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Artykuły w czasopismach na temat "Journalism in art"
Jang, Jennifer. "Why Art Journalism Is Important in Connecting Traditional Art and Entertainment with The Media". Proceedings of The World Conference on Social Sciences 2, nr 1 (26.12.2023): 70–86. http://dx.doi.org/10.33422/worldcss.v2i1.103.
Pełny tekst źródłaKhibadullina, A. S. "Art journalism: film art in the socio-cultural paradigm". Bulletin of L.N. Gumilyov Eurasian National University. JOURNALISM Series 142, nr 1 (2023): 112–20. http://dx.doi.org/10.32523/2616-7174-2023-142-1-112-120.
Pełny tekst źródłaPonomareva, O. B. "ANTHROPOCENTRIC FEATURES OF ART JOURNALISM". Kognitivnye Issledovaniya Yazyka 27 (2016): 69–76. http://dx.doi.org/10.20916/2071-9639-2016-27-69-76.
Pełny tekst źródłaEberhard, Wallace B. "Journalism: State of the Art". American Journalism 7, nr 4 (październik 1990): 284–85. http://dx.doi.org/10.1080/08821127.1990.10731314.
Pełny tekst źródłaMpofu, Shepherd. "Art as Journalism in Zimbabwe". Journalism Studies 20, nr 1 (11.08.2017): 60–78. http://dx.doi.org/10.1080/1461670x.2017.1358652.
Pełny tekst źródłaBalakireva, A. Y., i L. P. Gogina. "Communicative tools of art journalism". Communicology 11, nr 2 (29.06.2023): 76–89. http://dx.doi.org/10.21453/2311-3065-2023-11-2-76-89.
Pełny tekst źródłaOhar, Emiliya. "The Ukrainian book journalism: institutional prerequisites of functioning". Proceedings of Research and Scientific Institute for Periodicals, nr 10(28) (styczeń 2020): 264–78. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-19.
Pełny tekst źródłaDavies, Kayt. "REVIEW: An important book for young journalism academics". Pacific Journalism Review 23, nr 1 (21.07.2017): 263. http://dx.doi.org/10.24135/pjr.v23i1.318.
Pełny tekst źródłaFateeva, I. A. "ON THE FIRST ATTEMPT TO COMMEMORATE THE SCIENTIFIC AND RESEARCH ACHIEVEMENTS OF THE STATE JOURNALISM INSTITUTE AS A CENTER OF NEWSPAPER STUDIES". Memoirs of NovSU, nr 1 (2024): 20–32. http://dx.doi.org/10.34680/2411-7951.2023.1(52).20-32.
Pełny tekst źródłaWeichert, Stephan. "Digital Journalism –Das neue Masterprogramm an der Hamburg Media School". MedienWirtschaft 10, nr 2 (2013): 53–55. http://dx.doi.org/10.15358/1613-0669-2013-2-53.
Pełny tekst źródłaRozprawy doktorskie na temat "Journalism in art"
Rausch, Juliana Adele. "The New Journalism as Avant-Garde Art". Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/443068.
Pełny tekst źródłaPh.D.
Can journalism be avant-garde? This question arises from the body of work produced by the New Journalists, whose leading figures include Truman Capote, Tom Wolfe, Joan Didion, and Norman Mailer. Today, this question is urgent for considerations of the journalist’s role within a political landscape increasingly hostile to the news media. Yet it is a question that has not been sufficiently explored in the field of literary study. Scholars of literary journalism have identified the features of an experimental journalism, traced its historical origins, and made claims about how to situate the New Journalism generically. While important, this scholarship overlooks the relationship between experimentation with conventional journalistic form and similar experimentations in other artistic fields. As a result, the stakes of the New Journalism’s experimentations with conventional reporting have not been sufficiently mined. In order to remedy this, I place the New Journalism within a broader history of avant-garde art. The agitation of mainstream journalistic practice undertaken by each of the writers above was spurred by a questioning of a foundational journalistic practice: objectivity. The New Journalists challenged the authority of fact and its capacity to represent the human condition. This challenge to objectivity drove an experimentation with journalistic form that produced a deeply innovative body of work; however, these innovations are not merely formal. They also call into question the epistemological assumptions that tether journalism to a phenomenal world assumed to be fully representable. Significantly, the challenges to objectivity posed by the New Journalists parallel the challenges to representation posed by avant-garde artists like Paul Cezanne and Karel Appel. My dissertation thus situates the challenges to journalistic form undertaken by the New Journalists within a broader history of artistic experimentation and demonstrates that the significance of these experimentations exceeds the fields in which they occur. These arguments provide a framework for understanding not only the formal innovations of avant-garde artists, but also the epistemological consequences, and ethical imperatives, inherent in these innovations. My understanding of avant-garde art is informed by the work of Jean-Francois Lyotard. Over the course of his career, Lyotard illuminated the philosophical dimensions of artistic innovation. For Lyotard, one of the hallmarks of avant-garde experimentation is its ability to confront and redress problems across a variety of discursive fields. That is, Lyotard values avant-garde experimentation because it responds to discourses beyond its own, and much of Lyotard’s writing about avant-garde art establishes connections between artistic innovation and broader issues of ethics, politics, and justice. Over the course of this dissertation, I demonstrate how the New Journalism participates in this tradition by asking questions about the role and responsibility of the reporter through the self-conscious development of an experimental journalistic aesthetic.
