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Artykuły w czasopismach na temat "Jean Schlumberger"
Pérez, Carmen Camero. "L’enseveli de Jean Schlumberger ou l’écriture d’une voix agonisante". Cahiers de Narratologie, nr 10.1 (1.01.2001): 253–61. http://dx.doi.org/10.4000/narratologie.6948.
Pełny tekst źródłaDe Saint-Cheron, François. "Regards croisés sur les antimémoires d'André Malraux à travers trois lettres inédites de Pierre Jean Jouve, Olivier Messiaen et Jean Schlumberger". Revue d'histoire littéraire de la France 112, nr 4 (2012): 955. http://dx.doi.org/10.3917/rhlf.124.0955.
Pełny tekst źródłaFraisse, Luc. "Jean Schlumberger vu à travers la correspondance de Proust: des mondanités littéraires à ¡a création romanesque". Studia Romanica Posnaniensia 31 (1.12.2004): 23. http://dx.doi.org/10.14746/strop.2004.31.002.
Pełny tekst źródłaPOLLARD, P. J. "Review. Correspondance, 1901-1950. Edition etablie, presentee et annotee par Pascal Mercier et Peter Fawcett. Gide, Andre et Jean Schlumberger". French Studies 48, nr 4 (1.10.1994): 487. http://dx.doi.org/10.1093/fs/48.4.487.
Pełny tekst źródłaDagan, Yaël. "Civilizados, Bárbaros, Europeus Três homens de letras em face do inimigo - 1914-1925". Varia Historia 21, nr 34 (lipiec 2005): 371–94. http://dx.doi.org/10.1590/s0104-87752005000200007.
Pełny tekst źródłaNarayanan, Keshav. "Technology Focus: Intelligent Operations (May 2021)". Journal of Petroleum Technology 73, nr 05 (1.05.2021): 51. http://dx.doi.org/10.2118/0521-0051-jpt.
Pełny tekst źródła"The jewels of Jean Schlumberger". Choice Reviews Online 39, nr 01 (1.09.2001): 39–0075. http://dx.doi.org/10.5860/choice.39-0075.
Pełny tekst źródłaRozprawy doktorskie na temat "Jean Schlumberger"
Shortall-Stevenson, Joyce. "Jean Schlumberger ʹEveils : a historical autobiography /". Electronic version, 2004. http://dl.uncw.edu/etd/2004/shortall-stevensonj/joyceshortall-stevenson.html.
Pełny tekst źródłaMercier, Pascal. "Contribution à l'histoire de la Nouvelle Revue française : la correspondance André Gide - Jean Schlumberger (mai 1901 - décembre 1950)". Paris 3, 1991. http://www.theses.fr/1992PA030010.
Pełny tekst źródłaThe aim of this edition of the correspondence between andre gide and jean schlumberger is to retrace the circumstances in which the nouvelle revue francaise was born and to examin some of the reasons its long-term success
Carlier, Lucie. "Édition établie, présentée et annotée de la correspondance inédite échangée entre Jean Schlumberger (1877-1968) et sa femme Suzanne Weyher (1878-1924) de 1899 à 1912". Electronic Thesis or Diss., Toulon, 2020. http://www.theses.fr/2020TOUL3001.
Pełny tekst źródłaThe edition of the marital correspondence between Jean Schlumberger (1877-1968) and Suzanne Weyher (1878-1924), exchanged between 1899 and 1912, is a polymorphic document open to multiple uses. First of all, this epistolary relationship serves the history of mentalities, as private letters introduce us to the young Protestant partners, at the dawn of their engagement and then their marriage, and tell us how they fit into their bourgeois social universe. In this respect, the missives are a historical document on bourgeois society at the end of the 19th and beginning of the 20th century. Thus, the 539 letters reproduced in the present edition reveal a whole section of the past. Then, ego-document, the letter is an archive of the self. In the manner of Marie-Claire Grassi, we have favoured a "long-term monographic approach" in order to "highlight the evolution of feelings within [a] couple", trying to answer the question : do men and women speak the same language ? This allowed us to affirm that the epistolary exchange between Jean and Suzanne Schlumberger is first of all an example of love correspondence. Each in their own way, through the narration of everyday life, the two writers "implicitly order and reconstruct the landscape of love". To the rhythm of the love letters, the epistolary channel becomes the place par excellence where the family sphere is built, since the two individuals become parents. Through these extracts of life that are the epistolary testimonies, an illustration of the History of motherhood and fatherhood in a particular legislative context, where women are under the yoke of the Napoleonic Code, is constituted. Reflections and thoughts on these life upheavals, both intersubjective and social, show new parents trying to define themselves in their singularity, between tradition and modernity. Conjugal, familial, the epistolary relationship of Jean and Suzanne Schlumberger is also artistic. Both freeing themselves from a prohibitive common education and driven by advanced ideas, the spouses gradually blossomed in their respective art, Jean writing, Suzanne painting. Privileged tools of an interactionist study between the human being and the work, the conjugal letters are as many signs that make sense and illustrate the intimate history of two artists. Even if Jean Schlumberger told his friend Aline Mayrisch that he had "jealously guarded" his private life away from his literary life, the intimate and artistic correspondence nevertheless blends, at the very heart of Jean's letters, the account of his professional and public encounters, which are fertilizer for the literary history of the time. And for good reason, as Jean Schlumberger's career as a writer developed and his place, which was to be crucial within La Nouvelle Revue Française, private correspondence, though by definition closed in on itself, opened up to the literary world. The oxymoronic notions of "private" and "public" collide at the heart of the Schlumberger couple's correspondence, making us discover Suzanne's minimal but unknown role within the editorial enterprise that is La Nouvelle Revue Française. In Jean Schlumberger's letters, the increasingly frail boundary between inside and outside is further weakened by the exponential presence of the future Nobel Prize winner for literature (1947), André Gide, encroaching on Suzanne's epistolary legitimacy. Suzanne then adopted new enunciative strategies and turned her friendship with Madeleine Gide, Sabine Schlumberger's godmother, into a new enunciative duo that made the epistolary discourse polyphonic. The letters mirror the literary and artistic relationships of the time. The correspondence of the Schlumberger couple therefore has multiple interests, historical, sociological, biographical, psychological, generic, literary and artistic
Doig, Katherine. "Correspondances avec l'absence : la fiction épistolaire monologique aux XXe et XXIe siècles". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA127.
