Gotowe bibliografie tematyczne / J.R.R

Gotowa bibliografia na temat „J.R.R”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 27 stycznia 2023

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Artykuły w czasopismach na temat "J.R.R"

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STORME, Hans. "J.R.R. Tolkien". INTAMS review 7, nr 2 (1.12.2001): 230–35. http://dx.doi.org/10.2143/int.7.2.2004520.

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Kozák, Jan A. "A Minister to the Secret Fire: Pavel Hošekʼs take on J. R. R. Tolkien (review)". CENTRAL EUROPEAN JOURNAL FOR CONTEMPORARY RELIGION 4, nr 1 (11.04.2022): 71–75. http://dx.doi.org/10.14712/25704893.2021.4.

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Book review on Hošek, Pavel, Sloužím Tajnému ohni: Duchovní zdroje literární tvorby J.R.R. Tolkiena [I Am a Servant of Secret Fire: Spiritual Sources of J.R.R. Tolkien’s Literary Work], Brno: Centrum pro studium demokracie a kultury 2019, 191 p.
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Shustova, Ellina V. "Russian Translations of Writings of J.R.R. Tolkien as the Stage of their Cultural Reception in Russia". Journal of History Culture and Art Research 6, nr 5 (28.11.2017): 215. http://dx.doi.org/10.7596/taksad.v6i5.1244.

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<p>This article identifies problems of translation of J.R.R. Tolkien`s works to the Russian language. Due to complexity of their reception in the Russian literature and culture, these problems continue at the present time. The purpose of this article is to consider the translational interpretations as a form of reception of J.R.R. Tolkien`s works in Russia and perform analysis of relevant stages of the receptive process. The leading approach to the study of this problem is the methodology of receptive aesthetics; this takes into account the development trends of the method. This research shows that it is the translation, in many respects, that sets trends for further understanding of writings by J.R.R. Tolkien in Russia and includes them in a Russian cultural and literary context, as well as set their level of systematic perception. Contents of this article may be used for readings in general and special courses for Western literature at universities, and may be useful to a wide range of readers interested in the work of J.R.R. Tolkien.</p>
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Benton, Colin P. "J.R.R. Tolkien Goes to Law School". Texas A&M Journal of Property Law 2, nr 1 (październik 2014): 25–51. http://dx.doi.org/10.37419/jpl.v2.i1.2.

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This Article offers J.R.R. Tolkien’s classic stories, The Hobbit and The Lord of the Rings Trilogy, as useful for Law and Literature scholarship because they have a large audience of all ages, who have either read them in books or seen them as movies. Their widespread popularity makes these stories an effective way to introduce and inspire many to the property law jurisprudence that permeates the texts. While Tolkien’s literature has not been traditionally utilized for Law and Literature purposes, there are several issues of property law jurisprudence that can be elucidated through Tolkien’s writings. This Article begins by briefly assessing the debate regarding the efficacy of Law and Literature, proposes Tolkien’s literature as a legitimate means of stimulating an interest in property law jurisprudence, and concludes by exploring a variety of property law issues using Tolkien’s literature as the background material facts.
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Kečan, Ana. "NEOROMANTIC ELEMENTS IN J.R.R. TOLKIEN'S WRITING". Knowledge International Journal 32, nr 4 (26.07.2019): 461–65. http://dx.doi.org/10.35120/kij3204461k.

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Neoromanticism or the Neo romantic movement may be easier to define, than it is to frame within a strict time framework. Some see it as a 20th-century resurgence of romantic ideas which began around 1928 and lasted up to the mid-1950s, while others locate it within a larger framework going back to the 1880s (being a reaction against naturalism) and lasting up to today. Depending on which timeline one adopts, it is sometimes synonymous with post-romanticism and late romanticism. However, regardless of its timeline, the movement has had profound effects lasting well into the end of the 20th century, becoming a reaction against modernism and postmodernism, and spreading into areas such as painting, music, literature, cinema, as well as architecture. As a movement, neoromanticism seeks to revive both romanticism and medievalism (the influence and appearance of ‘the medieval’ in the society and culture of later ages) by promoting the power of imagination, the exotic, the unfamiliar, further characterized by the expression of strong emotions (such as terror, awe, horror and love) as well as the promotion of supernatural experiences, the use and interest in Jungian archetypes and the semi-mystical conjuring of home. Furthermore, neoromanticism feels strongly against industrialization and the disconnectedness from nature in the modern world, rejecting the dichotomy between society and nature. It also embodies a wish or desire for a Utopian connection to nature uncoupled from social expectations and tradition, and going back to nature that has not been victimized by human civilization and industry. Most of these ideas may be found embodied in both the life and the writings of J.R.R. Tolkien, who famously declared to his son that he was, in fact, a Hobbit. His writings abound in creatures who not only live in harmony with nature (the Elves, the Hobbits), but embody it as well (the Ents) because romanticism (and subsequently neoromanticism) is, in essence, all about nature. In contrast, the evil of the main antagonists in his mythology (Melkor/Morgoth, Sauron, Saruman) is seen through their destruction of nature. Tolkien actually reverses the romantic line of vision with the creation of the Shire, which is seen as a ‘post-medieval’ society that has developed out of the Middle Ages, making Tolkien a medievalist dreaming of an organic and harmonious continuation of transformed and ‘purified’ Middle Ages as found in the Shire. This essay will present several of these characteristics mentioned and how the creatures of Tolkien’s mythology present a reaction against the industrialization of his time and neighboring county, while showing how these are ideas are still (perhaps even more so) relevant in the 21st century as well.
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DeForrest, Matthew M. "J.R.R. Tolkien and the Irish Question". Tolkien Studies 13, nr 1 (2016): 169–86. http://dx.doi.org/10.1353/tks.2016.0011.