Temple University--Theses
Chaussée, Frédéric. "Les changements des pratiques journalistiques au Québec à travers l'étude des titres et amorces, La Presse, 1945 et 1995". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq25288.pdf.
Pełny tekst źródłaTuncer, Fatma Gökcen. "ATTENTION! ART IS ON THE STAGE : An Applied MasterProject onActivist Art Including theInterview Series withNine Artists from Seven Art Forms". Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-25841.
Pełny tekst źródłaAberbach, Katherine. "Hardly a dying art the flourishing of print news in literary journalism books /". CONNECT TO ELECTRONIC THESIS, 2007. http://dspace.wrlc.org/handle/1961/4233.
Pełny tekst źródłaSears, Kyle. "Twitter's Impact on Sports Journalism Practice: Where a New Medium Meets and Old Art". Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/communication_theses/74.
Pełny tekst źródłaHoward, Courtney L. "Special Exhibitions, Media Outreach, and Press Coverage at the Metropolitan Museum of Art, the Chicago Art Institute, and the National Gallery of Art". Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276542794.
Pełny tekst źródłaHolowczenko, Amy L. "Framing the culture wars : a content analysis of news media coverage of the Mapplethorpe and Brooklyn Museum art controversies /". Online version of thesis, 2007. http://hdl.handle.net/1850/4890.
Pełny tekst źródłaBotma, Gabriel Johannes. "Manufacturing cultural capital : arts journalism at Die Burger (1990-1999)". Thesis, Stellenbosch : Stellenbosch University, 2011. http://hdl.handle.net/10019.1/18065.
Pełny tekst źródłaENGLISH ABSTRACT: This study examines the discursive role and positioning of arts journalism at Die Burger during a period of radical transformation in South African society. The study is conducted within a critical-cultural paradigm. Arts journalists are considered to be manufacturers of cultural capital, a term devised by Pierre Bourdieu as part of his comprehensive field theory framework. While Bourdieu uses cultural capital in the main to describe the role of education and culture in the maintenance of elite power hierarchies, this study investigates how the nature of cultural capital at Die Burger was affected by power shifts when competing elites jostled for dominance in a post-apartheid dispensation. By drawing on Michel Foucault’s theory of discourse, the focus of research further incorporates the discursive positioning of arts journalists in their coverage of arts and cultural events in the 1990s in relation to shifting configurations of power. The argument is that arts journalism at Die Burger can be situated within networks of power and thus contributed to the structuring of post-apartheid society. In the words of Antonio Gramsci, arts journalists became involved in hegemonic and counter-hegemonic struggles. Flowing from these theoretical departure points, the study identifies critical discourse analysis (CDA) as an appropriate research method for textual analysis and adapts a five-phase model suggested by Teun van Dijk as part of his contextual CDA approach. The analysis thus focuses in turn on the context of discourse, discursive struggles between arts journalists and political journalists, strategies of classification used by arts journalists, emerging themes of discourse in arts journalism, and how the selection and presentation of arts journalism on news and arts pages were influenced by various factors, including the personal background and experiences of arts journalists (The concept of Bourdieu’s “habitus”). To affect triangulation and enhance the textual analysis, the study also employs semi-structured indepth interviews with arts journalists who were prominent at Die Burger in the 1990s. The study found that arts journalists were at the intersection of different and often diverging and contradictory power-points in post-apartheid discourses at the newspaper. On the one hand, some arts journalists embraced a legacy of editorial independence at the arts desk and sometimes created oppositional discourses to the official political view of the newspaper: for instance on the issue of alleged “collective guilt” for Afrikaners and whether Naspers should appear before the Truth and Reconciliation Commission (TRC) to explain its role in supporting the National Party (NP) during apartheid. On the other hand, many arts journalists shared the editor’s apparent aversion to the international cultural boycott supported by the ANC and harboured some of the same skepticism about the so-called Africanisation of society and resultant attacks on Eurocentrism in the arts. This study -- the first on this level to focus on Afrikaans arts journalism since 1994 -- represents a significant contribution to knowledge in the under-researched field of arts journalism in South Africa. Its purpose and process has furthermore developed theoretical and methodological innovations which can enrich the field of journalism studies.
