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Kengoum, Célestin. "La grande guerre africaine". Grenoble, 2010. http://www.theses.fr/2010GREND011.
Pełny tekst źródłaMastin, David. "Écoles de musique en Grande Guerre". Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100204.
Pełny tekst źródłaWhen the First World War started, the French national schools and the French conservatoires of music were not the most likely institutions to participate in the war effort. Meanwhile, in Paris or in Calais, in Toulouse or in Lille (throughout occupation), the teaching of music continued. This study shows how the teaching of music in France got involved in the war effort. The diversity of the initial situations leads to many different ways of adapting to the conditions of war. Teachers and their students participated in the construction of a musical war culture: you had to banish the enemy's music whilst fortifying your own.The part played by the schools of music in the war-time works shows how the obligations of war were adapted to the local situation. The music teachers, whether they were soldiers or other mobilized personnel on the Home front, made huge conscious sacrifices that were not rewarded by the expected improvements, after the armistice and despite a collective mobilization. Nevertheless, the First World War convinced people of the utility of music as it reinforced the national pride and it was a tool for propaganda
Andrivon, Milton Sabine. "La Martinique et la grande guerre". Antilles-Guyane, 2003. http://www.theses.fr/2003AGUY0103.
Pełny tekst źródłaPépin, Carl. "Les relations franco-québécoises pendant la Grande Guerre". Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25564/25564.pdf.
Pełny tekst źródłaWaquet, Arnaud. "Football en guerre : l’acculturation sportive de la population française pendant la Grande Guerre (1914-1919)". Thesis, Lyon 1, 2010. http://www.theses.fr/2010LYO10271.
Pełny tekst źródłaDuring the First World War, France knew an intense development of sport who marked a turning point in French sport and cultural history. Indeed, on the Western front, the interpenetration between Allied soldiers, who had a modern sporting culture, and the French civilians and soldiers, educated by patriotic gymnastic, elicited a sporting acculturation and a modernization of the French cultural and sporting model. Through the study of football and using an anthropo-historic analysis framework, this doctoral work focused on the effects of the interpenetration of different cultural groups in the transformation of “sport in war”. After describing the French sporting trend before contact, seven studies showed the results of primary, symbolic and in-group contacts on the French sporting acculturation. We analysed a) the construction of an intercultural and sporting melting pot during war in France, b) the dissemination of football within the Poilus, c) the development of football in British garrison towns, d) the legitimatization and mediatization of football during the war, e) the reinforcement of international dimensions of French football, f) the construction of sporting masculinity during the war, and g) the ruralisation of football in army zones. A wide-range of sources were consulted to obtain the current results. The British and French military archives, several personal notebooks of soldiers, and regimental registers were the basis of our study. Moreover, the national sporting press, the local press of army zones and the press of the trenches were consulted to follow the theoretical framework and to obtain additional information about football during the war. Finally, audio, photo and video recordings of British and French armies were analysed to support our comments and attest the French passion for sport during the war. To conclude, this doctoral thesis defined football as a feature of the culture of the Great War, and the sporting winner of the First World War
Forcade, Olivier. "La censure politique en France pendant la grande guerre". Paris 10, 1999. http://www.theses.fr/1999PA100002.
Pełny tekst źródłaAndurain, Julie d'. "Le général Gouraud, un colonial dans la Grande Guerre". Paris 4, 2009. http://www.theses.fr/2009PA040132.
Pełny tekst źródłaRaised in an ideology of retribution towards Germany for the loss of the eastern provinces, Henri Gouraud (1867-1946), a French colonial military officer, acquired his combat experience over twenty years of involvement in low-intensity conflicts in Africa. By 1914 this experience led him to significant innovations in methods of warfare on different battle fronts (Argonne, Gallipoli, and Champagne), and with different troops (colonial battalions and Garibaldian companies). After losing his right arm in the 1915 Dardanelles campaign, General Gouraud returned to active duty on a diplomatic mission in Italy, and then back to the front as head of the IVth Army. Soon after, he was ordered to Morocco to replace Lyautey who had been appointed War Minister. Upon his return to France in 1917 he was appointed head of the French IVth Army in Champagne on a permanent basis. On Petain’s directive, Gouraud built the defences that would stop Ludendorff’s Friedensturm (‘peace offensive’) on July 15, 1918 and allow Field-Marshall Foch, French Chief of Staff, to lead the last Allied counter-offensive. In recognition, General Gouraud and his troops were the first to enter Strasbourg in November 1918. Having been injured himself, he became a dedicated spokesman for wounded war veterans. He was also committed in his work to preserve the memory of French and American soldiers under his command who lost their lives on the Champagne front. At this stage of his life Gouraud returned to his Catholic faith. The Navarin ossuary, erected in Champagne in 1924, became the most important memorial for him and his men. Gouraud’s private archives, to this day unpublished, offer historians the opportunity to follow the life and career of this WWI officer in detail
Fouchard, Dominique. "L'empreinte de la Grande Guerre dans les familles françaises : Quels retours à l’intime dans l’entre-deux-guerres ?" Paris 10, 2011. http://www.theses.fr/2011PA100113.