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Smith, Sherwood. "Beren and Lúthien by J.R.R. Tolkien". Tolkien Studies 15, nr 1 (2018): 231–35. http://dx.doi.org/10.1353/tks.2018.0012.

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Markiewka, Tomasz. "Przepisywanie Beowulfa: J.R.R. Tolkiena meandry przekładu". Między Oryginałem a Przekładem 24, nr 40 (30.06.2018): 47–63. http://dx.doi.org/10.12797/moap.24.2018.40.03.

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Rewriting Boewulf: J.R.R. Tolkien’s Meandering Translation J.R.R. Tolkien’s works related to translation include both translations and adaptations in the form of pastiche. All of them have been published as posthumous editions, equipped with detailed critical commentaries and edited by the writer’s son, Christopher Tolkien. Among recent publications in English and Polish, one that deserves particular attention is a 1926 prose translation of the Old English poem Beowulf (2014, Polish ed. 2015). This edition presents Tolkien performing a few roles, acting as a translator, translation critic, editor, commentator, literary scholar, linguist, and creative writer. In fact, “translation” becomes a textual hybrid in which one can observe the work of a translator from the initial phase of close reading of a source text through three variants of prose translation (two from 1926 and one from 1942); alternative fragmentar translations in alliterative verse; a detailed philological and cultural commentary composed of lecture notes; original literary works inspired by Beowulf, which include the short story Sellic Spell (in two English versions and as a back translation into Old English); and two versions of the original poem The Lay of Beowulf. As a result, the 2014 edition of Tolkien’s Beowulf realizes the ideal of a translation once described by Vladimir Nabokov: the text of translation emerges from multilayered commentary, which, in Tolkien’s work, crosses the boundaries of languages and genres.
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Henry, Michael. "J.R.R. Tolkien: A Lifetime of Fantasy". Imagine 6, nr 1 (1998): 20–21. http://dx.doi.org/10.1353/imag.2003.0289.

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Beaumont, John. "The Catholic Witness of J.R.R. Tolkien". Downside Review 117, nr 407 (kwiecień 1999): 115–32. http://dx.doi.org/10.1177/001258069911740703.

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Rozprawy doktorskie na temat "J.R.R"

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Higgins, Andrew S. "The genesis of J.R.R. Tolkein's mythology". Thesis, Cardiff Metropolitan University, 2015. http://hdl.handle.net/10369/7528.

