Gotowa bibliografia na temat „Jack Kerouac”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Jack Kerouac”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Jack Kerouac"
Merrill, Robert, i Warren French. "Jack Kerouac." American Literature 59, nr 4 (grudzień 1987): 687. http://dx.doi.org/10.2307/2926641.
Pełny tekst źródłaButterick, George F., i Tom Clark. "Jack Kerouac". New England Quarterly 58, nr 1 (marzec 1985): 152. http://dx.doi.org/10.2307/365282.
Pełny tekst źródłaBeards, R., i Tom Clark. "Jack Kerouac". World Literature Today 59, nr 2 (1985): 274. http://dx.doi.org/10.2307/40141558.
Pełny tekst źródłaSadr, Saman, i Fazel Asadi Amjad. "The Struggle between the Dharma Bums and the Police: A Foucauldian Reading of The Dharma Bums". Journal of Critical Studies in Language and Literature 3, nr 2 (22.01.2022): 15–19. http://dx.doi.org/10.46809/jcsll.v3i2.131.
Pełny tekst źródłaAmjad, Fazel Asadi, Kamran Ahmadgoli i Saman Sadr. "Representing the Zeitgeist: A Foucauldian Reading of Jack Kerouac’s The Subterraneans". International Journal of Linguistics, Literature and Translation 3, nr 10 (30.10.2020): 148–54. http://dx.doi.org/10.32996/ijllt.2020.3.10.17.
Pełny tekst źródłaAnctil, Pierre. "Jack Kerouac anachronique". Voix et Images 13, nr 3 (1988): 408. http://dx.doi.org/10.7202/200729ar.
Pełny tekst źródłaWigand, Moritz E., Nicolas Rüsch i Thomas Becker. "Jack Kerouac Revisited". Journal of Nervous and Mental Disease 204, nr 10 (październik 2016): 728–35. http://dx.doi.org/10.1097/nmd.0000000000000520.
Pełny tekst źródłaMcMillan, Bo. "Food Is the New Jazz?: Jack Kerouac and Food Writing". Gastronomica 18, nr 4 (2018): 13–25. http://dx.doi.org/10.1525/gfc.2018.18.4.13.
Pełny tekst źródłaAnstee, Rod, Maurice Poteet i Hélène Bédard. "Bibliographie de Jack Kerouac". Voix et Images 13, nr 3 (1988): 426. http://dx.doi.org/10.7202/200732ar.
Pełny tekst źródłaLititz, Jacob. "Jack Kerouac by Tom Clark". Western American Literature 21, nr 2 (1986): 151–52. http://dx.doi.org/10.1353/wal.1986.0019.
Pełny tekst źródłaRozprawy doktorskie na temat "Jack Kerouac"
Wotypka, Joanne Lee. "Jack Kerouac, Dharma Voyeur". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40020.pdf.
Pełny tekst źródłaShrader, Kyle. "Jack Kerouac Does Not Lie". Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6224.
Pełny tekst źródłaM.F.A.
Masters
English
Arts and Sciences
Lester, Malcolm Coltrane. "Jack Kerouac: The Quest for Thoreau's West". W&M ScholarWorks, 1995. https://scholarworks.wm.edu/etd/1539625985.
Pełny tekst źródłaSerban, Sarah-Belle. "Jack Kerouac et la métaphore de la route". Paris 4, 1991. http://www.theses.fr/1991PA040318.
Pełny tekst źródłaRous, Jean-Marie. "Jack Kerouac mythes et culpabilités d'un écrivain américain /". Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37609532j.
Pełny tekst źródłaLaganière, Frédéric. "Sur la route de Jack Kérouac : un roman initiatique /". Thèse, Trois-Rivières : Université du Québec à Trois-Rivières, 1998. http://www.uqtr.ca/biblio/notice/tablemat/03-2192213TM.html.
Pełny tekst źródłaSilva, Junior Sávio Augusto Lopes da. "Contracultura e contramemória em Os Subterrâneos, de Jack Kerouac". reponame:Repositório Institucional da UFOP, 2014. http://www.repositorio.ufop.br/handle/123456789/3928.
