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Artykuły w czasopismach na temat "J.R.R. Tolkien"
Gulliver, Peter. "J. R. R. Tolkien and the OED". English Today 18, nr 4 (16.09.2002): 53–55. http://dx.doi.org/10.1017/s0266078402004091.
Pełny tekst źródłaMoulin, Joanny. "J. R. R. Tolkien l'antimoderne". Études anglaises 62, nr 1 (2009): 73. http://dx.doi.org/10.3917/etan.621.0073.
Pełny tekst źródłaCossio, Andoni. "Further notes on J. R. R. Tolkien’s photostats of The Equatorie of the Planetis (MS Peterhouse 75.I)". SELIM. Journal of the Spanish Society for Medieval English Language and Literature. 27, nr 1 (28.07.2022): 166–76. http://dx.doi.org/10.17811/selim.27.2022.166-176.
Pełny tekst źródłaSayer, George. "Recollections of J. R. R. Tolkien". Chesterton Review 28, nr 1 (2002): 188–200. http://dx.doi.org/10.5840/chesterton2002281/233.
Pełny tekst źródłaRhoads, Diana Akers. "Democratic Man, Last Man? J. R. R. Tolkien's Alternative". Public Voices 2, nr 3 (11.04.2017): 43. http://dx.doi.org/10.22140/pv.387.
Pełny tekst źródłaSue Parman. "A Song for J. R. R. Tolkien". Antioch Review 73, nr 1 (2015): 34. http://dx.doi.org/10.7723/antiochreview.73.1.0034.
Pełny tekst źródłaRussell, Beth. "The Birthplace of J. R. R. Tolkien". Tolkien Studies 2, nr 1 (2005): 225–29. http://dx.doi.org/10.1353/tks.2005.0030.
Pełny tekst źródłaCoats, Karen. "J. R. R. Tolkien (review)". Bulletin of the Center for Children's Books 65, nr 3 (2011): 175–76. http://dx.doi.org/10.1353/bcc.2011.0840.
Pełny tekst źródłaBirzer, Bradley J. "J. R. R. Tolkien: Author of the Century". Catholic Social Science Review 7 (2002): 225–27. http://dx.doi.org/10.5840/cssr2002721.
Pełny tekst źródłaHASIRCI, Baris. "An Examination of Fantasy Illustration and the Illustrations of Pauline Baynes and John Howe Through the Writings of J. R. R. Tolkien". Journal of Social Research and Behavioral Sciences 7, nr 14 (10.12.2021): 25–54. http://dx.doi.org/10.52096/jsrbs.7.14.3.
Pełny tekst źródłaRozprawy doktorskie na temat "J.R.R. Tolkien"
Johnston, Amanda J. "J. R. R. Tolkien, War, and Nationalism". Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_diss/54.
Pełny tekst źródłaBirks, Annie. "La rétribution dans l’œuvre de J. R. R. Tolkien". Paris 4, 2007. http://www.theses.fr/2007PA040125.
Pełny tekst źródłaThe object of this thesis is to identify a retributive logic in the works of J. R. R. Tolkien. The definition adopted for the concept of retribution is that found in the Vocabulaire de Théologie Biblique, i. E. « receiving a reward or a punishment according to what has been done ». The observation of the key-characters and peoples shows great coherence in the treatment of retribution and highlights Tolkien’s Christian faith. The investigation mainly focuses on The Silmarillion, The Hobbit, The Lord of the Rings, and also on the two short stories Leaf by Niggle and Smith of Wootton Major
Cheung, Ka-yee. "A stylistic approach to J.R.R. Tolkien's The hobbit and The lord of the rings /". Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628612.
Pełny tekst źródłaArantes, Judith Tonioli. "Fantasy e mito em o silmarillion de J. R. R. Tolkien". Universidade Presbiteriana Mackenzie, 2016. http://tede.mackenzie.br/jspui/handle/tede/2921.
