Rozprawy doktorskie: „Jewish dance in literature”

1

Burrelli, Robert J. "Dance and related expressions of worship". Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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Shere, Jeremy. "Jewish American canons assimilation, identity, and the invention of postwar Jewish American literature /". [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3204536.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2006.
Source: Dissertation Abstracts International, Volume: 67-01, Section: A, page: 0188. Adviser: Alvin Rosenfeld. "Title from dissertation home page (viewed Dec. 11, 2006)."

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3

Bellantuono, Antonella. "Divine epithets in Jewish-Hellenistic literature". Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAK006.

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Cette thèse se propose d’examiner en profondeur un thème négligé jusqu'ici dans le domaine de l’histoire des religions et de l’exégèse biblique: la manière dont les juifs hellénisés ont utilisé des concepts grecs pour parler de Dieu. Les textes de la littérature de la diaspora juive de langue grecque présentent la figure de YHWH enrichie par des concepts grecs qui étaient étrangers aux écrits bibliques rédigés en langue hébraïque. Il s’agit surtout des vertus suivantes: φιλανθρωπία “humanité́”, εὐεργεσία “faire du bien”, ἐπιείκεια “clémence” et χρηστότης “bonté”. Ces attributs sont nouveaux et s’ajoutent à ceux qui sont propres à la Bible hébraïque. Plutôt que de maintenir les anciennes dénominations ou caractérisations, les traducteurs et les écrivains juifs de langue grecque ont préféré emprunter à la culture grecque contemporaine des termes utilisés avant tout dans les domaines philosophiques, littéraires ou historiques
This thesis aims to examine in depth a theme that has hitherto been neglected in the field of history of religions and biblical exegesis: the way in which Hellenized Jews used Greek concepts to speak of God. The texts of the Greek-speaking Jewish diaspora literature present the figure of YHWH enriched by Greek concepts that were foreign to the biblical writings written in Hebrew. These are mainly the following virtues: φιλανθρωπία “humanity”, εὐεργεσία “benevolence”, ἐπιείκεια “clemence” and χρηστότης “kindness”. These attributes are new and are in addition to those specific to the Hebrew Bible. Rather than maintaining old denominations or characterizations, Greek-speaking Jewish translators and writers have preferred to borrow from contemporary Greek culture terms used primarily in the philosophical, literary or historical fields

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Tatonetti, Lisa Marie. "From Ghost Dance to Grass Dance : performance and postindian resistance in American Indian Literature /". The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392799368.

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Stern, Sacha David. "Jewish identity in early rabbinic writings". Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334821.

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Aviv, Aviva. "Ahad Ha-Am's concept of Jewish nationalism". Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359620.

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Gordon, Alex. "Zwischenmensch : contradiction, postmodernity and American-Jewish identity". Thesis, University of East Anglia, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246952.

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Costello, James Patrick. "A journey inside the writer's mind: a Jewish poet's perspective". Thesis, Boston University, 1998. https://hdl.handle.net/2144/27626.

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Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02

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9

Plapp, Laurel A. "The Orient in Europe : Zionism and revolution in European-Jewish literature /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3170245.

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Dell, Katharine J. "The book of Job as sceptical literature". Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303538.

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Niehoff, Maren. "The figure of Joseph in post-biblical Jewish literature". Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305003.

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Henderson, John Casey. "The Christology of Hebrews in relation to Jewish literature". Thesis, University of Edinburgh, 1995. http://hdl.handle.net/1842/30266.