AFRIKAANSE OPSOMMING: Die studie -- vanuit 'n kritiese kulturele paradigma -- ondersoek die diskursiewe posisionering en rol van kunsjoernalistiek by Die Burger gedurende 'n periode van radikale transformasie in die Suid-Afrikaanse samelewing. Kunsjoernaliste word beskryf as vervaardigers van kulturele kapitaal, soos gekonsepsualiseer deur Pierre Bourdieu in sy omvattende raamwerk van veldteorie. Terwyl Bourdieu die term kulturele kapitaal hoofsaaklik gebruik om die rol van opvoeding en kultuur in die behoud van hierargieë van elite-mag te beskryf, ondersoek hierdie studie hoe die aard van kulturele kapitaal by Die Burger beïnvloed is deur magsverskuiwings waarin mededingende post-apartheid elite-groepe mekaar die stryd aangesê het. Deur gebruik te maak van Michel Foucault se teorie van diskoers, val die fokus van navorsing dus op die diskursiewe posisionering van kunsjoernaliste in hul dekking van kuns-en-kultuurgebeure in the 1990’s. Die argument is dat kunsjoernalistiek by Die Burger binne magsnetwerke geplaas kan word en bygedra het tot die strukturering van die post-apartheid samelewing. In Antonio Gramsci se terme het kunsjoernaliste dus betrokke geraak in die stryd om hegemonie te skep en teen te werk. Uitvloeiend uit hierdie teoretiese vertrekpunte word kritiese diskoersanalise (KDA) as navorsingsmetode vir die ontleding van joernalistieke tekste geïdentifiseer. Daarvolgens word 'n model met vyf stappe, voorgestel deur Teun van Dijk as deel van sy KDA-benadering, aangepas vir gebruik. Die analise fokus dus om die beurt op die konteks van diskoers, die diskursiewe stryd tussen kunsjoernaliste en politieke joernaliste, strategieë van klassifikasie wat kunsjoernaliste gebruik het, temas van diskoers wat aan die lig gekom het in kunsjoernalistiek, en hoe die seleksie en aanbieding van kuns-en-kultuur-nuus deur verskillende faktore beïnvloed is, insluitend deur die persoonlike agtergrond en ondervinding van kunsjoernaliste (“habitus” in Bourdieu se teorie). Om triangulasie te bewerkstelling en die teks-analise te ondersteun, is semi-gestruktureerde in-diepte onderhoude met prominente kunsjoernaliste aangelê. Die studie het vasgestel dat kunsjoernaliste in post-apartheid diskoerse in die koerant hulself op 'n kruispunt van verskillende, soms uiteenlopende en selfs opponerende strominge van mag bevind het. Aan die een kant het sommige kunsjoernaliste 'n tradisie van redaksionele onafhanklikheid omarm en soms opposisionele politieke diskoerse in vergelyking met die amptelike beleid van die koerant geskep, byvoorbeeld oor die kwessie van beweerde “kollektiewe skuld” vir Afrikaners en of Naspers voor die Waarheid-en- Versoeniningskommissie (WVK) moes verskyn om sy rol as ondersteuner van die Nasionale Party (NP) gedurende apartheid te verduidelik. Maar aan die ander kant het talle kunsjoernaliste die redakteur se klaarblyklike afkeer gedeel aan die internasionale kultuurboikot wat deur die ANC ondersteun is. Kunsjoernaliste was ook skepties oor die sogenaamde Afrikanisering van die samelewing en gevolglike aanvalle op Eurosentriese kuns. Ten slotte maak hierdie studie -- die eerste op hierdie vlak oor Afrikaanse kunsjoernalistiek sedert 1994 -- 'n belangrike bydrae tot die yl kennisveld van kunsjoernalistiek in Suid-Afrika. In die proses het die studie ook teoretiese en metodologiese innovasies aangebring wat die veld van joernalistiek-studies kan verryk.