Pełny tekst źródłaMade available in DSpace on 2016-11-28T20:09:09Z (GMT). No. of bitstreams: 2 Judith Tonioli Arantes.pdf: 1348559 bytes, checksum: ea4435da15e5c53860582aab1441adfe (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-08-09
This thesis studies The Silmarillion, a work by J. R. R. Tolkien, in order to identify the mythic structure that underlies the fantasy literature. Myths reveal the sacred and the actions of the heroes and gods in illo tempore and, when taken to the literary work of J.R.R. Tolkien, they allow some thinking about the diferente aspects that are part of the fantasy literature. The Silmarillion can be understood both as a mythological compendium of myths and narratives, and as na expression of fantasy as a genre, what composes the foundation to the thought concerning the the creation of the Secondary World known, in the scope of Tolkien’s work, as Arda. The theoretical studies by Norhtrop Frye regarding the mythological structure presented in literature and the meaning and purport of myths, as well as the theoretical perspectives on fantasy literature as developed by Rosemary Jackson, Lucie Armitt and Farah Mendlesohn, provide the toolsto this study along with the essay by Tolkien known as On fairy stories, that delas with the functions of fairy stories, which can be harmonized with fantasy literature in this study. It is possible, thus, to verify that not only does Tolkien create a World which is the stage to the events in his Works, but also creates, even more specifically, a way to think and write myths in literature aiming to think about importante aspects of the Primary World, that is, the World understood as real. In order to understand the relationship established between the Primary and the Secondary Worlds, three categories which are based on the narrative are presented: the fall, the redemption, and the hope. When considered in the light of the mythological themes and the biblical narrative, they allow the understanding about the dianoia that underlies Tolkien’s narrative, mainly in The Silmarillion.
Esta tese estuda a obra O Silmarillion, de J.R.R. Tolkien a fim de identificar a estruturação mítica que subjaz à literatura de fantasia. Os mitos revelam o sagrado e as ações dos heróis e dos deuses in illo tempore e, quando deslocados para a composição literária de J.R.R. Tolkien, permitem uma reflexão sobre os diferentes aspectos que caracterizam o gênero fantasy. A obra O Silmarillion pode ser compreendida tanto como um compêndio de mitos e narrativas, quanto como uma expressão do gênero fantasia, o que compõem a base para uma reflexão a respeito do pensamento subjacente à criação do Mundo Secundário, conhecido no âmbito da obra de J.R.R. Tolkien, como Arda. Neste estudo, são instrumentalizados os estudos teóricos de Northrop Frye acerca da estrutura mitológica presente na literatura e dos sentidos e significados dos mitos, além das perspectivas teóricas sobre a literatura de fantasia, desenvolvidas nas obras de Rosemary Jackson, Lucie Armitt e Farah Mendlesohn, incluindo, também, o estudo teórico de Tolkien, On fairy stories, que discute as funções das histórias de fadas, que podem ser conciliadas, neste estudo, com a literatura de fantasia. Verifica-se, então, que Tolkien não apenas cria um Mundo, que é palco das narrativas descritas em suas obras, mas cria também e, principalmente, um modo de pensar e escrever o mito na literatura a fim de refletir aspectos importantes do Mundo Primário, ou seja, o mundo postulado como real. Para a compreensão das relações estabelecidas entre o Mundo Primário e o Mundo Secundário, apresentam-se três categorias estruturadoras da narrativa: a queda, a redenção e a esperança, as quais, quando relacionadas aos temas mitológicos e à narrativa bíblica, permitem compreender a dianoia subjacente à narrativa tolkieniana, sobretudo em O Silmarillion.
Gomes, Emanuelle Garcia. "Fantasia e História: uma abordagem teórica em J. R. R. Tolkien". Universidade Federal de Uberlândia, 2017. https://repositorio.ufu.br/handle/123456789/19803.
