Gotowe bibliografie tematyczne / Lacquer art

Gotowa bibliografia na temat „Lacquer art”

Autor: Grafiati
Data publikacji: 25 lipca 2024
Data aktualizacji: 27 lipca 2024

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Spis treści

Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Lacquer art”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Artykuły w czasopismach na temat "Lacquer art"

1

Lavrov, D. E. "Russian Lacquer Crafts During the Great Patriotic War". Modern History of Russia 11, nr 2 (2021): 475–88. http://dx.doi.org/10.21638/11701/spbu24.2021.211.

Pełny tekst źródła
Streszczenie:
The history of The Great Patriotic War, which was the greatest test for Russia in the 20th century and whose 75th anniversary was celebrated in 2020, contains many topics that have not been well studied. One such topic is the activity of Russian folk crafts during wartime, among which the lacquered miniatures of Palekh, Mstyora, Kholui, and Fedoskino occupy a special place. This article provides one of the first complex studies of the economic, social, and artistic activities of all four centers of Russian lacquers during the war. In addition to information about the contribution of artists and residents of these villages to victory, the article reveals the main events and results of the development of Russian lacquer crafts during the war. These include exhibition activity and work of local art schools, the activities of artists in propaganda, and lacquered miniatures. Further, the article explores the state purchase orders and work of miniaturists for private purchases, the field of state regulation in folk art, and the loss of life suffered by villages. Special attention is paid to gender-related processes in Russian crafts, as well as support measures that the Soviet state provided to folk art during the war. The author concludes that the Great Patriotic War, despite losses and difficulties, became a time of development for the lacquer crafts in Russia, ensuring their subsequent development in the post-war years.
Style APA, Harvard, Vancouver, ISO itp.
2

Liang, Lei. "Brief Analysis of the Lacquer Art Application Value for Indoor Environment Art Design". Applied Mechanics and Materials 587-589 (lipiec 2014): 480–83. http://dx.doi.org/10.4028/www.scientific.net/amm.587-589.480.

Pełny tekst źródła
Streszczenie:
Since ancient time till now, the lacquer art was accepted by thousands of households via decoration of curio shelves. Nowadays the lacquer art is merged into people’s daily life, as it can not only decorate our environmental art, but also apply lively lacquer language to beautify people’s vision and actual living space, even represent the essence of Chinese traditional culture furthermore. This paper, based upon physical property of lacquer art that embodies its intrinsic decoration function, introduces the application value of lacquer art used for environment art in fields of the space function classification of lacquer screen to the environmental protection, decoration of lacquer art as well as the inherent aesthetic appreciation interest in detail.
Style APA, Harvard, Vancouver, ISO itp.
3

Van Minh, Nguyen. "Overview of the history of painting and lacquer art in Vietnam". Arts & Humanities Open Access Journal 5, nr 1 (8.02.2023): 47–53. http://dx.doi.org/10.15406/ahoaj.2023.05.00185.

Pełny tekst źródła
Streszczenie:
Traditional Vietnamese lacquer is recognized through professional and historical forms. First of all, decorative painted relics, associated with religious beliefs, have served in spiritual life through worshiping items in pagodas, temples, communal houses, and palaces. Architectural columns and horizontal lacquered board are applied in hammocks, couplets, animism, four holy creatures, flowers of the four seasons, eight precious items of Buddhism, Baguio, palanquin, hammock, long communal house, worshipping paintings, decorative paintings... Especially Vietnamese lacquer painting through actual labor, practical works, research, and application of traditional techniques in the artistic creation of artists, has formed the appearance of traditional Vietnamese lacquer art in the past over the course of more than two thousand years of history.
Style APA, Harvard, Vancouver, ISO itp.
4

BEREZINA, Elizaveta. "Lacquered History: Soviet Crafts and Problematic Memory of the Communist Past". Martor. The Museum of the Romanian Peasant Anthropology Review 26 (2021): 47–54. http://dx.doi.org/10.57225/martor.2021.26.03.