Pełny tekst źródłaThe November 11, 1918’ armistice ended up four years of war during which couples and families had to adapt to the new family’s settings that the conflict imposed, and they lived unknown and dissimilar experiences. Facing this harsh experiment, most of them tried hard to maintain alive the links and bonds brutally broken by massive mobilization and, according to the events, thought about their marital and family life, through the mean of mailed letters. But the clocks that rang to the celebration of armless silence were not to ring for the private demobilization, starting with those who had lost their husband, their father during the war. A number of World war I’s veterans were marked - in their body, in their mind and in their memories-, by the traces of a war which was reluctant to fade, and that the tensions during the interwar period -whether they were economical, social or political – refreshed in privacy, more than in any other place. The war deeply irrigated all the society, on the one hand through the print that it left in the bodies et in the feelings, and through the marital and familial experiences it made true, and that modified sustainably the vision one had on himself and on the other, and, thus, on common life. In a time of gender stiffening stereotyping identities and of moral steepness – that strengthened war propaganda for long – the multiple traces left by the conflict shacked, in private behaviors, identity markers of traditional maternal and paternal functions, as well as the way the couple viewed itself
Robert, Jean-Louis. "Ouvriers et mouvement ouvrier parisiens pendant la Grande Guerre et l'immédiat après-guerre : histoire et anthropologie". Paris 1, 1989. http://www.theses.fr/1989PA010622.
Pełny tekst źródłaThe project is based on the connexion of the working class and labour movement's studies; so the strike and the basis' meeting are the first objects for a mediations' analysis. Files (18000 socialists meetings, 789 strikes. . . ) are established with a computer for an anthropological analysis. In a first part, study regards the transformations because of the war, the emphasized fifferenciation of the working class, the social relations and the new practices of the labour movement. The anthropology of militantism lets us to the conclusion that the socialist culture of 1914 is dead. The model of worker, the "sublime", disappears for the metallurgist of the great factory. The second part, chronological, studies the evolution of the parisian workers' national feelings and politic -even revolutionnary- aspirations in spite of a progressive and important growing up of the pacifism, the national feeling is always considerable and it is first caracte- rised by the defense of the ground. On the other hand the "union sacree" is early condamned and the strikes, very important, testify a real class consciousness. In june 1919 a new ideology is even constituted
Bock, Fabienne. "Un parlementarisme de guerre : recherches sur le fonctionnement de la Troisième République pendant la Grande guerre". Paris, Institut d'études politiques, 1998. http://www.theses.fr/1998IEPP0020.
Pełny tekst źródłaVidal-Naquet, Clémentine. ""Te reverrai-je?" Le lien conjugal pendant la Grande Guerre". Phd thesis, Ecole des Hautes Etudes en Sciences Sociales (EHESS), 2013. http://tel.archives-ouvertes.fr/tel-00983466.
Pełny tekst źródłaFlottes, Anne. "Le diocèse de Rodez et la Grande Guerre : 1914-1918". Toulouse 1, 1995. http://www.theses.fr/1995TOU10008.
Pełny tekst źródłaThe Great War (1914-1918) was commemorated in 1994 on the 80th anniversary of the beginning of the conflict. The diocese of Rodez and Vabres was not touched by the fighting but experienced numerous temporary disruptions. Monseigneur de Ligonnes, bishop of Rodez and Vabres paid a not insignificant role during the conflict with the population of the diocese and with the soldiers. For them, he was always and in any situation, as a bishop and a father, providing them with the means in his power to overcome the difficulties of the ordeal. Faith offered refuge or hope to a good number of soldiers. Facing the large increase of priests and seminarists, it was the whole diocese that was touched by this conflict. The diocesan church participated in the war effort; it was engaged in a sort of holy union for the homeland. The population of Aveyron knew howx to help the families of the mobilised as much as the soldiers themselves. Numerous was charities appeared throughout the county, a spirit of prayer emerged. The life of the parishes was perturbed, but laymen sometimes replaced the clerics
Mahieu, Éric. "Le personnel de l'aviation militaire française durant la Grande Guerre". Thesis, Toulouse 2, 2019. http://www.theses.fr/2019TOU20082.
Pełny tekst źródłaThe history of French military aviation personnel in World War I is too often limited to an evocation of the flying aces and their feats. From digitized sources, such as the military aeronautics personnel database, recently put online by the Historical Defence Service, it is possible to gain a new perspective on this subject. Thanks to a database developed from military aviation personnel records and other complementary sources, an overall portrait of this personnel, including both aircrew and ground staff, is being outlined. It shows that the fifth and new service is mostly composed of young men whose civilian trade is strongly correlated to the function exercised in aviation, thus illustrating the army's pragmatism. Mainly originating from the infantry or from the Air Force itself, these men were oriented in professional aviation fields that were not necessarily linked to their urban or rural geographical origin. In fact, it appears that the make-up of the military aviation personnel exactly reflects the pre-war civilian society. Following the first months of combat, during which aviation proved to be very effective, the deficiencies in its organization and supply led to a major overhaul of an inadequate system designed in peacetime. The new organization, of which the General Aviation Reserve was one of the main pillars, gradually split into new entities. As they develop and meet new needs, they reflect an ever-increasing specialisation of services. The study of a number of individual military aviation careers reveals a wide variety of paths, destinies and trades. The aviation mechanic in particular has many little-known aspects
Grech, Jean. "L'éducation morale de la loi Guizot à la grande guerre". Paris 5, 2000. http://www.theses.fr/2000PA05H078.
