Gotowe bibliografie tematyczne / Kaija

Gotowa bibliografia na temat „Kaija”

Autor: Grafiati
Data publikacji: 26 lipca 2024
Data aktualizacji: 27 lipca 2024

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Artykuły w czasopismach na temat "Kaija"

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Gray, Mary W. "Émilie by Kaija Saariaho". Mathematical Intelligencer 38, nr 4 (19.10.2016): 84–85. http://dx.doi.org/10.1007/s00283-016-9642-5.

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Munk, J. "Kaija Saariaho. By Pirkko Moisala." Music and Letters 92, nr 1 (1.02.2011): 174–76. http://dx.doi.org/10.1093/ml/gcq096.

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Järvensivu, Anu. "Näkökulmia työhön ja oppimiseen yksien kansien sisällä". Aikuiskasvatus 29, nr 1 (15.02.2009): 71–72. http://dx.doi.org/10.33336/aik.94176.

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Ojala, Hanna. "Avauksia toimijuuteen aikuiskasvatuksessa". Aikuiskasvatus 31, nr 3 (15.09.2011): 220–21. http://dx.doi.org/10.33336/aik.93945.

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Kaija, Sandra. "Izmeklēšanas noslēpums procesā par noziedzīgi iegūtu mantu". SOCRATES. Rīgas Stradiņa universitātes Juridiskās fakultātes elektroniskais juridisko zinātnisko rakstu žurnāls / SOCRATES. Rīga Stradiņš University Faculty of Law Electronic Scientific Journal of Law 2, nr 8 (2017): 14–24. http://dx.doi.org/10.25143/socr.08.2017.2.14-24.

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RSU profesore Sandra Kaija savā rakstā pievēršas teorētiskā un praktiskā aspektā nozīmīgas problēmas izziņai, kas ir saistīta ar izmeklēšanas noslēpumu kriminālprocesos par noziedzīgi iegūtu mantu. Neapšaubāmi, ka izmeklēšanas rezultātā iegūto datu konfidencialitātei par noziedzīgi iegūtu mantu ir specifiskas iezīmes, salīdzinot ar izmeklēšanas noslēpumiem kriminālprocesos kopumā. In her article, the Professor of RSU Sandra Kaija focuses on theoretical and practical aspects of the problem connected with the secret of investigation into criminal proceedings regarding criminally acquired property. Undoubtedly, confidentiality of the data on criminally acquired property obtained via investigation has more specific features compared to the secrets of investigation in criminal proceedings in general.
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Sternburg, Judith von. "Requiem für ein Genie". Opernwelt 65, nr 7 (2024): 14–15. http://dx.doi.org/10.5771/0030-3690-2024-7-014.

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Pepper, Kaija. "kraftfelder". tanz 14, nr 2 (2023): 22–27. http://dx.doi.org/10.5771/1869-7720-2023-2-022.

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Tsaregradskaya, Tatiana V. "Kaija Saariaho and Her Laterna Magica". Vestnik of Saint Petersburg University. Arts 11, nr 4 (2021): 607–35. http://dx.doi.org/10.21638/spbu15.2021.403.

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Nowadays Kaija Saariaho is one of the most successful composers in the field of contemporary classical music. A former student of Tristan Murail, she works in the direction initiated by socalled spectral composition, composing extremely colourful and poetic pieces that are highly appreciated by music critics. One of her orchestra compositions, Laterna Magica, based on the memoirs by Ingmar Bergman and commissioned by the Berliner Philharmoniker Orchestra, premiered in 2009 and became a hit — it was performed more than thirty times after the premiere. This successful piece is the main object of the analysis which is performed according to ideas of Saariaho expressed in her theoretical articles. One of the most interesting ideas about music form proposed by the composer is the idea of “polyphony of processes”, which means that different parameters of composition are realized in different schemes that do not intersect but act as separate phenomena creating an impression of both independence of the parameters and their interaction at the same time. Such parameters as rhythm, melodic ideas, application of text, tempos, textures and their combinations as well as orchestration and harmony have their own profile and are constructed according to different schemes. Besides music itself, a text by Saariaho written for the premiere of the piece is analysed and interpreted as a special case of a “composer’s vision” which shows specific angles in the author’s perception.
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Pasanen, Heikki. "Keskustelunavaus yli koulukuntarajojen". Aikuiskasvatus 31, nr 2 (15.05.2011): 150–51. http://dx.doi.org/10.33336/aik.93929.