Pełny tekst źródłaThis dissertation intends to investigate fantasy literature as in fairy tales from the apparent impasse between rationality and the magic and poetic order. Would the fantasy narratives have something to say? Could the magical vision of texts not be restricted just to children readers? Why is this kind of narrative characterized by literary theory (as well as literary critics) as a minor literature? If they do not have much to say, why do they still remain known and constantly recreated, or studied and analyzed by other areas of knowledge, such as psychoanalysis? Imagination guides the production in the arts and, as a human act, proposes a denser and more consistent view. Therefore, the author and academic J. R. R. Tolkien is the source of this research. Thus, under the artistic creation view, the attempt is to formulate the contraposition between two great currents analysis of the effect provided by the plot that has its historical importance: the Platonic/Aristotelian tradition versus Kant and the romantics’ esthetic tradition.
Dissertação (Mestrado)
Dufau, Jean Christophe. "L'etre et le temps dans l'oeuvre de j. R. R. Tolkien". Artois, 2000. http://www.theses.fr/2000ARTO0002.
Pełny tekst źródłaWatkins, Shana. "Embracing the Took kinship between Middle Earth and Sixties youth /". Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1399/umi-uncg-1399.pdf.
Pełny tekst źródłaTitle from PDF t.p. (viewed Oct. 18, 2007). Directed by Hephzibah Roskelly; submitted to the Dept. of English. Includes bibliographical references (p. 73-75).
O'Brien, Roderick. "J. R. R. Tolkien (1892-1973) : bases des oeuvres de Tolkien : son art et ses sources". Nancy 2, 1996. http://www.theses.fr/1996NAN21025.
Pełny tekst źródłaIn all his works, and in particular in the lord of the rings, the fantasy world created by Tolkien reflects his philosophy of art. The first part of the thesis seeks to analyze this philosophy of art, of which the kernel is "sub-creation»: parallel to divine creation there is, according to Tolkien, a sub-creation which is the artist's work. By means of this sub-creation Tolkien is able to create a fantastic realism, a new sort of truth. He manages this by using a blend of traditional literary forms (quest, heroic adventures, fairy-stories, legends) and personal inventions (world of "middle-earth"). If one considers this literary creation based on a mixture of erudition and invention, it may be wondered which type of reader Tolkien wished to address: child or adult? The second part studies the sources that nourished Tolkien’s works, by attempting to differentiate between myths, legends and fairy-stories. This part reinforces the idea that Tolkien, who was highly erudite, indeed follows a great tradition, but he also adds to it another dimension, thereby leaving his own personal and original mark on the traditional material. The aim of part three is to evaluate the use of personal experience in Tolkien’s works: Tolkien is a twentieth-century man and so inevitably this world is reflected in his tales. This part of the study is not only about the author's roots and the place of contemporary history in his work, but also his fundamental motivations - religion, friendship and love. In conclusion it may be said that in his "fantasy" books, Tolkien did not evade the real world as it is, but wished to disguise it so as to speak more effectively about reality as he perceives it
Korpua, J. (Jyrki). "Constructive Mythopoetics in J. R. R. Tolkien's Legendarium". Doctoral thesis, Oulun yliopisto, 2015. http://urn.fi/urn:isbn:9789526209289.
