Artykuły w czasopismach na temat „Jewish authors – history and criticism”
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1
Kozerod, O. V. "Fighting Judaism in Soviet Ukraine in the years of the NEP". Ukrainian Religious Studies, nr 16 (5.12.2000): 41–48. http://dx.doi.org/10.32420/2000.16.1112.
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Questions of the history of the struggle against the Jewish national tradition were considered in many works of the Soviet authors of the 20-ies of the twentieth century. Among them, first of all, are those who studied various problems of the theory and practice of anti-religious propaganda in Soviet Ukraine, the history of the development of atheism. This is a monograph by Boris Zavadovsky "Moses or Darwin" and M. Sheynman "On Rabbis and Synagogues". In the late 20's and early 1930's, collections entitled "Antireligiozer Lerwukh", "Komsomolisha Agada" appeared, in which issues of the history of Judaism were considered, its main sources, criticism of its main elements from the point of view of materialistic approaches was carried out. One of the main tasks formulated by the authors of these studies was the opposition of the Jewish tradition to the new communist ideology, the hegemony of which at that time was an important part of the realities of the sociopolitical life of Ukraine.
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Ghifari, Muhammad, i Ulfah Zakiyah. "The Origin of Isnad in Orientalist Perspective: Critical Study of Michael Cook’s Thought". Mashdar: Jurnal Studi Al-Qur'an dan Hadis 3, nr 1 (30.06.2021): 33–52. http://dx.doi.org/10.15548/mashdar.v3i1.2609.
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This article review Michael Cook’s thoughts on the early history of the use of isnad. Michael Cook disagrees with the opinions of the hadith scholars who said that the system of isnad only exists in Islam and is not found in other religions. Michael Cook believes that Islam is not the only sole owner of the isnad system. Long before Islam came the system of isnad had been used by previous religions, that is, it had been used by Jews in transmitting Mishnah. Even Michael Cook concluded that Islam had plagiarized the Jewish isnad system. The Islamic isnad system is very closely related to the Jewish isnad system which both have similarities and similarities in many ways. Therefore, Michael Cook believes that the Islamic isnad is a plagiarism of the Jewish isnad system. In this paper, the author explores Cook’s idea which generates two problems, namely what and how are the fundamental ideas (main points) of Michael Cook related to the initial use of isnad? And the second, how is the methodological foundation of Jews in carrying out criticism of isnad? In this study, the authors used a type of qualitative research, or what is known as library research. By using two data sources, namely primary data and secondary data.
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Novikova, Valeriia. "The History of the Jewish communities in the Mamlūk Sultanate (1250–1517): approaches and discourses". Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, nr 2 (2024): 165. http://dx.doi.org/10.31857/s086919080027672-6.
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The article discusses the main approaches and discourses that are used in writing the history of Jewish communities in the Mamlūk Sultanate (1250–1517). The review on the topic includes the classics of the Jewish history, studies of contemporary authors in English, Arabic and Hebrew. Two main approaches are distinguished. There are two approaches. The first is the “theory of decline,” which characterizes the reign of the Mamluks as a period of systematic decline of the entire Mamluk society, which subsequently influenced the state of the Jewish community itself. approach that describes the period as time of oppression and isolation of the community. The second approach defines the period as a time of oppression, discrimination and isolation of the community.The criticism of A. Mazor and N. Hofer on the “theory of decline” and oppression of the community is considered there. That historical approaches are placed in certain discourses. Among them, might be highlighted the Jewish national, Zionist, orientalist, Islamic discourses, M. Cohen's «neo-lacrimous concept», as well as the reaction on them among Arab historians. The conclusions identify problems associated with the historical period under study, and also discuss issues related to expanding the methodological base in historical research. The works of modern researchers who apply methods from other social sciences, for example, discourse analysis, narrative analysis and case study, are presented. The identification of typical approaches, theoretical and ideological frameworks will allow to reconsider the period under study in the history of Jewish communities.
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Wright, Benjamin G. "The Septuagint as a Hellenistic Greek Text". Journal for the Study of Judaism 50, nr 4-5 (6.11.2019): 497–523. http://dx.doi.org/10.1163/15700631-12505130.
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AbstractAs a response to the tradition of scholarship that focused on questions of LXX origins, translation techniques and textual criticism, this article looks at how the LXX translations in antiquity were already in certain respects marked as Greek texts at their production, constructed as Greek literary texts in their origins, and subsequently employed in the same ways as compositional Greek texts by those who engaged them. It shows how the author of Aristeas constructs the LXX as a Greek text, how it functioned as such for Aristobulos and Philo. Already the translators demonstrate in their use of poetic language that they could produce literary Greek. Subsequently, Jewish Hellenistic authors employed the LXX alongside other Greek texts, and treated it with the methods of Hellenistic scholarship.
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Nam, JungAe. "The Jewishness in Characters, Themes, and Literary Styles of Arthur Miller's Plays". Korean Society of Culture and Convergence 45, nr 12 (31.12.2023): 985–97. http://dx.doi.org/10.33645/cnc.2023.12.45.12.985.
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This study aims to identify Jewish characteristics in Arthur Miller's eight major plays, focusing on their characters, themes, and writing styles. As a Jewish American immigrant, Miller has been praised for portraying the American ego or culture. Until now, criticism of Miller's plays has taken his imperfect American self for granted as the standard of universality. Critics analyzed only the form and content revealed on the surface of the plays, which have become ambiguous due to the author's double identities. Miller presents a typical American middle-class character on the surface of his works but, in deep structure, projects the collective Jewish ideology and prophetic discourses oriented toward the Old Testament. This study redefines the propositions of 'Modern Tragedy,' 'Common Man,' and 'Whole Social Drama' that Miller claimed to emphasize the universality of his works. The analysis of Miller's plays' characters, themes, and writing styles reveals that he reflects his Jewish identity more strongly than his American ego.
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Kabalek, Kobi. "Commemorating Failure: Unsuccessful Rescue of Jews in German Film and Literature, 1945–1960*". German History 38, nr 1 (23.04.2019): 96–112. http://dx.doi.org/10.1093/gerhis/ghz021.
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Abstract Scholars have so far interpreted postwar depictions of Germans saving Jews from Nazi persecution mainly as apologetic references that allowed Germans to avoid addressing problematic aspects of their history. Yet although such portrayals appear in many postwar German accounts, depictions of successful rescues of Jews are relatively rare in literary and filmic works produced between 1945 and the early 1960s. This article argues that in presenting failed rescue of Jews, several German authors aimed to contribute to the re-education and moral transformation of the German population. The article’s first part shows that narratives of failed rescue were considered particularly useful for arousing Germans’ empathy with the Nazis’ Jewish victims. The article’s second part examines those works that went further and tailored stories of unsuccessful rescue to criticize Germans for not doing more to resist the regime. Although these works presented Germans as victims, as was common in many contemporaneous depictions, it would be misleading to view them merely as apologetic accounts. Rather, the widespread reluctance to commemorate the persecution of Jews urged several authors to retain the common image of Germans as victims in order to avoid alienating their audience. At the same time, using narratives of failed rescue, these writers and filmmakers explored new ways to allow Germans to speak about the Holocaust and reflect on their conduct. Attempts to both arouse a moral debate and avoid directly speaking about Germans’ collective responsibility might seem irreconcilable from today’s perspective, but not for Germans of the 1940s and 1950s.