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Pepper, Kaija. "krimifieber". tanz 15, nr 5 (2024): 4–7. http://dx.doi.org/10.5771/1869-7720-2024-5-004.

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Rozprawy doktorskie na temat "Kaija"

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Oskala, Anni Katariina. "The voice in Kaija Saariaho's Music 1977-2000". Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491077.

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This thesis examines the use of the voice in Kaija Saariaho's works composed between the years 1977 and 2000, including her first opera L 'Amour de loin (2000). The term 'voice' refers to all live, recorded and/or processed vocal sounds and synthesised sounds modelled on vocal timbres.
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Kaunisaho, Kaija Veronika [Verfasser]. "Volumenänderung der Beckenkammaugmentate nach Transplantation im menschlichen Kiefer / Kaija Veronika Kaunisaho". Köln : Deutsche Zentralbibliothek für Medizin, 2013. http://d-nb.info/1034343920/34.

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Debus, Kaija [Verfasser], i Ralf [Akademischer Betreuer] Bialek. "Importierte Parasitosen bei Kindern in Deutschland / Kaija Debus ; Betreuer: Ralf Bialek". Tübingen : Universitätsbibliothek Tübingen, 2011. http://d-nb.info/1161464646/34.

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Zerbinatti, Camila Durães. "Sept Papillons, de Kaija Saariaho : análise musical e aspectos da performance". Universidade do Estado de Santa Catarina, 2015. http://tede.udesc.br/handle/handle/1561.

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This dissertation presents a musical analysis and discusses some interpretative aspects of the piece Sept Papillons (2000) for solo cello, by the Finnish composer Kaija Saariaho (1952). A broad contextualization is presented in which we approached the composer s history, its main compositional characteristics, its aesthetic influences, the inter-relations between subjectivity and music making in her work, her gendered position in music and the importance of personal collaborations on the developing of her cello work. Musical analysis is preceded by the context of the piece, its situation on the cello repertoire, its influences and main characteristics. Due to the predominant use of natural harmonics a transcription of the original score is displayed. Musical analysis is then presented through the approach of formal and structural aspects. Research on the pitch, rhythmic, texture, timbral, gestures, instrumental and visual (metaphorical) dimensions of the piece is presented. Relations are established between the Sept Papillons building and Saariaho´s compositional processes. Technical and interpretative aspects of Sept Papillons performance and practice are addressed in dialogue with texts by performers and musicologists that work with her works and also through five interviews with cellists who have been played Sept Papillons in high level performances and recordings. It is observed the place of the body in music performance, on the sophisticated coordination on instrumental actions necessary for the performance. It is seen that Saariaho expands both the cello technique and the cello writing. Our work is justified by the contributions made to the field of knowledge on Kaija Saariaho, on analysis and performance of the contemporary repertoire, and on cello technique and cello music.
Esta dissertação apresenta uma análise musical e aborda alguns aspectos interpretativos da peça Sept Papillons (2000) para violoncelo solo, da compositora finlandesa Kaija Saariaho (1952). É apresentada uma ampla contextualização da compositora na qual abordamos sua trajetória, suas principais características composicionais, suas influências estéticas, as inter-relações entre subjetividade e fazer musical em sua obra, sua condição de gênero na música e a importância de colaborações pessoais no desenvolvimento de sua obra para violoncelo. A análise musical é precedida pela contextualização da peça, sua localização no repertório violoncelístico, suas influências e principais características. Por conta do predominante uso de harmônicos naturais uma transcrição da partitura original é apresentada. A análise musical é então realizada através da abordagem de aspectos formais e estruturais da investigação da dimensão das alturas, das dimensões rítmica, textural, tímbrica, gestual, instrumental e imagética (metafórica). São estabelecidas relações entre a construção de Sept Papillons e os processos composicionais de Saariaho. Aspectos técnicos e interpretativos da performance de Sept Papillons são abordados, em diálogo com textos de intérpretes e musicólogos (as) que trabalham com as obras da compositora e também através de cinco entrevistas realizadas com intérpretes que já apresentaram Sept Papillons em performances e gravações de alta qualidade. É observado o lugar do corpo na performance, na coordenação de sofisticadas ações instrumentais necessárias e também de que forma Saariaho expande a técnica e a escrita violoncelística. Nosso trabalho se justifica pelas contribuições oferecidas ao campo de conhecimento sobre Kaija Saariaho, sobre análise e performance do repertório contemporâneo e sobre técnica e interpretação do violoncelo.
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Chou, Chao-Chiun. "Giacinto Scelsi, Gérard Grisey et Kaija Saariaho : Trois esthétiques à partir du son". Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080005.