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This thesis critically examines the earliest creative work of J.R.R. Tolkien, from which the first version of his mythology would emerge, as one coherent whole, rather than a series of individual creative acts. It argues that all aspects of Tolkien's creativity worked in a dialectic way to bring to life an invented secondary world the complexity of which fantasy literature had not seen before. In examining Tolkien's early creative process this study also offers an alternative profile and assessment of J.R.R. Tolkien, in contradistinction to the popular image of him as the elderly Oxford don, by critically reading him as a young man, student, budding philologist, soldier and World War One survivor. The scope of this thesis is a holistic examination of Tolkien's earliest creative output comprising poetry, prose, language invention and visual works and includes analysis of several of Tolkien’s early creative works which remain either unpublished or under-analysed. The study uses several contextual frameworks to offer an in-depth analysis of Tolkien’s early imaginative language invention, a neglected area in Tolkien studies, in spite of being at the core of Tolkien’s creative process. This thesis, therefore, is critically responding to a gap in Tolkien and fantasy literature scholarship, and offers new insights on the earliest writing phases of one of the most influential fantasy authors of the 20th century. The introductory chapter presents an overview of Tolkien criticism and defines the scope and range of the thesis. Chapter two examines how myth-making and language invention came together in Tolkien’s earliest works and argues that these two key elements become inextricably intertwined in the first full expression of Tolkien’s early mythology, The Book of Lost Tales. Chapter three explores the underlying religious underpinnings of Tolkien's mythology and his early attempt to employ overt Roman Catholic words and ideas into his emerging secondary world. This chapter goes on to demonstrate how Tolkien combined Roman Catholic ideas with elements of both pagan mythology and Victorian spiritualism into the fabric of his secondary world. Chapter four focuses on the role of visual expression in Tolkien's early mythology by reading two major groups of documents from this period: published drawings and paintings in which Tolkien expressed his early mythic ideas; and a group of visually oriented ‘para-textual’ elements, such as maps, charts and samples of Tolkien’s invented writing systems. These visual representations are explored as ‘trans-medial’ components which, along with layered narratives and language invention, make up the fabric of Tolkien’s invented secondary world. The last chapter of this thesis explores several ways Tolkien experimented with in order to link his growing body of mythology to the primary world. It examines Tolkien’s first ‘framework’ of transmission which relied on dreams, and dream vision, to attempt this link. The second half of this chapter explores how Tolkien developed a parallel narrative transmission ‘framework’ through the re-imagining and re-purposing of Germanic myth and legend. The thesis also includes a series of appendices: a chronology outlining Tolkien’s creative works from this time; a list of the books he borrowed from the Exeter College Library as an undergraduate; a detailed list of examples of Tolkien's early language invention from the time; and a transcript of a report on the literary talk Tolkien gave at Exeter College on the Anglo-Catholic poet Francis Thompson.
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Fawcett, Christina. "J.R.R. Tolkien and the morality of monstrosity". Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/4993/.

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This thesis asserts that J.R.R. Tolkien recreates Beowulf for the twentieth century. His 1936 lecture, ‘Beowulf: The Monsters and the Critics’ sets the tone not only for twentieth century criticism of the text, but also Tolkien’s own fictional project: creating an imagined world in which ‘new Scripture and old tradition touched and ignited’ (‘B: M&C’ 26). At the core of his analysis of Beowulf, and at the core of his own Middle-earth, are the monsters. He creates creatures that are an ignition of past and present, forming characters that defy allegory and simple moral categorization. To demonstrate the necessity of reading Tolkien’s Middle-earth through the lens of his 1936 lecture, I begin by examining the broad literary source material that Tolkien draws into his creative process. I assert that an understanding of the formation of monstrosity, from classical, Augustinian, late medieval, Renaissance, Restoration and Gothic sources, is fundamental to seeing the complexity, and thus the didactic element, of Tolkien’s monsters. As a medieval scholar and professor, Tolkien’s focus on the educational potential of a text appears in his critical work and is enacted in his fiction. Tolkien takes on a mode of writing categorized as Wisdom Literature: he writes a series of texts that demonstrate the imperative lesson that ‘swa sceal man don’ (so shall man do) found in Beowulf. Tolkien’s fiction takes up this challenge, demonstrating for the reader what a hero must do when faced with the moral and physical challenge of the monster. Monsters are a primarily didactic tool, demonstrating vice and providing challenges for the hero to overcome. Monsters are at the core of Tolkien’s critical reading; it must be at the core of ours.
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Dollard, Emma Louise. "J.R.R. Tolkien's the lord of the rings and appropriation". Thesis, University of Liverpool, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.501582.

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This thesis rejects conventional critical work on appropriation, using The Lord of the Rings to illustrate a theory of appropriation as being an integral part of the creative process. Current researchers, exemplified by Sanders, argue that appropriation is characterised by a political agenda, and intention. The thesis argues that appropriation can be both deliberate and unconscious and demonstrates the difficulty of distinguishing between these states. Chapter one connects modem fantasy to imperial ideology by identifying the links between Tolkien and empire adventure writers. Tolkien's appropriations of northern European myths and medieval literatures have been extensively investigated; the few studies of his appropriation of more contemporary texts focus on The Hobbit.
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Campbell, Liam. "The Ecological Augury in the Works of J.R.R. Tolkien". Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520814.

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Armstrong, Darren Philip. "The religious aspects of the works of J.R.R. Tolkien". Thesis, Durham University, 1994. http://etheses.dur.ac.uk/1044/.

