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Artykuły w czasopismach na temat "Jean Genet"
Marty, Éric. "Jean Genet, tabou". Les Temps Modernes 632-633-634, nr 4 (2005): 84. http://dx.doi.org/10.3917/ltm.632.0084.
Pełny tekst źródłaCreech, James. "Outing Jean Genet". Yale French Studies, nr 91 (1997): 117. http://dx.doi.org/10.2307/2930377.
Pełny tekst źródłaMarty, Éric. "Jean Genet à Chatila". Les Temps Modernes 622, nr 1 (2003): 2. http://dx.doi.org/10.3917/ltm.622.0002.
Pełny tekst źródłaKÜZECİ, Deniz. "Mécène de Jean Genet". International Journal of Languages' Education 1, Volume 6 Issue 1 (1.01.2018): 154–62. http://dx.doi.org/10.18298/ijlet.2718.
Pełny tekst źródłaThody, Philip, i Ian Magedera. "Jean Genet: 'Les Bonnes'". Modern Language Review 95, nr 2 (kwiecień 2000): 521. http://dx.doi.org/10.2307/3736199.
Pełny tekst źródłaCliche, Anne Élaine. "L'atelier de Jean Genet". Tangence, nr 54 (1997): 41. http://dx.doi.org/10.7202/025936ar.
Pełny tekst źródłaSandarg, Robert. "Jean Genet in Chicago". Romance Quarterly 38, nr 1 (luty 1991): 39–47. http://dx.doi.org/10.1080/08831157.1991.11000512.
Pełny tekst źródłaMiller, Judith G. "Splendid’s by Jean Genet". L'Esprit Créateur 35, nr 1 (1995): 80. http://dx.doi.org/10.1353/esp.1995.0044.
Pełny tekst źródłaRichter, Florence. "Jean Genet, poète et voyou". Histoire de la justice 23, nr 1 (2013): 235. http://dx.doi.org/10.3917/rhj.023.0235.
Pełny tekst źródłaCorrado, Jean-Christophe. "Jean Genet et la trahison". Roman 20-50 65, nr 2 (2018): 175. http://dx.doi.org/10.3917/r2050.065.0175.
Pełny tekst źródłaRozprawy doktorskie na temat "Jean Genet"
Unger, Bettina. "Das Lied der Liebe bei Jean Genet /". München [u.a.] : Fink, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2952572&prov=M&dok_var=1&dok_ext=htm.
Pełny tekst źródłaPang, Ka-wing Steven, i 彭家榮. "Schizophrenia / androgyny: mapping Jean Genet". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952793.
Pełny tekst źródłaDahan, Chantal. "Jean Genet, le captif imaginaire". Paris 7, 1991. http://www.theses.fr/1991PA070118.
Pełny tekst źródłaThis essay involves a study of the two first works of jean genet which include, we believe, the work's genesis and the author legend. It studies, in three points, the alchemy consisting in dissolving and recombining, through an esthetical elaboration, the abject of an origine and of a belonging. The first point analyses the different effects of directing the writing act from a prison cell. The second point keeps close to the structure of the "miror" tale, of the writer's imaginary structure. The third point studies the esthetical "conversion" of the abject through the litterary and linguistic stakes. Place of the begetting of a writing subject, these works register the birth of a writer. While giving him a litterary filiation, they are registering him in the symbolical world
Corrado, Jean-Christophe. "Le lyrisme de Jean Genet". Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL112.
Pełny tekst źródłaThis thesis tackles the task of reading Jean Genet’s works through the notion of lyricism. The defining features of lyricism can be distributed into four main categories through which this thesis addresses Genet’s works. First and foremost, subjectivity and the writing of the I : everything in Genet’s writing directs attention towards Genet himself, so that the diegesis appears to be no more than a mere pretext to write about the feelings of the narrator Jean Genet. The second category encompasses love writing and the expression of desire. Genet claims to walk in the footsteps of Ronsard, but petrarchism and medieval lyrics are relocated in prisons cells and gay cruising areas through books that bring together the most daring pornography and the sappiest sentimentality. The third category consists in laudation, along with the rhetoric devices of exaggeration and magnification, and the last one in the poet ethos that Genet establishes in his books even though he wrote more novels than verses. Genet appears as a poet by means of self-representation strategies, by virtue of a thorough metaliterary effort aiming at presenting his novels as long prose poems, and by the use, in his novels, of several formal characteristics borrowed from the poetic genre
Basri, Aïcha El. "L'écriture carcérale de Jean Genet". Chambéry, 1996. http://www.theses.fr/1996CHAML003.