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The central issue of the thesis concerns the basic christological problem in the Epistle to the Hebrews, namely, the relation between the pre-existent language and the appointment language as they are applied to the Son. The Epistle is distinctive because it contains one of the highest (if not the highest) and one of the lowest (if not the lowest) christologies in the NT. On the one hand, the author speaks of the Son's humanity in some of the most graphic terms in the NT, while on the other hand, he also speaks implicitly and explicitly of the Son as being equal with God, thus reflecting, at least, a binitarian view of the Godhead. The Son is pictured as being not only appointed Son, but also as the pre-existent Son. The questions that I address are: (a) Was the Son always Son or did he become Son? (b) If he was always Son, how could be appointed Son? I review critically the various solutions offered to explain this apparent dichotomy, such as the adoptionist, kenotic, contradictionist, Arian and orthodox solutions. The orthodox solution seems to stand closest to the christology of Hebrews. The purpose is to present that solution in a revised, clearer and a more convincing manner. A secondary objective is to affirm the Jewishness of this Epistle to the Hebrews, its author and its addresses. This is achieved, on the one hand, by demonstrating that the letter is much more a pastoral and theological letter than a polemical treatise against Judaism, and on the other hand, by highlighting how Jewish the methodology, the phraseology, the titles, the ideas and concepts are which the author employs. The Jewishness of the Epistle makes the central issue of this thesis, namely, the divinity of the Son, more difficult for modern scholarship.

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Niehoff, Maren R. "The figure of Joseph in post-Biblical Jewish literature /". Leiden ; New York ; Köln : E. J. Brill, 1992. http://catalogue.bnf.fr/ark:/12148/cb356941099.

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Beukel, Karlien Marjanka van den. "The dance topos in modernist literature, 1890-1930". Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407440.

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Winchester, Rachel. "Dance as Literary Criticism: Literary Analysis and Dramaturgy in a Dance Theatre Choreographic Process". Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18356.

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In my research into interdisciplinary choreographic processes, I found there to be a lacking representation of recent scholarship dedicated to exploring the relationship between literature and dance. As a dance theatre choreographer who often utilizes textual sources as impetuses for artistic creation, I have employed methods of traditional dramaturgy in my practice and, in seeking scholarship on this subject, have noted a need for clear examples of dance dramaturgy in practice. In this thesis study, I employed methods from literary studies and dramaturgy in the process of adapting a work of short fiction by Kurt Vonnegut for the stage. I documented my process and have structured the information for the benefit of those who may read it. The artistic product of this research was presented to an audience in direct relation to its literary source. At the conclusion of this research, I posit that dance can function as literary criticism.

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Matitiani, Malcolm Salwyn. "The rabbinic attitude to intermarriage as reflected in Midrashic literature". Master's thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/3558.

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Avery, Vanessa Jane. "Jewish vaccines against mimetic desire : Rene Girard and Jewish ritual". Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14604.

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In 1972, with the publication of Violence and the Sacred, René Girard makes the stunning assertion that violence is the foundation of culture. Humanity’s innate urges for competition and rivalry entrap us in cycles of violence, which left alone would find no resolution. Girard calls the cause of this rivalry “mimetic desire”, and the only way out of this deeply embedded vengeance is to create a scapegoat to take the blame, reconciling the conflicting parties. Girard asserts that the biblical texts uniquely reveal the mechanisms of mimetic rivalry and scapegoating, and even demystify sacrificial rituals as nothing more than sacrilized “good” violence to keep a fragile peace. This revelation, according to Girard, can finally allow us to remove violence from the sacred. Much scholarship has been devoted to Girard’s theory, in particular how it offers a viable alternative to the still-dominant sacrificial theology of the cross. But there is little scholarship on the connection between Girard and Judaism; and Girard’s own work leaves us with a picture of Judaism that is at best incomplete, and at worst unable to find an answer to disturbing violence permeating the scriptures. This dissertation brings the Hebrew Bible into dialogue with Girard’s ideas in a systematic fashion to assert, contra Girard, that the Jewish revelation is a full, effective and even practical expression of his theory. After an overview of Girard’s work in the first chapter, the dissertation examines three Jewish “vaccines” to the mimetic disease as follows: the Birkhat ha-Banim (“The Blessing of the Children”); the reading of the Book of Esther on Purim; and the reading of Jonah on Yom Kippur. The conclusion to the dissertation asserts, drawing on these three demonstrations, the following points: 1) Rene Girard gives an important and clarifying lens to aid us in finding a new way to talk about, understand, and unify Jewish scripture and ritual; 2) a Jewish perspective can help flesh out what a different “revelation” of Girard’s mimetic desire looks like—even providing prescriptions to curtail this desire; and 3) positive mimesis is possible, and there are Hebrew examples of it free of originary violence. The final chapter addresses certain challenges in reconciling Girard with Judaism, moving toward a sincere Jewish Girardianism that will harmonize with the central views of the tradition.