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This thesis maintains that no comprehensive assessment of the work of J. R. R. Tolkien can be made without giving due weight to him as a religious writer, in the senses that : (a) he maintained an esthetic that is intrinsically Christian, believing that certain kinds of fantasy can bring new insights of the fallen world; (b) that writing, or sub-creating, was for him an essentially religious activity, participating in the myth of Creation; (c) his major fantasy texts contain subtle, often subliminal allusions to the Judaeo-Christian scriptures, although stripped of any dogmatic content; and (d) his major texts assume a cultural authority, through an allusive use of imagery and imitation of scriptural syntax to operate as a quasiscripture. I also consider Tolkien's treatment of major theological issues and assess how well suited the format of fantasy fiction is for the exploration of such themes.
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Gorelick, Adam D. "The Enchanter's Spell: J.R.R. Tolkien's Mythopoetic Response to Modernism". FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/1022.

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J.R.R. Tolkien was not only an author of fantasy but also a philologist who theorized about myth. Theorists have employed various methods of analyzing myth, and this thesis integrates several analyses, including Tolkien’s. I address the roles of doctrine, ritual, cross-cultural patterns, mythic expressions in literature, the literary effect of myth, evolution of language and consciousness, and individual invention over inheritance and diffusion. Beyond Tolkien’s English and Catholic background, I argue for eclectic influence on Tolkien, including resonance with Buddhism. Tolkien views mythopoeia, literary mythmaking, in terms of sub-creation, human invention in the image of God as creator. Key mythopoetic tools include eucatastrophe, the happy ending’s sudden turn to poignant joy, and enchantment, the realization of imagined wonder, which is epitomized by the character of Tom Bombadil and contrasted with modernist techno-magic seeking to alter and dominate the world. I conclude by interpreting Tolkien’s mythmaking as a form of mysticism.
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Dudley, Cynthia. "Christian heroism in J.R.R. Tolkien's The Lord of the Rings". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61875.

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Brown, Fuller Molly. "The uncanny and the postcolonial in J.R.R. Tolkien's middle-earth". Honors in the Major Thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/828.

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Concluding on this note, the thesis argues that reading The Lord of the Rings in this way renders postcolonial concepts accessible to a whole generation of readers already familiar with the series, and points to the possibility of examining other contemporary texts, or even further analysis of Tolkien's to reveal more postcolonial sensitivities engendered in the texts.; This thesis examines J.R.R. Tolkien's texts The Hobbit, The Fellowship of the Ring, The Two Towers, and The Return of the King from a postcolonial literary perspective. By examining how these texts, written at the decline of the British Empire, engage with the theoretical polemics of imperialism, this thesis takes a new look at these popular and widely regarded books from a stance of serious academic interest. The first chapter examines how certain characters, who are Othered temporally in the realm of Middle-earth, manage to find a place of narrative centrality from the defamiliarized view of Merry, Pippin, Samwise, and Frodo, uncannily reoccurring throughout the narrative in increasingly disturbing manifestations. From there, the thesis moves on to uncanny places, examining in detail Mirkwood, Moria, Dunharrow, and the Shire at the end of The Return of the King. Each of these locations in Middle-earth helps Tolkien to explore the relationship between colonizer, colonized, and fetishism; the colonizer(s) disavow their own fears of these places by fetishizing the pathways they colonize for their safe passage. Since their paths are unsustainable colonially, these fetishes cannot fulfill their function, as the places are marked with unavoidable reminders of wildness and uncontrollability which cannot successfully be repressed for long. Ending this chapter with a discussion of the hobbit's return to the Shire, the argument moves into the next chapter that discusses the small-scale colonization that takes place in the heart of Frodo himself, making the Shire he used to know firmly unavailable to him. The Ring, in this case, is the colonizer, doubling, fracturing, and displacing Frodo's selfhood so that he becomes unfamiliar to himself. The uncanniness that this produces and Frodo's inability to heal from his experience with the Ring, this thesis argues, echoes the postcolonial themes of irreconcilability and the fantasy of origin.
B.A.
Bachelors
Arts and Humanities
English
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Ronda, Erica. "Traduzione dell'epilogo de "Il Signore degli anelli" di J.R.R. Tolkien". Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7140/.

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Il presente elaborato consiste nell’analisi e traduzione dall’inglese all’italiano dell’epilogo de “Il Signore degli Anelli”, romanzo scritto da John Ronald Reuel Tolkien, pubblicato prima dalla Rusconi, nel 1970, e successivamente dalla Bompiani nel 2000. L’epilogo qui tradotto appartiene al volume n.9 della serie The History of Middle-earth,contenenti appunti e contenuti inediti, pubblicati quasi esclusivamente in lingua inglese. Si tratta di un testo particolarmente stimolante dal punto di vista traduttivo sia per gli aspetti linguistici che presenta, sia per la resa della traduzione in italiano, generalmente molto complessa, ricercata ed enfatizzata.
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Rocco, Lorenzo. "La Compagnia dell'Anello di J.R.R. Tolkien: analisi contrastiva di due traduzioni". Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/21322/.