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Cette thèse étudie trois compositeurs reliés autour du courant « musiquespectrale » dont les pensées et les oeuvres sont fortement marquées dans un premiertemps par la prise de conscience de la nature « dynamique » du son : Giacinto Scelsi,Gérard Grisey et Kaija Saariaho, trois compositeurs représentant trois périodesdifférentes dans l’histoire du courant spectral. Dans leurs oeuvres et leurs écritsthéoriques, plusieurs questions s’élèvent ou dérivent de la conception « énergétique »du matériau et dépassent le simple cadre de celui-ci : la perception, la forme, le tempsmusical, l’expressivité, le rapport à la tradition, etc. Plus généralement, une questionessentielle se pose : qu’est-ce qui existe au-delà du son, au-delà de l’énergie àl’intérieur du son ?Pour répondre à cette question, cette recherche se base sur des analyses deplusieurs oeuvres de ces trois compositeurs tout en gardant à l’esprit la conceptionadornienne du matériau qui met en cause l’idée « naturaliste » de celui-ci et l’idée du« son » isolé comme auto-suffisant. Plusieurs catégories, comme « médiation »,« articulation », « tradition », « histoire », « culture/nature », entrent en jeu. Ainsi,cette étude est parvenue à mettre en relief trois différentes « esthétiques » qui sedéveloppent à partir d’une base commune de « l’énergie sonore » comme porteuse dela forme musicale — l’esthétique de l’énergie sonore, l’esthétique du processus, etl’esthétique de l’expression, trois esthétiques qui semblent montrer une évolution versune « interpénétration de l’énergétique et de la sémiotique »
This thesis studies three composers connected around the "spectral music" andwhose thoughts and works are strongly marked at first by the awareness of the"dynamic" nature of sound: Giacinto Scelsi, Gérard Grisey and Kaija Saariaho, threecomposers representing three different periods in the history of the spectral current. Intheir works and their theoretical writings, several questions arise or derive from the"energetic" conception of the material and go beyond the framework of the material:perception, form, musical time, expressivity, relation to the tradition, etc. Moregenerally, an essential question arises: what exists beyond the sound, beyond theenergy within the sound?To answer this question, this research analyses several works by the threecomposers while keeping in mind the adornian conception of material whichquestions the "naturalist" idea of material and the idea of an isolated sound as selfsufficient.Several categories, such as "mediation", "articulation", "tradition","history", "culture / nature" come into play. Thus, this study has managed to highlightthree different "aesthetics" that develop from a common base of "sound energy" as thebearer of musical form — the aesthetics of sound energy, the aesthetics of process,and the aesthetics of expression, three aesthetics that seem to show an evolutiontowards an "interpenetration of the energetics and the semiotics"
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Chou, Chao-Chiun. "Giacinto Scelsi, Gérard Grisey et Kaija Saariaho : Trois esthétiques à partir du son". Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080005.