Pełny tekst źródłaSubmitted by Oliveira Flávia (flavia@sisbin.ufop.br) on 2014-10-09T18:55:21Z No. of bitstreams: 2 license_rdf: 22190 bytes, checksum: 19e8a2b57ef43c09f4d7071d2153c97d (MD5) DISSERTAÇÃO_ContraculturaContramemóriaSubterrâneos.pdf: 1997006 bytes, checksum: 1537466225a27e713a232e9703aae537 (MD5)
Approved for entry into archive by Gracilene Carvalho (gracilene@sisbin.ufop.br) on 2014-11-18T14:34:51Z (GMT) No. of bitstreams: 2 license_rdf: 22190 bytes, checksum: 19e8a2b57ef43c09f4d7071d2153c97d (MD5) DISSERTAÇÃO_ContraculturaContramemóriaSubterrâneos.pdf: 1997006 bytes, checksum: 1537466225a27e713a232e9703aae537 (MD5)
Made available in DSpace on 2014-11-18T14:34:51Z (GMT). No. of bitstreams: 2 license_rdf: 22190 bytes, checksum: 19e8a2b57ef43c09f4d7071d2153c97d (MD5) DISSERTAÇÃO_ContraculturaContramemóriaSubterrâneos.pdf: 1997006 bytes, checksum: 1537466225a27e713a232e9703aae537 (MD5) Previous issue date: 2014
Este trabalho pretende analisar a obra literária Os subterrâneos, do autor norte-americano Jack Kerouac, tendo como base os termos contramemória e contracultura. A expressão contramemória foi cunhada por Aleida Assmann (2011), que observa a forma como a literatura constrói uma memória formada a partir de descartes dos arquivos da cultura oficial. Estes descartes nos remetem ao bebop, estilo de jazz muito presente na obra analisada e famoso por sua agilidade que destoa do jazz comercial. A corrente bebop, por muito tempo, foi apreciada por um público muito específico, criando assim uma forma de contracultura. O termo contracultura – cunhado por Theodore Roszak (1972) e, posteriormente, apropriado por diversas manifestações culturais – define culturas que vivem às margens da sociedade e que se opõem à cultura dominante, tida como opressora. O romance Os subterrâneos, publicado pela primeira vez em 1958, trata do envolvimento do narrador Leo Percepeid – codinome de Jack Kerouac – e Mardou Fox, integrante genuina da cultura do bebop jazz, marginalizada e de origens afro-americana. Em meio ao cenário boêmio de North Beach em São Francisco, Percepeid permeia uma cultura que lhe é estranha, visto que este é integrante da classe media branca norte-americana. As diferenças sociais e culturais do casal criam uma constante tensão, relacionada à marginalização vivida por Mardou Fox e a cultura a qual ela faz parte. Este trabalho também busca resgatar parte da herança literária de Jack Kerouac para observar a forma como o cânone se mistura à contracultura presente em seu romance. Acredita-se que essa mistura entre alta cultura e marginalização busque legitimar a contracultura, expandindo o cânone literário e inserindo-a no arquivo da contramemória. ____________________________________________________________________________________________
ABSTRACT: This study aims to analyze the literary work The Subterraneans, by the North American writer Jack Kerouac, basing on the terms countermemory and counterculture. The expression countermemory was coined by Aleida Assmann (2011), who observes how literature builds a memory containing discharges from the official culture archives. These discharges refer to bebop, a jazz style known by its agility that differs from commercial jazz and that was, for a long period, appreciated by a restrained public, so that created a counterculture form. The term counterculture – coined by Theodore Roszak (1972) and, later, suited to many culture expressions – defines cultures that exist at the margins of society and that are against the dominant culture, seen as oppressive. The novel The Subterraneans was published for the first time in 1958 and deals with the entanglement of the narrator Leo Percepeid – Jack Kerouac’s alias – and Mardou Fox, a genuine member of bebop jazz culture, marginalized and Afro-American rooted. Surrounded by the bohemian scenario of North Beach, San Francisco, Percepeid introduces himself in a culture that is strange to him, as he belongs to a North American white middle class. The couple’s social and cultural differences create a constant tension, related to Mardou Fox’s culture and marginalized lifestyle. This work also seeks to explore part of the literary heritage in Jack Kerouac and observe the way that the literary canon meddles to the counterculture. It is considered that the mixing of high and marginalized cultures aims to legitimate the counterculture, as it expands the literary canon and insert it in the countermemory archive.
Brophy, Mary-Beth. "Some lost bliss : tracing the dark night of the soul in Jack Kerouac's 'Visions of Gerard', 'The dharma bums', 'Desolation angels', and 'Big Sur' : and an excerpt from the novel 'Mayor of Hollywood'". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2132.