Marley, K. "The art of fact : an exploration of the relationship between theory and practice in documentary filmmaking". Thesis, Liverpool John Moores University, 2017. http://researchonline.ljmu.ac.uk/7607/.
Pełny tekst źródłaMessitt, Margaret. "Art(i)fact: An Atlas of My Search". Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1510932927475633.
Pełny tekst źródłaKsiążki na temat "Journalism in art"
Willis, Jim. Journalism: State of the art. New York: Praeger, 1990.
Znajdź pełny tekst źródłaWillis, William James. Journalism: State of the art. New York: Praeger, 1990.
Znajdź pełny tekst źródłaBarnhurst, Kevin G. News as art. Columbia, SC: Association for Education in Journalism and Mass Communication, 1991.
Znajdź pełny tekst źródłaBarnhurst, Kevin G. News as art. Columbia, SC: Association for Education in Journalism and Mass Communication, 1991.
Znajdź pełny tekst źródłaUsen, Anietie. Audacious journalism: The art, style & depth. Lagos, Nigeria: Parrésia Publishers, 2018.
Znajdź pełny tekst źródłaAndré, Fontaine. The art of writing nonfiction. Wyd. 2. Syracuse, NY: Syracuse University Press, 1987.
Znajdź pełny tekst źródłaMitford, Jessica. Poison penmanship: The gentle art of muckraking. New York: New York Review Books, 2010.
Znajdź pełny tekst źródłaMitford, Jessica. Poison penmanship: The gentle art of muckraking. New York: New York Review Books, 2010.
Znajdź pełny tekst źródłaDov, Shinar, i Kempf Wilhelm F, red. Peace journalism: The state of the art. Berlin: Verlag Irena Regener, 2007.
Znajdź pełny tekst źródłaBerry, Stephen J. Watchdog journalism: The art of investigative writing. Oxford: Oxford University Press, 2009.
Znajdź pełny tekst źródłaCzęści książek na temat "Journalism in art"
Nash, Chris. "Art and Journalism". W What is Journalism?, 203–24. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-39934-2_7.
Pełny tekst źródłaHill, Steve, i Paul Bradshaw. "The art of storytelling". W Mobile-First Journalism, 90–112. London ; New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267210-6.
Pełny tekst źródłaAllen, Gretchen. "Yellow Journalism". W Studies in Art, Heritage, Law and the Market, 215–28. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14084-6_13.
Pełny tekst źródłaSteen, Rob, i Huw Richards. "The art of sportswriting". W Routledge Handbook of Sports Journalism, 33–40. First. | Abdingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Routledge international handbooks: Routledge, 2020. http://dx.doi.org/10.4324/9781315616704-3.
Pełny tekst źródłaBregman, Alexandra. "A History of Art Business Journalism". W The Routledge Companion to Business Journalism, 160–72. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003298977-17.
Pełny tekst źródłaUnderwood, Doug. "Hemingway as Seeker of the “Real Thing” and the Epistemology of Art". W The Undeclared War between Journalism and Fiction, 123–52. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137353481_4.
Pełny tekst źródłaShort, Beth Ann, i Corinna M. Costello. "Art Journaling". W Healing from Clinical Trauma Using Creative Mindfulness Techniques, 47–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003036777-4.
Pełny tekst źródłaDomingos, Ana Cláudia Munari, i José Arlei Rodrigues Cardoso. "Media Representation and Transmediation: Indexicality in Journalism Comics and Biography Comics". W Beyond Media Borders, Volume 2, 79–115. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49683-8_4.
Pełny tekst źródłaKrupp, Katherine. "Journalism Meets Art". W Covering the Courts, 71–76. Routledge, 2017. http://dx.doi.org/10.4324/9780203794524-14.
Pełny tekst źródła"The art of reviewing". W Print Journalism, 195–204. Routledge, 2005. http://dx.doi.org/10.4324/9780203006764-23.
Pełny tekst źródłaStreszczenia konferencji na temat "Journalism in art"
Syamsiyah, Sri, Sri Hastjarjo, Widodo Muktiyo i Pawito. "Art on Paper, How Journalist Covers Art Creativity (Technology Impact on Journalism Culture in Culture Journalism)". W Proceedings of the 3rd International Conference on Creative Media, Design and Technology (REKA 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/reka-18.2018.38.