Pełny tekst źródła
Streszczenie:
The paper questions the ethics of displaying lacquer miniatures representing the Soviet past drawing on the example of an exhibition and publishing project Russian History: The Twentieth Century in Lacquer Miniature undertaken by the All-Russian Museum of Decorative, Applied and Folk Art (Moscow). In November 2017, almost 300 lacquer miniatures were displayed to commemorate the centenary of the Russian Revolution and other upheavals of the twentieth century. While recognizing the efforts of the curators to introduce the imagery of lacquer painting into the actual discussion on the communist past, I argue that the project irons out the controversial nature of the Soviet regime and literally “lacquers” history. I criticize the project for (1) using lacquer miniatures merely as illustrations of the historical events; (2) ignoring political, economic and cultural conditions of imagery making; (3) evading discussion of the problematic past. The review suggests questions to be asked about the representation of history in lacquer miniatures that could help museum curators working with Soviet imagery in crafts.
Style APA, Harvard, Vancouver, ISO itp.
5

Lin, Xiaojuan. "Fujian Lacquer Art: Xiamen lacquer line carving art and inheritance protection research". Highlights in Art and Design 2, nr 2 (20.03.2023): 49–53. http://dx.doi.org/10.54097/hiaad.v2i2.6159.

Pełny tekst źródła
Streszczenie:
Lacquer line carving is an excellent treasure of folk arts and crafts created in the long history of Chinese lacquer art culture. Xiamen lacquer line carving continues the excellent traditional spirit of China and is a specimen of folk culture history in southern Fujian. With the advent of the "intangible cultural heritage" upsurge, Xiamen lacquer line carving has gradually been paid attention to, and at the same time, it has promoted the spread of southern Fujian folk culture. The cultural value, historical value, economic value, artistic value, craft value, etc. reflected behind Xiamen lacquer line carving are all worthy of further in-depth study. Only the combination of inheritance, innovation and market is the most effective way of inheritance protection.
Style APA, Harvard, Vancouver, ISO itp.
6

Fan, Kuo-Kuang, Xue-Hui Li i Meng-Jia Lu. "Sustainability Research on Promoting the Inheritance of Lacquer Art Based on the E-learning Mode—Case Study of the Popularization of Lacquer Art Education in Primary Schools in Guangzhou Area". Sustainability 12, nr 6 (12.03.2020): 2195. http://dx.doi.org/10.3390/su12062195.

Pełny tekst źródła
Streszczenie:
This paper investigates the sustainable inheritance of contemporary lacquer art in the Guangzhou area. Based on the traditional teaching mode dominated by folk inheritance and university education, this paper develops the advantage of contemporary information technology and proposes the application of the e-learning mode to assist the popularization of lacquer art education in society, which plays a positive role in promoting the sustainable development of the lacquer art culture in Guangzhou. This study adopts literature analysis and the questionnaire survey method, and then integrates this learning mode into the lacquer art learning curriculum in primary schools. Finally, this paper summarizes and reflects on the teaching results, and presents the effective role of this model in promoting the teaching of lacquer art culture, which is of important practical significance for consolidating the sustainable development of contemporary lacquer art culture.
Style APA, Harvard, Vancouver, ISO itp.
7

Cheng, Lingyun. "Research on the Discrepancy and blending of Lacquer Ceramic Art". Journal of Education, Humanities and Social Sciences 21 (15.11.2023): 280–88. http://dx.doi.org/10.54097/ehss.v21i.14017.

Pełny tekst źródła
Streszczenie:
The rich historical use of lacquer in China and the enduring tradition of Oriental pottery have laid the foundation for preserving traditional handicrafts. This research seeks to uncover the cultural significance of lacquer items and innovative pottery, delving into their artistic elements to preserve their cultural essence. By examining the interaction between lacquer and pottery within an artistic framework and exploring the expert fusion of lacquer craftsmanship, this study provides valuable insights to foster the contemporary growth of traditional craft design. The research findings demonstrate that a precise integration of design elements inspired by the aesthetic qualities of lacquer artifacts into lacquer products effectively conveys cultural heritage in the present era. The design process for creative products evolves through the innovative amalgamation of lacquer and ceramic techniques, resulting in the creation of unique lacquer and ceramic pieces. The primary goal of this study is to inspire emerging designers to contribute to the ongoing innovative development of lacquer pottery products.
Style APA, Harvard, Vancouver, ISO itp.
8

Song, Xiaoting, Yongzhong Yang, Ruo Yang i Mohsin Shafi. "Keeping Watch on Intangible Cultural Heritage: Live Transmission and Sustainable Development of Chinese Lacquer Art". Sustainability 11, nr 14 (16.07.2019): 3868. http://dx.doi.org/10.3390/su11143868.