Pełny tekst źródłaJenkins, Barry S. "Jack Kerouac and the "Beat" sect of American Zen Buddhism /". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ34189.pdf.
Pełny tekst źródłaMeyberg, Maíra Alcantara. "Movendo-se pelas estradas: a formação errante de Jack Kerouac". Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7926.
Pełny tekst źródłaThis studys aim is to analyze the novel On the Road, by the Beat writer Jack Kerouac, in relation to Travel Literature tradition. The study is based in two specific perspectives: self-writing and writing about the Other. Concerning the latter, we focused on the nuances of ethnography and historiography that show up in the novel and might be linked to the tradition. About self-writing, we analyze the novels relation to the concept of Novel of Development, very common in travel writing. As a conclusion, we suggest that the book either follows the trends, or rebels, depending on the point of view. On the Road and its author could be considered, therefore, always on the move
Książki na temat "Jack Kerouac"
Jack Kerouac. Boston: Twayne Publishers, 1986.
Znajdź pełny tekst źródłaBehnke, Alison. Jack Kerouac. Minneapolis, MN: Twenty-First Century Books, 2007.
Znajdź pełny tekst źródłaMcKee, Jenn. Jack Kerouac. Philadelphia: Chelsea House Publishers, 2004.
Znajdź pełny tekst źródłaWasch, K. Jack Kerouac. Assen: Servo, 2005.
Znajdź pełny tekst źródłaUnderstanding Jack Kerouac. Columbia: University of South Carolina Press, 2000.
Znajdź pełny tekst źródłaJack Kerouac: Essai. Montréal: Stanké, 1987, c1973, 1987.
Znajdź pełny tekst źródłaTheado, Matt. Understanding Jack Kerouac. Columbia: University of South Carolina Press, 2000.
Znajdź pełny tekst źródłaTom, Clark. Kerouac's last word: Jack Kerouac in Escapade. Sudbury, Mass: Water Row Press, 1986.
Znajdź pełny tekst źródłaPasquereau, Daniel. Tombeau de Jack Kerouac. Paris: L'Incertain, 1994.
Znajdź pełny tekst źródłaParker, Brad. Jack Kerouac: An introduction. Lowell, Mass. (243 Worthen St., Lowell 01852): Lowell Corp. for the Humanities, 1989.
Znajdź pełny tekst źródłaCzęści książek na temat "Jack Kerouac"
von Gebsattel, Jerôme, i Henning Thies. "Jack Kerouac". W Kindler Kompakt: Reiseliteratur, 168–70. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04508-9_39.
Pełny tekst źródłaThies, Henning. "Kerouac, Jack". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5619-1.
Pełny tekst źródłavon Gebsattel, Jerôme, i Henning Thies. "Jack Kerouac". W Kindler Kompakt Amerikanische Literatur 20. Jahrhundert, 128–30. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05528-6_27.
Pełny tekst źródłaLeypoldt, Günter. "Kerouac, Jack (eigentlich Jean Louis Lebris de Kerouac)". W Englischsprachige Autoren, 158–60. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_61.
Pełny tekst źródłaGebsattel, Jerôme von, i Henning Thies. "Kerouac, Jack: On the Road". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5620-1.
Pełny tekst źródłaThies, Henning. "Kerouac, Jack: The Dharma Bums". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5621-1.
Pełny tekst źródłaGrace, Nancy M. "Introduction". W Jack Kerouac and the Literary Imagination, 1–26. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-349-73466-5_1.
Pełny tekst źródłaGrace, Nancy M. "A Creation Story". W Jack Kerouac and the Literary Imagination, 27–54. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-349-73466-5_2.
Pełny tekst źródłaGrace, Nancy M. "The Novitiate: Journals, Letters, and Early Fiction". W Jack Kerouac and the Literary Imagination, 55–78. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-349-73466-5_3.
Pełny tekst źródłaGrace, Nancy M. "The Quest—Part I: On the Road". W Jack Kerouac and the Literary Imagination, 79–100. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-349-73466-5_4.
Pełny tekst źródłaStreszczenia konferencji na temat "Jack Kerouac"
JUNIOR, Claudinei de Freitas, i Crislayne Fátidos dos ANJOS. "REBELDIA DE UMA GERAÇÃO: O ZEN-BEAT ATRAVÉS DA LITERATURA DE JACK KEROUC." W XI Seminário de Pesquisa em Ciencias Humanas. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/sosci-xisepech-gt21_259.
Pełny tekst źródła