Pełny tekst źródłaPicherit, Hervé G. "Les idoles du crépuscule : proust, céline et la grande guerre /". May be available electronically:, 2008. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Pełny tekst źródłaCodazzi, Paola <1989>. "Andre Gide et la Grande Guerre. L'emergence d'un esprit europeen". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amsdottorato.unibo.it/8428/2/Codazzi_Paola_tesi.pdf.
Pełny tekst źródłaThe conference "Souvenirs littéraires et problèmes actuels", first pronounced in Bayreuth, then in Bruxelles, after Second World War, represents an occasion for Gide to reconsider his long career in light of his present situation. If in 1946 he considers that literature should not worry about current facts, his critical and fictional production attests his ambiguous, but constant, interest for historical and social questions. From this point of view, World War I proves to be a turning point in the author’s life and work. Far from being a convenient mark to divide his journey as a writer in a “before” and a “after”, the Great War can be considered a source of transformation, depending on the emergence of an idea (the idea of Europe) previously unknown. Firstly, this work has the goal to study the way in which Gide understands the historical event. The aim of our analysis is to show a commitment to pass the ongoing situation guided by the desire of seeing the beginning of a “new culture”, “not especially French but European”. Secondly, the objective here is to move against the well-known question addressed to Maurice Barrès to explore Gide’s rooting in the European space (considering its external and internal borders). Through exchanges with writers and intellectuals of his generation, our purpose is to reach a better understanding and comprehension of the author’s reflection on the “crisis of the spirit”. Finally, this work intends to show, from a long-term perspective, continuities and variations of his thinking on Europe, deeply marked by World War I. Through his critical studies and his fiction, his correspondence and his Journal, the idea of Europe works diachronically, accompanying Gide in his moral, ideological and literary quest.
La conferenza "Souvenirs littéraires et problèmes actuels", pronunciata prima a Bayreuth e poi a Bruxelles alla fine della Seconda Guerra mondiale, è l’occasione per Gide di riconsiderare la sua lunga carriera alla luce del presente. Se nel 1946 sembra ritenere che la letteratura non debba occuparsi dell’attualità, la sua produzione critica e finzionale mostra un interesse ambiguo, ma costante, per le questioni storiche e sociali. In questa prospettiva, la Grande Guerra è chiamata a giocare un ruolo fondamentale, segnando un punto di svolta nella vita e nell’opera dell’autore. Lungi dall’essere un punto di riferimento comodo, destinato a dividere il suo percorso letterario in un “prima” e in un “dopo”, è possibile osservare nel conflitto 14-18 le tracce di una conversione decisiva, fondata sull’adesione ad un’idea (quella d’Europa) fino ad allora non formulata. In primo luogo, questo lavoro intende studiare il modo in cui Gide comprende l’evento storico. L’analisi mira a far emergere una volontà di superamento della situazione in corso che si traduce nel desiderio di veder nascere “una cultura nuova”, “non specialmente francese quanto europea”. In secondo luogo, in contrasto con il celebre interrogativo rivolto a Maurice Barrès, l’obiettivo è quello di esplorare il radicamento di Gide nello spazio europeo (senza dimenticarne le frontiere, esterne e interne). Attraverso gli scambi con altri scrittori e intellettuali dell’epoca, si cercherà di identificare e comprendere gli aspetti essenziali della sua riflessione sulla “crisi dello spirito”. Infine, il nostro lavoro vuole mettere in luce, in una prospettiva di lunga durata, le continuità e le variazioni del pensiero gidiano, profondamente segnato dalla Prima Guerra mondiale. Dagli studi critici al Journal, dagli scambi epistolari all’opera letteraria, la riflessione sull’Europa agisce in maniera diacronica, accompagnando Gide nella sua ricerca morale, ideologica ed estetica.
Juin, Guillaume. "Romain Rolland dans le contexte suisse de la Grande Guerre". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040285.
Pełny tekst źródłaThe story of Romain Rolland is that of an antihero. The literary success of his epic novel, Jean-Christophe,turned him into an internationally famous and well-respected writer; but, from 1914 onwards, he becametrapped in the role of intellectual dissident, and would never really break free from it. His controversialarticle entitled “Au-dessus de la Mêlée” (“Above the Crowd”) was written in Switzerland, which had becomea refuge for many intellectuals. He became an inspiration for people the world over. They paid close attentionto his articles, his correspondence and his attitude, and discussed and admired them. The dissemination ofhis ideas and of his writing had a huge impact on Europe and on the wider world. What he was sayingappealed to some, and outraged others; and in particular, often offended the nationalistic feelings that werebeing exacerbated by the conflict – but he always took full responsibility for his words and actions. He putforward a humanist message to the world, in defence of Justice and Truth
Juin, Guillaume. "Romain Rolland dans le contexte suisse de la Grande Guerre". Electronic Thesis or Diss., Paris 4, 2012. http://www.theses.fr/2012PA040285.