Pełny tekst źródłaTiivistelmä Väitöskirjani käsittelee konstruktiivista mytopoetiikkaa J. R. R. Tolkienin legendaariossa. Työ keskittyy ennen kaikkea mytopoeettiseen logiikkaan ja elementteihin, joiden kautta Tolkienin tekstit ja hänen luomansa fantasiamaailma rakentuvat. Tutkimukseni muodostaa Tolkienin fiktion luennan, joka osoittaa, että Tolkienin legendaariolle voidaan löytää mytopoeettinen koodi. Tämä koodi havainnollistaa, että Tolkienin mytopoeettinen fiktio luo koherentin ja uskottavan kokonaisuuden kielen, myyttien sekä inter- ja intratekstuaalisten vaikutussuhteiden kautta. Tämä yhteenkuuluvuus ja koodi on nähtävissä, vaikka Tolkienin legendaarion osat ovat keskenään perin erilaisia, eri kirjallisuuslajeihin kuuluvia ja vaikka osa on julkaistu vain fragmentteina hänen kuolemansa jälkeen. Tolkienin mytopoeettinen logiikka ja luovan kirjoittamisen teoria näkyvät aina Silmarillion-teoksen kosmogonisesta luomismyytistä kevyen satumaiseen Hobittiin tai aina seikkailufantasiaan Taru Sormusten Herrasta. Tekijänä Tolkien näyttäytyy teoksissaan “alempana luojana” (sub-creator), joka kehittää myyttejä ja rakentaa fantasiamaailmaansa. Tolkienille Jumala on “ylempi luoja”, johon kirjailija vertautuu fiktion tasolla. Väitöskirjani tutkimuslogiikka seuraa Tolkienin legendaarion aikajärjestystä. Aloitan työni maailmanluomisesta, siirryn tämän jälkeen ns. pitkään tappioon ja haipumiseen sekä aina maailmanloppuun saakka. Luomisen teemaa käsitellessäni päähuomioni on sekä Tolkienin legendaarion teosten sisäisessä kertomuksessa että hänen kirjallisen luomisensa estetiikassa. Väitöskirjan loppupuolella käännän huomiotani myös lukijan “luomistyöhön” teoksia lukiessa. Käyttämääni teoreettiseen näkökulmaan ovat vaikuttaneet erityisesti Northrop Fryen konstruktiivinen kirjallisuusteoria sekä Benjamin Harshavin konstruktiivinen poetiikka. Käsittelyssäni ovat myös spekulatiivisen historiallisen epiikan metodit sekä hyvän ja pahan, kuolevaisuuden ja kuolemattomuuden, henkisen ja fyysisen sekä näkyvän ja näkymättömän vastakkainasetteluparit, ja ennen kaikkea se, kuinka nämä vastakkainasetteluparit ja elementit näyttäytyvät Tolkienin mytopoeettisessa visiossa. Tolkienin fiktion konstruktiivinen mytopoetiikka havainnollistuu metafyysisten ja temaattisten käsitteiden Luominen (Creation), Olemassaolo (Existence), Lankeamus (Fall) ja Ponnistelu (Struggle) kautta
Silva, Mariana Souza e. [UNESP]. "A caracterização do feminino em The Silmarillion, de J. R. R. Tolkien". Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/94066.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta dissertação pretende analisar a construção das personagens femininas na obra The Silmarillion, de J. R. R. Tolkien. Esse romance possui um tom fantástico, e é parte de uma mitologia criada por seu autor; as personagens possuem características que vão do humano ao divino, e a maioria delas é formada por homens predominantemente heróicos. O presente trabalho é focado nas personagens femininas da obra, e através da análise de suas descrições físicas e psicológicas, ações, características, enfim, de suas construções, objetiva determinar o modo de representação do autor, chegando-se, assim, a uma reflexão acerca da importância destas personagens na mitologia tolkieniana, à qual The Silmarillion serve como ponto inicial. Faz-se necessário, também, desvendar a influência de fatores políticos, sociais e históricos na criação e desenvolvimento destas personagens. A obra estudada relata os fatos que servem como fundo mítico à criação do mundo no qual se passa, a Terra-média. São contados os acontecimentos que deram origem a tudo, seres e ambientes, sentimentos, o Mal e sua eterna luta contra o Bem pelo poder. Pretendemos realizar este intento com o auxílio de teorias diversas, em especial a linha feminista da crítica literária que se ocupa do papel da mulher como leitora de textos de autoria masculina, como é o caso. Esperamos, também, contribuir com o crescente interesse pela obra do autor inglês, deixado à margem do cânone pela crítica especializada, para que assim se possa reconhecer a importância de sua obra em seu tempo, e também a de suas personagens femininas.
