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Data publikacji: 26 lipca 2024

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Sprawdź 34 najlepszych książek naukowych na temat „Labics (Firm)”.

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1

Levi, Romano. Catalogo Veronelli delle etichette: [Romano Levi]. Veronelli, 1992.

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2

Kosht, R. M. A&M Records discography: Including associated labels and alphanumeric index. A & Mania, 1986.

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3

Krumm, Christian. Century Media - Do it yourself: Die Geschichte eines Labels. Schmenk, 2012.

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4

Scheidegger, Jürg. Château Mouton Rothschild: Wein und Kunst. Z. Steiger, 1987.

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5

Associates, Keymark. Opportunities in shrink film labels for bottles: Markets, materials & machines : a comprehensive multiple client study. Keymark Associates, 2001.

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6

Society, Jazztone, and Dial Records, eds. Jazz by mail: Record clubs and record labels, 1936 to 1958 : including complete discographies for Jazztone & Dial Records. Hillbrook Press, 1999.

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7

Mendelson, Cheryl. Home Comforts: The Art and Science of Keeping House. 4th ed. Scribner, 1999.

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8

Mendelson, Cheryl. Home Comforts: The Art & Science of Keeping House. Scribner, 2005.

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9

The Decca labels: A discography. Greenwood Press, 1996.

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10

(Editor), Rob Young, ed. Ace Records: Labels Unlimited. Black Dog Publishing, 2008.

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11

Bell and Black: C1848-1881 London. Gwyn-Smith, 1986.

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12

Nettwerk 25 Years Of Music We Love. John Wiley & Sons, 2010.

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13

Tzioumakis, Yannis. Hollywood's Indies: Classics Divisions, Specialty Labels and American Film Market. Edinburgh University Press, 2012.

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14

Tzioumakis, Yannis. Hollywood's Indies: Classics Divisions, Specialty Labels and American Film Market. Edinburgh University Press, 2012.

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15

Cooper, Sarah. Film and the Imagined Image. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474452786.001.0001.

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Film and the Imagined Image explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. From documentary to art house cinema, and from an abundance of onscreen images to their complete absence, films that experiment variously with narration, voice-over, and soundscapes do not only engage the thoughts and senses of spectators in a perceptually rich experience. They also make an appeal to visualise more than is visible on screen and they provide instruction on how to do so as spectators think and feel, listen and view. Bringing together philosophy, film theory, literary scholarship, and cognitive psychology with an international range of films from beyond the mainstream, Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship.
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16

Labeling America. Fox Chapel Pub. Co., 2011.

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17

Tzioumakis, Yannis. Hollywood's Indies: Classics Divisions, Speciality Labels and American Independent Cinema. Edinburgh University Press, 2013.

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18

Hollywood's Indies: Classics Divisions, Specialty Labels and American Independent Cinema. Edinburgh University Press, 2012.

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19

Tzioumakis, Yannis. Hollywood's Indies: Classics Divisions, Specialty Labels and American Independent Cinema. Edinburgh University Press, 2012.

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20

Tzioumakis, Yannis. Hollywood's Indies: Classics Divisions, Specialty Labels and American Independent Cinema. Edinburgh University Press, 2012.

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21

Hollywood's Indies: Classics Divisions, Specialty Labels and American Independent Cinema. Oxford University Press, Incorporated, 2012.

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22

Zak, Albin J. The Death Rattle of a Laughing Hyena. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0014.

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In 1958, record producer Mitch Miller vehemently criticized the state of Top 40 radio. He argued that DJs were pandering excessively to the tastes of teenagers and playing low-quality popular music. This criticism was aimed largely at rock and roll records produced by the low-budget, independent recording firms with whom he now found himself in competition. This chapter traces the development of the major-labels’ novel pop music production practices in the 1950s, specifically the use of overdubbing, unconventional arrangements, added reverb, and Foley effects. These techniques are compared with indie-label recording, which captured more populist genres with less expensive postproduction capabilities. Finally, the chapter traces the aesthetics of DIY (do-it-yourself) records made by amateur musicians-turned-radio-stars, and concludes with a discussion of the lasting effects of these 1950s pop music crosscurrents.
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23

Bogusz, Dariusz, Krzysztof Ogonowski, and Adam Rurak, eds. Bezpieczeństwo w portach lotniczych i morskich. Polish Air Force University, 2022. http://dx.doi.org/10.55676/66514-44-7.