Pełny tekst źródła
Streszczenie:
Countries all over the world have been constantly exploring ways to rescue and protect intangible cultural heritage. While learning from other countries’ protection measures, the Chinese government is also constantly exploring ways that conform to China’s national conditions. As China’s first batch of intangible cultural heritage, lacquer art boasts a brilliant history, but many people are not familiar with it today. Moreover, in the process of modernization, the lacquer art transmission is declining day by day, and it is facing unprecedented major crises such as loss and division of history into periods. Hence, it is essential to verify and reveal the challenges and dilemmas in the lacquer art transmission, and come up with corresponding protection measures around these problems. First of all, this research, through literature review, “horizontally” explores the current research status and the universal problems of lacquer art transmission from the macro level. With a view to make up for the deficiencies of the existing research and further supplement the empirical evidence, the current research, with the transmission of “Chengdu lacquer art” as an example and through in-depth interviews, tracks and investigates the whole process of transmission of Chengdu Lacquer Art Training Institute, and “vertically” analyzes the survival situation of lacquer art transmission and the core problems affecting transmission behaviors from the micro level. In the final conclusion, the research comes up with corresponding countermeasures and suggestions for the identified key problems, which is of significant reference value for facilitating the live transmission and sustainable development of Chinese lacquer art.
Style APA, Harvard, Vancouver, ISO itp.
9

CHEN, Yipin. "Inheritance and innovation in lacquer painting teaching". Region - Educational Research and Reviews 5, nr 5 (13.12.2023): 27. http://dx.doi.org/10.32629/rerr.v5i5.1433.

Pełny tekst źródła
Streszczenie:
Lacquer painting is an important school in the traditional painting art of our country, which has a long history and a unique artistic expression form. As an ancient and unique art form, lacquer painting has always carried the treasures of traditional culture and historical memory. However, with the progress of the times and the development of society, the teaching of lacquer painting is facing the dual challenges of inheritance and innovation. Especially, in the teaching of lacquer painting in colleges and universities, excessive emphasis is placed on craft techniques and theories, as well as the "painting flavor" of lacquer painting, while ignoring the expression of the creator's spirit and the innovation of the times. Strengthening the inheritance and innovation of lacquer painting has been widely valued. This paper aims to explore how to innovate on the basis of inheritance and realize the sustainable development of lacquer painting art.
Style APA, Harvard, Vancouver, ISO itp.
10

Bincsik, Monika. "European collectors and Japanese merchants of lacquer in ‘Old Japan’". Journal of the History of Collections 20, nr 2 (5.08.2008): 217–36. http://dx.doi.org/10.1093/jhc/fhn013.

Pełny tekst źródła
Streszczenie:
Abstract During the Meiji period, following the opening of Japan's borders to foreign trade, not only did the Japanese lacquer trading system and the market undergo a marked change but so too did almost all the factors affecting collecting activities: the European reception of the aesthetics and history of Japanese lacquer art, the taste of the collectors, the structure of private collections, the systematization of museum collections, along with changes in the art canon in the second half of the nineteenth century. The patterns of collecting Japanese lacquer art in the second half of the nineteenth century cannot be understood in depth without discussing shortly its preliminaries in the seventeenth and eighteenth centuries, focusing also on the art historical reception of Japanese lacquer in Europe. Supplementary material relating to this article in the form of a list of dealers and distributors of lacquer in Japan during the Meiji period (1868–1912) is available online.
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Rozprawy doktorskie na temat "Lacquer art"

1

Körber, Ulrike. "The journey of artifacts: The study and characterization of a nucleus of lacquered Luso-Asian objects from the 16th and 17th centuries". Doctoral thesis, Universidade de Évora, 2019. http://hdl.handle.net/10174/25788.