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In this thesis I am going to analyse two different translations of The Fellowship of the Ring by J.R.R. Tolkien: the one by Vittoria Alliata and the newer one by Ottavio Fatica. My analysis is divided into different categories: names of characters, names of places, additional interesting names, and the Poem of the Ring. I will examine each translation according to how faithful it is in relation to the instructions Tolkien gave in his Guide to the Names in The Lord of the Rings, as well as explaining the origins of the words and providing the reasons that could be behind the choice of some translations over others, also discussing the translation techniques utilized by the translators. In some cases, if both choices appear weird or not faithful enough to the original, I will try to suggest other possible translations, trying to translate as literally as possible, while maintaining the original meaning of the terms. At the time of writing, only the first book of the trilogy, The Fellowship of the Ring has been published, so I am going to discuss only the names found in the book and the ones already confirmed to be in the next two, which will be published in the following months.
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Książki na temat "J.R.R"

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J.R.R. Tolkien. Minneapolis: Lerner, 2005.

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J.R.R. Tolkien. New York: Continuum, 1988.

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C, Wallner John, red. J.R.R. Tolkien. New York: Holiday House, 2009.

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Heims, Neil. J.R.R. Tolkien. Philadelphia: Chelsea House Publishers, 2004.

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J.R.R. Tolkien. Nashville, Tenn: Thomas Nelson, 2011.

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Harold, Bloom, red. J.R.R. Tolkien. New York: Bloom's Literary Criticism, 2008.

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J.R.R. Tolkien. Edina, Minn: ABDO Pub. Co., 2009.

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Andrew, Blake. J.R.R. Tolkien. London: Hodder & Stoughton, 2003.

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Harold, Bloom, red. J.R.R. Tolkien. Philadelphia: Chelsea House Publishers, 2000.

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Parker, Victoria. J.R.R. Tolkien. Chicago, Ill: Heinemann Library, 2006.

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Części książek na temat "J.R.R"

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Olivares Merino, Eugenio M. "J.R.R. Tolkien (1892–1973)". W Rewriting the Middle Ages in the Twentieth Century, 327–70. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.stmh-eb.3.2410.

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Hiley, Margaret. "‘Bizarre or dream like’: J.R.R. Tolkien on Finnegans Wake". W Joycean Legacies, 112–26. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137503626_7.

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Zettersten, Arne. "Our First Meeting". W J.R.R. Tolkien’s Double Worlds and Creative Process, 1–10. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118409_1.

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Zettersten, Arne. "Soldier at the Front". W J.R.R. Tolkien’s Double Worlds and Creative Process, 99–110. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118409_10.

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Zettersten, Arne. "Experience of War in Tolkien’s Fiction". W J.R.R. Tolkien’s Double Worlds and Creative Process, 111–21. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118409_11.

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Zettersten, Arne. "Research as Motor". W J.R.R. Tolkien’s Double Worlds and Creative Process, 123–34. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118409_12.

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Zettersten, Arne. "Interlude at Leeds". W J.R.R. Tolkien’s Double Worlds and Creative Process, 135–41. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118409_13.

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Zettersten, Arne. "Interplay between Research and Fiction". W J.R.R. Tolkien’s Double Worlds and Creative Process, 143–48. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118409_14.

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Zettersten, Arne. "A Don on a Sidetrack". W J.R.R. Tolkien’s Double Worlds and Creative Process, 149–66. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118409_15.

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Zettersten, Arne. "The AB Language: A Unique Discovery". W J.R.R. Tolkien’s Double Worlds and Creative Process, 167–72. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118409_16.

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Streszczenia konferencji na temat "J.R.R"

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Konograi, A. S. "THE ONOMASTIC SPACE CREATION IN THE MASTERPIECES OF J.R.R. TOLKIEN". W V International symposium «Humanities and Social Sciences in Europe: Achievements and Perspectives». Prague: Premier Publishing s.r.o., 2020. http://dx.doi.org/10.29013/v-symposium-pp-5-44-47.

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Konograi, A. S. "THE ONOMASTIC SPACE CREATION IN THE MASTERPIECES OF J.R.R. TOLKIEN". W V International symposium «Humanities and Social Sciences in Europe: Achievements and Perspectives». Prague: Premier Publishing s.r.o., 2020. http://dx.doi.org/10.29013/v-symposium-pp-6-44-47.

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Larsen, Kristine, i Dimitra Fimi. "“IT MAKES ME WEEP TO LEAVE THEM”: THE IMPACT OF THE CHEDDAR GORGE, SOMERSET, CAVE SYSTEM ON THE IMAGINATION OF J.R.R. TOLKIEN". W Joint 69th Annual Southeastern / 55th Annual Northeastern GSA Section Meeting - 2020. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020se-343114.