Pełny tekst źródłaFilimonova, N. Iu. "Women's theme in early journalism and art Nikolay Leskov". W ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2018. http://dx.doi.org/10.18411/lj-11-2018-108.
Pełny tekst źródłaWang, Meiqin. "Documentary Activism and “Art as Journalism” in a Chinese Urban Village". W The Twelfth International Convention of Asia Scholars (ICAS 12). Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789048557820/icas.2022.086.
Pełny tekst źródłaIskhakov, R. L. "Passionate journalism. On the question of the determination of the evolution of printing peoples of Russia". W Scientific trends: Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-06-2020-02.
Pełny tekst źródłaLiu, Jiaying. "Analysis on the Role of Convergent Journalism in Media Community and Press Circles". W proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.387.
Pełny tekst źródłaKazan, Hüseyin. "Medical Journalism in Women’s Magazine: The Case of Cosmopolitan". W COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.036.
Pełny tekst źródłaLiu, Pei, i Qi Wang. "Data Visualization Design of Sports Journalism Based on Narrative Perspective A Case Study: Sigma Awards (2020-2021)". W Proceedings of the International Conference on Art Design and Digital Technology, ADDT 2022, 16-18 September 2022, Nanjing, China. EAI, 2022. http://dx.doi.org/10.4108/eai.16-9-2022.2324886.
Pełny tekst źródłaSafronova, Anna. "FEATURES OF THE VISUAL LANGUAGE OF DOCUMENTARY PHOTOGRAPHY IN UKRAINIAN PHOTO BOOKS DEDICATED TO REVOLUTIONARY EVENTS IN UKRAINE". W 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.09.
Pełny tekst źródłaMoosbrugger, Robert, i Dimitri Prandner. "Who is even studying journalism to become a journalist?" W Fourth International Conference on Higher Education Advances. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.8047.
Pełny tekst źródłaPopova, Maria. "The Alternative Media on The Internet – Forming a New Professional Perspective". W COMMUNICATION AND MEDIA OF THE 21ST CENTURY: EDUCATIONAL AND PROFESSIONAL CHALLENGES. Faculty of Journalism and Mass Communication, 2023. http://dx.doi.org/10.60060/vkyx1715.
Pełny tekst źródłaRaporty organizacyjne na temat "Journalism in art"
Kost’, Stepan. THE CONCEPT OF CREATIVITY IN JOURNALISM. Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11092.
Pełny tekst źródłaViytovych, Tetyana. FROM DATA TO NARRATIVES: THE ART OF STORYTELLING IN ECONOMIC JOURNALISM. Ivan Franko National University of Lviv, marzec 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12160.
Pełny tekst źródłaLos, Josyp. Панорама сенсів: аргументи авторитетів світоглядної публіцистики. Ivan Franko National University of Lviv, marzec 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11731.
Pełny tekst źródłaRudyk, Myroslava. BLOGGING PLATFORMS AS ARENAS FOR THE MEDIA ACTIVITIES OF CITIZEN JOURNALISTS. Ivan Franko National University of Lviv, marzec 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12164.
Pełny tekst źródłaZhytaryuk, Maryan. UKRAINIAN JOURNALISM IN GREAT BRITAIN. Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11115.
Pełny tekst źródłaYatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.
Pełny tekst źródłaMarkiv, Mykola. LEGAL FOUNDATIONS FOR THE DEVELOPMENT AND PROTECTION OF THE RIGHTS OF FOREIGN AND UKRAINIAN JOURNALISTS IN UKRAINE DURING FULL SCALE RUSSIAN AGGRESSION. Ivan Franko National University of Lviv, marzec 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12149.
Pełny tekst źródłaHalych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.
Pełny tekst źródłaTymoshyk, Mykola. Кадри тоталітарної журналістики для преси західноукраїнських областей. 40-50-ті роки хх ст. (На архівних матеріалах крайової газети «Радянська Буковина»). Ivan Franko National University of Lviv, marzec 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11721.
Pełny tekst źródłaKapelyushnyi, Anatolyi. TRANSFORMATION OF FORMS OF DEGREES OF COMPARISON OF ADJECTIVES IN LIVE TELEVISION BROADCASTING. Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11105.
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