Gotowa bibliografia na temat „Kungliga Baletten (Stockholm, Sweden)”
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Artykuły w czasopismach na temat "Kungliga Baletten (Stockholm, Sweden)"
Widén, Per. "Creating a Patrotic History: Historical Source-Editing as National Monument". Romantik: Journal for the Study of Romanticisms 5, nr 1 (1.12.2016): 9. http://dx.doi.org/10.7146/rom.v5i1.26425.
Pełny tekst źródłaSerdiuk, Ya O. "Amanda Maier: a violinist, a pianist, a composer – the representative of Leipzig Romanticism". Aspects of Historical Musicology 17, nr 17 (15.09.2019): 232–48. http://dx.doi.org/10.34064/khnum2-17.15.
Pełny tekst źródłaCelebi, Hatice. "Harnessing the Potential of Technology to Support Self-Directed Language Learning in Online Learning Settings––Online Symposium Review". Relay Journal, 1.01.2021, 46–50. http://dx.doi.org/10.37237/relay/040107.
Pełny tekst źródłaStendahl, Anders. "Kungliga Akademien i Åbo och den ortografiska standardiseringen ‒ var Åbo kulturellt isolerat?" Folkmålsstudier 60 (14.08.2022). http://dx.doi.org/10.55293/fms.120815.
Pełny tekst źródła--. "Recensioner". Scandia : Tidskrift för historisk forskning 88, nr 2 (28.11.2022). http://dx.doi.org/10.47868/scandia.v88i2.24806.
Pełny tekst źródłaNielsen, Erland Kolding. "“Jyske Lov” som krigsbytte. En mytes opståen, udnyttelse og fald". Fund og Forskning i Det Kongelige Biblioteks Samlinger 49 (11.06.2014). http://dx.doi.org/10.7146/fof.v49i0.41240.
Pełny tekst źródłaRozprawy doktorskie na temat "Kungliga Baletten (Stockholm, Sweden)"
Riddar, Johnson Matilda. "Kungliga bibliotekets fotografiska förvärv : En undersökning av Kungliga bibliotekets förvärv av fotografier under 1958‒2008". Thesis, Uppsala University, Department of ALM, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-105610.
Pełny tekst źródłaMy master’s thesis is a study of acquisition of photographies during 1958-2008. The questions I proceed from is what patterns lies behind the Royal library's acquisition of photography and how the process of acquisition looks like. The theoretical base which I lean on consists partly of a problematization of the process of cultural heritage and partly of organizational theory. The problematization of the process of cultural heritage is my foundation of this essay. My starting point is that the Royal library make a choice when they collect material to be a cultural heritage and the memories gathered for future generations. I used organizational theory to find answer to how the collection been gathered through studies of the organizations interaction with the members of the organization, the process in the organizations, like goals and policy, and the organizations interaction with other organizations. I used case-study as my method. I interviewed most of the chiefs who were in charge of the unit during the period 1958-2008 and worked through journals of acquisition, annual reports, letters of regulation, exchange of letters and other in-house material. My results are that the acquisition of photography follows the Royal library's acquisition of picture at large. The culture heritage that the library collect for future generations is based on the content rather than the form of the material. This aspect was founded early in the creation of the library and has kept its status as a guiding line ever since. The main categories of collection are based on the motif of the photography and are the following; portrait, topography and events. Events is a new category but a sequel of an old category, historical wall chart. The material that the photographies are made of has varied but the majority have been photographies on paper. Gifts and purchases have been the most common ways for the library to collect photographies. Gifts have been treated differently through the years, from the beginning all gifts were received and the library asked actively for special gifts, later the library decided whether or not they should accept a gift. The policy from both the library and from the government have been vague, but lately they have been working on a new and more detailed policy from 2008.
Reese, Willén Anne. "I huvudstaden, musiklivets härd : Den strukturella omvandlingen av Stockholms offentliga konstmusikliv ca 1840-1890". Doctoral thesis, Uppsala universitet, Institutionen för musikvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-216903.
Pełny tekst źródłaKsiążki na temat "Kungliga Baletten (Stockholm, Sweden)"
Feuk, Ditte. Kuliss: Berättelser inifrån baletten. Malmö: Arena Bokförlaget, 2017.
Znajdź pełny tekst źródłaHagman, Bertil. Guldåldrar och guldröster: En minnesmosaik från operans och balettens värld. Stockholm: Fischer, 2001.
Znajdź pełny tekst źródłaHenrikson, Alf. Kungliga Teatern: En återblick. [Stockholm]: Kungliga Teatern i samarbete med Bra böcker, 1994.
Znajdź pełny tekst źródła1948-, Näslund Erik, i Sörenson Elisabeth, red. Kungliga Dramatiska teatern 1788-1988: Jubileumsföreställning i fyra akter. Höganäs: Bra Bok, 1988.
Znajdź pełny tekst źródłaKurras, Lotte. Die Stammbücher der Königlichen Bibliothek Stockholm: Handschriftenkatalog. Stockholm: Kungl. Biblioteket, 1998.
Znajdź pełny tekst źródłaEdh, Börge. 46: Historier om kostymer ur Kungliga Operans gömmor : från Gustav III:s harlekin till Grünewalds regnbågsmantel. Stockholm: Informationsförlaget, 1998.
Znajdź pełny tekst źródłaRydberg, Enar M. The opera by Stockholm's stream. Stockholm: Informationsförlaget, 1993.
Znajdź pełny tekst źródłaAndrea de Leeuw van Weenen. Lemmatized index to the Icelandic Homily Book: Perg. 15 4p0s in the Royal Library, Stockholm. Reykjavík: Stofnun Árna Magnússonar á Íslandi, 2004.
Znajdź pełny tekst źródłaWulff, Bo. Perukmakarna på Kungliga Teatern 1773-1923: Konstnärlig och social status. Stockholm: Stiftelsen för utgivning av teatervetenskapliga studier, 1991.
Znajdź pełny tekst źródłaSmith, Chris. Peaches of immortality: Journey to the unknown. Daly City, Calif: Kabir, 1991.
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