Pełny tekst źródła
Streszczenie:
This thesis examines a group of objects produced for Catholic Europeans in the scope of the Portuguese maritime explorations and Catholic missions in Asia in the 16th and 17th centuries. Embellished with Asian lacquer coatings, their heterogeneous character and complex mix of decorative elements, artistic and craft traditions has led to various attributions regarding their production, including classification as Indo- Portuguese, Sino-Portuguese, Japanese nanban or Ryūkyūan. This study arose over discrepancies between these presumed identifications and their actual physical features. Taking a multi-disciplinary approach, it combined formal and esthetic examination with material analysis, while also considering the cultural and geo-political context, contemporary Asian lacquer traditions, and similar decorative techniques. In addition to refining the fundamentals of lacquer conservation it also led to a reconsideration of the accepted attributions of these objects. As a result, the study sheds new light on our understanding of European and Asian relations in a period critical to the shaping of our modern world; RESUMO: A Viagem dos Artefactos: O Estudo e a Caracterização de um Núcleo de Objetos Lacados Luso-Asiáticos dos Séculos XVI e XVII Esta tese examina um conjunto de objetos produzidos para europeus católicos no âmbito das explorações marítimas portuguesas e missões católicas na Ásia nos séculos XVI e XVII. Embelezados com revestimentos de laca asiática, o seu carácter heterogéneo e a mistura complexa de elementos decorativos, tradições artísticas e artesanais levaram a várias atribuições em relação à sua produção, incluindo classificações como indo- português, sino-português, japonês nanban ou Ryūkyū. Este estudo surgiu devido a discrepâncias entre essas presumidas identificações e as suas características físicas reais. Ao adoptar uma abordagem multidisciplinar, esta investigação combinou o exame formal e estético com a análise dos materiais, considerando também o contexto cultural e geopolítico, as tradições contemporâneas de laca asiática e as suas técnicas decorativas similares. Além de refinar os fundamentos da conservação da laca, também levou a uma reconsideração das atribuições aceites relativamente a esses objetos. Como resultado, esse estudo lança nova luz sobre a nossa compreensão das relações europeias e asiáticas num período crítico para a formação de nosso mundo moderno.
Style APA, Harvard, Vancouver, ISO itp.
2

劉靜蓉. "The decoration of in Lacquer Art". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/91256375028409472675.

Pełny tekst źródła
Streszczenie:
碩士
國立臺灣師範大學
設計研究所在職進修碩士班
91
This study is to explore the materials and techniques of Lacquer Art and its variety and complexity. It is to reveal the expression of lacquer techniques on Lacquer ware through the development of the traditional decorative lacquer art, and to create more spiritual and contemporary lacquer ware. The decoration on traditional craft used to be created for and only on functional objects, which is limited by its purpose as a functional ornament, but not considered as an art object. In recent years, more and more of the lacquer art exhibitions have taking place all over the world, the lacquer art has becoming rather a new art form than just pictorial decoration as a lacquer ware. Because of its artistic and crafty qualities and its unique techniques, the lacquer art fills the gap between artistic creativity and functional decoration, which brings the lacquer art into a higher level and improves its value, also transforms the lacquer art into the contemporary life. This article has introduced the lacquer art in detail. It intends to break the stereotype of traditional craft to the public and hope that the lacquer art will win the recognition and become the acknowledged art form after the ceramic and glass art not just “Lacquer”, and eventually becoming part of the art education.
Style APA, Harvard, Vancouver, ISO itp.
3

YI, YU-AN, i 易佑安. "Children's Folkgames – YU AN YI's Lacquer Art and Design". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/ysd7e2.

Pełny tekst źródła
Streszczenie:
碩士
國立臺灣藝術大學
工藝設計學系
103
Modern people often lead a busy life. Thus, I’d like to evoke people’s pleasant childhood memories by integrating the essence of children’s folk games into my works. First, this thesis studies the art of traditional lacquer ware, the present situation of its development in Taiwan and varied applications of its techniques. Next, this thesis explores the literature on children’s folk games. Then, I incorporate the looks, the playing methods and happy associations of children’s folk games into household ware of various materials while making use of different lacquer techniques. My works are divided into three sections: to play, to reminisce and to have a game together with the purpose of demonstrating how traditional children’s folk games can be transformed into household ware.
Style APA, Harvard, Vancouver, ISO itp.
4

SHU-JHEN, HE, i 何淑貞. "The Application of Traditional Lacquer Art to Modern Life". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/10598010865017428440.