Pełny tekst źródłaThe work of Jean Genet is analysed here in the light of the poetic of the imaginary : description of passage movements of the real prison to the imaginary prison through the metamorphosis of space and the report to the time. Space and time are submitted to centripetal forces (reduction, retraction, descent. . . ) in hillock to centrifugal forces (expansion, ascension. . . ) to the point of rupture between the inside and the outside, the closed and the open, the visible and the invisible, the infinity of the time and the fugacity of the moment. In this experience of limits, all competes with the construction of an imaginary refuge. The body appears as one of the ultimate refuge, cosmos-theater of all these movements. Similarly, the space of the text, in his syntactic arrangement, is wrought by all these movements. From the dynamics of this writing that all spaces, in their contraction, borrow their motives from the prison. That is as well as the being of Genet forges his clean identity of prison life in the confinement of the refuge
Campos, Daniel Correa Felix de. "A paixão segundo Jean Genet". Florianópolis, SC, 2002. http://repositorio.ufsc.br/xmlui/handle/123456789/83694.
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Esta dissertação tem como título: A Paixão segundo Jean Genet: Labirintos e Barroquismos e se estende em dois intentos principais: o primeiro, consiste no estudo da arte e da estética de Genet pelo qual se procura dar fundamentação ou sustentação ao pressuposto de que sua arte revela certa tendência barroquizante. Esse intento contém também duas compreensões a saber: a do processo de escrita denominado - O labirinto de Genet e a análise dessa arte cotejando diferentes conceitos relativos ao Barroco, sobretudo aqueles fundamentados em Walter Benjamin, Heinrich Wölfflin e Eugenio D'Ors e, ainda, contemplando a poética e a estética de Genet sob o pensar filosófico de Hegel, Gaston Bachelard e Herbert Marcuse. Essas duas compreensões correspondem respectivamente aos três primeiros capítulos. O segundo intento, a leitura da paixão, se faz alicerçada em Foucault e em Bataille. Trata-se então do erotismo, da transgressão e da paixão presentes na Arte de Genet, em que os jogos de sedução, desejo e poder se realizam nas relações eróticas, ou simplesmente na intimidade e na cumplicidade entre homens. Considera-se que esse segundo intento atravessa toda a dissertação. E, ainda, no desdobre desse propósito se compõe e se atinge o quarto capítulo, nele se reflete de modo particular o homoerotismo em Genet. Segue-se a conclusão, que se apresenta antes como um descortino da arte, da paixão e do erotismo em Genet do que como concluimento ou mero desfecho.
Bolouki, Mahtab. "Jean Genet et l'architecture du vide". Paris 3, 2004. http://www.theses.fr/2004PA030140.
Pełny tekst źródłaDaviron, Caroline. "Elles : les femmes dans l'oeuvre de Jean Genet /". Paris : l'Harmattan, 2007. http://catalogue.bnf.fr/ark:/12148/cb411912818.
Pełny tekst źródłaKo, In-Sook. "Aspects de la dramaturgie de Jean Genet". Paris 3, 2002. http://www.theses.fr/2002PA030004.
Pełny tekst źródłaThis dissertation had for ambition the analysis of aspects of Jean Genet's dramaturgy through his plays, including the posthumously published ones : Haute Surveillance, Les Bonnes, Le Balcon, Les Nègres, Les Paravents, Elle, Splendid's, Le Bagne. The originality of this work is found in its inclusion of the posthumous plays which are here given the same weight as those published in Genet's life time. This work brings to light the importance and the role of each and every one of these plays into the Genetian world as well as their contribution to the homogeneity of his theatre. In this light, I proceeded with the study of "Characters", "Space", "Discourse", and "Reception". The analysis of these four aspects highlighted the main characteristics of Genet's theatre and his vision of the world : his refusal of the old moral, social, and aesthetic order, his questioning of the language of the theatre, and his exaltation of theatricality, his exploration of the world of dreams and obsessions, and his despoiling of the image game which is well engraved in our world. .