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The subject of this publication is broadly understood security of airports and seaports. The paper deals with the issue of labeling dangerous shipments in air transport. There is also a short characterization of the classes of hazardous materials, as well as the rules of packaging, and examples of labels. The knowledge on the cooperation of airport rescue services with other entities of the national rescue and firefighting system was also systematized. Research in this field included the characteristics of the national rescue and firefighting system, the emergency medical system and the emergency notification system. Then, the airport rescue system was discussed, including the discussion of operational tactics, the principles of evacuating passengers, fire extinguishing agents and vehicles. It was explained what the manipulation in this space is, then the phenomenon of disinformation was discussed, in the final part of the research to refer to the need to select information obtained from the virtual sphere.
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24

Hannon, Sharon M. Punks. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798216003380.

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This history of the punk movement in the United States shows how punk music, fashion, art, and attitude clashed with and ultimately influenced mainstream culture. Unlike other volumes on the punk era that focus on just the music—and primarily on British punk bands—Punks: A Guide to an American Subculture spans the full expanse of punk as it happened in the United States, from the late-1960s blast from Iggy Pop and the Stooges to the full explosion of punk in the mid 1970s to its next-generation resurgences and continuing aftershocks. Punks covers it all—not just music, but the punk influence on film, fashion, media, and language. Readers will see how punk spread virally, through fan-created magazines, record labels, clubs, and radio stations, as well as how mainstream America reacted, then absorbed aspects of punk culture. The book includes interviews with key members of the punk subculture, including new conversations with people who participated in the punk scene in the 1970s and 1980s.
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25

Creation stories: Riots, raves and running a label. Pan Books, 2014.

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26

Wang, Orrin N. C. Techno-Magism. Fordham University Press, 2022. http://dx.doi.org/10.5422/fordham/9780823298471.001.0001.

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Techno-Magism: Media, Mediation, and the Cut of Romanticism explores how British Romantic literature abuts against and is organized around a topos of both print and non-print media. These themes and motifs involve not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, either during the Victorian age or sometime during the twentieth century, such as photography, film, video, and digital screens. The awareness in Techno-Magism of this proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory. In a word, both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media in the eight essays collected here. The essays in Techno-Magism think that relationship through the non-dialectical, catachrestic practice of a techno-magism, and further organize themselves around two other ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Bearing the historical moment of their writing, the second decade of this millennium, where so much of thought and planetary existence labors under the latest phase of late capitalism, oligarchic capital, the essays also explore the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene.
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27

Kim, Jihoon. Documentary's Expanded Fields. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197603819.001.0001.

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Documentary's Expanded Fields: New Media and the Twenty-First-Century Documentary offers a theoretical mapping of contemporary non-standard documentary practices enabled by the proliferation of new digital imaging, lightweight and non-operator digital cameras, multiscreen and interactive interfaces, and web 2.0 platforms. These emergent practices encompass digital data visualizations, digital films that experiment with the deliberate manipulation of photographic records, documentaries based on drone cameras, GoPros, and virtual reality (VR) interfaces, documentary installations in the gallery, interactive documentary (i-doc), citizens' vernacular online videos that document scenes of the protests such as the Arab Spring, the Hong Kong Protests, and the Black Lives Matter Movements, and new activist films, videos, and archiving projects that respond to those political upheavals. Building on the interdisciplinary framework of documentary studies, digital media studies, and contemporary art criticism, Jihoon Kim investigates the ways in which these practices both challenge and update the aesthetic, epistemological, political, and ethical assumptions of traditional film-based documentary. Providing a diverse range of case studies that classify and examine these practices, the book argues that the new media technologies and the experiential platforms outside the movie theater, such as the gallery, the world wide web, and social media services, expand five horizons of documentary cinema: image, vision, dispositif, archive, and activism. This reconfiguration of these five horizons demonstrates that documentary cinema in the age of new media and platforms, which Kim labels as the “twenty-first-century documentary,” dynamically changes its boundaries while also exploring new experiences of reality and history in times of the contemporary crises across the globe, including the COVID-19 pandemic.
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28

Marzola, Luci. Engineering Hollywood. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190885588.001.0001.

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Engineering Hollywood tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before. Using extensive archival research, this book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians’ societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood’s relationship to its essential technology was fundamentally one of interdependence and cooperation—with manufacturers, trade organizations, and the competing studios. Accordingly, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades.
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29

White, Terry. Justice Denoted. Greenwood Publishing Group, Inc., 2003. http://dx.doi.org/10.5040/9798400675287.