Pełny tekst źródła
Streszczenie:
碩士
大葉大學
造形藝術學系碩士在職專班
96
The creation of the technical art is originated from the human demand, and it brings about the convenience and comfort in life. To manifest the original value of technical art from the level of life, the containing meaning is not only the application of life but also the function of spirit and education. Early period in Taiwan is the immigration society, so the lacquer for life is immigration from Main Land China. During the period of Japan dominion, they planned to develop the lacquer business in Taiwan. Therefore, the foundation of Taiwan lacquer art was settled for the history of traditional technical art. The source materials to be easy obtained and extra work are wood, bamboo, etc. To protect and apply ornaments by simple ways is the characteristic of lacquer during that time. The red, black, and gold are the favorite color of applying ornaments for us Han nationality. The lacquer art drawed by concise, sober, and traditional skills, with artistic and practical functions awaken people to respect for the nature, cherish conventions and concern about humanities and culture. We look forward to bring the esthetics of lacquer craft to our daily life, promote the public to understand it, further more love to use it, place importance on it, and create the life esthetics of lacquer art.
Style APA, Harvard, Vancouver, ISO itp.
5

Tuan, Phan Anh, i 潘英俊. "Applying Lacquer Art and Vietnam’s Traditional Culturein Clothing Design". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/19916725592016532069.

Pełny tekst źródła
Streszczenie:
碩士
樹德科技大學
應用設計研究所
101
Lacquer art represents the spiritual beauty of traditional cultures in Asia and has been researched and applied to create high value-added works as well as it has been mentioned as one of the heritage of the world. Therefore, the purpose of this thesis is to explore a unique view on lacquer painting by comparing its differences in Vietnam and it in Taiwan. Afterwards, I applied it in clothing design. I fulfilled my research based on the methods including data collection, investigation of process and implement of lacquer painting, observation and analysis of color and material. Additionally, the main materials, which are lacquer oil, color powder, egg-shell, shell pearl, gold leaf, silver leaf, were applied in my works. Moreover, I extracted a unique image, the crane standing on the back of turtle, from the traditional culture of Vietnam. It, standing for faith, was presented in the temples, pagodas, tombs in Vietnam and further transferred and applied in my works for the aspiration of longevity, intelligence and good luck. The results were shown that the best mixing ratio of lacquer oil, color power and banana oil is 3：3：4, and a preferable painting layer is 2 layers. Consequently, I can achieve a unique lacquer painting fabric with suitable softness and stretch. Finally, I completed my collection named “Eternal Passion” with total of 10 costumes and some related accessories.
Style APA, Harvard, Vancouver, ISO itp.
6

Kao, Shwu-Jiuan, i 高淑娟. "“Sheng Wu You Xin”: Preface Of Lacquer Painting Art". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/8f9u55.

Pełny tekst źródła
Streszczenie:
碩士
中國文化大學
美術學系
106
Zhuang zhouu(zhuangzi)'s philosophy have greatly influenced over Chinese traditional art work. zhuangzi's vision has carried the effect over Chinese painting, his philosophy enriched Chinese painting's inner beauty and intellectual level. 　　By comparing both eastern and western cultural and method of ancient Chinese art work, It included the idea of "Sheng Wu You Xin" emphasizing the traditional philosophy of Tao; adapting those inspirations of the lacquer painting, to study the source and origin of beauty in the Chinese painting, therefore, enhancing the higher level of creations. 　　Beauty is an emotional force that are consisted throughout the world. By expressing the idea of selfless and understanding of art, the artist uses static image and geometry to create the motion of heart to interpret the feeling of static beauty. 　　Lacquer painting is most traditional way of painting, and it last the longest compare with other kind of painting. Lacquer painting is rich in color and special in presentation. It is different from other style of painting. Due to these special entity and the modern technology adaptation of the art work. Lacquer painting has become more main stream as today. Lacquer is special in its own way, usually lacquer painter are master of both lacquer and painting techniques. 　　Lacquer paint have been heavily influenced by eastern culture: its colors, materials, techniques, and styles. By inquiring all these elements and fusing with the idea of western culture, it can transcend nto the ultimate goal of becoming an international lacquer artist.
Style APA, Harvard, Vancouver, ISO itp.
7

Chen, Yung-hsing, i 陳永興. "The Research of Eggshell Particles Applied to Lacquer Art Techniques". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/09782749615050277349.