Lambert, Emmanuelle. "Jean Genet : le travail du texte théâtral". Paris 7, 2003. http://www.theses.fr/2003PA070051.
Pełny tekst źródłaThe works of Jean Genet began with the self-construction of his name and his figure as an author. With the access to the theatrical form, this aesthetic imperative is supposed to be exceeded by the rules of this new poetic genre. But the expression "the theatre of Jean Genet" refers to a moving production, changing during the years, and showing its movements or its processes offered to the act of reading. To observe the differences and the correspondences enable to read what we call a new text - the "working process of the dramatic text"; within this work reappears the supposed outside figure of the author, invading his proper production in a paradoxical way, productive and destructive at the same time, as an image of the fight between Jean Genet and the Theatre
Książki na temat "Jean Genet"
Jean Genet. Boston: Twayne, 1989.
Znajdź pełny tekst źródłaJean Genet. London: Reaktion Books, 2004.
Znajdź pełny tekst źródłaJean Genet. Lyon: La Manufacture, 1988.
Znajdź pełny tekst źródłaFichte, Hubert. Jean Genet. Aachen: Rimbaud, 1992.
Znajdź pełny tekst źródłaDictionnaire Jean Genet. Paris: Honoré Champion éditeur, 2014.
Znajdź pełny tekst źródłaMétamorphoses de Jean Genet. Dijon: Éditions universitaires de Dijon, 2013.
Znajdź pełny tekst źródłaMagedera, Ian H. Jean Genet, Les bonnes. Glasgow: University of Glasgow French and German Publications, 1998.
Znajdź pełny tekst źródłaShukrī, Muḥammad. Jean Genet in Tangier. New York: Ecco Press, 1990.
Znajdź pełny tekst źródłaWinkler, Josef. Flowers for Jean Genet. Riverside, Calif: Ariadne Press, 1997.
Znajdź pełny tekst źródłaTafta, Nicolae. Jean Genet: Une plurilecture. Saint-Claude de Diray: Editions Hesse, 2000.
Znajdź pełny tekst źródłaCzęści książek na temat "Jean Genet"
Botond, Anneliese, i KLL. "Jean Genet". W Kindler Kompakt: Drama des 20. Jahrhunderts, 135–37. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_29.
Pełny tekst źródłaWild, Gerhard. "Genet, Jean". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3759-1.
Pełny tekst źródłaSchulman, Sarah. "Jean genet". W My American History, 161–62. Second edition. | Abingdon, Oxon;: Routledge, 2018. http://dx.doi.org/10.4324/9781315121765-35.
Pełny tekst źródłaBotond, Anneliese. "Jean Genet". W Kindler Kompakt Französische Literatur 20. Jahrhundert, 121–22. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05533-0_26.
Pełny tekst źródłaBotond, Anneliese, i KLL. "Genet, Jean: Les bonnes". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3760-1.
Pełny tekst źródłaBotond, Anneliese, i KLL. "Genet, Jean: Le balcon". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3763-1.
Pełny tekst źródłaNievers, Knut, i KLL. "Genet, Jean: Les nègres". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3764-1.
Pełny tekst źródłaNievers, Knut, i KLL. "Genet, Jean: Les paravents". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3765-1.
Pełny tekst źródłaJobst, Peter. "Jean Genet (1910–1986)". W Frauenliebe Männerliebe, 179–83. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_40.
Pełny tekst źródłaNorrish, Peter. "Jean Genet: Tragic Masquerades". W New Tragedy and Comedy in France 1945–70, 107–23. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-06780-0_8.
Pełny tekst źródłaStreszczenia konferencji na temat "Jean Genet"
Erdal Öztopanlar, Zeynep. "Jean Genet Oyunlarını Simülasyon ve Simülatif Gerçeklik İle Düşünmek". W 4th International Symposium on Innovative Approaches in Architecture, Planning and Design. SETSCI, 2019. http://dx.doi.org/10.36287/setsci.4.7.051.
Pełny tekst źródłaADIGÜZEL, Ahmet. "ALİ BİN İSHAK’IN BÂHNÂMESİNDE FİİL ÇEKİMLERİ VE YAPILARI". W International Research Congress of Language and Literature of Language and Literature. Rmar Academy, 2021. http://dx.doi.org/10.47832/languagecongress978-605-065876-5.
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