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Cette thèse étudie trois compositeurs reliés autour du courant « musiquespectrale » dont les pensées et les oeuvres sont fortement marquées dans un premiertemps par la prise de conscience de la nature « dynamique » du son : Giacinto Scelsi,Gérard Grisey et Kaija Saariaho, trois compositeurs représentant trois périodesdifférentes dans l’histoire du courant spectral. Dans leurs oeuvres et leurs écritsthéoriques, plusieurs questions s’élèvent ou dérivent de la conception « énergétique »du matériau et dépassent le simple cadre de celui-ci : la perception, la forme, le tempsmusical, l’expressivité, le rapport à la tradition, etc. Plus généralement, une questionessentielle se pose : qu’est-ce qui existe au-delà du son, au-delà de l’énergie àl’intérieur du son ?Pour répondre à cette question, cette recherche se base sur des analyses deplusieurs oeuvres de ces trois compositeurs tout en gardant à l’esprit la conceptionadornienne du matériau qui met en cause l’idée « naturaliste » de celui-ci et l’idée du« son » isolé comme auto-suffisant. Plusieurs catégories, comme « médiation »,« articulation », « tradition », « histoire », « culture/nature », entrent en jeu. Ainsi,cette étude est parvenue à mettre en relief trois différentes « esthétiques » qui sedéveloppent à partir d’une base commune de « l’énergie sonore » comme porteuse dela forme musicale — l’esthétique de l’énergie sonore, l’esthétique du processus, etl’esthétique de l’expression, trois esthétiques qui semblent montrer une évolution versune « interpénétration de l’énergétique et de la sémiotique »
This thesis studies three composers connected around the "spectral music" andwhose thoughts and works are strongly marked at first by the awareness of the"dynamic" nature of sound: Giacinto Scelsi, Gérard Grisey and Kaija Saariaho, threecomposers representing three different periods in the history of the spectral current. Intheir works and their theoretical writings, several questions arise or derive from the"energetic" conception of the material and go beyond the framework of the material:perception, form, musical time, expressivity, relation to the tradition, etc. Moregenerally, an essential question arises: what exists beyond the sound, beyond theenergy within the sound?To answer this question, this research analyses several works by the threecomposers while keeping in mind the adornian conception of material whichquestions the "naturalist" idea of material and the idea of an isolated sound as selfsufficient.Several categories, such as "mediation", "articulation", "tradition","history", "culture / nature" come into play. Thus, this study has managed to highlightthree different "aesthetics" that develop from a common base of "sound energy" as thebearer of musical form — the aesthetics of sound energy, the aesthetics of process,and the aesthetics of expression, three aesthetics that seem to show an evolutiontowards an "interpenetration of the energetics and the semiotics"
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Nable, Frederico Arantes. "Sept Papillons de Kaija Saariaho: uma an?lise dos elementos t?cnico-interpretativos". Universidade Federal do Rio Grande do Norte, 2015. http://repositorio.ufrn.br/handle/123456789/20199.

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A pe?a Sept Papillons de Kaija Saariaho ? considerada uma obra de destaque na produ??o atual para violoncelo. O presente trabalho busca contextualiz?-la e oferecer reflex?es sobre as dificuldades t?cnicas encontradas em seu estudo, discorrendo tamb?m sobre conceitos importantes para a interpreta??o. Como procedimento metodol?gico foram estudados autores como MOISALA (2009) e VICTORIO (2015) que d?o fundamenta??o ao entendimento do processo composicional e ? an?lise dos gestos propostos pela compositora. Em um segundo momento foi realizada uma entrevista com Natasha Farny, uma violoncelista reconhecida por sua performance da obra, a qual utilizamos como refer?ncia junto ? performance da coreana Seung Ri Jung e a grava??o do violoncelista Anssi Karttunen, a quem foi dedicada a pe?a. Concomitantemente ao estudo do material bibliogr?fico e realiza??o das entrevistas, a pe?a foi trabalhada e apresentada no ?mbito do PPGMUS-UFRN. A experi?ncia obtida pelos recitais e pela pesquisa da obra resultou em sugest?es para violoncelistas interessados no estudo e na performance da mesma.
Sept Papillons by Kaija Saariaho is a relevant piece in the contemporary cello repertoire. This research aims to study the context of the piece and approaches the technical and musical challenges presented in the work. As a methodological procedure, authors like MOISALA (2009) and VICTORIO (2015) were studied, giving basis to the understanding of the compositional process and to the analysis of the gestures proposed by the composer. Following, an interview was carried out with Natasha Farny, a cellist recognized for her performance of the work and utilized as reference, together with the Korean cellist Seung Ri Jung?s performance and the recording of Anssi Karttunen, to whom the piece was dedicated. Whilst the research of the bibliographical material and the interviews were taking place, the piece was studied and performed at the Masters of Music Program at UFRN. The experience obtained by the recitals and the research resulted in suggestions for cellists interested in its study and performance.
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Diaz, Garcia Maria Mercedes. "The Shaping of Time in Kaija Saariaho's Émilie: a Performer's Perspective". Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1579431479557928.