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Kucuk, Ezgi, i Ayşe Sema Kubat. "Rethinking Urban Design Problems through Morphological Regions: Case of Beyazıt Square". W 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6179.

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Rethinking Urban Design Problems through Morphological Regions Ezgi Küçük¹, Ayşe Sema Kubat² ¹Urban Planning Coordinator, Marmara Municipalities Union ²Prof., Dr., Istanbul Technical Univercity, Faculty of Architecture, Department of City and Regional Planning E-mail: ezgikucuk89@gmail.com, kubat@itu.edu.tr Keywords: the Historical Peninsula, morphological regions, urban blocks, urban design, Beyazıt Square Conference topics and scale: Urban form and social use of space The concept of urban square is a debated issue in the context of urban design practices in Islamic cities. Recognizing the relation between urban morphology and urban design studies in city planning and urban design practices is highly vital. Beyazıt Square, which is the center of the city of Istanbul, could not be integrated to the other parts of the city either configurationally or socially although many design projects have been previously planned and discussed. In this study, the Historical Peninsula of Istanbul is observed as an essential unit of the traditional path reflecting each civilization, namely Roman, Byzantium, Ottoman and Republic of Turkey that have been settled in the region. Transformations in urban blocks in Beyazıt region are elaborated through a series of morphological analyses based on the Conzenian approach of urban morphology. Morphological regions of the Historical Peninsula are identified and Beyazıt region is addressed in detail in terms of the transformations in urban block components, that are; street, plot and buildings. The effects of surrounding units which are the mosque, university buildings, booksellers and Grandbazaar on Beyazıt Square are discussed according to the morphological analyses that are applied to the region. Previous design practices and the existing plan of the area are observed through the analyses including town plan, building block, and land use and ownership patterns. It is revealed that existing design problems in Beyazıt Square come from the absence of urban morphological analyses in all planning and design practices. Through morphological regions as well as the conservation plans, urban design projects can be reconsidered. References Baş, Y. (2010) ‘Production of Urbanism as the Reproduction of Property Relations: Morphologenesis of Yenişehir-Ankara’, PhD thesis, Middle East Technical University. Barret, H.J. (1996) ‘Townscape changes and local planning management in city conservation areas: the example of Birmingham and Bristol’, PhD thesis, University of Birmingham. Bienstman, H. (2007) ‘Morphological Concepts and Landscape Management: The Cases of Alkmaar and Bromsgrove’, PhD thesis, University of Birmingham. Conzen, M.R.G. (1960) Alnwick Northumberland: a study in town-plan analysis, Institute of British Geographers, London. Conzen, M.R.G. (2004) Thinking About Urban Form: papers on urban morphology 1932-1998, Peter Lang, Bern. Çelik, Z. (1993) The Remaking of Istanbul: Portrait of an Ottoman City in the Nineteenth Century, University of California Press, Berkeley. Günay, B. (1999) Property Relations and Urban Space, METU Faculty of Architecture Press, Ankara. Kubat, A.S. (1999) ‘The morphological history of Istanbul’, Urban Morphology 3.1, 28-41. Noziet, H. (2008) ‘Fabrique urbaine: a new concept in urban history and morphology’, Urban Morphology, 13.1, 55-56. Panerai, P., Castex, J., Depaule, J. C. and Samuels, I. (2004) Urban Forms: The Death and Life of the Urban Block, Architectural Press, Oxford. Tekeli, İ. (2010) Türkiye’nin Kent Planlama ve Kent Araştırmaları Tarihi Yazıları, (Articles of Turkey’s History of Urban Planning and Urban Studies), Tarih Vakfı Yurt Yayınları, Istanbul. Whitehand, J.W.R. (2001) ‘British urban morphology: the Conzenian tradition’, Urban Morphology 5.2, 3-10. Whitehand, J.W.R. (2009) ‘The structure of urban landscapes: strengthening research and practice’, Urban Morphology 13.1, 5-22.
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Zafer Comert, Nevter, Erincik Edgu i Nezire Ozgece. "Morphological Analysis of Frontier Villages in Cyprus". W 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5128.