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Roughton, Chandra L. "Dancing in the borderlands dance and dance metaphors in Esmeralda Santiago's The Turkish lover /". View electronic thesis (PDF), 2009. http://dl.uncw.edu/etd/2009-3/roughtonc/chandraroughton.pdf.

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Sol, Adam Howard. "BALANCING ACTS: THE RE-INVENTION OF ETHNICITY IN JEWISH AMERICAN FICTION BEFORE 1930". University of Cincinnati / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ucin973712137.

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Manini, Emy. "Pseudomemoirs : the enunciation of Jewish female identity in autobiographical narrative from Mexico and Argentina /". Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/8291.

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Kensky, Eitan Lev. "Facing the Limits of Fiction: Self-Consciousness in Jewish American Literature". Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10716.

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This thesis explores the limits of fictional language by studying the work of Jewish American writer-critics, novelists who significantly engaged with literary criticism, and critics who experimented with the novel or short fiction. These writer-critics all believed in Literature: they believed that literature could effect social change and educate the masses; or they believed in literature as an art-form, one that exposed the myths underlying American society, or that revealed something fundamental about the human condition. Yet it is because they believed so stridently in the concept of Literature that they turned to non-fiction. Writing fiction exposed problems that Literature could not resolve. They describe being haunted by “preoccupations” that they could not exhaust in fiction alone. They apologetically refer to their critical texts as “by-products” of their creative writing. Writer-critics were forced to decide what the limits of fiction were, and they adopted other types of writing to supplement these unexpected gaps in fiction's power. This dissertation contains four chapters and an introduction. The introduction establishes the methodological difficulties in writing about author-critics, and introduces a set of principles to guide the study. Chapter 1 approaches Abraham Cahan's The Rise of David Levinsky (1917). I argue that many of the novel's difficulties result from Cahan's desire to present the way that ideology shades our understanding of reality while minimizing direct narratorial intrusions. Chapter 2 studies how politics affected the work of Mike Gold, Moishe Nadir, and Isaac Bashevis Singer. In all three writers, literature emerges as a kind of ersatz-politics, a space for the dispossessed to imagine the political. In the end, the political novel only reinforces the fictionality. Chapter 3 is a study of Leslie Fiedler's problematic novel, The Second Stone. While critics have seen the novel as a kind of game, I propose reading the novel as an earnest expression of Fiedler's vision of literature as a conversation. Chapter 4 turns to Cynthia Ozick and Susan Sontag. A cumulative reading of their fiction and criticism shows the deep twinning of their fiction and critical thought. For both writers true knowledge comes only through the imagination.
Near Eastern Languages and Civilizations

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Middlekoop, Roeland. "The genre of suffering in the ancient Near Eastern literature, the Hebrew Bible, and in some examples of modern literature". Master's thesis, Faculty of Humanities, 2004. http://hdl.handle.net/11427/31451.

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The aim of this thesis is to compare works of drama regarding the suffering of the human being in the context of life and literature and in relation to the issue of justice, which revolves around the impact of Justice, Humanity and God. My aim is to look at the development of the genre of suffering starting with the Ancient Near Eastern Literature, to define the genre in its development and to characterise its features in the various literatures discussed, especially with respect to the Book of Job.

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Tooke, C. J. "The representation of Jewish women in pre-revolutionary Russian literature". Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1353702/.

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This thesis analyses the representation of Jewish women in pre-revolutionary Russian literature, focusing on the period 1881–1907. It argues that Jewish women, far from universally marginalized, played a central role in works by a number of Russian writers, embodying and challenging not only stereotypes but also a variety of ideological viewpoints on key socio-political questions in late tsarist Russia. The ambiguous identity of Jewish women, portrayed as outsiders and yet also often as to some degree amenable, rendered them ideal figures through which to explore and test national and gender identities, and tolerance, in the Russian Empire. The thesis is divided into four chapters. Chapter One considers how two major Russian writers, Chekhov and Kuprin, both reproduce and problematize stereotypes relating to Jewish women and Jews as a whole in their construction of the ‘Jewish feminine’. Chapter Two reveals how two writers from opposite ends of the political spectrum, the conservative antisemite Vsevolod Krestovskii and the liberal progressive Evgenii Chirikov, use narratives of Jewish female assimilation into Russian society to condemn the social and political status quo. Chapter Three examines the representation of the ‘demonic’ Jewess in novels concerning an alleged Jewish plot for world domination by two antisemitic writers, Nikolai Vagner and Vera Kryzhanovskaia. Chapter Four analyses the depiction of revolutionary Jewish women in works by two Russian-Jewish writers, David Aizman and Semen An-skii. Whether they portray Jewish women as striving for a just society or for its downfall, the texts use the figure of the Jewess to criticize late tsarist society. Indeed, this thesis concludes that the works, despite the prominence within them of Jewish women, are often less concerned with Jews and Jewesses as such than with the socio-political debates to which they contribute, particularly the question of Russian national identity and character.

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Curtis, Lauren. "On with the Dance! Imagining the Chorus in Augustan Poetry". Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10991.

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This dissertation investigates how Augustan poetry imagines, redefines and reconfigures the idea of the chorus. It argues that the chorus, a quintessential marker of Greek culture, was translated and transformed into a peculiarly Roman phenomenon whereby poets invented their relationship with an imagined past and implicated it in the present. Augustan poets, I suggest, created a sustained and intensely intertextual choral poetics that played into contemporary poetic debates about the power of writing versus song and the complexity of responding to performance culture through multiple layers of written tradition. Focusing in particular on Virgil’s Aeneid, Propertius’ Elegies and Horace’s Odes, the dissertation uses a series of case studies to trace the role played by scenes of embedded choral song and dance in Augustan poetics. The scene is set by comparing how a range of texts respond differently to a single fundamental aspect of Greek choral culture—the figure of the chorus leader—and by establishing Catullus as an important predecessor to Augustan choral discourse. The dissertation then turns to explore how choral language and imagery become involved in some of the central issues of Augustan poetry: Latin love poetry’s construction of female desirability and male anxiety, the creation of poetic authority in Augustan lyric and elegy, and the search for the origins of Roman ritual in Virgil’s Aeneid. Finally, these embedded scenes are juxtaposed with Horace’s Carmen Saeculare, a text composed, remarkably, for choral performance on the Roman civic stage, which is shown to activate the choral metaphor that had been created by the Latin literary imagination. By demonstrating Augustan poetry’s engagement with this aspect of Greek performance culture, the study sheds new light on the relationship between Greek and Roman poetry, shifting the focus from the reinvention of Greek genres and the study of particular sites of allusion towards an understanding of the complex dynamics of reception and reconfiguration at work in these poets’ reappropriation of both a literary and cultural idea.
The Classics

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25

Woods, Pamela G. "Site as source and resource for sounding dance improvisation". Thesis, University of Exeter, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288376.

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Hoffeditz, David M. "A Prophet, a Kingdom, and a Messiah : the portrayal of Elijah in the Gospels in light of first-century Judaism". Thesis, University of Aberdeen, 2000. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU122576.

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This thesis explores how and why the Gospel writers utilized the prophet Elijah. The result of this research provides a better understanding of how the early Church related to the Old Testament and Jewish thought in the first century CE. Treatment of this OT character also illuminates the Gospels' literary structure and theology, especially in the areas of christology and eschatology. The study begins by observing the use of Elijah in Jewish literature, demonstrating the influence of the historical accounts from 1 and 2 Kings and the future prediction of Malachi upon later Jewish and Christian thinking. In contrast to previous Elijanic studies, this investigation is exhaustive, addressing all aspects surrounding this figure. Consequently, the work identifies three common associations with Elijah - a miracle worker, a righteous and zealous individual, and an eschatological figure. In order to address the highly debated messianic forerunner motif, concentration is given to the third role, demonstrating that it is a pre-Christian notion. The thesis then observes how the individual Gospels show some distinctions in the various Elijanic roles depicted; yet, among the distinctions there is overall conformity. Even the Fourth Gospel's recounting of John the Baptist's denial does not imply a contradiction concerning how the writer understands the expected Elijanic figure. In conclusion, each of the Gospel writers portrays John the Baptist, not Jesus, as the eschatological Elijah of Malachi. Furthermore, the research reveals that despite the Gospel writers neglect of Elijah's miracles and the downplaying, if not denial, of a literal expectation, the Evangelists do resemble their Jewish contemporaries in presenting Elijah as an eschatological figure who indicates the coming of the Messiah and his kingdom.

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Mufti, Aamir Rashid. "Enlightenment in the colony the Jewish question and dilemmas in postcolonial modernity /". Full text available online (restricted access), 1998. http://images.lib.monash.edu.au/ts/theses/Mufti.pdf.

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Kaschl, Elke. "Dance and authenticity in Israel and Palestine : performing the nation /". Leiden : Brill, 2003. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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Kleeman, Emily H. "The Marauder’s Son: An Exploration of the Classical Story Ballet and Children’s Literature". Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/pitzer_theses/65.

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The Harry Potter series by J.K. Rowling was, for many Millennials, a defining literary and media experience. The popularity of the series has spawned many fan-made parodies. Meanwhile, in recent years, the classical Petipa story ballet style has begun to give way to more modern structures of choreography. The Marauder’s Son, the culmination of a yearlong choreographic endeavor, is a story ballet that strives to introduce new audiences to classical dance through the use of the first book in the Harry Potter series, Harry Potter and the Sorcerer’s Stone. The full production is available for viewing in the Scripps College Dance Department and on YouTube.

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30

Robinson, Sarah. "The Origins of Jewish Apocalyptic Literature: Prophecy, Babylon, and 1 Enoch". [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/fcla/etd/SFE0001120.

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Lawson, Robert. "Role reversal and passing in postwar German and Austrian Jewish literature". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2002. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ65678.pdf.

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Buenaflor, Judith L. "Ursula Brangwen the lady of the dance /". Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1998. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 1998.
Source: Masters Abstracts International, Volume: 45-06, page: 2842. Typescript. Abstract precedes thesis as preliminary leaves [1]-2. Includes bibliographical references (leaves 80-84).

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Bacon, Jane M. "Unveiling the dance : Arabic dancing in an urban English landscape". Thesis, University of Surrey, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274189.

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McCleave, S. Y. "Dance in Handel's Italian Operas: the collaboration with Marie Salle". Thesis, King's College London (University of London), 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268244.

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Anderson, Daniel Paul Jr. "The Ivory Shtetl: The University and the Postwar Jewish Imagination". Case Western Reserve University School of Graduate Studies / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=case1333727480.

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Mosley, Marcus. "Jewish autobiography in Eastern Europe : the pre-history of a literary genre". Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306789.

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Cheyette, Bryan. "An overwhelming question : Jewish stereotyping in English fiction and society, 1875-1914". Thesis, University of Sheffield, 1986. http://etheses.whiterose.ac.uk/2948/.

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This thesis sets out to examine the nature of modern Jewish stereotyping in English society with reference to a wide range of English fiction which, for the most part, has been previously undocumented in these terms. Instead of a purely literary analysis of the fictional Jewish stereotype, this thesis places the Jewish stereotype in a specific ideological and historical context which is then related to a given writer-or group of writers—and their fiction. Two chapters, moreover, demonstrate the material results of Jewish stereotyping in English society with reference to the internalisation and institutionalisation of Jewish stereotyping by British Jewry and the AngloJewish novel. The variety and impact of Jewish stereotyping is shown to encompass the ideologies of liberalism, social Darwinism, Imperialism, antisemitism, proto-Zionism, Socialism and mainstream versions of sexuality. The concluding chapter relates the modern Jewish stereotype, which was formed after the 1870s, to a more general ahistorical mythic view of the Jew. In particular, this chapter refers to the links between modern Jewish stereotyping and the traditional Christian view of the Jew. With reference to a wide range of writers, more general questions are raised in this chapter concerning the continuity of Jewish stereotyping and the choice of a given stereotype by a particular social or literary group.

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38

Lawson, Peter Jonathan. "Otherness and affiliation : Anglo-Jewish poetry from Isaac Rosenberg to Elaine Feinstein". Thesis, University of Southampton, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268844.

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Wilkinson, Marcy. "Movements of transformation and resistance reading dance in Shakespeare /". Laramie, Wyo. : University of Wyoming, 2008. http://proquest.umi.com/pqdweb?did=1663116651&sid=4&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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Hudler, Melissa Lynne. "The rhetoric of stasis, gesture and dance in Renaissance literature". Thesis, Anglia Ruskin University, 2014. http://arro.anglia.ac.uk/550333/.

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Focusing attention on a neglected aspect of Renaissance scholarship, this study aims to illuminate the rhetorical role of the body in Renaissance literature by exploring the rhetorical nature of three forms of corporeality: stasis, gesture, and dance. Generally speaking, rhetoric of the body is not lacking in early modern scholarship. However, consideration of the literary body as a rhetorical entity that not only articulates but also creates meaning is indeed a neglected area. The body-as-text paradigm that grounds performance studies provides for a unique and nuanced approach to literary text analysis. The methodology employed in this thesis combines a historical and text-based approach, with substantial attention given to classical rhetoric because of its awareness of the rhetorical capacity of the body. The rhetoric of stasis is explored in Sir John Davies’ poem Orchestra and in three works by Shakespeare: The Winter’s Tale, The Rape of Lucrece, and Coriolanus. In this chapter, trauma is presented as a framing mechanism for the characters’ static presence. Gesture and its rhetorical quality are studied through distinctive analyses of Shakespeare’s The Winter’s Tale, The Rape of Lucrece, and Titus Andronicus. An analysis of Ben Jonson’s Epicoene provides a comic close to this study of gesture. This chapter also has as its framework the concept of trauma, presenting it as either a cause for or effect of gesture. Finally, the rhetoric of dance is examined in further analyses of Orchestra and The Winter’s Tale and also in Ben Jonson’s Pleasure Reconciled to Virtue. The literary approach to the rhetorical study of stasis, gesture, and dance taken in this study includes its dramaturgical and compositional functions, providing for a new lens through which to view instances of corporeality in Renaissance literature. This project attends to the early modern awareness and understanding of the rhetorical capacity and force of the body, and does so in a way that allows the speaking body to be examined within original contexts, thus bridging literary and performance analysis.

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41

Llagas, Carlos Manuel Maria A. "Resurrection before Christ an exegesis of Old Testament and intertestamental literature /". Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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Ballardini, Anny. "Ghost Dance in 31 Movements". ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/826.

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A kind of poetry that tries to understand contemporary social and philosophical issues as much as behaviors by rewriting in a poetic language the video artwork of some of the main representatives of modernism and postmodernism. Such poetry is deprived of confessional hues, any personal reference has to be ascribed to a mirroring effect by which the single person empathically absorbs and projects what is conveyed, be it stemming directly from the historical time of the artwork's making and inherited, or alive at the time of its actual viewing. By following a restructuring process started at the beginning of the twentieth century, the writing analyzes possible ways to outline developments or to underline breaking points. Poetry is seen as an active medium within the formation of societies characterized as it is by its highly introspective power, not restricted to the individual but open to all beings perceived as members of one entity.

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Martin, Michael John Harris Charles B. Goldfarb Alvin. "Struggling with the language of night the development and application of a postmodern lens for the teaching, reading, and interpretation of Holocaust literature /". Normal, Ill. Illinois State University, 2002. http://wwwlib.umi.com/cr/ilstu/fullcit?p3064519.

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Thesis (Ph. D.)--Illinois State University, 2002.
Title from title page screen, viewed February 23, 2006. Dissertation Committee: Charles B. Harris, Alvin Goldfarb (co-chairs), Rebecca Saunders, Roberta Seelinger Trites. Includes bibliographical references (leaves 294-304) and abstract. Also available in print.

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Evelyn, Mary. "A framework for the studio teaching of professional contemporary dance students". Thesis, University of Kent, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298102.

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Claid, Emilyn. "Yes, no, maybe : the practice of illusion in dance theatre peformance". Thesis, University of Surrey, 1998. http://epubs.surrey.ac.uk/945/.

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Moore, Omer. "The ideology of the Jewish National Movement in Hebrew children's literature, 1899-1948". Thesis, University of Cambridge, 1991. https://www.repository.cam.ac.uk/handle/1810/251514.

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Mudhi, Miklif Hamad. "The origin and development of the Iraqi-Jewish short story from 1922-1972". Thesis, University of Exeter, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303312.

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Caldwell, Rachel. "Autobiography in movement and prose| The self-made image". Thesis, Mills College, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1557458.

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Autobiographies have been written by notable 20^th Century choreographers, establishing a strong connection between autobiographical writing and the art of choreographing. The autobiographical process, specifically the act of self-reflection, lends itself to the formation of a self-image, which is evident in both the choreographers' writing and their choreography. Because of similar processes in choreography and autobiographical writing, choreographers are inclined towards the autobiographical act, as it is an invaluable tool for self-discovery and expression. Through this process, choreographers have been able to formulate and perpetuate lasting images of themselves, supported by both their choreographic work, and their written autobiographies. Examples of this can be seen in the works of 20^th Century modern dance choreographers: Isadora Duncan, Martha Graham, Yvonne Rainer and Twyla Tharp.

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Gil, Lydia Mariana. "From the book to the desert : an examination of twentieth-century Jewish writing in Spanish America /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Yudkoff, Sunny. "Let It Be Consumption!: Modern Jewish Writing and the Literary Capital of Tuberculosis". Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467299.

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Let it Be Consumption!: Modern Jewish Writing and the Literary Capital of Tuberculosis investigates the relationship between literary production and the cultural experience of illness. Focusing attention on the history of modern Yiddish and Hebrew literature, this study examines how a diagnosis of tuberculosis mobilized literary and financial support on behalf of the ailing writer. At the same time, the disease itself became a subject of concern in the writer’s creative oeuvre and literary self-fashioning. Drawing on the work of Pierre Bourdieu and Bruno Latour, I argue that the role played by disease in these traditions is best understood through the paradox of tubercular capital. The debilitating and incurable illness proved a generative context for these writers to develop their literary identities, augment their reputations and join together in a variety of overlapping and intersecting genealogies of tubercular writing. I map this transnational network of disease, opportunity and creativity over the course of four chapters. Chapter One turns to the life and legacy of the Yiddish humorist Sholem Aleichem, who grew his reputation and defined his literary persona while taking “the cure” in Italy, Switzerland and Germany. Moving from Central Europe to British Mandate Palestine, Chapter Two investigates the tubercular space of the sickroom as both setting and subject for the Hebrew poet Raḥel Bluvshtein, who generated a poetic legacy and literary support network from her garret apartment. Chapter Three directs attention back across the ocean to a cohort of Yiddish writers affiliated with the Denver Sanatorium. These writers, such as Yehoash, H. Leivick and Lune Mattes, would find that a tubercular diagnosis created new possibilities for them to see their work read, cited, translated and performed across the United States. Returning to Europe, Chapter Four examines the life and writing of the tubercular modernist David Vogel. The Hebrew writer drew on his own sanatorium experience in Merano, Italy (formerly: Meran, Austria) to enter into an intertextual conversation with German writers, such as Arthur Schnitzler and Thomas Mann, if only to challenge precisely the possibility of that Hebrew-German exchange.
Near Eastern Languages and Civilizations

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