This dissertation intends to analyse the female characterization in the novel The Silmarillion, written by J. R. R. Tolkien. This novel has a fantastic tone, and it is part of a mythology created by its author; the characters have features that go from human to divine, and most of them are formed by men that act as heroes. The present study focuses on the female characters of the novel, and through the analysis of their physical and psychological descriptions, actions, features, in short, their constructions, it intends to determine the author’s way of representation; so, it will be possible to reach a reflection about the importance of these characters in the Tolkienian mythology, to which The Silmarillion figures as the initial point. It is also necessary to unmask the influence of political, social and historical factors on the creation and development of these characters. The novel gives an account on the facts that figure as a mythical background to the world where it is placed, Middle-earth. The events that were the origin to everything, beings and places, feelings, Evil and its eternal fight against Good for power, are told. We intend to achieve this goal with the support of many theories, especially the feminist trend of literary criticism that deals with the role of woman as a reader of texts written by men, as it is the case. We also wish to contribute to the growing interest on the works of the English author, who was left at the edge of the canon by the specialized critics, so that it is possible to recognize the importance of his work at his time, and also the importance of his female characters.
Książki na temat "J.R.R. Tolkien"
Hunt, Peter, red. J. R. R. Tolkien. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-26401-5.
Pełny tekst źródłaGumkowski, Marek, red. J. R. R. Tolkien Listy. Warszawa: Prószyński i S-ka, 2010.
Znajdź pełny tekst źródłaRuud, Jay. Critical companion to J. R. R. Tolkien. New York: Facts On File, 2011.
Znajdź pełny tekst źródłaCritical companion to J. R. R. Tolkien. New York: Facts On File, 2011.
Znajdź pełny tekst źródłaTolkien, J. R. R. Habi ren: The hobbit. Taibei Shi: Lian jing chu ban shi ye gu fen you xian gong si, 2012.
Znajdź pełny tekst źródłaWolf, Mark J. P. J. R. R. Tolkien: Of words and worlds. Nashville, Tenn: Cumberland House Pub., Inc., 2009.
Znajdź pełny tekst źródłaTolkien, J. R. R. Pictures by J.R.R. Tolkien. Boston: Houghton Mifflin, 1992.
Znajdź pełny tekst źródłaHarold, Bloom, red. J.R.R. Tolkien. New York: Bloom's Literary Criticism, 2008.
Znajdź pełny tekst źródłaScull, Christina, i Wayne G. Hammond. J. R. R. Tolkien. Christian Bourgois, 1996.
Znajdź pełny tekst źródłaHorne, Mark. J. R. R. Tolkien. Nelson Incorporated, Thomas, 2011.
Znajdź pełny tekst źródłaCzęści książek na temat "J.R.R. Tolkien"
Saguaro, Shelley, i Deborah Cogan Thacker. "Tolkien and Trees". W J. R. R. Tolkien, 139–55. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-26401-5_10.
Pełny tekst źródłaButler, Catherine. "Tolkien and Worldbuilding". W J. R. R. Tolkien, 106–20. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-26401-5_8.
Pełny tekst źródłaPetzold, Jochen. "Tolkien, J. R. R." W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17248-1.
Pełny tekst źródłaPetzold, Jochen. "J. R. R. Tolkien". W Kindler Kompakt Englische Literatur 20. Jahrhundert, 92–94. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_18.
Pełny tekst źródłaHunt, Peter. "Introduction". W J. R. R. Tolkien, 1–15. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-26401-5_1.
Pełny tekst źródłaHarvey, Kate. "From Illustration to Film: Visual Narratives and Target Audiences". W J. R. R. Tolkien, 156–72. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-26401-5_11.
Pełny tekst źródłaO’Sullivan, Keith. "The Hobbit, the Tale, Children’s Literature, and the Critics". W J. R. R. Tolkien, 16–31. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-26401-5_2.
Pełny tekst źródłaCecire, Maria Sachiko. "Sources and Successors". W J. R. R. Tolkien, 32–47. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-26401-5_3.
Pełny tekst źródłaBird, Hazel Sheeky. "The Pastoral Impulse and the Turn to the Future in The Hobbit and Interwar Children’s Fiction". W J. R. R. Tolkien, 48–61. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-26401-5_4.