Pełny tekst źródła
Streszczenie:
碩士
國立臺灣藝術大學
工藝設計學系碩士班
100
Lacquer is an application of decorative arts. Many superb techniques handed down over thousands of years. From archaeological excavations, a wealth of lacquer ware unearthed. Lacquer Is the name of the ancient lacquer, modern term turns to be lacquer art. The ancient lacquer is in the existence of practicality. Modern lacquer is an art form to express their own creative ideas. According to different historical background, it will produce a different style of work. This paper is to explore and discuss the eggshell particle techniques. Standardize the material to produce a test piece. Test eggshell particles according to different types, material sifted segmentation, normalization, classification. Produce a standard specimen respectively. By comparing the differences and characteristics of the visual effects, analyzing, summarizing and collating, the result of this technique is called "eggshell painting" techniques. Be a reference for lacquer creation.
Style APA, Harvard, Vancouver, ISO itp.
8

HSU, HSUAN-CHANG, i 許玄昌. "Urushi Landscapes — Japanese Lacquer Art Creation Descriptions by Hsu Hsuan－Chang". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/2xarjg.

Pełny tekst źródła
Streszczenie:
碩士
大葉大學
設計暨藝術學院碩士在職專班
104
Landscape appears spirit of the nature, and nature inspires our sense of beauty. Artists often were encouraged by the great nature and express their creativities with brushes. The creativities of artists often come from perception and observation. "Urushi Landscape" is a series of work which based on Japanese lacquer and driftwood was made by reflecting the impression of beautiful landscapes in two dimensional lacquer painting and three-dimensional lacquer sculpture. "Preserve wood" is one of the basic techniques for Japanese lacquer craft. In tradition, wood were often preserved by lacquer, thus the application of "lacquer on wood" is not only functional but then also convey to a substantive sense of "Urushi Landscape". Each piece of work in this series contains both active and passive expressions through techniques and materials；The diverse and delicate techniques of Japanese lacquer craft which performs various colors and textures, in contrast to driftwood, which is not fabricated, plain and formed in nature. Besides reflecting the beauty of nature, "Urushi Landscape" is an echo of the action of sustaining the nature.
Style APA, Harvard, Vancouver, ISO itp.
9

LI, SHING-LUNG, i 李幸龍. "From Origin to Destination – Discourse of Hsing-Lung Lee’s Lacquer-Pottery Art". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/a3f8kk.

Pełny tekst źródła
Streszczenie:
碩士
亞太創意技術學院
茶陶創意研究所
105
During the evolution of human civilization, which is driven by advancing thoughts, our life demands greatly promote the functional development of utensils. Moreover, with advancing civilization and uninterrupted creation, human craftsmanship has become more and more delicate. In China, lacquer and pottery arts are two of the longest-standing and most significant forms of folk craftsmanship. During the long historical process of ethnic fusion, they have gradually assimilated the cultures of various ethnic groups and possessed significant values of traditional Chinese customs and traditions. With the rock-solid foundation of knowledge and skills, the Chinese lacquer and pottery craftsmanship could be transformed into the forms of pure art if today’s artists infuse modern aesthetic elements into these traditional craftsmanship and give them new meanings. In China, these craft media are usually used separately even though they have been created for thousands of years and become deeply rooted in our society. However, in Chinese archaeology, a few lacquer-pottery products have been discovered from underground tombs, and most of them are pottery, which made from clays fired at low temperatures (900 oC), covered with natural lacquer. In recent years, Tjouh-Min Lai, the current representative of Taiwanese lacquer culture, has created “Taiwan Ware” by decorating clays fired at higher temperatures (> 1000 oC) with several-layer-lacquer-painting on the surface through revolutionary processes. The patterns of my lacquer-pottery art are completely different from the above. The ancient Chinese craftsmen covered pottery with lacquer only for its waterproofing function; Master Lai used pottery purely and simply as a base material to express his lacquer art. By comparison, the destination of my creation is to fuse the two completely different materials, textures, skills, and arts together in my work. I expect to use pottery’s simplicity and solidity to set off lacquer’s brilliance and brightness. The textures and strengths of lacquer and pottery are in sharp contrast but complementary. The primary idea and pursuit of my lacquer-pottery art is to present the two different craftsmanship simultaneously and equally in my work. In order to expand my artistic creativity and make my lacquer-pottery art more distinct from other artists, I have visualized my innovative idea in this work by expressing it with the elements of creation I used in the past. Looking to the future, I will endeavor to create specific artistic values and historical position for Taiwan’s traditional lacquer culture.
Style APA, Harvard, Vancouver, ISO itp.
10