Pełny tekst źródłaThe story of Romain Rolland is that of an antihero. The literary success of his epic novel, Jean-Christophe,turned him into an internationally famous and well-respected writer; but, from 1914 onwards, he becametrapped in the role of intellectual dissident, and would never really break free from it. His controversialarticle entitled “Au-dessus de la Mêlée” (“Above the Crowd”) was written in Switzerland, which had becomea refuge for many intellectuals. He became an inspiration for people the world over. They paid close attentionto his articles, his correspondence and his attitude, and discussed and admired them. The dissemination ofhis ideas and of his writing had a huge impact on Europe and on the wider world. What he was sayingappealed to some, and outraged others; and in particular, often offended the nationalistic feelings that werebeing exacerbated by the conflict – but he always took full responsibility for his words and actions. He putforward a humanist message to the world, in defence of Justice and Truth
Bonnes, Marie-Noële. "Les Femmes au service de l'institution militaire en Grande Bretagne pendant la première guerre mondiale". Bordeaux 3, 1992. https://hal.science/tel-03768218v1.
Pełny tekst źródłaThis work examines the utilization of women by the military establishment, which, in tme of war, colludes with the government, in the light of gender. Studies and, more generally, of historical studies on women as subjects and objects. It intends to show that the subordination of women is bolstered by symbolical images and normative concepts which preclude alternative options. In 1914-18, women's work was for the first time officially requested to help win the war and exposed the dependence of the military on women in three specific areas: nursing, munition factories and the amred forces. This upset traditional images and preconceptions and patriarcal institutions introduced or revived myths to deny women their place in the public sphere after the war, yet women were not simply manipulated, they pressured institutions to leave "peripheries" and invade "centers", and though the backlash was fierce, war accelerated the democratization process and their infiltration of the male bastions could not be quenched. The conclusion tries to assess their progression in the light of the present position of women in the military and and the appraisal of the fleminist movement
Ben, Abda Nefissa. "Femmes et syndicats en Grande-Bretagne depuis la seconde guerre mondiale". Paris 3, 1989. http://www.theses.fr/1990PA030012.
Pełny tekst źródłaThis study examines women's trade union involvement in a post-industrial society. Women have been a major source of growth for trade unions in recent years, and are forming an ever-increasing proportion of trade union membership. Nevertheless, they are strongly under-represented at all levels of the union hierarchy. The reasons for their lack of participation can be ascribed to psychological and cultural barriers but they are also due to job- and union- related factors. Though factors. Though facts and figures as well as the points of view of female activists show that equality is still a goal to be achieved, there has been some progress. Most unions took measures aiming at the wider involvement of their female members. On the other hand, women are more and more playing an active part, and some of them are members of their unions' national executive committees. Under the influence of women, trade unions are more aware of the diversity of their affiliates and, more and more, they have come to accept that "women's issues" such as creches or sexual harassment are, similarly to bread and butter issues, trade union issues
Christophe, Anne. "La Grande Guerre dans les images de presse en France, 1919-1939 /". [S.l.] : [A. Christophe], 2006. http://catalogue.bnf.fr/ark:/12148/cb40993815v.
Pełny tekst źródłaGraur, Michel. "Les religieux capucins français engagés dans la Grande Guerre (1914-1930)". Paris, EHESS, 2015. http://www.theses.fr/2015EHES0030.
Pełny tekst źródłaIn august 1914, the french monks of the Franciscan order founded in 1528 by Matteo Bascio, fa away from their country, following the application of the anti-congregationist laws, responded well to the patriotic call of the war. Within the period of 4 and half years, a certain number of the monks of this order had exercised diverse actions within the army. Many knew of the life in trenches and its misery, the material suffering, both physically and morally, the offensive and counter-offensive stages, some certain periods of unending idleness. This event resulted in the Great War which gave them the opportunity to be close to and share in the experience of the citizens and often the foreigners as well, of varying social classes. Therefore several questions are asked to the historian by the presence in the army of men considered as "segregati" by a large part of public opinion: the minister whose service is close to the mobilized has the main aim to ensure a form of spiritual life which corresponds with their religious engagement. . . As members of a religious missionary congregation, they endeavour to convert some of their army companions to God and to reconcile two clearly contradictory values : patriotism and religious ideal
Dumaine, Sylvie. "Luc-Albert Moreau, 1882-1948 : un peintre dans la grande guerre". Lille 3, 2011. http://www.theses.fr/2011LIL30004.
Pełny tekst źródłaThe work of Luc-Albert Moreau dedicated to the Great War consists of paintings, drawings and pictures. Born in Paris in 1882, died in 1948, the artist does not claim any affiliation to an artistic movement of the XXth century, but he remains a modern artist. His work is singular, to the extent that it can appear as a synthesis between the different issues raised by the graphic representation of the first modern war : invisible war, or inexpressible war ? Hitherto, the question was analyzed on the basis of the opposition between the avant-garde artists and the classical ones. Luc-Albert Moreau goes beyond this divide and reveals other oppositions just as essential, such as the posterity and the simultaneity of the artistic work in the light of the historical event, the rivalry between the spirit of the Veteran and the others. He is an artist and a soldier of Verdun who painted the war, following his return from the front. He thus contradicts the thesis so far established that artists did not represent the First World War. He is also an excellent lithographer, for having illustrated a major book, the "Chant Funèbre pour les morts de Verdun", by henry de Montherlant
Guillot, Hélène. "Photographier la Grande Guerre : les soldats de la mémoire, 1915-1919". Paris 1, 2012. http://www.theses.fr/2012PA010617.
Pełny tekst źródłaBlanc, Isabelle. "La reconstruction des bâtiments publics dans l'Aisne après la Grande Guerre". Amiens, 2006. http://www.theses.fr/2006AMIE0008.
Pełny tekst źródłaNavet-Bouron, Françoise. "Censure et dessin de presse en France pendant la Grande Guerre". Paris 1, 1997. http://www.theses.fr/1997PA010650.
Pełny tekst źródłaFrom the beginning of first world war until its end, french censorship had been asking for the removal of about 850 newspaper drawings. The outbreak of fighting led to the immediate application of preventive censorship by the authorities acting in common agreement with the journalists. But already after the first battles, the press reaffirmed its freedom of expression on political questions, while it continued to accept military and diplomatic informations being censured. About half of the removals requested by the censorship had been objected by the newspaper boards of directors. The existing laws permitted the government to confiscate papers. Their strict application would have led to at least 400 confiscations for the only reason that censured drawings had not been removed. Nevertheless during the whole wartime period this drastic measure was applied only to three papers that had not removed the censored drawings. Two other papers were threatened with serious sanctions, and another one was simply warned. The small number of severe sanctions taken against papers which did not remove censored press drawings suggests that freedom of press was maintained to a very large degree during the conflict, even if many papers suffered from the abuses and uncoherent application of censorship
Le, Roux Benoît. "André Thérive et ses amis pendant la Grande Guerre, 1914-1918". Paris 4, 1987. http://www.theses.fr/1987PA040050.
Pełny tekst źródłaThe starting point in studying the life and works of the critic, poet, and novelist André Thérive (1891-1967) is his tragic war experience. To shed some light on the vast body of unpublished letters left by Thérive, it was necessary to find friends and correspondents, explain their own experiences, and thus quote considerably from their letters as well. This could be done for Pierre du Colombier, Paul Drouot, Robert de Givenchy, René de Lageneste (a friend of Loisy and of the Slavonic scholar Pierre Pascal), for Charles Benoit (who corresponded with Barrès and Élémir Bourges) and others, particularly some of the neo-classic poets. This study, presented chronologically, provides a view of several military actions as seen by ordinary fighting men or draftees, and a gauge of the evolution of public opinion reflected in a group of cultured young men most of whom were educated at Paris catholic schools. Their reactions are sometimes compared with those of Cocteau, Pergaud, Teilhard de Chardin, Apollinaire. Their appreciation of Claudel, Maurras, Romain Rolland, Barbusse, Léon Daudet, Barrès, Bourget, Psichari and some others, is also observed. The work contains over seventy illustrations most previously unpublished (including) several letters from authors) dating from the 1914-1918 period
Le, Roux Benoît. "André Thérive et ses amis pendant la Grande Guerre, 1914-1918". Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376073586.
Pełny tekst źródłaFlageat, Marie-Claude. "Les jésuites français dans la Grande Guerre : témoins, victimes, héros, apôtres /". Paris : les Éd. du Cerf, 2008. http://catalogue.bnf.fr/ark:/12148/cb412091112.
Pełny tekst źródłaSibson, Sophie. "Les stigmates de la Grande Guerre : le retour des soldats blessés en Grande-Bretagne de 1918 à 1930". Thesis, Normandie, 2020. http://www.theses.fr/2020NORMR070.
Pełny tekst źródłaThis thesis centers on the difficulties wounded veterans encountered on their return to Britain after the war up to the early 1930s. In particular, the manner in which the public at large responded to these difficulties is a focal point of the analysis. At the end of the war and in the years that followed, for many British people there was a strong desire to forget the conflict and the accompanying loss and sadness. In analysing the experiences and reactions of veterans and the population as a whole three aspects were examined, namely, their intergration into : professional life, domestic life and society in general. An economic and political framework was presented at the beginning as a means of putting the return of wounded veterans into a necessary and pertinent perspective. The first part of the thesis examines the re-integration of wounded veterans into the workforce. The attitudes of several groups, including those of the government, charities, hospital authorities, employers as well as the veterans themselves were studied. The second part deals with the acceptance and consequences of wounded veterans returning to domestic life. The reactions of family, friends, the veterans themselves and society were presented. The problems of divorce, suicide and alcoholism completed this part. The final section examined the re-integration of wounded veterans into society in general ; a society still greatly under the influence of a strong, rigid image of masculinity. The consequences of devastating wounds such as disfigurement and shell-shock were discussed in this section of social integration. Additionally, the work of veterans’ associations and charities as well as various cultural representations of the integration of wounded veterans were presented
Antier-Renaud, Chantal. "La Seine-et-Marne, un département dans la grande guerre 1914-1918". Paris 1, 1995. http://www.theses.fr/1995PA010633.
Pełny tekst źródłaThe study of what called "la grande guerre" in the Seine-et-Marne department, shows a peculiar situation in one of the Ile-de-France department due to its localisation. Indeed, this department very near from the front line, is twice (1914 and 1918) under the fire of the "battle of Marne". It has to accept the instructions from several authorities such as paris camp, the armies zone, the inside zone and the "etapes zone". The main difficulty comes from the constant evolution of these different authorities zones. The multiplication of civil and military authorities, as well as organisations created by the French government itself, increases the inertia of the economic activity (agriculture for most of it) and slows down its industrial conversion. It strenghens the economical, political and religious opposition between the north and the south of the department. In spite of censorship, the public opinion shows clearly its desagreement throughout the newspapers of all political tendances. Due to this particularly complicated situation, the general commanding the fifth region, has many difficulties in developping with its four departments (lLoiret, Loir-et-Cher, Yonne and Seine-et-Marne), the local economy requested by the war situation. In fact, these difficulties will remain at the beginning of the post-war period. After the war, the government's power is still strong, showing out the previous economy problems of the Seine-et-marne department, as well as briging up new solutions. Facing the war consequences, this department is looking for its independance toward Paris'developpment
Zielinski, Madeline. "La représentation de la Seconde Guerre mondiale en Grande-Bretagne : analyse comparée". Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30050/document.
Pełny tekst źródłaThe Second World War occupies a central place in British collective memory. The war, which is considered to be a national myth in Britain, remains pervasive in the British public debate to the point that some commentators call it a national obsession. The war constitutes one of the facets of Britishness at a time when British national identity is much debated and open to question. The representations of the Second World War in Scotland, Wales and Ireland are examined in order to determine whether the war is a British myth or an English myth. Scottish nationalist aspirations, for instance, seem to have an influence on the way the conflict is represented in Scotland. At a time when Britain is more than ever ethnically diverse, this study seeks to determine the extent to which former colonial peoples are able to recognise themselves in the traditional representations of the war which dominate the public debate in Britain. In the midst of an unprecedented boom in remembrance, the Bomber Command crews are an exception. Although their role in the combined bomber offensive (which caused thousands of victims among the German civilian population) had been subjected to much criticism and excluded bomber crews from the myth of the war, they are now hailed as heroes in Britain. Bomber Command’s newly-found heroic status is a turning point in the historiography of the air offensive and the British public debate
Berrahou, Zineb. "La grande guerre de ford madox ford : de l'histoire à la fiction". Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30057.
Pełny tekst źródłaThe corpus consists of two non-fiction volumes When Blood is Their Argument: An Analysis of Prussian Culture and Between St. Dennis and St. George: A Sketch of Three Civilizations, published during the war in 1915 (Between St. Dennis was translated in French and well received by the French government); and four autofictions including an unfinished text, True Love & a General Court Martial, started well before the end of the Great War but was not published until 1999; an unpublished book, Mr. Croyd: A Romance of Reconstruction (alias That Same Poor Man), completed in 1920, the manuscript is available at the Library of Cornell ( "Division of Rare and Manuscript Collections"); No Enemy: A Tale of reconstruction, mainly written in 1919, published ten years later, in 1929, only in the United States, and after several decades in England, in 2002; and The Marsden Case: A Romance of Reconstruction, published in 1923. The notion of trauma is implicitly as well as explicitly the main theme of these six books. It is generally agreed that the trauma is not the prerogative of modern times, however, the trauma generated by the Great War is extraordinary. It is not restricted only to the battlefield but affected a whole society, mobilised behind the war effort. The case of Ford Madox Ford, née Hueffer is unique in the sense that he is the only writer who crossed the abyss that opened up between the two generations of writers, on the one hand, his, represented by Henry James, Bennett, Kipling, Wells, and all those who participated in the ideological cause, and the young disillusioned generation of writers (Robert Graves, Siegfried Sassoon, Richard Aldington, etc.) who were betrayed by those they called the Old – political leaders and writers. This work, bearing on socio-political, historical, theoretical and biographical arguments, attempts to examine the painful processes of reconstruction and consolidation of the Fordian impressionist technique and its author, ‘shell-shocked’ by the traumatic experience of war
Shen, Peijian. "The age of appeasement : the evolution of British foreign policy in the 1930s /". Stroud : Sutton, 1999. http://catalogue.bnf.fr/ark:/12148/cb371966265.
Pełny tekst źródłaDumont, Paulette Marie. "Colette et la grande guerre : les répercussions de la guerre de 1914-1918 sur l'art et la pensée de Colette". Montpellier 3, 2001. http://www.theses.fr/2001MON30031.
Pełny tekst źródłaNouat, Romaric. "Soigner la Grande Guerre : Le Service de Santé aux Armées dans la 9e région militaire durant la Première Guerre mondiale". Thesis, Tours, 2016. http://www.theses.fr/2016TOUR2002/document.
Pełny tekst źródłaDuring the World War I, health care and supervision of soldiers are essential for the continuation of the war. Indeed, the French Army has millions of seek and wounded people during the battles and 1,400,000 dead people. The study of the hospital’s organization in the 9th French Military District shows an unknown history: those of soldier’s care in areas far from the battlefront. This study demonstrates the adaptation of this hospital’s organization to the evolution of the conflict and the care. It shows the function of each person who participates in these care: Red Cross “Croix Rouge”, Army Health Service, inhabitants, and civilian authorities. This study is showing which care are given to seek and wounded soldiers in this area and who are the medical practitioners who are giving the care. During the World War I, the 9th French Military District steadily becomes a secondary area in the chirurgical emergencies, but an important area for the soldier’s medical supervision
Pourcher-Serre, Mireille. "La guerre des mots : John Bale, polémiste et homme de lettres". Clermont-Ferrand 2, 2006. http://www.theses.fr/2006CLF20002.
