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Artykuły w czasopismach na temat "Kant Coleridge and Tagore"
Kelly, Nancy Webb. "Homo aestheticus: Coleridge, Kant, and play". Textual Practice 2, nr 2 (czerwiec 1988): 200–218. http://dx.doi.org/10.1080/09502368808582032.
Pełny tekst źródłaDe Paolo, Charles. "Kant, Coleridge, and the Ethics of War". Wordsworth Circle 16, nr 1 (styczeń 1985): 3–13. http://dx.doi.org/10.1086/twc24040564.
Pełny tekst źródłaRathi, Biraj Mehta. "National Self Determination and Justice: Rawls and Tagore". Culture and Dialogue 7, nr 2 (26.11.2019): 117–39. http://dx.doi.org/10.1163/24683949-12340063.
Pełny tekst źródłaSimons, Thomas R. "Coleridge Beyond Kant and Hegel: Transcendent Aesthetics and the Dialectic Pentad". Studies in Romanticism 45, nr 3 (2006): 465. http://dx.doi.org/10.2307/25602061.
Pełny tekst źródłaHore, Shouvik Narayan. "Imaginary Conversations: Weiskel Versus Coleridge". Dialogue: A Journal Devoted to Literary Appreciation 18, nr 1 (25.06.2022): 01–10. http://dx.doi.org/10.30949/dajdtla.v18i1.8.
Pełny tekst źródłaPoštić, Svetozar. "To Act or not to Act: How Coleridge Changed the Way We See Hamlet". Respectus Philologicus 26, nr 31 (25.10.2014): 133–43. http://dx.doi.org/10.15388/respectus.2014.26.31.10.
Pełny tekst źródłaDutta, Tinni. "A Study on Two Distinguished Culture by Poets’ on ‘Nature’". International Journal of Culture and History 10, nr 2 (25.12.2023): 102. http://dx.doi.org/10.5296/ijch.v10i2.21556.
Pełny tekst źródłaPhillips, Dana. "Thoreau's Aesthetics and ‘The Domain of the Superlative’". Environmental Values 15, nr 3 (sierpień 2006): 293–305. http://dx.doi.org/10.1177/096327190601500304.
Pełny tekst źródłaWilczyński, Marek. "The Americanization of the Sublime: Washington Allston and Thomas Cole as Theorists of Art". Polish Journal for American Studies, nr 11 (Spring 2017) (30.08.2023): 19–27. http://dx.doi.org/10.7311/pjas.11/1/2017.02.
Pełny tekst źródłaKhan, Jalal Uddin. "Literature of the New Year: Literary Variations on the Celebration of the New Year". IJOHMN (International Journal online of Humanities) 5, nr 4 (5.08.2019): 1–29. http://dx.doi.org/10.24113/ijohmn.v5i4.105.
Pełny tekst źródłaRozprawy doktorskie na temat "Kant Coleridge and Tagore"
Roy, Sanjay Kumar. "The Concepts of imagination: Kant Coleridge and Tagore a study in linkage". Thesis, University of North Bengal, 1999. http://hdl.handle.net/123456789/57.
Pełny tekst źródłaHipolito, Jeffrey Nevin. "Extremes meet : Coleridge on ethics and poetics /". Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/9427.
Pełny tekst źródłaMasson, Scott James. "Silence and the crisis of self-legitimation in English Romanticism". Thesis, Durham University, 2000. http://etheses.dur.ac.uk/4221/.
Pełny tekst źródłaJordan, Susanna Maria. "The authority of the invisible : an interpretation of the aesthetics of Burke, Kant, Coleridge and Shelley". Thesis, Queen Mary, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270949.
Pełny tekst źródłaCarbó, Mònica (Carbó i. Ribugent). "F. Hölderlin i S.T. Coleridge: recepció immediata i influència de la Crítica del Judici de Kant en els poetes del romanticisme". Doctoral thesis, Universitat de Girona, 2005. http://hdl.handle.net/10803/7818.
Pełny tekst źródłaThe thesis compares the philosophical consequences of Critique of Judgement to the poetic and philosophical productions of F.Höldelrin and S.T. Colerige. The main source of research are those aspects of Critique of Judgement relevant to understand the outbreak of idealism particularly where this new system deals significantly with art and aesthetic experience. Hölderlin stands in a genuine position beneath the tensions of idealism and kantian criticism, and his radical aproach to poetry allows to present him as a romantic poet or forerunner of romanticism. For S.T. Coleridge we study the immediate reception of kantian philosophy in british soil in order to highlight his role as a mediator of the german romantic ideology. The aim is to portrait Coleridge as a poet who assumed the main postulates of german idealism and to investigate how far those postulates can be connected to the final conclusions of kantian philosophy as formulated in Critique of Judgement.
Senturk, Uzun Neslihan. "Coleridge’s Revisionary Practice from 1814 to 1818". Doctoral thesis, Humboldt-Universität zu Berlin, 2021. http://dx.doi.org/10.18452/23246.