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Madar, Armaan. "Kaija Saariaho’s Quatre Instants from a pianist’s point of view : an interpretation of the song cycle". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3630.

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The purpose of this study is to examine Kaija Saariaho's song cycle Quatre Instants for soprano and piano and to present a possible interpretation of it. I have made an analysis of the song cycle, which focuses mainly on the relation between the song text and the piano part. This has led to forming a detailed interpretation of the song cycle. The study contains also Saariaho's biography in order to support the analysis with background information. Both the background information and the analysis have immensely influenced upon my interpretation of the song cycle.

The sounding part of the work consists of the following recording: ljud. The Corona virus situation spring semester 2020 has caused limitations in the recording possibilities. The recording is archived and may be supplemented. 

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Allen, John Clay. "An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition". Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc799510/.

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Beginning in the 1970s, and aided by the advancement and an increased prevalence of computers, spectral music emerged as an important development in twentieth century music. Spectral composers, as exemplified by Gérard Grisey and Tristan Murail, took the harmonic spectra of sounds as the fundamental materials of composition. The resulting music placed an emphasis on texture and gradually evolving forms. The generation of composers immediately following the spectralists assimilated their techniques into distinct and varying styles. Finnish composer Kaija Saariaho uses spectral techniques to create an aesthetic that generates form and progression from a sound/noise axis. In her piece Du cristal…à la fumée, a number of pendulum and half-pendulum gestures build up texture and form. The accompanying original composition Axiom Unearthed employs similar pendulum gestures and uses spectral techniques to generate melody and harmony in an aesthetic divergent from traditional spectral pieces.
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Książki na temat "Kaija"

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1960-, Winterfeldt Susanne, red. Kaija Saariaho. Berlin: Musikfrauen e.V., 1991.

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Hautala-Hirvioja, Tuija. Kaija Kiuru. Rovaniemi: Lapin yliopistokustannus, 2011.

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Risto, Nieminen, i IRCAM (Research institute : France), red. Kaija Saariaho. Paris: IRCAM-Centre Georges Pompidou, 1994.

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Kaija, Saariaho, red. Elektronisia unelmia: Kirjoituksia Kaija Saariahon musiikista. Helsinki: Yliopistopaino, 2005.

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Hautsalo, Liisamaija. Kaukainen rakkaus: Saavuttamattomuuden semantiikka Kaija Saariahon oopperassa. Helsinki: Suomen Musiikkitieteellinen Seura, 2008.

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Saariaho, Kaija, i Pekka Hako. Aistit, uni, rakkaus: Kaksitoista katsetta Kaija Saariahoon. Helsinki: Lurra Editions, 2012.

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Pakkanen, Kaija. Joka oksalla satu: Kaija Pakkasen satuja ja runoja. Helsinki: Metsälehti, 1999.

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Nascimento, Márcia, i Nuno Costa, red. Käräjäkivet 08: Lingonsö ‘Chapel’: Heikki and Kaija Siren, Lingonsö - Finland, 1966-69. Barcelos, Portugal: Käräjäkivet, 2021.

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Akutagawa Ryūnosuke: Kaiga, kaika, toshi, eiga. Tōkyō: Kanrin Shobō, 2006.

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Namiki, Seishi. Kaiga no hen: Nihon bijutsu no kenrantaru kaika. Tōkyō: Chūō Kōronsha, 2009.