Pełny tekst źródłaLong fictions composed of one uninterrupted letter – monologic epistolary fictions – are underrepresented in critical discourse, and frequently shunted more or less overtly beyond its margins. Their existence is brought to light here by one play and fourteen novels in French, English, Italian and German, ranging from 1902 (Gide) to 2011 (Norman) via a cast of authors including Yourcenar, Coetzee, Amis and Celestini.This study aims firstly to fill the critical lacuna, establishing the dimensions of this new sub- genre. It measures the breadth of the formal definitions of the single-letter epistolary novel, the length of its inscription in literary history, and the depth conferred upon it by critical discourse about real letters, the letter-novel genre and a certain epistolary quality to be found in all literature, which our novels set themselves up to reflect and refract.Our rather disparate corpus of texts reveals the interest of this technical framework, haunted as it is by recurrent themes which illuminate the characteristics of monological epistolary writing. Firstly, the theme of one's own death (Yourcenar, Coetzee, Bernstein, Robinson, Amis) shines a light on the physical structure of any text, rendered visible in the format of the letter; this conjunction suggests the idea of the text as corpse. A series of apocalyptic universes complicates this rather empirical portrait, which reads like the symbol of the Death of the Author; novels by Coetzee, Amis and Auster use complex portraits of fictional time to suggest the possibility of coincidence, overlap, meetings both epistolary and literary. These two chapters set up the terms of a final debate concerning literary communication, investigated via the symbol of the double (Gide, Coeztee, Bernstein, Celestini). After the narrative of the text itself and the implied drama of the letter's trajectory, a pragmatic dimension comes to light. This final analysis allows us to investigate the ethics of correspondence, and the letter as one key to understanding those of fiction itself
Książki na temat "Jean Schlumberger"
Zohdy, Adel A. R. Additional Schlumberger soundings near Jean, Nevada. [Denver, CO]: U.S. Geological Survey, 1989.
Znajdź pełny tekst źródłaLambert, Jean. Remarques sur l'oeuvre de Jean Schlumberger. [s.l.]: Centre d'Études Gidiennes, 1999.
Znajdź pełny tekst źródłaRiboud, Jean. Jean Riboud. [Paris?: s.n., 1989.
Znajdź pełny tekst źródłaSchlumberger, Jean. Un diamant dans la ville: Jean Schlumberger 1907-1987 : bijoux-objets. [France]: Réunion des musée nationaux, 1995.
Znajdź pełny tekst źródła1879-1949, Copeau Jacques, i Duchatelet Bernard, red. Romain Rolland et la N.R.F.: Correspondances avec Jacques Copeau, Gaston Gallimard, André Gide, André Malraux, Roger Martin Du Gard, Jean Paulhan, Jean Schlumberger et fragments du Journal. Paris: A. Michel, 1989.
Znajdź pełny tekst źródła1877-1968, Schlumberger Jean, Salmon Gilbert-Lucien i Mercier Pascal, red. Jean Schlumberger et la Nouvelle revue française: Actes du colloque de Guebwiller et Mulhouse des 25 et 26 décembre 1999. Paris, France: Harmattan, 2004.
Znajdź pełny tekst źródłaPascal, Mercier, i Association François Guizot-Val-Richer, red. Jean Schlumberger face à l'histoire: Colloque organisé par l'Association François Guizot-Val-Richer, le 20 octobre 2004 ; actes publiés sous la direction de Pascal Mercier. Lisieux: Association le Pays d'Auge, 2005.
Znajdź pełny tekst źródłaJEAN SCHLUMBERGER. Franco Maria Ricci, 1991.
Znajdź pełny tekst źródłaBizot, Chantal, Evely Posseme, Marie-Noel De Gary i Helene David-weill. Jewels of Jean Schlumberger. Harry N. Abrams, 2001.
Znajdź pełny tekst źródłaJean Schlumberger: The Rachel Lambert Mellon Collection from the Virginia Museum of Fine Arts. Virginia Museum of Fine Arts, 2019.
Znajdź pełny tekst źródłaCzęści książek na temat "Jean Schlumberger"
Wild, Gerhard. "Schlumberger, Jean". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17879-1.
Pełny tekst źródłaKemp, Friedhelm. "Schlumberger, Jean: L'inquiète paternité". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17880-1.
Pełny tekst źródłaMercier, Pascal, i Jean Schlumberger. "À propos d’une note inédite de Jean Schlumberger". W Lectures d’André Gide, 205–11. Presses universitaires de Lyon, 1994. http://dx.doi.org/10.4000/books.pul.42662.
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