Pełny tekst źródłaDuménil, Anne. "Le soldat allemand de la Grande Guerre : institution militaire et expérience du combat". Amiens, 2000. http://www.theses.fr/2000AMIE0004.
Pełny tekst źródłaChatillon, Sébastien. "Les combattants haut-savoyards de la grande guerre dans la société, 1889-1940". Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20040.
Pełny tekst źródłaIn the present context of commemoration marking the centenary of the Great War, the first world conflict, long overshadowed by the powerful impression of the Second World War, draws a renewal of attention among the general public. In the 1990's, University studies started to reinterpret the 1914 War within sociology, placing the common soldier at the center of concerns. Long ignored by classic historiography, the conscript is now the focus of numerous studies on not only his daily life but as well his behaviour and perceptions in addition to his sociological environment.Anchored in the strong-natured French department of Haute-Savoie, this study aims at retracing the life and progress of the fighters in the light of local administrative archives - especially of military records which richness has been up-to-date largely ignored - in order to recall the voices of their original testimonies. The history of the Haut-Savoyard as a combatant begins in facts as early as the Belle Époque. Haute-Savoie then showed a singular face within the realm of the "Great Nation" it had only joined in 1860 : a land of traditions, agrarian and catholic, it holds a strategic position at the heart of the Alpine massif. Its conscripts were to meet the national administration for the first time in the context of fulfilling their military obligations, before being absorbed by an implacable drafting system which mission was to feed the State with the soldiers needed for the Great War effort.The Haut-Savoyards' war experience can be estimated as much through their military fate as through their insights of the events, without neglecting their bond with the "home front" furthermore. After the armistice and demobilisation, these veterans illustrated themselves through active militancy : they ambitioned to build a better world in respect of the "great dead", ardently remembered and celebrated by the Haut-Savoyard society and communities
Champagne, Éric. "Raymond Poincaré et la question d'Alsace-Lorraine dans la Grande Guerre (1914-1919)". Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25129/25129.pdf.
Pełny tekst źródłaBranland, Marine. "La gravure en Grande Guerre : donner corps à son expérience (France, Belgique, Angleterre)". Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100125.
Pełny tekst źródłaThe importance of engraving practices during the Great War in France, Belgium and England is explained in part by the revival of techniques (copper-plate, wood, stone) that occurred during the second half of the nineteenth and the early twentieth century. During the war, it allowed artists to get involved through their art, but it largely exceeded propaganda art productions. Engraving was effectively well used by artists to highlight the conflict, and even by those who had little or never practised this form of art before. War and engraving seemed to complement and update each other mutually. This thesis aims to emphasize the importance of engraving in representing the war in the three allied countries. The study of fragmented and fragmentary representation of the conflict that this production demonstrates is a concrete contribution to the history of artistic creation in times of war and to the cultural history of the First World War
Bouloc, François. "Les profiteurs de la Grande Guerre en France : histoire culturelle et socio-économique". Toulouse 2, 2006. http://www.theses.fr/2006TOU20111.
Pełny tekst źródłaBetween 1914 and 1918, in order to face with the huge requirements of a 52 months-long total war, a mixed system is improvised to manage supplies of raw materials, transport or even workers. The state put in orders to industrialists or go-betweens. As a result, working for the national defence is basically an opportunity of profits for many industrialists in different sectors. Both felt imagined, war profits quickly become unacceptable. After only a few months of conflict, vehement indignation in opposition of them can be found among large parts of the public opinion, even moderate. Denouncement is of course widespread among soldiers. A specific taxation can be seen as an answer to the imperious requests of the public opinion: it is implemented in july 1916, and it provides the unreleased archives for studying the topic considered here. Trying to recognize the part played both by fantasies and concrete realities lead to an objectified typology of the persons or firms actually enriched, more or less, because of the war
Fukasawa, Atsushi. "Histoire du syndicalisme cheminot en France des grèves générales à la Grande Guerre". Paris 1, 1992. http://www.theses.fr/1993PA010587.
Pełny tekst źródłaIn the history of railway trade unionism in France, differentrly from tyhe constancy of its claims-programme of 1893, there were a lot of vicissitudes as concerns the ways of realizing these claims. In particular, to launch a general strike characterized a turning point in this history. But it was the first world war that brought a decisice tool to obtain many improvements : la fédération nationale des travailleurs des chemins de fer
LANDEAU, PHILIPPE. "Les juifs de france et la grande guerre 1914-1941 : patrie - republique - memoire". Paris 7, 1992. http://www.theses.fr/1992PA070101.
Pełny tekst źródłaThe first world war was one of the decisive factors which allowed the end the emancipatory undertating of the french revolution for the first time in their history, french jews entered the war in the name of the nation. The jewish community reigeid the opportunity to show its republican feelings (on attachment to the republic), to assert its patriotism; and above all to confirm its integration. In spite of the fraticidal aspect of the conflit as well as at home front, jews from franc and algeria showed an exapperated patrotism at all the fronts for the virtues of the republic and the greatness of the civilisation. More than 8000 foreign jews enlished for france's human rights where as rabbis and intellectuels took care of the propaganda at the home front. Neverthoters, the united front advocated in 1914 had not made antisemitism dissapear. Qualified as "the spiritual family of france", by m. Barres, the judaism considered that the emancipation undertaking was ended. That futings will be at the origin of numerous mistaky, mainty as regarded the regeneration of antisemitism in the twenties, and afterwords as regarding the rising danger
Segond-Genovesi, Charlotte. "Les chemins du patriotisme : musique et musiciens à Paris pendant la Grande Guerre". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040018.