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Części książek na temat "Kaija"

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Stephan, Ilja. "Saariaho, Kaija". W Komponisten Lexikon, 520–21. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_262.

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Everett, Yayoi Uno. "Pianto as a topical signifier of grief in contemporary operas by John Adams, Thomas Adès, and Kaija Saariaho". W The Routledge Handbook of Music Signification, 333–44. [1.] | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351237536-29.

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Dahlke, Birgit. "Lange-Müller, Katja". W Metzler Autorinnen Lexikon, 285–86. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_200.

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Teckentrup, Gabriele. "3. Katja Leyrer". W Frauen in der 68er Bewegung, 73–96. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839468104-015.

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Müller, Katja, i Karoline Noack. "Einleitung: Digitalisierung ethnologischer Sammlungen - Herausforderungen und Chancen". W Edition Museum, 11–30. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457900-002.

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Katja Müller und Karoline Noack stellen in diesem Beitrag die Besonderheiten von Digitalisierung in ethnologischen Sammlungen und Museen dar. Sie zeigen, dass in deutschen Sammlungen Digitalisierung eng mit Provenienzforschung und Dekolonialisierung verbunden ist.
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Müller, Katja. "Sammlungen online". W Edition Museum, 285–98. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457900-016.

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Katja Müller stellt die Unterschiede zwischer Erwartungshaltung an Digitalisierungen ethnografischer Sammlungen und den tatsächlichen Auswirkungen der Onlinestellung kulturellen Erbes dar. Anhand von Beispielen aus Indien und Europa zeigt sie, welche Faktoren eine Nutzung von Onlinearchiven befördern und wie wir Postkolonialisierung im Kontext ethnografischer Sammlungen neu rahmen sollten.
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Santro, Kaja. "Softwareentwicklerin (Unternehmen): Kaja Santro". W Geisteswissenschaften studieren - und dann?, 177–82. Stuttgart: J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05746-4_24.

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Struve, Ulrich. "Katja Lange-Müller (geb. 1951)". W Der Findling Kaspar Hauser in der Literatur, 337–43. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03383-3_73.

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Böhm, Stanislav, Marek Běhálek i Ondřej Garncarz. "Developing Parallel Applications Using Kaira". W Digital Information Processing and Communications, 237–51. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22389-1_22.

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Kissler, Marie-Luise. "Personalchefin und Juristin: Katja Borghaus". W 80 Menschen – 80 Storys, 75–80. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-37905-6_12.

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Streszczenia konferencji na temat "Kaija"

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Saamishvili, Natalia. "Some Features of Libretto and Musical Composition in “L’amour de loin” by Kaija Saariaho". W Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.132.

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Pauloski, J. Gregory, Qi Huang, Lei Huang, Shivaram Venkataraman, Kyle Chard, Ian Foster i Zhao Zhang. "KAISA". W SC '21: The International Conference for High Performance Computing, Networking, Storage and Analysis. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3458817.3476152.

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Shaftel, Ethan. "Kaiju Confidential". W SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3302502.3318146.

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Scrocca, Mario, Riccardo Tommasini, Alessandro Margara, Emanuele Della Valle i Sherif Sakr. "The Kaiju project". W DEBS '20: The 14th ACM International Conference on Distributed and Event-based Systems. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3401025.3401740.

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Böhm, Stanislav. "Implementation of collective communication in Kaira". W PROCEEDINGS OF THE INTERNATIONAL CONFERENCE ON NUMERICAL ANALYSIS AND APPLIED MATHEMATICS 2014 (ICNAAM-2014). AIP Publishing LLC, 2015. http://dx.doi.org/10.1063/1.4913033.

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KARALIŪNAS, Viktoras, i Darius JARMALAVIČIUS. "LIETUVOS BALTIJOS JŪROS KRANTO MORFOLOGIJOS KLAIPĖDOS UOSTO POVEIKIO ZONOJE KAITA IR STABILUMAS". W Conference for Junior Researchers „Science – Future of Lithuania“. VGTU Technika, 2018. http://dx.doi.org/10.3846/aainz.2018.011.

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Jūros krantas – viena kaičiausių geosferos vietų žemėje. Nuolat vykstant sąnašų apykaitai tarp jūros ir kranto, stipresnės audros metu kranto profilis gali pakisti iš esmės. Tačiau, nepaisant sparčiai kintančios aplinkos, krantą sudarantys morfologiniai elementai (paplūdimys, kopagūbris) išlieka. Šio darbo tikslas – nustatyti, kaip erozinėse ir akumuliacinėse kranto atkarpose kinta morfometriniai paplūdimio rodikliai. Šių tikslų įgyvendinimui pasirinkti erozinis (Melnragė I) ir akumuliacinis (Smiltynė) kranto ruožai, kuriuose nuo 2002 m., baigus Klaipėdos uosto molų rekonstrukcijos darbus bei išgilinus įplaukos kanalą iki 14,5 m, suintensyvėjo kranto arda šiauriau molų ir akumuliacija – piečiau. Nuo 2002 m. iki 2017 m. kartą per metus (pavasarį) šiauriau ir piečiau uosto molų buvo atliekami kranto skersinės niveliacijos darbai, kurių metu nustatyta kranto profilio kaita, kranto linijos padėties kaita, paplūdimio pločio kaita, smėlio, išplauto iš paplūdimio, kaita bei smėlio kiekio, susikaupusio paplūdimyje, kaita. Nustatyta, kad, nepaisant didelio kranto linijos padėties bei sąnašų kiekio paplūdimyje kaitos, paplūdimys stengiasi išlaikyti pastovius savo morfometrinius rodiklius. Erozinio kranto atkarpoje paplūdimio forma palaikoma naudojant smėlio atsargas, sukauptas kopagūbryje. Akumuliacinio kranto atkarpoje – formuojant užuomazgines kopas viršutinėje paplūdimio dalyje.
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Azman, Syafiq Bin Shamsul, i Albert Quek. "VR Kaiju game with growth enhancement mechanic". W 3RD INTERNATIONAL CONFERENCE ON COMPUTER, INFORMATION TECHNOLOGY, AND INTELLIGENT COMPUTING (CITIC2023). AIP Publishing, 2024. http://dx.doi.org/10.1063/5.0217149.

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Behalek, Marek, Stanislav Bohm, Pavel Kromer, Martin Surkovsky i Ondrej Meca. "Parallelization of ant colony optimization algorithm using Kaira". W 2011 11th International Conference on Intelligent Systems Design and Applications (ISDA). IEEE, 2011. http://dx.doi.org/10.1109/isda.2011.6121707.

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Wuisang, Justien. "Contextual Approaches In Kaiwa Learning (Speaking) Japanese Language". W Proceedings of the International Conference on Social Science 2019 (ICSS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icss-19.2019.60.

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Paškevičienė, Justina, i Rima Tamošiūnienė. "FINANSINIŲ RODIKLIŲ RYŠYS SU LISTINGUOJAMOS ĮMONĖS AKCIJŲ KAINA NUSTATANT VERTĘ". W Conference for Junior Researchers „Science – Future of Lithuania“. VGTU Technika, 2016. http://dx.doi.org/10.3846/mla.2015.899.

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Atsigavus Lietuvos ekonomikai išaugo vertės nustatymo paklausa. Remiantis kapitalizacijos metodu, akcinės bendrovės vertė priklauso nuo akcijos kainos ir įmonės pelno. Mokslinio darbo tikslas –nustatyti finansinių rodiklių ryšį su listinguojamos bendrovės akcijos kaina nustatant vertę. Tyrimo metodai: mokslinės literatūros, duomenų analizė, apibendrinimas ir grafinis atvaizdavimas. Finansinių rodiklių ryšys su akcijos kaina nustatomas remiantis koreliacine regresine analize. Atlikus analizę nustatyta, kad biržoje kotiruojamos įmonės akcijos jau turi tam tikrą vertę, nes pritraukia kapitalą. Tyrimo rezultatai rodo akcijos kainos tiesioginę priklausomybę nuo ilgalaikio turto apyvartumo bei skolos ir turto santykio rodiklių.
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