIT University. Art, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090227.115157.
Pełny tekst źródłaSousa, Luis. "Between monument and memorial : the design of the Korean War veterans memorial". Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23012.
Pełny tekst źródłaThorne, Jessica Louise. "The choreography of display : experiential exhibitions in the context of museum practice and theory". Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/22063.
Pełny tekst źródłaIn this project I examine curatorial processes and the experience of constructing and viewing museum exhibitions. Specifically I have been interested in the way in which certain exhibits facilitate powerful emotional responses from their viewers. I suggest that the curators of these kinds of exhibitions employ strategies which not only choreograph the displays but the viewers' bodies themselves as they move through them. As a case study of an experiential exhibition I focus on the District Six Museum where I have been part of its curatorial team since 1999. The work of curatorship that I have done at the Museum during the period of my registration for this degree constitutes part of this submission.
Manasseh, Cyrus. "The problematic of video art in the museum (1968-1990)". University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0004.
Pełny tekst źródłaSmith, George Wilson. "Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art". Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/11771.
Pełny tekst źródłaBrown, Carol. ""Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study". Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1006231.
Pełny tekst źródłaBarlow, John. "Experiences of travel and northern rural landscapes in contemporary art". Thesis, University of Brighton, 2017. https://research.brighton.ac.uk/en/studentTheses/c1e76a25-99b3-4fa0-9a0e-33966a589882.
Pełny tekst źródłaHögström-Schnee, Linn. "Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547.
Pełny tekst źródłaBunn, Leanne. "Changing landscapes : Norman Cornish and North East regional identity". Thesis, Northumbria University, 2010. http://nrl.northumbria.ac.uk/3677/.
Pełny tekst źródłaHogarth, Jan. "'Dislocated landscapes' : a sculptors response to contemporary issues within the British landscape". Thesis, University of Sunderland, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268041.
Pełny tekst źródłaSchoeber, Felix. "Modernity, nationalism and global marginalisation : representing the nation in contemporary Taiwanese art exhibitions". Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/8yv7y/modernity-nationalism-and-global-marginalisation-representing-the-nation-in-contemporary-taiwanese-art-exhibitions.
Pełny tekst źródłaLiu-Devereux, Pauline Carol. "Galleries and drift : mapping undermined landscapes". Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3283.
Pełny tekst źródłaZhu, Chenlu (Cindy). "Searching For A Graspable Past: Landscapes, Nostalgia, And Chinese Contemporary Art". Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1311.
Pełny tekst źródłaHoward, Courtney L. "Special Exhibitions, Media Outreach, and Press Coverage at the Metropolitan Museum of Art, the Chicago Art Institute, and the National Gallery of Art". Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276542794.
Pełny tekst źródłaLinton, Jerry. "Chance images". Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9862.
Pełny tekst źródłaGrunenberg, Christoph. "The politics of presentation : museums, galleries and exhibitions in New York, 1929-1947". Thesis, Courtauld Institute of Art (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283893.
Pełny tekst źródłaRapp, Karen M. ""Not the romantic west" : site-specific art, globalization, and contemporary landscapes /". May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Pełny tekst źródłaChasse, Sarah Noble. ""A Certain Kinship": The First Exhibitions of American Folk Art, New York, 1924-1932". W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539626675.
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