Pełny tekst źródłaHow did the musicians who remained in Paris during the Great War (because of their age or their inability to serve in combat because of physical disability) take part in the nation’s effort against Germany ? This thesis explores the many ways in which performers, music critics and composers on the domestic front showed their commitment to and worked on behalf of the paths of patriotism, by using their specific skills, from August 1914 to Novembre 1918.Part One documents the process leading to the restarting of Parisian musical life, after four months of interruption. This section will explore the many facets of musical patriotism in action, first in terms of intellectual positions, then in the particular context of art-music concerts. Part Two focuses more specifically on the œuvres de guerre, the official term used to designate all charitable-aid organizations during World War I. These numerous and diverse organizations permitted, sometimes motivated and often framed in a decisive manner – economically, ethically and ideologically – the initiatives and efforts made by musicians on the domestic front. As the conflict bogged down over time, and as Parisian musical life progressively accommodated itself to wartime conditions and constraints, the initial aims of these associations, which began as purely charitable works, progressively transformed into organizations with specifically artistic and musical goals. The last part explores another aspect of musicians who worked “behind the scenes” in the war effort: it was they who thought about and prepared the advent of the postwar musical world, through artistic stances and debates, but also through the musical works they composed
BEURIER, Joëlle. "Images, violence et masculinités : les presses illustrées française et allemande en Grande Guerre". Doctoral thesis, European University Institute, 2007. http://hdl.handle.net/1814/25494.
Pełny tekst źródłaExamining Board: Prof. Regina Schulte, EUI (Supervisor) ; Prof. Annette Becker, Université de Paris X-Nanterre (External Supervisor) ; Prof. Christian Delporte, Université de Saint-Quentin-en-Yvelines ; Prof. Heinz-Gerhard Haupt, EUI.
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
Vallée, Cécile. "La b. B. C. : outil de propagande gouvernementale pendant la Seconde Guerre mondiale". Rennes 2, 1995. http://www.theses.fr/1995REN20021.
Pełny tekst źródłaDuring the Second World War, the British government transformed the BBC into a willing instrument of its propaganda. Through persuasion and pressure, by putting its own men in control of the corporation, it exercised a tight control over broadcast programmes and broadcasters. The secret nature of that control enabled both the government and the BBC to maintain the image of an independent BBC. In reality, the latter was totally dependent on the ministry of information, which centralised and planned all ministerial propaganda. In the name of national interest and in order to safeguard its image, the BBC co-operated actively with the government to put its propaganda into broadcast terms. The government used the waves freely and launched large propaganda campaigns dealing with all aspects of life on the home front. The aim was to guide and control the behaviour and attitude of the population as well as their opinions so as to ensure at all times that the war effort, as planned by the government, would be successful. Using persuasion and moralisation, constantly and repetitively stressing the qualities of the british people, the government's propaganda aimed to sustain the morale of the public. This led the BBC to broadcast an over-positive, idealised image of the home front, the listeners being encouraged to believe that they were heroes, and that it was thanks to their natural qualities of determination, of courage, and of generosity that they would win over nazism. The ideological basis of the propaganda aiming to reinforce patriotism and nationalism included essentially a continual debasement of the enemy, as well as a constant praise of the people and of a nation turned into a natural champion of all the great values of humanity
Georges, Raphaël. "Les soldats alsaciens-lorrains de la Grande Guerre dans la société française (1918-1939)". Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAG015.
Pełny tekst źródłaThis thesis examines the place reserved for Alsatian and Lorrainer soldiers of the Great War in postwar French society, from 1918 until the end of the 1930s. It is indeed because of the history of their province – annexed since 1871 to the German Empire – that they are called to serve as German soldiers throughout the conflict. Yet most of them become French citizens in the aftermath of the war. In this new national setting, it is their status as former German soldiers that largely determines their return to civilian life and, to a greater extent, their social integration. We thus intend to question the practical, symbolic and memory implications of this atypical military past, in the field of French society during the interwar years. To this purpose, we firstly analyze the process of return and reception of the soldiers, the terms and conditions of assistance and support with the aim of their social reintegration – particularly for the disabled veterans – as well as the social reorganizations caused by their war experience. Secondly, we try to identify the representations that were circulated and they were subjected to, so as to understand the memory and social issues at stake that determine their place in society
Ong, Chit Chung. "Operation Matador : Britain's war plans against the Japanese, 1918-1941 /". Singapore : Times academic press, 1997. http://catalogue.bnf.fr/ark:/12148/cb37034998z.
Pełny tekst źródłaLafosse, Juliette. "Faire droit à la guerre. Une lecture juridique de la Première Guerre mondiale". Doctoral thesis, Universite Libre de Bruxelles, 2018. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/272826.
Pełny tekst źródłaDoctorat en Philosophie
info:eu-repo/semantics/nonPublished