Pełny tekst źródłaThis thesis is an examination of Samuel Taylor Coleridge’s revisionary activity from 1814 to 1818, considering the integral role of William Wordsworth’s The Excursion, published as part of The Recluse in 1814, on Coleridge’s conception of his discrete oeuvre. It is via a detailed analysis of the way Coleridge ceased to speak “through” Wordsworth that this thesis unfolds its principal argument on Coleridge’s revisionary activity. I principally consider the revisions at work in the Biographia Literaria (1817), Sibylline Leaves (1817) and the 1818 rifacciamento to The Friend (the periodical originally issued in 1809-1810). Taking into account Coleridge’s newly-emerging and subsequently evolving responses to Immanuel Kant’s critical philosophy in the 1790s and 1800s, I will argue that the already-existing “radical Difference” between Coleridge and Wordsworth ever since the Lyrical Ballads (1798) and the “Preface” (1800) further intensified following Wordsworth’s failure to bring their grand scheme for a “first genuine philosophical poem”, The Recluse, into completion. Especially after The Prelude Coleridge heard in 1807, The Excursion by means of his “comparative censure” fell short of meeting the long-cherished expectations. Whereas Coleridge’s organic view of the world involved the recognition of an active mind seeking universal “Truth” through the inner synthetic faculties as well as the empirical laws in nature, Wordsworth’s poem was founded upon an obscurely precarious ground between the phenomenal world and the inner self. Ultimately, Coleridge’s disappointment with The Excursion on the basis of his theories on language and imagination, and the ensuing detachment from Wordsworth and their joint oeuvre gave him the autonomy to revise his past works in a way that ensured formation of a more sober relationship with his own past and a dialogic friendship with Wordsworth in which Coleridge came to realise the importance of speaking to a friend.
Brocious, Elizabeth Olsen. "Transcendental Exchange: Alchemical Discourse in Romantic Philosophy and Literature". Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2301.pdf.
Pełny tekst źródła"F. Hölderlin i S.T. Coleridge: recepció immediata i influència de la Crítica del Judici de Kant en els poetes del romanticisme". Universitat de Girona, 2005. http://www.tesisenxarxa.net/TDX-0206106-114149/.
Pełny tekst źródłaKsiążki na temat "Kant Coleridge and Tagore"
Brooks, Linda Marie. The menace of the sublime to the individual self: Kant, Schiller, Coleridge, and the disintegration of romantic identity. Lewiston, NY: Edwin Mellen Press, 1995.
Znajdź pełny tekst źródłaMelville, Peter. Romantic Hospitality and the Resistance to Accommodation: Rousseau, Kant, Coleridge, and Mary Shelley. Wilfrid Laurier University Press, 2007.
Znajdź pełny tekst źródłaColeridge And Kantian Ideas In England 17961817 Coleridges Responses To German Philosophy. Bloomsbury Publishing PLC, 2014.
Znajdź pełny tekst źródłaBrooks, Linda Marie. The Menace of the Sublime to the Individual Self: Kant, Schiller, Coleridge and the Disintegration of Romantic Identity. Edwin Mellen Press, 1996.
Znajdź pełny tekst źródłaCheyne, Peter. Coleridge's Contemplative Philosophy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198851806.001.0001.
Pełny tekst źródłaYoung, Malcolm Clemens. The Natural World. Redaktorzy Joel D. S. Rasmussen, Judith Wolfe i Johannes Zachhuber. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198718406.013.37.
Pełny tekst źródłaMilnes, Tim. Literature and Philosophy. Redaktor David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.38.
Pełny tekst źródłaHunnekuhl, Philipp. Henry Crabb Robinson. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621785.001.0001.
Pełny tekst źródłaScholar, John. Henry James and the Art of Impressions. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198853510.001.0001.
Pełny tekst źródłaCzęści książek na temat "Kant Coleridge and Tagore"
Swinden, Patrick. "Coleridge and Kant". W Literature and the Philosophy of Intention, 111–71. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27297-6_3.
Pełny tekst źródłaLeask, Nigel. "Aesthetics and Idealism: Kant, Schelling and Coleridge". W The Politics of Imagination in Coleridge’s Critical Thought, 108–16. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19283-0_11.
Pełny tekst źródłaAfejuku, Tony E. "Three Cosmic Poets: Samuel Taylor Coleridge, Rabindranath Tagore and Ezenwa-Ohaeto, and Cosmic Nature of Imagination". W The Cosmos and the Creative Imagination, 311–19. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-21792-5_22.
Pełny tekst źródłaVigus, James. "Coleridge's Kant". W Platonic Coleridge, 35–62. Routledge, 2017. http://dx.doi.org/10.4324/9781351194433-3.
Pełny tekst źródłaTownsend, Chris. "Inside Outness in Coleridge". W George Berkeley and Romanticism, 87–123. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192846785.003.0004.
Pełny tekst źródła"4 Emerson, Coleridge, Kant (Terms as Conditions)". W Emerson’s Transcendental Etudes, 59–82. Stanford University Press, 2003. http://dx.doi.org/10.1515/9781503620285-007.
Pełny tekst źródłaCraig, Cairns. "‘Kant has not answered Hume’: Hume, Coleridge and the Romantic Imagination". W Associationism and the Literary ImaginationFrom the Phantasmal Chaos, 41–84. Edinburgh University Press, 2007. http://dx.doi.org/10.3366/edinburgh/9780748609123.003.0002.
Pełny tekst źródła"1 ‘Kant has not answered Hume’: Hume, Coleridge and the Romantic Imagination". W Associationism and the Literary Imagination, 41–84. Edinburgh University Press, 2007. http://dx.doi.org/10.1515/9780748628162-004.
Pełny tekst źródłaScholar, John. "Contexts (II)". W Henry James and the Art of Impressions, 95–132. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198853510.003.0004.
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