Ya-FenCheng i 鄭雅芬. "Kou-Shan Lai and Tjouh-Ming Lai: Art and Craft of Lacquer". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/20130146791787285620.

Pełny tekst źródła
Streszczenie:
碩士
國立成功大學
藝術研究所
98
This essay aims to study the development and revolution of lacquer in Taiwan. From the historical point of view, divided into lacquer business and lacquer work, this essay hopes to systematically organize the lacquer history of Taiwan. The time span starts from Japanese Occupation till the post-Taiwan Restoration. Firstly, to discuss the education of lacquer workers, this essay begins with Yamanaka’s private school built by a Japanese, Kou Yamanaka and includes the transformation of the school history and its lecture content. Secondly, because of Yamanaka’s contribution, Kou-Shan Lai, a student of Mr. Yamanaka, and his son, Tjouh-Ming Lai, become representatives of Taiwan lacquer work. Kou-Shan Lai, the founder of Gaun Shan Store, transcends the barriers of tradition carved lacquerware and invents several-layer-lacquer-painting. Furthermore, Kou-Shan Lai’s lacquer painting becomes a representation of his artistic work. Seeing from the tree lacquer techniques, this essay argues the thematic types and uniqueness of Kou-Shan Lai’s lacquer painting. Later, Tjouh-Ming Lai simplifies the producing processes of Taiwan ware in order to make the creativity of Taiwan ware easier. Then, Tjouh-Ming Lai also re-examines the techniques of several-layer-lacquer-painting invented by his father, Kou-Shan Lai, and discusses his experimental results. From the prosperity to the decline, the history of Taiwan lacquer has developed for almost a hundred years. Accordingly, because of the importance of the cultural preservation, to study art and craft of lacquer in Taiwan becomes necessary.
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Książki na temat "Lacquer art"

1

Suwannapongse, Panpimon. The golden touch of lacquer art. Redaktorzy Isalāma Saiẏada Manajurula editor i Hājarā Sabyasācī editor. Dhaka: Nymphea Publication, 2017.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Phạm, Hoàng Hải. Art of lacquer: A visitor's guide. Hà Nội, Việt Nam: Thé̂ Giới Publishers, 2007.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Hutt, Julia. Namiki: The art of Japanese lacquer pens. Toronto: Pens Unlimited, 2000.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Davey, Neil K. The Garrett collection--Japanese art: Lacquer, inrō, netsuke. London: Dauphin Pub., 1993.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Nasser D. Khalili Collection of Islamic Art. Lacquer of the Islamic lands. London: Nour Foundation in association with Azimuth Editions and Oxford University Press, 1996.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Okada, Barbra Teri. Symbol and substance in Japanese lacquer: Lacquer boxes from the collection of Elaine Ehrenkranz. New York: Weatherhill, 1995.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Döhring, Karl. Art and art-industry in Siam. Wyd. 5. Bangkok, Thailand: Siam Society Under Royal Patronage, 1999.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

A, Jörg C. J., red. Japanese export lacquer: 1580-1850. Amsterdam: Hotei, 2005.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Frits, Vos, Scholten Frits, Dees Jan, Schaap Robert, Society for Japanese Arts and Crafts. i Haags Gemeentemuseum, red. Meiji: Japanese art in transition : ceramics, cloisonné, lacquer, prints ... 's-Gravenhage, the Netherlands: Haags Gemeentemuseum, 1987.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Ch'oe, Yŏng-gŭn. Ch'oe Yŏng-gŭn ŭi ch'il: Youngkeun Choe's lacquer art. Sŏul: Misul Munhwa, 2009.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Części książek na temat "Lacquer art"