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Ziemann, Zofia. "Polish Kafka? O pewnym stereotypie anglojęzycznej recepcji Schulza". Schulz/Forum, nr 15 (24.09.2020): 26–43. http://dx.doi.org/10.26881/sf.2020.15.02.
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The paper revisits a popular trope of the anglophone reception of the work and figure of Bruno Schulz, offering an overview of its history based on examples from literary criticism and paratextual framing since the first edition of Celina Wieniewska’s translation in 1963 to the present. It is argued that although in the beginning the mentions of Kafka naturally had a marketing potential, helping to introduce a then unknown author to Englishspeaking readers, the analogy was not used in a cynical or superficial way, nor was Schulz ever presented as Kafka’s poor relative. Its early proponents (Isaac Bashevis Singer, Cyntha Ozick, and Philip Roth) genuinely believed in Schulz’s affinity with Kafka and the Central European Jewish tradition at large. At least since the early 1990s, Schulz has been listed on a par with Kafka, other high modernists, and other eminent authors from the Austro-Hungarian Empire, often becoming a point of reference for reviewers of translated fiction. If the phrase “Polish Kafka” still sometimes appears in this shorthand form, it is usually presented as a cliché and/or critically elaborated. In contrast to the contemporary understanding of “Polish Kafka” in Poland as almost an evocation of an inferiority complex, in the anglophone realm the comparison to Kafka has been an expression of bona fide admiration for Schulz.
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Shishkin, Dmitry V. "Dialogue with «the leader»: letters and notes to G. E. Zinoviev as a means of communication between citizens and authorities. 1918–1921". Herald of an archivist, nr 1 (2024): 85–97. http://dx.doi.org/10.28995/2073-0101-2024-1-85-97.
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The article examines the practice of communication between the population and G. E. Zinoviev, the first chairman of the Petrograd Soviet after the October Revolution, during the Civil War (1918-1921). Based on the material of written appeals to the leader ("letters to the authorities") the problematic components of the public image of the head of the local government and their solutions within the framework of Zinoviev's campaigning activities. Researchers had previously used this type of source mainly to reconstruct public sentiment in subsequent eras of New Economic Policy and Industrialization, without focusing on the importance of this form of dialogue with the population for the authorities themselves during the period of war communism, especially at the regional level. The article describes three types of written appeals: letters and notes received at meetings. Analyses of both type based on the peculiarities of the communicative situation in which the appeals were written: the possibility of establishing authorship, the proximity of the authors to the addressee at the time of creation, the format of the appeal and its goals. The study analyzed 349 records (142 letters and 207 notes) from G. E. Zinoviev's personal funds stored in the State Archive of the Russian Federation (GARF) and the Russian State Archive of Socio-Political History (RGASPI); in the funds of the departments headed by him during the specified period, in the Central State Archive of St. Petersburg (CGA SPb). For letters, the most common motives for their appearance are identified: the plight of the author and his family; dissatisfaction with the work of Soviet, party and military bodies; the desire to acquire a certain position in society (a place in the service, in the Red Army); the reaction to Zinoviev's speech or publication of employees–intellectuals. As an important underlying motive, the desire of the authors of the letters to establish personal contact with the leader through a meeting or to emphasize a previous acquaintance was revealed, which may illustrate a crisis of trust in society to the authorities or the lack of a culture of written appeal. The popular aspects of criticism of the head of the Petrograd Soviet contained in letters and notes are highlighted: privileges in the supply of food, the use of personal vehicles, Jewish origin and the discrepancy of statements with policy. In the final part of the article, Zinoviev's self-presentation techniques are analyzed in the context of the above-mentioned criticism. Such a characteristic feature is noted as the use of the letters received by the leader to demonstrate solidarity with the population, as well as the consonance of the claims made to him with his own criticism of the "attached" communists.
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Zakharov, Vladimir N. "The Idea of Ethnopoetics in Contemporary Research". Проблемы исторической поэтики 18, nr 3 (lipiec 2020): 7–19. http://dx.doi.org/10.15393/j9.art.2020.8382.
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<p>In recent decades, ethnopoetics has become one of the new philological disciplines. Its idea first appeared in the treatise of Nicolas Boileau “The Art of Poetry” (1674), in which the classicist theorist formulated the requirement of local and historical color in art. His rule was followed by many poets, playwrights and novelists of Modern history. In Anglo-American criticism, the term ethnopoetics was introduced in 1968. Jerome Rotenberg, who, along with Dennis Tedlock and Dell Himes, founded the principles and methods of studying American Indian poetry. In the 2000s. this concept has entered encyclopedic dictionaries in English and other European languages, but this word is still not in Russian terminological dictionaries. So far, the concept of poetics, which restricts the semantics of words forming a term, has received recognition. Already in the process of formation of ethnopoetics, its subject was expanded at the expense of middle Eastern and Jewish folklore, and later the oral creativity of other peoples. The word formation model (ἔθνος/ ethnos + ποιητική/poetics) cancels limited interpretations of the term. In modern usage, the term ethnopoetics is used in a wide range of meanings that have not yet been marked by lexicographers, but convey the full semantics of the words forming the term. The idea of ethnopoetics gave rise to not one, but several of its concepts. The author of the article develops his earlier understanding of ethnopoetics as a discipline that should study the national identity of the oral and written text, describe in the categories of poetics the specific things that make national literature national. It is characterized by concepts and conceptospheres, they form the mentality, reveal the cultural code of national literatures. The analysis of ethnopoetics opens up great opportunities in the comparative analysis of thesauri of different authors and their works.</p>
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Valman, Nadia. "SEMITISM AND CRITICISM: VICTORIAN ANGLO-JEWISH LITERARY HISTORY". Victorian Literature and Culture 27, nr 1 (marzec 1999): 235–48. http://dx.doi.org/10.1017/s1060150399271136.
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IN THE JEW IN THE TEXT:Modernity and the Construction of Identity (1995) Linda Nochlin and Tamar Garb noted that although questions of race, colonialism, and Eurocentrism were now prominent in cultural studies, the ways in which the “Jew” had been represented in modern culture remained relatively unexplored (6). Over the last few years, however, exploration of this kind has burgeoned, bringing with it important challenges both for Jewish studies and for English literary history. The nineteenth century has proved a particularly rich resource for such research, and the importance of this period for considering the relationship between modernity and the “Jew” is underlined by Nochlin:
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Nilsen, Don L. F. "Humorous Contemporary Jewish-American Authors: An Overview of the Criticism". MELUS 21, nr 4 (1996): 71. http://dx.doi.org/10.2307/467643.
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Asscher, Omri. "Israeli Journalism in the Face of Moral-Political Criticism in the Works of Saul Bellow and Philip Roth". Iyunim Multidisciplinary Studies in Israeli and Modern Jewish Society 12 (10.09.2023): 183–208. http://dx.doi.org/10.51854/bguys-12a109.
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This article examines a representative case of Israeli publicist responses to the moral-political critique by American Jewish authors, focusing on the reception of Philip Roth’s Portnoy’s Complaint and Saul Bellow’s Mr. Sammler’s Planet. These novels were first published in Hebrew translation in the early 1970s, against the backdrop of a heightened mythologization of Israel in the American Jewish mainstream and concurrently with Israel’s early occupation of the West Bank. Roth’s and Bellow’s works include some highly unflattering images of Israeli militancy and chauvinistic nationalism. Israeli literary critics tended to respond to the authors’ moral-political critique by framing it as inauthentically Jewish or as incorporating non-Jewish influences. In this way, Israeli responses sought to undermine the validity of the authors’ critique by implying a framework of Jewish identity in which Israeli culture was symbolically preeminent. Ultimately, this tendency demonstrates how the subterranean struggle between homeland and Diaspora has informed and infused the conversation among the two Jewish communities with respect to contemporary Jewish ethics and the Israeli-Palestinian conflict.
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Kuspit, Donald. "Meyer Schapiro's Jewish Unconscious". Prospects 21 (październik 1996): 491–508. http://dx.doi.org/10.1017/s0361233300006645.
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In 1994, Margaret Olin, reviewing the fourth volume of Meyer Schapiro's Selected Papers, observed that Schapiro “only seldom addressed [his] Jewish heritage”. Surely, she suggests, it must have influenced his practice of art history and criticism. But she is at a loss to say how. Olin notes that Schapiro's neglect of the issue is all the more conspicuous in view of the fact that his contemporaries, the Jewish-American art critics Clement Greenberg and Harold Rosenberg, openly viewed modern art from a Jewish perspective. While it was one among several heuristic gambits, they often privileged it as the most revelatory: the perspective that could disclose what is most at stake or immanent in modern art.
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Franks, Paul. "The rationality of history and the history of rationality: Menachem Fisch on the analytic idealist predicament". Open Philosophy 3, nr 1 (27.11.2020): 699–715. http://dx.doi.org/10.1515/opphil-2020-0141.
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AbstractTwo essential Kantian insights are the significance for rationality of the capacity for criticism and the limits of cognition, discovered when criticism is pursued methodically, that are due to the perspectival character of the human standpoint. After a period of disparagement, these Kantian insights have been sympathetically construed and are now discussed within contemporary analytic philosophy. However, if Kant’s assumption of a single, immutable, human framework is jettisoned, then the rationality of historical succession is called into question. Moreover, if the revolutionary character of framework transitions is acknowledged, then reason is historicized and even its character as reason is threatened. I argue that Menachem Fisch’s approach to criticism and rationality offers an escape from this post-Kantian predicament that acknowledges revolutionary framework transitions and that draws upon the dialogical traditions of Jewish thought, and I also argue that Fisch’s approach should be seen as thematizing, to use the terms of Kant’s aesthetics and of Fichte’s account of natural right, the reflecting rather than determining status of critical judgement, which involves second-personal address.
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Adler, William, i Carl R. Holladay. "Holladay's "Fragments from Hellenistic Jewish Authors"". Jewish Quarterly Review 77, nr 4 (kwiecień 1987): 324. http://dx.doi.org/10.2307/1454371.
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Dori, Nitsa. "The Reflection of the Ethnic Ethos in the Shaping of Mizrahi Female Characters, in the Light of the Literary Criticism of Yaakov Churgin’s Books – Sipurim (1928), Alumot (1957), and Yalkut Sipurim (1981)". International Journal of Social Science Studies 8, nr 2 (21.01.2020): 24. http://dx.doi.org/10.11114/ijsss.v8i2.4694.
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This article suggests taking a close look at the stories of Eretz-Israel author Yaakov Churgin (1899 – 1990) as a hybrid system of identities, that is ambivalent and unclassified, that can also fit stories about Jews of Ashkenazic origin as they were portrayed in the stories of the Jewish shtetls by authors such as Shalom Aleichem, Dvora Baron, Isaac Bashevis Singer, and Shay Agnon, while identifying the similarity between secular or enlightened Orientalism’s attitude to traditional or religious society, and Ashkenazic Orientalism’s attitude to the Mizrahi Jews in Eretz-Israel. The article will also suggest a new diachronic examination of the literary criticism regarding Churgin’s writing in its ethnic context, that will review the primary criticism over the years and address the characteristics of this criticism in light of the changes over the years.
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Baloian, Bruce Edward. "Teaching the Ineffable Through Narrative". Evangelical Quarterly 88, nr 1 (26.04.2016): 56–70. http://dx.doi.org/10.1163/27725472-08801004.
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The concept of faith is a dominant motif in both Jewish and Christian Scriptures and yet the authors never chose to give faith a clear, concise definition in propositional formulations. Both Testaments repeatedly refer to its importance but only approach the subject by telling stories where this valued aspect is present or absent. Luke follows suit with the rest of the Gospels and the precedent set in the Jewish Scriptures. It heralds faith’s importance and necessity but never defines faith with theological statements. Using aspects of Structural Analysis, an adaptation of Form Criticism, the narratives in Luke will be investigated for how faith was taught and by whom.
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Larsson, Edvin. "Temple-Criticism and the Jewish Heritage: Some Reflexions on Acts 6–7". New Testament Studies 39, nr 3 (lipiec 1993): 379–95. http://dx.doi.org/10.1017/s0028688500011280.
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1) In the exegetical discussion the word ‘temple-criticism’ is capable of several meanings. Generally speaking it is used to characterize critical statements in the New Testament concerning the Jerusalem temple. It is for example applied to sayings which express the view that the Jewish temple has been superseded by the coming of Jesus (Matt 12.6; John 2.19). Further, the word can signify a critical attitude towards the temple, when it is in a state of abuse (Mark 11.17; Matt 21.12). It also stands for a supposed criticism of the temple, taken as a static entirety and contrasted with the mobile tabernacle (Hebrews and Acts 7). Finally it is used to label certain New Testament statements and conceptions, understood as proclaiming a fundamental rejection of the temple, a rejection in principle of the temple as such (Acts 7.46–7). In discussing our theme we have to take all these aspects into consideration.
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Muzayyin, M. "AL-QUR’AN MENURUT PANDANGAN ORIENTALIS (Studi Analisis ‘Teori Pengaruh’ dalam Pemikiran Orientalis)". Jurnal Studi Ilmu-ilmu Al-Qur'an dan Hadis 16, nr 2 (3.02.2017): 203. http://dx.doi.org/10.14421/qh.2015.1602-04.
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ewline"> This article tries to discuss the discourse proposed by modern westernscholarship regarding to the study of polemicies about Qur’anic studies,that it is an inflence theory developed in nineteen century. The scholarsused historical criticism as one of biblical method. Shortly, by using thishistorical criticism, they attempted to trace back the inflence of Jewish orChristian ideas toward the Qur’a>n. As a result this paper fids that whenMuhammad came up with some Qur’anic doctrines, such as the history ofprophethood, as well the terminology in the Qur’an; were not simply allegedor adopted from both of Jewish and Christian. This polemecies issue werepopularized mainly by Abraham Geiger, then followed by Teodor Noldeke,William Muir, and John Wansbrough that will be on this article.
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Quick, Laura. "Dream Accounts in the Hebrew Bible and Ancient Jewish Literature". Currents in Biblical Research 17, nr 1 (październik 2018): 8–32. http://dx.doi.org/10.1177/1476993x17743116.
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The study of dreams and their interpretation in the literary remains from antiquity have become increasingly popular access points to the phenomenological study of religious experience in the ancient world, as well as of the literary forms in which this experience was couched. This article considers the phenomenon of dreaming in the Hebrew Bible and ancient Jewish literature. I consider treatments of these dream accounts, noting the development in the methodological means by which this material has been approached, moving from source criticism, to tradition history, and finally to form-critical methods. Ultimately, I will argue that form criticism in particular enables scholars to discern shifts and developments across diachronic perspectives. Study of dream accounts is thus illuminating not only for the understanding of dream phenomena, but also for the development of apocalyptic and the method and means of early Jewish biblical interpretation.
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Kołodziejska-Smagała, Zuzanna. "Polish-Jewish Female Writers and the Women’s Emancipation Movements in the Late Nineteenth and Early Twentieth Centuries". Aspasia 16, nr 1 (1.06.2022): 110–29. http://dx.doi.org/10.3167/asp.2022.160108.
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Between 1880 and 1914, a small group of Jewish female authors writing in Polish approached the vital-at-the-time woman question from different angles. Although they incorporated discussions of women’s sexuality, for these Polish supporters of women’s emancipation, access to education remained the focal point. This article explores the writings of seven Jewish women authors in the historical context of the emerging women’s emancipation movements in the Polish lands, demonstrating that their educational aspirations were not always identical to those expressed by Polish emancipationists. By examining the involvement of Polish-Jewish women writers in Polish women’s organizations, the article complicates the picture of the Polish suffrage movement and highlights the interconnectedness of Polish and Jewish social history.
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Piątkowska, Renata. "Artystki i miłośniczki sztuki – kobiety w żydowskim życiu artystycznym międzywojennej Warszawy. W kręgu Żydowskiego Towarzystwa Krzewienia Sztuk Pięknych". Studia Judaica, nr 1 (47) (2021): 175–211. http://dx.doi.org/10.4467/24500100stj.21.007.14609.
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Artists and Art Lovers: Women in the Jewish Artistic Life of Interwar Warsaw. In the Circle of The Jewish Society for the Encouragement of Fine Arts Research on Jewish artistic life in interwar Warsaw, especially in the context of the activities of the Jewish Society for the Encouragement of Fine Arts (Żydowskie Towarzystwo Krzewienia Sztuk Pięknych), reveals active and numerousparticipation of women, both artists and art lovers (by and large a group of professionals, bourgeois, political and social activists, Jewish art collectors). In the article, special attention is paid to Tea Arciszewska and Diana Eigerowa, a collector and philanthropist, the founder of the Samuel Hirszenberg scholarship for students of the Academy of Fine Arts in Warsaw. The author, using selected examples, discusses the role of artists in the artistic community, their individual exhibitions in the Jewish Society for the Encouragement of Fine Arts (Stanisława Centnerszwerowa, Regina Mundlak), a group of young artists living in Paris (Alicja Hohermann, Zofia Bornstein, Pola Lindenfeld, Estera Karp), as well as a circle of art lovers and patrons, some of whom—such as Tea Arciszewska and Paulina Apenszlak—also dealt with art criticism.
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Glazer-Eytan, Yonatan. "Conversos, Moriscos, and the Eucharist in Early Modern Spain: Some Reflections on Jewish Exceptionalism". Jewish History 35, nr 3-4 (grudzień 2021): 265–91. http://dx.doi.org/10.1007/s10835-021-09424-0.
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AbstractSacrilegious attitudes toward the Eucharistic host are one of the most commonplace accusations leveled against Jews in premodern Europe. Usually treated in Jewish historiography as an expression of anti-Judaism or antisemitism, they are considered a hallmark of Jewish powerlessness and persecution. In medieval and early modern Spain, however, Jews and conversos (Jewish converts to Christianity and their descendants) were not the only proclaimed enemies of the Eucharist. Reports about avoidance, rejection, criticism, and even ridicule and profanation of the consecrated host were similarly leveled against Muslims and moriscos (Muslim converts to Christianity). This essay seeks to assess the parallels and connections between the two groups through a comparative examination of accusations of sacrilegious behavior towards the host. The first part of the essay analyzes religious art, legal compendia, and inquisitorial trials records from the tribunals of Toledo and Cuenca in order to show some evident homologies between the two groups. The second part of the essay focuses on the analysis of the works of Jaime Bleda and Pedro Aznar y Cardona, two apologists of the expulsion of the moriscos, and draws direct connections between Jewish and morisco sacrilege. By exploring the similarities and differences between accusations against conversos and moriscos, this essay aims to offer a broader reflection on Jewish exceptionalism.
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Özmen, Özlem. "Identity and Gender Politics in Contemporary Shakespearean Rewriting". European Judaism 51, nr 2 (1.09.2018): 196–204. http://dx.doi.org/10.3167/ej.2018.510226.
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Abstract Julia Pascal’s The Yiddish Queen Lear, a dramatic adaptation of Shakespeare’s King Lear, merges racial identity politics with gender politics as the play both traces the history of the Yiddish theatre and offers a feminist criticism of Shakespeare’s text. The use of Lear as a source text for a play about Jews illustrates that contemporary Jewish engagements with Shakespeare are more varied than reinterpretations of The Merchant of Venice. Identity politics are employed in Pascal’s manifestation of the problematic relationship between Lear and his daughters in the form of a conflict between the play’s protagonist Esther, who struggles to preserve the tradition of the Yiddish theatre, and her daughters who prefer the American cabaret. Gender politics are also portrayed with Pascal’s use of a strong woman protagonist, which contributes to the feminist criticism of Lear as well as subverting the stereotypical representation of the domestic Jewish female figure in other dramatic texts.
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Rotar, Marius. "Freethinking, Freethinkers and the Jewish Question in Romania until the Outbreak of the First World War". European Journal of Jewish Studies 14, nr 1 (1.04.2020): 27–53. http://dx.doi.org/10.1163/1872471x-11411080.
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Abstract The founding of the Romanian Free Thinkers Association (1909) prompted violent criticism against it. This arose out of a milieu influenced by the Romanian Orthodox Church targeting the Association’s anti-religious attitude. One of the allegations formulated against it was that the freethinking movement was only one facet of the wider Jewish universal conspiracy. This article aims to analyse to what extent there was a connection between the freethinking movement in Romania and the Jewish question. The main argument set forward in this article is that the Romanian freethinkers struggled to dismantle these accusations, while attempting to act towards Jewish emancipation in Romania as part of their wider program to transform society.
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Kruse, Joseph A. ",,Der Dichter versteht sehr gut das symbolische Idiom der Religion": Über Heines kritisch-produktives Verhältnis zu religiösen Traditionen". Zeitschrift für Religions- und Geistesgeschichte 58, nr 4 (2006): 289–309. http://dx.doi.org/10.1163/157007306778552809.
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AbstractHeine is one of Germany's most renowned poets. His Jewish heritage and his Christian baptism have informed both his life's work as well as its reception. He was an expert and a passionate reader of the Bible. Despite his criticism of the official system of churches and religious communities, he greatly appreciated religion and its symbolic language, which speaks especially to the poet – even in its silences.
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Özmen, Özlem. "Identity and Gender Politics in Contemporary Shakespearean Rewriting". European Judaism 51, nr 2 (1.09.2018): 196–204. http://dx.doi.org/10.3167/ej.2017.510226.
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Julia Pascal’s The Yiddish Queen Lear, a dramatic adaptation of Shakespeare’s King Lear, merges racial identity politics with gender politics as the play both traces the history of the Yiddish theatre and offers a feminist criticism of Shakespeare’s text. The use of Lear as a source text for a play about Jews illustrates that contemporary Jewish engagements with Shakespeare are more varied than reinterpretations of The Merchant of Venice. Identity politics are employed in Pascal’s manifestation of the problematic relationship between Lear and his daughters in the form of a conflict between the play’s protagonist Esther, who struggles to preserve the tradition of the Yiddish theatre, and her daughters who prefer the American cabaret. Gender politics are also portrayed with Pascal’s use of a strong woman protagonist, which contributes to the feminist criticism of Lear as well as subverting the stereotypical representation of the domestic Jewish female figure in other dramatic texts.
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Viezel, Eran. "Radical Jewish Study of the Masoretic Text during the Enlightenment Period: Joshua Heschel Schorr, Abraham Krochmal, and Elimelech Bezredḳi". European Journal of Jewish Studies 10, nr 1 (2.03.2016): 50–78. http://dx.doi.org/10.1163/1872471x-12341286.
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During the Enlightenment period, Jewish scholars began addressing the issue of textual criticism. Few of these took a radical approach to this question, the most prominent being Joshua Heschel Schorr, Abraham Krochmal, and Elimelech Bezredḳi, whose writings are replete with thousands of textual emendations. This article seeks to examine this fascinating but neglected chapter in the history of the textual criticism of the Hebrew Bible. It discusses the work of these three scholars, analysing their outlook, principles, and methodology and adducing cultural, intellectual, and personality factors as contributing to their special status as a group within a broader phenomenon.
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Colak, Yasar, i Serdar Sinan Gulec. "Schlomo Dov Goitein’s “Political” Symbiosis in the Secrets of Simon Ben Yohai: A Qur’anic Reappraisal for a Jewish Apocalyptic Source on the Reflecting of an Early Islamic Background." Bussecon Review of Social Sciences (2687-2285) 4, nr 1 (27.02.2022): 01–10. http://dx.doi.org/10.36096/brss.v4i1.314.
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This paper examines the concept of symbiosis in Islamic history as developed by Schlomo Dov Goitein, the 20th-century Jewish German scholar in the area of Jewish and Arabic studies, and discusses its application to the identity sourcing of Prophet Muhammad in particular. The aim of the study is to review the historical outline briefly on the background and formation of “symbiosis” preceding and in the aftermath of Goitein’s conceptualization and context, following a qualitative research approach with an intertextual criticism to his references and discussing their possible philological aspects in his mindset. The study found that, while the Islamic historical sources presented the relations between Jews and Muslims in the Madina period of Islam as negative, in Goitein’s works, the Jewish perception of early Islamic history is positively grounded on a mid-eight century Jewish messianic-apocalyptical text, namely, The Secrets of Rabbi Simon ben Yohai as traditionally understood in Judaism for describing Ishmaelites as the savior of Jews from Christian oppression. This finding seems to be in explicit contradistinction to the concept of innovative “creative symbiosis” with subversion of historical experience.
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Brody, Samuel Hayim. "Jewish Economic Ethics in the Neoliberal Era, 1980–2016". Journal of Jewish Ethics 7, nr 1-2 (1.12.2021): 39–62. http://dx.doi.org/10.5325/jjewiethi.7.1-2.0039.
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ABSTRACT This essay surveys the emergence, over the last four decades, of a distinct genre of Jewish ethical writing about economics and speculates that its sunset may have already occurred. Unlike much previous Jewish economic writing, which was often brief, scattered, or secular in orientation, this genre consists of book-length works that reach deeply into Jewish sources to ground their interpretations and constructive recommendations. However, this strategy creates new problems and tensions: philosophical tension with halakhic literature, which prefers case law to political-economic theory; political tension within the genre, between the conservative subgenre of business ethics and its progressive counterpart, social justice literature; and methodological tension between normative, constructive exegesis and historical criticism. Welcoming the increased attention to economy among constructive Jewish ethicists and theologians, the essay nonetheless offers methodological critique, arguing that the necessary incorporation of political economy and history should transform the genre for the future.
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Sperber. "Contemporary Orthodox Jewish Feminist Art in Israel: Institutional Criticism of the Rabbinical Establishment". Shofar 38, nr 2 (2020): 191. http://dx.doi.org/10.5703/shofar.38.2.0191.
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Sperber, David. "Contemporary Orthodox Jewish Feminist Art in Israel: Institutional Criticism of the Rabbinical Establishment". Shofar: An Interdisciplinary Journal of Jewish Studies 38, nr 2 (2020): 191–227. http://dx.doi.org/10.1353/sho.2020.0027.
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Holladay, Carl R. "Acts and the Fragmentary Hellenistic Jewish Authors". Novum Testamentum 53, nr 1 (2011): 22–51. http://dx.doi.org/10.1163/004810010x523727.
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AbstractThis article reviews scholarship on the fragmentary Hellenistic Jewish authors as it relates to The Acts of the Apostles. Reviewed here are Jewish texts written in Greek during the Hellenistic-Roman period that were preserved only in the form of quotations or excerpts mostly by later Christian writers, most notably Eusebius of Caesarea in his Praeparatio Evangelica. The focus of the review is to see how these texts have been investigated, especially in Second Temple Judaism and in studies of Jewish historiography during the Graeco-Roman period, and how this scholarship informs the study of Acts.
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Grudzińska-Gross, Irena. "Muranów czyli karczowanie. O książce „Festung Warschau” Elżbiety Janickiej". Studia Litteraria et Historica, nr 1 (31.12.2012): 1–6. http://dx.doi.org/10.11649/slh.2012.019.
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Muranów, or about land clearing The article is a review of “Festung Warschau” by Elżbieta Janicka which maps the clash between the recently built monuments celebrating Jewish or Polish places of martyrdom from the times of Second World War. Janicka walks through the streets of the former Jewish neighbourhoods of Warsaw; she photographs and discusses the new plaques, crosses, monuments, and other forms of public marking of history on the buildings, squares and streets. She convincingly shows that the new historical commemorative signs of Polish martyrdom are often placed in the sites that were marked by Jewish resistance or suffering, and that the marks of Polish suffering are rarely linked materially to the site. The new monuments obstruct and hide the past presence of Warsaw Jews and, by submerging their past, create a new vision of ethnically cleansed history of Warsaw, especially in its relation to Second World War. The review applauds the book and rejects some of the criticism against it.
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MEISER, MARTIN. "Neuzeitliche Mythosdiskussion und altkirchliche Schriftauslegung". New Testament Studies 52, nr 2 (kwiecień 2006): 145–65. http://dx.doi.org/10.1017/s0028688506000099.
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Within the current discussion of myth in New Testament theology this article reconsiders the ongoing myth debate between Greco-Roman, Jewish and Christian authors against the background not of atheism but of philosophical theology. Over against its challenges Greco–Roman authors defend the myth as exemplum within a sociologically framed accommodation theory and interpret problematic texts using allegorical exegesis. Jewish and Christian authors follow these patterns. In particular, ancient Christian commentators on the Bible use the ancient category of ‘myth as exemplum’ to understand the activities of God and Jesus Christ not only as the base but also as an exemplum for the pious life.
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Mykhalchuk, Roman. "THE JEWISH COMMUNITY OF MIZOCH IN 1939-1941." Intermarum history policy culture, nr 13 (21.12.2023): 215–29. http://dx.doi.org/10.35433/history.112064.
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Abstract
The purpose of the study is to analyze the situation of the Jewish community in Mizoch after the establishment of Soviet power in Western Ukraine in 1939-1941. On the basis of historiographical work and the source-based database, to reproduce the process of Sovietization of the Western regions of Ukraine and the example of the Volyn town of Mizoch, to show negative changes in the life of the Jewish community after establishment of Soviet order in 1939-1941. The methodology is based on the principles of historicism and objectivity. The research is based on general scientific and special historical methods. The methods of archival heuristics and scientific criticism are applied. Special attention is paid to the method of oral history. Scientific novelty. Based on the achievements of historiography and a wide range of sources, the changes in the status and position of the Jewish community of the town of Mizoch in the Rivne region after the Sovietization of the region in 1939-1941 were analyzed. Conclusions. The beginning of the Second World War and the occupation of the Western regions of Ukraine led to a radical change in the lives of local residents. The establishment of Soviet power was accompanied by the introduction of violent practices and totalitarian regimes. The Jewish community of Mizocha came under repression - the functioning of Zionist organizations was prohibited. Many Jewish refugees tried to escape the Holocaust from occupied Poland and arrived in Mizocz, where they encountered the arbitrariness and repression of the Soviet authorities. Many of them ended up in Siberia, at the same time this fate saved them from the Holocaust. Jews were forbidden to engage in entrepreneurship and business, they were forced to be hired workers. Their standard of living has dropped significantly.
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Moskalets, Vladyslava. "Elites and Networks: New Approaches for the Research of Jewish Economic History". Ukraina Moderna 25 (2018): 264–75. http://dx.doi.org/10.30970/uam.2018.25.1081.
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Lately, the researchers of Jewish social and cultural history turned their attention to economic issues and produced some news collections of essays and monographs, the remarkable feature of which is a shift to the questions of interaction among religiosity, culture, economics, and politics. In a review article the author analyses three recent books, dedicated to economic Jewish history: David Schick “Vertrauen, Religion, Ethnizität: Die Wirtschaftsnetzwerke jüdischer Unternehmer im späten Zarenreich” (2017); Michael R. Cohen “Cotton Capitalists: American Jewish Entrepreneurship in the Reconstruction Era” (2017) and Cornelia Aust “The Jewish Economic Elite: Making Modern Europe” (2018). All three books focus on the interconnection of two factors: the ethnicity and solidarity of Jewish businessmen in the early modern and modern era. Methodologically, the authors choose a similar approach and look at the activities of entrepreneurs or merchants using a network concept. Each author explores specific cases – in American South, Eastern Europe, and Western Europe, to see how the context shapes the behavior of Jews. The authors show how Jewish ethnicity and Judaism played a role in developing the relationship of trust, limiting and defining new economic spheres and undermine the view of ethnic solidarity as a social norm. Also, the works are an important contribution to the broader context of economic history. With the modernization, and in particular the impact of legal emancipation and industrial revolution of the Jews, they enter into space that gives them completely different opportunities for economic activity and interaction with ethnic groups. The study explains how ethnicity, culture, and economy can interact.
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STRZYŻEWSKI, Sylwester. "JEWS DESERTIONS FROM ANDERS’ ARMY IN THE LIGHT OF EVIDENCE FROM POLISH INSTITUTE AND SIKORSKI MUSEUM IN LONDON". Scientific Journal of the Military University of Land Forces 165, nr 3 (1.07.2012): 220–38. http://dx.doi.org/10.5604/01.3001.0002.3490.
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Polish and Jewish relations are over centuries old. The different episodes in history have often put our relationships to the test. One of the less known issues related to Polish and Jewish relations are the desertions of Jewish soldiers from the Polish Army in the East. The authors of this article present and explain this phenomenon.
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Sobkin, Vladimir S., i Gleb D. Emelin. "Vygotsky's criticism of fascism in German psychology of the 1930s: political, socio-psychological and personal contexts". Moscow University Psychology Bulletin, nr 3 (2023): 189–215. http://dx.doi.org/10.11621/lpj-23-33.
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Background. This study discusses one of the last Vygotsky`s works — the fourth chapter in «Fascism in Psychoneurology» bulletin (1934). Motivation of the author to write this text is analyzed in the broad context of sociopolitical and personal aspects of his life: general growth of sociopsychological tension, repressions that touched Vygotsky`s family in 1930s, personally significant Jewish question and antisemitism in nazi Germany. In addition, joint letter from R.N. Vygodskaya and L.S. Vygotsky to D.I. Vygodsky published for the first time. This letter mentioned the arrest of Vygotsky`s cousin L.I. Vygodsky. Objective. The aim of the study was to reconstruct personal meanings and circumstances of L.S. Vygotsky in writing a chapter for «Fascism in Psychoneurology» bulletin. Methods. Elements of source analysis, search and analysis of archival documents, theoretical analysis of literature on L.S. Vygotsky`s biography. Results. The analysis showed that Vygotsky and Luria`s criticism of Fascism in psychology is built around several topics: criticism of the basic anthropological idea of the Third Reich about the predestination of human development depending on «blood and race»; an analysis of the process of politicization and ideologization of science, exemplified by the concept of «Integrationstypologie» introduced by E.R. Jaensch, which Vygotsky criticizes; political self-defense of Soviet scientists against possible persecution; the issue of national self-determination of Soviet Jewish scientists. Conclusion. Authors of this article suggested that this work may be seen not only as a scientific criticism and assertion of humanistic values in psychology but also as an act of political self-defense from sanctions and persecution that took place during the second half of the 1930s.
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Bland, Kalman. "Welcoming Images: Medievally". IMAGES 1, nr 1 (2007): 1–2. http://dx.doi.org/10.1163/187180007782347575.
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AbstractInformed by theoretical considerations distinguishing "visual culture" from "art history" as articulated by W. J. T. Mitchell, this essay compares the editorial programs of two neonatal, overlapping, yet distinct journals: Ars Judaica and Images. The essay concludes by considering passages from two medieval Jewish authorities, Joseph Albo and Judah Alharizi, that suggest new horizons in criticism made possible by Images. Among these horizons are "investigations of the negative and repellent."
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Fasheun-Motesho, Yetunde Olajumoke, Victor Adeyemo, Oludare Obaleye i Oluwatosin Dorcas Ayanleke. "Architectural criticism: A review of types and context". Caleb International Journal of Development Studies 06, nr 01 (31.07.2023): 218–28. http://dx.doi.org/10.26772/cijds-2023-06-01-15.
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Given its wide scope, architectural criticism as a discipline has had a long history of discussions and debates over its uses, contexts, methods, and even boundaries. Authors have alluded to its complex and virtually indefinable nature. The term architectural criticism itself is diverse in its usage, as it is used to describe the activities of critics, academic architectural treatises, and the architectural design decision-making process. Beyond its architectural origins, architectural criticism itself also approaches architecture from an interdisciplinary standpoint, often blending and adapting the methods and ideas of other disciplines to architecture. Despite its long history, not too many review papers approach the subject from a broad and general perspective. The majority of previous works have tended to focus on gaps or more specialized matters within the subject area. This thematic review therefore focuses on the amalgamation of existing literature on the nature of architectural criticism. A keyword search, followed by a filter using inclusion criteria from the Google Scholar Database, identified 52 articles. After a review of these articles, only 26 were found useful. This paper synthesizes and discusses the works of different authors in the areas of types and contexts of architectural criticism. The discussions will benefit future studies on the general nature or characteristics of architectural criticism and can be used as a guideline for highlighting and understanding the key issues in architectural criticism. Keywords: Architectural Criticism, Criticism Context, Criticism Types
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Idelson-Shein, Iris. "Rabbis of the (Scientific) Revolution: Revealing the Hidden Corpus of Early Modern Translations Produced by Jewish Religious Thinkers". American Historical Review 126, nr 1 (1.03.2021): 54–81. http://dx.doi.org/10.1093/ahr/rhab001.
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Abstract This essay discusses the corpus of translations of non-Jewish texts into Jewish languages, which emerged during the early modern period. Particular attention is given to Hebrew translations produced by members of the Jewish religious elite during the long eighteenth century, which have hitherto been viewed as original Jewish works. The article argues that translation was perfectly suited to the combination of attraction and anxiety with which many early modern Jews, particularly members of the Jewish religious elite, observed the cultural developments of their time. These authors acknowledged (what they viewed as) their own cultural inferiority, but feared the potential hazards of direct exposure to non-Jewish texts and ideas. Jewish translators thus became cultural gatekeepers rather than passive recipients of non-Jewish culture. They mistranslated both deliberately and accidentally, added and omitted, gave new meanings to texts and ideas, and harnessed their sources to meet their own agendas. The works of these translators reveal a form of cultural transfer that relied on the mindful adaptation and reformulation of new ideas by discreet, almost inadvertent innovators.
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Berezin, Anna, i Vladimir Levin. "Siberian Myth in the Jewish History: Jews of Siberia as a Religious Group". Judaic-Slavic Journal, nr 1 (5) (2021): 17–67. http://dx.doi.org/10.31168/2658-3364.2021.1.03.
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The present article aims to analyze the religious practices of Siberian Jews in a broad Jewish context. It presents a review of the religious life of the Jews isolated from traditional centers, with a focus on the models they were guided by in developing their communal life and the ways in which they maintained their connection with the Jewish world. The research is primarily based on the analysis of Jewish periodicals and the material culture of Siberian Jews (synagogue buildings, Jewish cemeteries, and ceremonial objects). The authors contest the view of Siberian Jews as a unique group, widespread in historiography, as untenable. Siberian Jewry developed within the framework of the modernized model, common in St. Petersburg, Moscow, and other cities outside the Pale of Settlement as well as among Jews in large cities of the Pale. The forms of religious observance in Siberia are similar to those typical for regions and cities with a rapid pace of modernization of the Jewish population.
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Lelli, Fabrizio. "Moses as Legislator in fifteenth-century Italian Jewish and Christian authors". Intellectual History Review 29, nr 1 (2.01.2019): 35–52. http://dx.doi.org/10.1080/17496977.2019.1546428.
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Unger-Alvi, Simon. "Public Criticism and Private Consent: Protestant Journalism between Theology and Nazism, 1920–1960". Central European History 53, nr 1 (marzec 2020): 94–119. http://dx.doi.org/10.1017/s000893891900092x.
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AbstractBy retracing the history of the Protestant journal Eckart, this article examines a theological forum in which supporters and opponents of the Nazi movement came into direct contact. Specifically, the article evaluates political ambiguities among religious authors, who had openly rejected Nazism from the 1920s onward but would feel compelled by theological considerations to remain loyal to the regime after 1933. Analyzing contemporary discussions of the Protestant Two Kingdoms Doctrine, for example, puts historiographical distinctions between “resistance” and “collaboration” into question. This study shows that Protestant intellectuals were able to voice a limited degree of public criticism until World War II. Their criticism, however, was often so imbued with nationalism and ideals of loyalty that it effectively helped stabilize the Nazi regime. In Eckart, even critics engaged deeply with völkisch and anti-Semitic ideology. Finally, this article also shows how these authors perpetuated nationalist ideas in West Germany after 1945.
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Tukova, Iryna, Valentina Redya i Iryna Kokhanyk. "Ukrainian Music Criticism of the 2010s: General Situation, Problems, Directions of Development (Based on the Examples From Contemporary Art Music Scene)". Studia Universitatis Babeş-Bolyai Musica 67, nr 2 (20.12.2022): 129–43. http://dx.doi.org/10.24193/subbmusica.2022.2.07.
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"The paper focuses on the 2010s in the history of Ukrainian music criticism. The materials on contemporary art music were chosen to support the authors’ reflections and conclusions. Selection of the time, period and material for the research are conditioned both with the specific social situation of Ukraine and with the recent developments in its music scene. The paper characterizes the main media, most popular critical genres, and methods of critical coverage. It is highlighted that the problems of Ukrainian music criticism during the 2010s were linked to the post-Soviet past and, in general, to the colonial status of Ukrainian culture in the Russian Empire and later in the Soviet Union. Such problems include the absence of independent journals for music criticism, dominance of information genres over reviews, general stable positive evaluation of musical scene activity etc. A few examples illustrate the gradual changing of situation during the 2010s. The authors offer to consider that new period of Ukraine music criticism history began in 2020 when The Claquers, a critical media about art music in Ukraine and abroad aiming to solve the mentioned problems, was established. Keywords: Ukrainian music criticism, contemporary art music, policy of colonialism, review, announcement. "
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Kaluher, Anna, i Olga Balashova. ""Criticism is about creating timeless acoustics": an interview with art historian Olga Balashova". Text and Image: Essential Problems in Art History, nr 2 (2020): 133–37. http://dx.doi.org/10.17721/2519-4801.2020.2.09.
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Olga Balashova - art historian, kmbs and KAMA lecturer, art critic, deputy director for the development of the National Art Museum of Ukraine (NAMU) in 2017-2020. The interview was recorded in February 2020 by assistant professor Anna Kaluger (Chair of Art History, Taras Shevchenko National University of Kyiv). This interview was conducted as part of the Ph.D. research "The structure of art criticism in Ukraine at the beginning of the XXI century." The discussion will focus on the definition of art criticism in the Ukrainian art context and its disciplinary boundaries. Olga Balashova talks about her career path as art historian and critic, determining for her theoretical influences, the school of art history at NAOMA, and her research priorities within the study of the history of criticism. Part of the interview focuses on the methods of teaching criticism in the humanities in the context of the internetization of criticism and the loss of its usual disciplinary basis - the history of art. It will also discuss the genre classification of criticism at the level of objects of study, in particular: the portrait of the artist, curatorial strategy, or phenomenological study of artistic events. The final part of the interview focuses on options for constructing the history of criticism in Ukraine: both the history of resources and the history of authors, the history of interpretations, and the history of methodological approaches.
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Callahan, Cory, i Janie Hubbard. "Protest and prayer: the Jewish and Catholic presence at Selma". Social Studies Research and Practice 14, nr 2 (9.09.2019): 238–54. http://dx.doi.org/10.1108/ssrp-02-2019-0008.
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Purpose The recent motion picture Selma infused fresh interest – and controversy – into the political and emotional peak of America’s modern Civil Rights Movement. Ava DuVernay, the film’s director, faced criticism for her exclusion of the Jewish presence from the movie’s portrayal of the March 21, 1965 Voting Rights March. The recent attention presents a teachable moment and new energy for thinking deeply about this pivotal event in America’s past. The paper aims to discuss these issues. Design/methodology/approach The authors provide valuable historical domain knowledge surrounding the 1965 Voting Rights March, present the requisite plans and curriculum resources for implementing wise-practice instructional strategies, and explore the rationale underpinning the inquiry-based activities. Findings The authors share innovative approaches, at the secondary and elementary levels, integrating historical domain knowledge with renewed interest in the 1965 Voting Rights March to create powerful teaching-and-learning experiences. The approaches are innovative because they contain dynamic curriculum materials and reflect wise-practice use of historical photographs within the College, Career, and Civic Life (C3) Framework for Social Studies State Standards. Practical implications The approaches shared here are centered around questioning, a key to student learning. The lessons feature the development of questions, both from teachers and students, as classes work collaboratively to interpret a potentially powerful historical photograph and use historical events to practice thinking deeply about important topics. Originality/value Social studies classrooms are ideal educational spaces to develop and practice the analytical skills and dispositions students need to meet the challenge of critiquing visual information that concerns complex public issues, such as the role of religion in society.
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Propola, Krystian. "Obraz Żydówek na froncie wschodnim II wojny światowej we współczesnych rosyjskojęzycznych mediach żydowskich. Na przykładzie wydania internetowego amerykańskiego czasopisma „Jewriejskij Mir”". Studia Judaica, nr 1 (47) (2021): 243–64. http://dx.doi.org/10.4467/24500100stj.21.009.14611.
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The Image of Jewish Women on the Eastern Front of World War II in Contemporary Russian-Language Jewish Media: The Example of the Online Edition of the American Newspaper Yevreiski Mir The main aim of this paper is to present the image of Jewish women participating in hostilities on the Eastern Front of World War II in the contemporary Russian-language Jewish media on the example of the online edition of the American newspaper Yevreiski Mir. An analysis of its articles proves that the fates of women of Jewish origin in the Red Army and the Soviet resistance movement are used by the authors to strengthen social ties among Russian-speaking Jews. Moreover, it is shown that the use of biographical threads of selected Jewish women helps journalists create a new narrative in which Jewish women are presented not only as victims but also as war heroines proud of their origin.
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Sclar, David. "Revisiting a Sabbatian Controversy: Moses Ḥayim Luzzatto and a Multiplicity of Rabbinates in the Eighteenth Century". Jewish Quarterly Review 113, nr 4 (wrzesień 2023): 669–91. http://dx.doi.org/10.1353/jqr.2023.a913349.
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Abstract: News that Moses @Hayim Luzzatto (ca. 1707–ca. 1746) was the recipient of heavenly revelations touched off a controversy that engulfed European rabbinic networks for several years. Led by Moses Hagiz, Jewish religious leaders far and wide condemned Luzzatto and his mystical messianic group as heretical. However, the Luzzatto controversy was far more complicated than merely a case of the rabbinic establishment suppressing a heretical thinker. Responses varied in enthusiasm, denunciation, and ambivalence, reflecting a rabbinic culture impacted by age, ethnicity, family, geography, ideology, and social networks. Opinions and alliances shifted, criticism levied at Luzzatto and his group in Padua proved idiosyncratic, and Luzzatto began and ended his short but prodigious career as a celebrated rabbinic author. The broad spectrum of responses to Luzzatto indicates a need to reassess notions of the rabbinate, heresy, and spiritual leadership and consider the interplay between local and pan-Jewish identities. This essay discusses how intercommunal relationships and rabbinic autonomy played a role in the developments, and how variegated responses to the controversy revealed a wide range of social and religious emphases in early modern Jewish culture.