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Borders may be built for security reasons however; they also demarcate administrative, economic, socio-cultural, ethnic or religious divergence. Borders change the destinies of the societies at both sides because they affect the process of urban development and delimit the economic and socio-cultural interactions. Cyprus has been experiencing an interrupted continuity along the border, i.e. green line, under the rule of UN that divides north from the south. In this regard the aim of the study is to figure out how the de facto borders affect the configuration of villages upon their existing position. As a part of an ongoing research which investigates all eleven frontier villages and towns located along the border line, this paper only focuses on the morphological and syntactic comparison of four frontier villages. Within this context, initial exploration is about the village morphologies by means of Morphological Regions based on the evolutionary insights of Conzen (2004) and Whitehand (2009). Additionally, considering shifted centrality and transformed social gathering spaces, research discusses the applicability of the comparative analyses of syntactic and morphological methods in order to reveal the characteristics of the frontier villages. The preliminary findings of the research indicates that edge villages located along the green line have a controlled spatial development with dead ends and loop layouts, where the spatial configuration presents an introverted structure. On the other hand, villages divided by the green line, presents a relatively integrated spatial structure developed on both sides of the border, maintaining traditional centrality along with emphasizing forced territoriality. References: Conzen MRG, 2004, Morphogenesis and Structure of the Historic townscape in Britain: ed. M.P Conzen in Thinking About Urban Form: Papers on Urban Morpholgoy 1932-1998, Peter Lang, London Hillier, B. (1996) Space is the machine (Cambridge University Press, Cambridge). Whitehand, J.W.R. (2009) ‘The structure of urban landscapes: strengthening research and practice’, Urban Morphology 13, 5‐27, University of Birmingham
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Geddes, Ilaria, i Nadia Charalambous. "Building a timeline, developing a narrative: visualising fringe belt formation alongside street network development". W 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6042.

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This project was developed as an attempt to assess the relationship between different morphogenetic processes, in particular, those of fringe belt formation as described by M.R.G. Conzen (1960) and Whitehand (2001), and of centrality and compactness as described by Hillier (1999; 2002). Different approaches’ focus on different elements of the city has made it difficult to establish exactly how these processes interact or whether they are simply different facets of development reflecting wider socio-economic factors. To address this issue, a visual, chronological timeline of Limassol’s development was constructed along with a narrative of the socio-economic context of its development. The complexity of cities, however, makes static visualisations across time difficult to read and assess alongside textual narratives. We therefore took the step of developing an animation of land use and configurational analyses of Limassol, in order bring to life the diachronic analysis of the city and shed light on its generative mechanisms. The video presented here shows that the relationship between the processes mentioned above is much stronger and more complex than previously thought. The related paper explores in more detail the links between fringe belt formation as a cyclical process of peripheral development and centrality as a recurring process of minimisation of gains in distance. The project’s outcomes clearly show that composite methods of visualisations are an analytical opportunity still little exploited within urban morphology. References Conzen, M.R.G., 1960. Alnwick, Northumberland: A Study in Town-Plan Analysis, London: Institute of British Geographers. Hillier, B., 2002. A Theory of the City as Object: or how spatial laws mediate the social construction of urban space. Urban Des Int, 7(3–4), pp.153–179. Hillier, B., 1999. Centrality as a process: accounting for attraction inequalities in deformed grids. Urban Des Int, 4(3–4), pp.107–127. Whitehand, J.W.R., 2001. British urban morphology: the Conzenian tradition. Urban Morphology, 5(2), pp.103–109.
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Mota, Nathália Braga, Letícia Ohara Sousa Leite, Francilene Nunes Oliveira Melo, Wilnaira Costa i Heider Alexandre Santana Ferreira. "OBSTÁCULOS NO DIAGNÓSTICO E PREVENÇÃO DE MORTE SÚBITA EM PACIENTE COM CARDIOMIOPATIA HIPERTRÓFICA APICAL". W 1° Congresso Sul Maranhense de Cardiologia. Revista Multidisciplinar em Saúde, 2022. http://dx.doi.org/10.51161/csmc/21.

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INTRODUÇÃO: A cardiomiopatia hipertrófica (CMH) é uma doença genética que envolve espessamento do ventrículo esquerdo, sendo a hipertrofia apical, ou síndrome de Yamaguchi, um subtipo raro desta patologia. A apresentação clínica é variável, englobando formas assintomáticas e casos com dispneia, dor torácica, palpitações e síncope. Diante do subdiagnóstico da cardiomiopatia hipertrófica apical (CMHAp), o presente relato visa enfatizar os obstáculos na identificação precoce da doença e as medidas de prevenção de morte súbita. METODOLOGIA: Foram coletados dados a partir dos prontuários e exames complementares do paciente. Posteriormente, realizou-se pesquisas bibliográficas através de livros, artigos de revisão e relatos de caso. DESCRIÇÃO: J.R.N., sexo masculino, 68 anos, portador de ponte miocárdica, em acompanhamento cardiológico desde 2011, procurou atendimento em 24/04/2018 com queixa de precordialgia intermitente, irradiando para dorso, associada a dispneia e astenia. Requisitou-se marcadores de necrose miocárdica, que estavam inalterados, e eletrocardiograma, que apresentou alterações na repolarização inferior. A cintilografia do miocárdio realizada em 18/05/2018 evidenciou hipoperfusão transitória de grau discreto a moderado no ápice do ventrículo esquerdo (VE), levantando hipótese de CMHAp, e isquemia associada. No dia 25/06/2018, o cardiologista solicitou uma ressonância magnética cardíaca, confirmando a patologia e indicando massa fibrótica de 0,3%. Na avaliação do dia 29/05/2019, o eletrocardiograma apresentou bloqueio atrioventricular (BAV) de 1o grau e onda T invertida assimétrica difusamente. Em setembro de 2019, paciente evoluiu com episódios de bradicardia, associados a sudorese fria e indisposição, com holter revelando BAV de alto grau com pausa sinusal de 4 segundos e episódios de taquicardia ventricular não sustentada com 20 complexos, sendo indicado cardioversor desfibrilador implantável para prevenção de morte súbita. CONCLUSÃO: A CMHAp é uma patologia rara, que pode cursar com sintomatologia similar a de outras doenças cardiovasculares, como a ponte miocárdica, dificultando o diagnóstico precoce. O acompanhamento clínico associado aos exames de imagem são importantes na avaliação diagnóstica e rastreio de complicações. Entretanto, as alterações podem ser de difícil visualização no ecocardiograma devido localização apical da hipertrofia. A CMHAp cursa com fibrose nessa região, podendo ocasionar arritmias ventriculares, o que aumenta o risco de morte súbita, sendo a profilaxia desta o principal objetivo do tratamento.
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Camiz, Alessandro. "Diachronic transformations of urban routes for the theory of attractors". W 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5639.

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Alessandro Camiz ¹ ¹ Department of Architecture, Girne American University, Cyprus, Association for Historical Dialogue and Research, Home for Cooperation (H4C), 28 Marcou Dracou Street, Nicosia, Cyprus, 1102. E-mail: alessandrocamiz@gau.edu.tr Keywords (3-5): urban tissues, urban morphology, urban routes, theory, history Conference topics and scale: Tools of analysis in urban morphology Recent urban morphology studies consider urban tissues as living organisms changing in time (Strappa, Carlotti, Camiz, 2016), following this assumption the theory should examine more analytically what Muratori called ‘medievalisation’ (Muratori, 1959), a term describing some of the transformations of urban routes happened in the middle ages. The paper considers the diachronic deformation of routes, and other multi-scalar occurrences of the attraction phenomena (Charalambous, Geddes, 2015), introducing the notion of attractors and repellers. Archaeological studies already do consider attractors and repellers as a tool to interpret some territorial transformations, following the assumption that “the trajectory that a system follows through time is the result of a continuous dynamic interaction between that system and the multiple 'attractors' in its environment” (Renfrew, Bahn, 2013, p. 184). There are different elements that can act as attractors in an urban environment, such as bridges, city walls, city gates, water systems, markets, special buildings, and it is possible to consider each of these anthropic attractors as equivalent to a morphological attractor at the geographical scale. We can even interpret the ridge-top theory (Caniggia, 1976) as the result of attraction and repellence of geographic features on anthropic routes. The territorial scale analysis is the methodological base of the theory, but the attractors herein considered operate at the urban scale, deviating locally across time from a rectilinear trajectory and defining a specific urban fabric. The research interprets and reads the effects of attractors on urban routes and fabrics as a method for the reconstruction of Nicosia’s medieval city walls, in continuity between the Conzenian approach (Whitehand, 2012) and the Italian School of Urban Morphology (Marzot, 2002). References:, Muratori, S. (1959) Studi per un’operante storia urbana di Venezia (Istituto Poligrafico dello Stato, Roma). Caniggia, G. (1976) Strutture dello spazio antropico. Studi e note (Uniedit, Firenze). Marzot, N. (2002) ‘The study of urban form in Italy’, Urban Morphology 6.2, 59-73. Whitehand, J.W.R. (2012) ‘Issues in urban morphology’, Urban Morphology 16.1, 55-65. Renfrew, C., Bahn, P. (eds.) (2013) Archaeology: The Key Concepts, (London, Routledge). Charalambous, N., Geddes, I. (2015) ‘Making Spatial Sense of Historical Social Data’, Journal of Space Syntax 6.1, 81-101. Strappa, G., Carlotti, P., Camiz, A. (2016) Urban Morphology and Historical Fabrics. Contemporary design of small towns in Latium (Gangemi, Roma).
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