1

Schweizer, Anton. "Nanban Lacquer". W The Routledge Companion to Global Renaissance Art, 67–83. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003294986-7.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Wu, Xiumei, i Xuming Feng. "Application of Lacquer Art in Ceramic Decoration". W Advances in Social Science, Education and Humanities Research, 362–67. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-094-7_45.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Kaufmann, Thomas DaCosta. "Japanese Export Lacquer and Global Art History: An Art of Mediation in Circulation". W Art, Trade, and Cultural Mediation in Asia, 1600–1950, 13–42. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-57237-0_2.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Jin, Hanlin. "On the Influence of Image Aesthetics on Lacquer Painting Art". W Advances in Social Science, Education and Humanities Research, 1235–44. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-062-6_159.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Shen, Jin-Shan, Yu-Meng Xiao i Rungtai Lin. "A Study on the Innovation of Traditional Lacquer Art: The Creation of Paper-Based Lacquer Paintings as an Example". W Lecture Notes in Computer Science, 255–67. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06047-2_18.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Chen, LuoYu, i Jun Chen. "A Study on the Emotional Awareness of Lacquer Art Dyeing Applied to Fan". W Cross-Cultural Design, 3–12. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-35946-0_1.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Chiang, Shun-Yao, i Shyh-Huei Hwang. "Exploring the effect of peer assessment on lacquer art learners' discussion promotion and motivation". W System Innovation for a World in Transition, 150–54. London: CRC Press, 2023. http://dx.doi.org/10.1201/9781003460763-31.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Li, Jin, i Yonghui Lin. "Teaching Thoughts and Cases Analysis of the Innovative Design of Lacquer Art Products in the Multi-disciplinary and Trans-Boundary Historical Background". W Lecture Notes in Computer Science, 186–95. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92252-2_14.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Wrona, Monika. "Research on Berlin Lacquered Vases Manufacturing Techniques and Materials. A Source of Information on Works of Art and a Pre-Study for their Conservation Treatment". W Investigation and Conservation of East Asian Cabinets in Imperial Residences (1700–1900), 233–50. Wien: Böhlau Verlag, 2017. http://dx.doi.org/10.7767/9783205207139.233.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

"LACQUER". W Japan And Its Art, 165–88. Routledge, 2012. http://dx.doi.org/10.4324/9780203040195-16.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.

Streszczenia konferencji na temat "Lacquer art"

1

"On the Decorative Beauty of Lacquer Painting Art". W 2020 Conference on Social Science and Modern Science. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000719.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Zheng, Xin. "Classic Craft: Fuzhou Bodiless Lacquer Ware". W 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.081.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Xu, Tao. "Analysis of the Current Development of Lacquer Painting Art". W 8th International Conference on Education, Management, Information and Management Society (EMIM 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/emim-18.2018.153.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Wang, Jinghui. "Lacquer Art and Buddhism: Cultural Trophallaxis and Their Aesthetic Commonality". W Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.22.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Li, Xue-Hui, i Kuo-Kuang Fan. "Study on plane carrier art of Chinese ancient lacquer culture". W 2016 International Conference on Advanced Materials for Science and Engineering (ICAMSE). IEEE, 2016. http://dx.doi.org/10.1109/icamse.2016.7840263.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Wang, Mingjun. "Innovation and development of arts and crafts in lacquer art research". W 2017 International Conference on Humanities Science, Management and Education Technology (HSMET 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/hsmet-17.2017.149.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Sun, Xiaodong. "Research on the Lacquer Painting Art with the Theme of Hui’an Women". W 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.011.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Xiaoling, Wen. "On the Interest in the Still Life of Modern Lacquer Painting". W 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200709.027.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Lin, Zhentuan. "Inheritance and Transmutation: Discussion on the Artistic Features of Chinese Lacquer Painting". W 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.111.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Chen, Jing. "Analysis on Innovative Path of Lacquer Products in the Context of Fashion". W 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220205.049.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „Lacquer art” dla poszczególnych typów źródeł:
Artykuły w czasopismach Rozprawy doktorskie Książki
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii