Gotowe bibliografie tematyczne / Jerusalem Museum of the Jewish Book

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Gotowa bibliografia na temat „Jerusalem Museum of the Jewish Book”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Jerusalem Museum of the Jewish Book"

Artizov, Andrei N., and Petr V. Stegniy. "Uneasy Fate of the Baron Ginzburg Collection." Bibliotekovedenie [Library and Information Science (Russia)], no. 4 (August 28, 2015): 52–57. http://dx.doi.org/10.25281/0869-608x-2015-0-4-52-57.

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The article describes the history of appearance of the Baron Ginzburg Collection in the holdings of the Russian State Library. This Collection of Jewish and Arabic books and manuscripts of Baron Ginzburg is considered to be one of the treasures of the Russian State Library. The manuscript part of the Collection consists of 1913 units of the 14th - 19th centuries. In 2010 the Prime Minister of Israel Benjamin Netanyahu during his official visit to the Russian Federation raised the issue of transfer of the Ginzburg Collection to Israel “as a reciprocal gesture of good will” (the building of St.

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Artizov, Andrei N., and Petr V. Stegniy. "Uneasy Fate of the Baron Guenzburg Collection [Ending]." Bibliotekovedenie [Library and Information Science (Russia)], no. 5 (October 28, 2015): 58–63. http://dx.doi.org/10.25281/0869-608x-2015-0-5-58-63.

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The article describes the history of appearance of the Baron Ginzburg Collection in the holdings of the Russian State Library. This Collection of Jewish and Arabic books and manuscripts of Baron Ginzburg is considered to be one of the treasures of the Russian State Library. The manuscript part of the Collection consists of 1913 units of the 14th - 19th centuries. In 2010 the Prime Minister of Israel Benjamin Netanyahu during the official visit to the Russian Federation raised the issue of transfer of the Ginzburg Collection to Israel “as a reciprocal gesture of good will” (the building of St.

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Carmeli, Orit. "An Unknown Illuminated Judeo-Persian Manuscript of Nizāmī’s Khosrow and Shīrīn." Ars Judaica The Bar Ilan Journal of Jewish Art: Volume 17, Issue 1 17, no. 1 (2021): 131–40. http://dx.doi.org/10.3828/aj.2021.17.7.

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This is a brief presentation of the mid-seventeenth-century illuminated Judeo-Persian copy of Nizāmī’s Khosrow and Shīrīn from the collection of the Museum for Islamic Art in Jerusalem. The Khamsa of Nizāmī Ganjavi (d. 1209) is one of the most famous medieval Persian love stories and one of the most admired poetical works ever written in the Persian language. Khosrow and Shīrīn (composed 1175/6-1191) is the second book in the Quinary and recounts the tragic love story of the Sasanian king Khosrow II Parviz and the Armenian princess Shīrīn. Nizāmī’s poetry, in addition to other works of Persian

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Chavannes-Mazel, Claudine A. "The Jerusalem Miniatures in Maerlant’s Rijmbijbel 10 B 21 and in the Hornby Book of Hours. Questions of Context and Meaning." Quaerendo 41, no. 1-2 (2011): 139–54. http://dx.doi.org/10.1163/001495211x572102.

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AbstractFrom the late thirteenth century onwards, the depictions of the Siege of Jerusalem and the eventual annihilation of the city and its inhabitants are generally full of horrifying details, which visualise the final vengeance of the Lord against His own people. The Hornby Hours exaggerate the negative side of the Jews’ fate, whereas the opening miniature in Maerlant’s Wrake, Museum Meermanno 10 B 21, is a factual account, based entirely upon the most positive interpretation of Jacob van Maerlant’s poem Wrake van Jerusalem.

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Atshan, Sa’ed, and Katharina Galor. "Curating Conflict." Conflict and Society 6, no. 1 (2020): 1–17. http://dx.doi.org/10.3167/arcs.2020.060101.

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This article compares four Jerusalem exhibits in different geographical and political contexts: at the Tower of David Museum in Jerusalem, the Palestinian Museum in Birzeit, the Metropolitan Museum of Art in New York, and the Jewish Museum Berlin. It examines the role of heritage narrative, focusing specifically on the question of the Israeli-Palestinian conflict, which is either openly engaged or alternatively avoided. In this regard, we specifically highlight the asymmetric power dynamics as a result of Israel’s occupation of East Jerusalem, and how this political reality is addressed or avo

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Schönhagen, Benigna, and Theodor Harburger. "Rezension von: Harburger, Theodor, Die Inventarisation jüdischer Kunst- und Kulturdenkmäler in Bayern." Schwäbische Heimat 50, no. 2 (2023): 233–34. http://dx.doi.org/10.53458/sh.v50i2.7186.

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Theodor Harburger: Die Inventarisation jüdischer Kunst- und Kulturdenkmäler in Bayern. Hrsg. von den Central Archives for the History of the Jewish People, Jerusalem und dem Jüdischen Museum Franken. Fürth 1998. Bd. 1-3. Zusammen 980 Seiten mit ca. 875 Abbildungen. Broschiert DM 158,-. ISBN 3-9805388-5-0

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Marzel, Shoshana-Rose. "The Jewish Wardrobe: From the Collection of the Israel Museum, Jerusalem." Fashion Theory 20, no. 4 (2015): 495–97. http://dx.doi.org/10.1080/1362704x.2015.1102462.

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Kochavi, Shir. "THE 1951 DIPLOMATIC GIFT: THE ROLE OF A GERMAN EIGHTEENTH CENTURY HANUKKAH LAMP IN ISRAELI-AMERICAN RELATIONS." ARTis ON, no. 7 (December 23, 2018): 67–77. http://dx.doi.org/10.37935/aion.v0i7.193.

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A diplomatic gift in the form of a Hanukkah Lamp, given to President Harry Truman by the Prime Minister of Israel, David Ben-Gurion in 1951 was selected for this occasion by museum personnel from the Bezalel Museum in Jerusalem and the Jewish Museum in New York. Based on primary sources found in archives in Israel and in the United States, this case study investigates the process of objects exchange between two museums, orchestrated on the basis of an existing collegial relationship, and illustrates how the Hanukkah Lamp becomes more than itself and signifies both the history of the Jewish peo

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Kamczycki, Artur. "Libeskind’s Museum in Berlin as a toppled tower." Studia Europaea Gnesnensia, no. 12 (December 15, 2015): 325–52. http://dx.doi.org/10.14746/seg.2015.12.16.

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In the article the author will attempt to interpret the architectural structure of the Jewish Museum in Berlin, designed in 1989 by Daniel Libeskind. The context of deliberations presented here will rely on a broadly understood idea of tower, an entity identical with the Judaic as well as Christian vision of the Heavenly Jerusalem. However, the key to the metaphor is the assumption that the structure symbolizes a toppled tower, which in its turn is a meaningful analogy to the concepts derived from the issues of the Holocaust.

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Moore, Deborah Dash. "Eli Lederhendler. New York Jews and the Decline of Urban Ethnicity, 1950–1970. Syracuse: Syracuse University Press, 2001. xix, 275 pp." AJS Review 29, no. 2 (2005): 394–95. http://dx.doi.org/10.1017/s0364009405380172.

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The first thing a reader should know about this book is that it was written from Jerusalem. No Jewish city in history, certainly no diaspora city, can hope to compete with Jerusalem. Looking down from Jerusalem, New York looks decidedly grim. As Lederhendler notes with admirable brevity, the “events of May–June 1967 threw into relief the apparent gulf between Israelis (who could fend for themselves) and Jews (who could not)” (190). Diaspora condemns Jews to mere ethnic existence, to life as one group among others. In the 1960s New York Jews recognized “that Diaspora life had become existential

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Rozprawy doktorskie na temat "Jerusalem Museum of the Jewish Book"

Warneck, Dorothea. "Natalia Berger: „The Jewish Museum. History and Memory, Identity and Art from Vienna to the Bezalel National Museum, Jerusalem." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2020. https://slub.qucosa.de/id/qucosa%3A71019.

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Berger, Natalia: The Jewish Museum. History and Memory, Identity and Art from Vienna to the Bezalel National Museum, Jerusalem [= Ben-Rafael, Eliezer/Gorny, Yosef/Liwerant, Judit Bokser (Hg.): Jewish Identities in a Changing World, Band 29], Leiden/Boston: Brill 2018, 584 S., ISBN: 978-90-04-35387-9, EUR 160,00. Besprochen von Dorothea Warneck.

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Mampieri, Martina. "From Frankfurt to Jerusalem: Jewish Manuscripts in the Nauheim Collection at the National Library of Israel." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2020. https://slub.qucosa.de/id/qucosa%3A73369.

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Popescu, Diana. "Perceptions of Holocaust memory : a comparative study of public reactions to art about the Holocaust at the Jewish Museum in New York and the Israel Museum in Jerusalem (1990s-2000s)." Thesis, University of Southampton, 2012. https://eprints.soton.ac.uk/367397/.

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This thesis investigates the changes in the Israeli and Jewish-American public perception of Holocaust memory in the late 1990s and early 2000s, and offers an elaborate comparative analysis of public reactions to art about the Holocaust. Created by the inheritors of Holocaust memory, second and third-generation Jews in Israel and America, the artworks titled Your Colouring Book (1997) and Live and Die as Eva Braun (1998), and the group exhibition Mirroring Evil. Nazi Imagery/Recent Art (2002) were hosted at art institutions emblematic of Jewish culture, namely the Israel Museum in Jerusalem, a

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Lee, Pilchan. "The New Jerusalem in the Book of Revelation : a study of Revelation 21-22 in the light of its background in Jewish tradition." Thesis, University of St Andrews, 1999. http://hdl.handle.net/10023/2952.

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This thesis explores the meaning of the New Jerusalem in Rev. 21-22. It is divided into four major parts. The first one is the OT background study from Ezekiel, Isaiah, Jeremiah and Zechariah. This section observes the prophetical messages of restoration, centering around the Temple/Jerusalem motif, which is one of the main concerns of the early Jewish writers and Revelation. The second one is the study of early Jewish tradition. This pmi investigates how the New Jerusalem theme develops during the second Temple period and post-70. This observation shows that some (not all) of the early Jewish

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Lee, Pilchan. "The New Jerusalem in the Book of Revelation : a study of Revelation 21-22 in the light of its background in Jewish tradition /." Tübingen : Mohr Siebeck, 2001. http://catalogue.bnf.fr/ark:/12148/cb388307879.

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Fenichel, Deborah Ruth. "Exhibiting ourselves as others : Jewish museums in Israel /." 2005. http://wwwlib.umi.com/dissertations/fullcit/3199412.

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Książki na temat "Jerusalem Museum of the Jewish Book"

Sabar, Shalom. Mazal tov: Illuminated Jewish marriage contracts from the Israel Museum collection. The Israel Museum, 1993.

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(Jerusalem), Muzeʼon Yiśraʼel, ed. ABC, the alef bet book: The Israel Museum, Jerusalem. Abrams, 1989.

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Iris, Fishof, and Muzeʼon Yiśraʼel (Jerusalem), eds. Jewish art masterpieces from the Israel Museum, Jerusalem. H.L. Levin Associates, 1994.

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Fishman, Ellen Ogintz. The book of Joy. The Dorot Foundation, 2011.

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Bet ha-tefutsot ʻal shem Naḥum Goldman., ed. The story of the synagogue: A Diaspora Museum book. Harper & Row, 1986.

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Nahum Goldmann Museum of the Jewish Diaspora., ed. The story of the synagogue: A Diaspora Museum book. Weidenfeld and Nicolson, 1986.

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Rosenblum, Sylvia. Jerusalem above my chiefest joy: An exhibition from the Jewish Museum of Australia, September 1996 to January 1997, as part of the celebrations for Jerusalem 3000. Jewish Museum of Australia, 1997.

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Sharon, AvRutick, ed. The Jewish world: 365 days : from the collections of the Israel Museum, Jerusalem. Harry N. Abrams, 2004.

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B, Helzel Florence, and Judah L. Magnes Memorial Museum., eds. The Jewish illustrated book: A selection from the Judah L. Magnes Museum. The Museum, 1986.

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Swedenborg, Emanuel. Gifts of Tamar and Teddy Kollek to the Israel Museum, Jerusalem. The Museum, 1990.

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Części książek na temat "Jerusalem Museum of the Jewish Book"

Kletter, Raz. "A museum for Jewish prayer in a Mamluk bathhouse – the Ohel Yitzhak Synagogue." In Archaeology, Heritage and Ethics in the Western Wall Plaza, Jerusalem. Routledge, 2019. http://dx.doi.org/10.4324/9780429031311-4.

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Bušek, Michal. "Provenance Research in the Book Collection of the Jewish Museum in Prague." In Treuhänderische Übernahme und Verwahrung. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737007832.145.

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"Boris Schatz’s Utopian Museum as Charted in His Book, Jerusalem Rebuilt." In The Jewish Museum. BRILL, 2017. http://dx.doi.org/10.1163/9789004353886_014.

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"Dana Hercbergs, Overlooking the Border: Narratives of Divided Jerusalem. Detroit: Wayne State University Press, 2018. 292 pp." In Textual Transmission in Contemporary Jewish Cultures, edited by Avriel Bar-Levav. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197516485.003.0047.

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Dana Hercbergs’ Overlooking the Border is a study of popular narratives on Jerusalem, based on the fieldwork she did in the city between 2007-2008 and 2014-2016. More precisely, she deals with stories told by contemporary Jerusalemites—both Israeli Jews and Palestinians, who come from a variety of socioeconomic backgrounds. Enriched with maps and photographs, the well-written text moves between past and present as the narrators recount their everyday life experiences, inevitably touching upon the ways their lives are influenced by political and social realities. Hercbergs does not limit her so

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Abulafia, David. "Ways across the Sea, 1160–1185." In The Great Sea. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780195323344.003.0028.

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There are no diaries or log-books of sea captains from the twelfth century, but there are vivid accounts of crossing the Mediterranean written by Jewish and Muslim pilgrims journeying from Spain to the East. Benjamin of Tudela was a rabbi from a town in Navarre, and he set out on his travels around 1160. The aim of his diary was to describe the lands of the Mediterranean, large areas of Europe, and Asia as far as China, in Hebrew for a Jewish audience, and he carefully noted the number of Jews in each town he visited. His book reports genuine travels across the Mediterranean, through Constanti

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Andruss, Jessica. "Introduction to the Lamentations Commentary." In Jewish Piety in Islamic Jerusalem. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197639559.003.0009.

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Abstract Salmon’s introduction to the commentary on Lamentations is a treatise on the religious significance of the book for the Jewish people in exile. Salmon describes his exegetical process, outlines the organization of the biblical book, and identifies the prophet Jeremiah as its author, but his main objective is to convey the pietistic instruction of Lamentations to his community. In Salmon’s view, Lamentations has seven purposes. For example, it summons the community to repent, instructs them to confess their sins, and offers them hope that the exile will end and not recur. Exile—as desc

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Davis, Paul K. "Jerusalem." In Besieged. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195219302.003.0011.

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Abstract The Zealots were a revolutionary faction in Israel during the Roman occupation, active in the first century A.D. Although the Romans rarely did anything to hamper the Jews of lsrael in the practice of their religion, the Roman worship of their own gods offended many Jews. The affront they felt to their faith, coupled with a series of harsh Roman rulers, set off a revolt that had ruinous consequences for the Jewish people. The first mention of a popular leader resisting Roman rule is that of Judas of Galilee in A.D. 6/7. He preached resistance to the census ordered by the Romans, possi

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Andruss, Jessica. "Lamentations and the Mourners for Zion." In Jewish Piety in Islamic Jerusalem. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197639559.003.0001.

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Abstract This chapter introduces the “Mourners for Zion”—the Karaites of Jerusalem—and shows how the biblical book of Lamentations became a spiritual and intellectual resource for their community. While the ancient rabbis generally read Lamentations as a paradigm for later catastrophes and advocated quietist attitudes toward a future redemption, the establishment of a Karaite community in Jerusalem in the late ninth century fundamentally altered the exilic context of Jewish biblical interpretation. In Lamentations, the Karaites found a vocabulary of mourning to ground their liturgy and ritual

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Spolsky, Bernard, and Robert L. Cooper. "The Socio-Linguistics of Old Jerusalem: Jewish Languages in the Late Nineteenth Century." In The Languages of Jerusalem. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198239086.003.0004.

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Abstract THIS chapter will look in particular at the status of the three major Jewish languages spoken in Jerusalem in the nineteenth century. As background, we will first sketch the make-up of the Jewish population of the city in I 881, choosing that year to take advantage of the detailed description provided by Luncz (1882) in his first year-book, originally prepared to answer a set of questions posed by the Board of Deputies of British Jews in 1876. Leaving aside the Karaites, a small Jewish sect which rejected Talmudic Judaism, Luncz divided the Jewish population into Sephardim and Ashkena

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Oliver, Isaac W. "Conclusion." In Luke's Jewish Eschatology. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197530580.003.0006.

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The conclusion summarizes and returns to the key issues that are covered in the book. The question in Acts 1:6 implies restoration for Israel, which is evident throughout Luke and Acts. The restoration envisaged is comprehensive and collective. It entails spiritual renewal but also political and national restoration for the people of Israel. For Luke, the process leading toward Israel’s recovery has already begun ever since Jesus fulfilled his earthly mission in Jerusalem and reigns from the heavens above. However, due to complications, which divine providence had anticipated, full recovery, f

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Streszczenia konferencji na temat "Jerusalem Museum of the Jewish Book"

Petkova, Tatyana V., and Daniel Galily. "Hava Nagila." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.06073p.

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This article is about the story of a favorite Jewish song of many people around the world. Hava Nagila is one of the first modern Israeli folk songs in the Hebrew language. It went on to become a staple of band performers at Jewish weddings and bar/bat (b'nei) mitzvah celebrations. The melody is based on a Hassidic Nigun. According to sources, the melody is taken from a Ukrainian folk song from Bukovina. The text was probably the work of musicologist Abraham Zvi Idelsohn, written in 1918. The text was composed in 1918, to celebrate the Balfour Declaration and the British victory over the Turks

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Azulay Tapiero, Marilda. "Arquitectura, dispositivo de experiencia memorial. *** Architecture: a drive of memorial experience ." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7604.

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La arquitectura puede introducirnos en la experiencia de la memoria; memoria como reflexión, y arquitectura como dispositivo para la experiencia memorial a la vez que contenedor de la información. Cada objeto es definido en un proceso en el que considerar diversos actores, sus voluntades, opciones y experiencias. Es el caso de las obras que aborda este trabajo, en las que evidenciar e interrogarnos sobre el gesto arquitectónico, la memoria evocada y su interpretación social. Obras que han alcanzado notoriedad por diferentes motivos: como la Sala del Recuerdo, de Arieh Elhanani, Arieh Sharon y

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