Pełny tekst źródłaSullivan, C. W. "Tolkien and the Traditional Dragon Tale: An Examination of The Hobbit". W J. R. R. Tolkien, 62–73. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-26401-5_5.
Pełny tekst źródłaStreszczenia konferencji na temat "J.R.R. Tolkien"
Magomedov, G. YU, i S. V. SHahemirova. "Translation of onomastic realities on the example of translations of the novel by J. R. R. Tolkien “Lord of the rings”". W Scientific dialogue: Young scientist. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-22-05-2020-13.
Pełny tekst źródłaМанцаева, Айна Новрдиевна, i Фарида Абдулхаевна Ибрагимова. "MEANINGS OF NAMES IN THE WORKS OF BRITISH WRITERS: NAMES IN J. R. R. TOLKIEN’S FICTION". W Наука. Исследования. Практика: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Апрель 2020). Crossref, 2020. http://dx.doi.org/10.37539/srp290.2020.42.50.014.
Pełny tekst źródłaKešelj, Vlado, Tanja Kešelj i Larisa Zlatić. "R{j}ecnik.com". W the Workshop. Morristown, NJ, USA: Association for Computational Linguistics, 2004. http://dx.doi.org/10.3115/1610042.1610057.
Pełny tekst źródłaTsushima, Kazuo, D. H. Lu, Gastao Krein i Anthony W. Thomas. "J∕Ψ Mass Shift and J∕Ψ-Nuclear Bound State". W T(R)OPICAL QCD II WORKSHOP. AIP, 2011. http://dx.doi.org/10.1063/1.3587583.
Pełny tekst źródłaDrozenová, Wendy. "Technika, autonomie a etika: ke stému výročí Čapkova dramatu R. U. R." W 100 let R. U. R. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9688-2020-1.
Pełny tekst źródłaHall, P. S. "The contribution of J. R. James to printed antennas". W 2nd European Conference on Antennas and Propagation (EuCAP 2007). Institution of Engineering and Technology, 2007. http://dx.doi.org/10.1049/ic.2007.1282.
Pełny tekst źródłaHarrison, Judd, Christine Davies i Andrew Lytle. "$B_c \rightarrow J/\psi$ Form Factors and $R(J/\psi)$ using Lattice QCD". W 18th International Conference on B-Physics at Frontier Machines. Trieste, Italy: Sissa Medialab, 2020. http://dx.doi.org/10.22323/1.377.0059.
Pełny tekst źródłaYee-Rendon, Bruce, Jun Tamura, Yasuhiro Kondo, Kazuo Hasegawa, Fujio Maekawa, Shin-Ichiro Meigo i Hidetomo Oguri. "Present Status of the R&D of the Superconducting Linac for the JAEA-ADS". W Proceedings of the 3rd J-PARC Symposium (J-PARC2019). Journal of the Physical Society of Japan, 2021. http://dx.doi.org/10.7566/jpscp.33.011043.
Pełny tekst źródłaYamanaka, Masato. "Search for R-parity Violation from J-PARC and LHC". W Proceedings of the 2nd International Symposium on Science at J-PARC — Unlocking the Mysteries of Life, Matter and the Universe —. Journal of the Physical Society of Japan, 2015. http://dx.doi.org/10.7566/jpscp.8.025001.
Pełny tekst źródłaZhu, Xian-Kui, i Brian N. Leis. "Application of Constraint Corrected J-R Curves to Fracture Analysis of Pipelines". W ASME 2005 Pressure Vessels and Piping Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/pvp2005-71202.
Pełny tekst źródłaRaporty organizacyjne na temat "J.R.R. Tolkien"
Eason, E. D., J. E. Wright i E. E. Nelson. Multivariable modeling of pressure vessel and piping J-R data. Office of Scientific and Technical Information (OSTI), maj 1991. http://dx.doi.org/10.2172/5822791.
Pełny tekst źródłaEason, E. D., i E. E. Nelson. Improved model for predicting J-R curves from charpy data: Final report. Office of Scientific and Technical Information (OSTI), kwiecień 1989. http://dx.doi.org/10.2172/6301451.
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