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White provides the most comprehensive scholarly compilation of fictional work of legal suspense in existence. Primarily a bibliography of novels, it also annotates plays, scripts for film and television, novelizations, and short-story collections about lawyers and the law. The idea behind the principal of selection is to disdain labels that reduce the variety of the legal thriller to a subgenre of mystery fiction. Novels that range from suspense thrillers through science fiction to the philosophical novel are included if justice is thematically important. It is therefore an eclectic reference source beyond a compilation of books about lawyers as protagonists. Its biographical and scholarly information about authors, major and minor, and their novels or works is traditionally encyclopedic and objective regardless of whether the work has been genre-defined, or worse—deified as a classic or denigrated as a bestseller. Many novels included are long out of print, but historically interesting for their contribution to the lineage of the courtroom drama, showing that the history of the legal thriller is one of the major branches of modern literature since the Age of Reason. The criterion of justice denoted moves beyond the fact of lawyers and courtrooms to select seminal novels like Robert Travers' Anatomy of a Murder as well as the romantic potboiler. Among the more than 2,000 works are the Perry Mason novels of Erle Stanley Gardner, John Mortimer's Rumpole series, along with a staple of fiction by major authors of the genre like John Lescroart, Lisa Scottoline, Margaret Maron, Scott Turow, and John Grisham. There are also individual works by Shakespeare, Goethe, Kafka, Camus, and Twain delineating humanity's obsession with the law as its shining prop of civilization and, alternative, béte-noire of the common individual caught up in its maw. The appendices include comments by lawyer-novelist Michael A. Kahn, a historical introduction to the legal thriller, craft notes by writers and prominent trial lawyers responding to author and lawyer questionnaires, bibliography of critical sources and articles, series characters, and the legal terminology found in courtroom dramas and novels. An essential reference tool for scholars, researchers as well as the occasional reader of legal thrillers.
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30

Sex Pistols. Bobcat Books, 2007.

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31

Radivojević, Ana, and Linda Hildebrand. SUSTAINABLE AND RESILIENT BUILDING DESIGN: approaches, methods and tools. Edited by Saja Kosanović, Tillmann Klein, and Thaleia Konstantinou. TU Delft Bouwkunde, 2018. http://dx.doi.org/10.47982/bookrxiv.26.

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The challenges to which contemporary building design needs to respond grow steadily. They originate from the influence of changing environmental conditions on buildings, as well as from the need to reduce the impact of buildings on the environment. The increasing complexity requires the continual revision of design principles and their harmonisation with current scientific findings, technological development, and environmental, social, and economic factors. It is precisely these issues that form the backbone of the thematic book, Sustainable and Resilient Building Design: Approaches, Methods, and Tools. The purpose of this book is to present ongoing research from the universities involved in the project Creating the Network of Knowledge Labs for Sustainable and Resilient Environments (KLABS). The book starts with the exploration of the origin, development, and the state-of-the-art notions of environmental design and resource efficiency. Subsequently, climate change complexity and dynamics are studied, and the design strategy for climate-proof buildings is articulated. The investigation into the resilience of buildings is further deepened by examining a case study of fire protection. The book then investigates interrelations between sustainable and resilient building design, compares their key postulates and objectives, and searches for the possibilities of their integration into an outreaching approach. The fifth article in the book deals with potentials and constraints in relation to the assessment of the sustainability (and resilience) of buildings. It critically analyses different existing building certification models, their development paths, systems, and processes, and compares them with the general objectives of building ratings. The subsequent paper outlines the basis and the meaning of the risk and its management system, and provides an overview of different visual, auxiliary, and statistical risk assessment methods and tools. Following the studies of the meanings of sustainable and resilient buildings, the book focuses on the aspects of building components and materials. Here, the life cycle assessment (LCA) method for quantifying the environmental impact of building products is introduced and analysed in detail, followed by a comprehensive comparative overview of the LCA-based software and databases that enable both individual assessment and the comparison of different design alternatives. The impact of climate and pollution on the resilience of building materials is analysed using the examples of stone, wood, concrete, and ceramic materials. Accordingly, the contribution of traditional and alternative building materials to the reduction of negative environmental impact is discussed and depicted through different examples. The book subsequently addresses existing building stock, in which environmental, social, and economic benefits of building refurbishment are outlined by different case studies. Further on, a method for the upgrade of existing buildings, described as ‘integrated rehabilitation’, is deliberated and supported by best practice examples of exoskeleton architectural prosthesis. The final paper reflects on the principles of regenerative design, reveals the significance of biological entities, and recognises the need to assign to buildings and their elements a more advanced role towards natural systems in human environments.
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32

Mendelson, Cheryl. Home Comforts: The Art & Science of Keeping House. Scribner, Armstrong, and Co., 1999.

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33

Mendelson, Cheryl. Home Comforts: The Art and Science of Keeping House. Scribner, 2002.

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34

Home Comforts: The Art and Science of Keeping House. 7th ed. Scribner, 1999.

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