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Artykuły w czasopismach na temat "Italy Folk literature"
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Dattilo, Delia. "Folk Songs: Spaces and Reasons. Ruga, Love, Marriage, Departures". Tautosakos darbai 59 (2.06.2020): 64–84. http://dx.doi.org/10.51554/td.2020.28367.
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This essay sheds light on habits, behaviours, and social practices by focusing on Southern Italian youth and their songs; more specifically, it deals with Calabria in the years between 1850 and the 1900s. Such samples – relics to us – allow us to infer how men and women of that generation communicated within the archaic and highly hierarchical society in which they lived. Sometimes through singing the youth of Southern Italy found a way to bypass prohibitions and to say what could not be normally said in everyday life. Since it is clearly impossible to hear the performers’ original voices, this essay relies on examples of poetry and songs as they were perceived, interpreted and published by philologists, folklorists and anthropologists during the second half of the 1800s. Literature draws on folk song collectors such as Achille Canale, Raffaele De Leonardis, and Francesco De Simone Brouwer. The songs and poems considered deal with the topics of love and disdain (sdegno), while a smaller group deals with the themes of lontananza and spartenza. A combined analysis of folk songs and local literature (Vincenzo Padula, Luigi Accattatis, Cesare Lombroso, Caterina Pigorini Beri et al.) allows us to better understand a context that was based on phenomena such as wooing strategies, kidnappings, ostentation of violence and other social events featured in folk songs, poetry and sayings.
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Bönisch-Brednich, Brigitte. "Folk Narrative in Regions of Intensive Cultural Exchange, Interim Conference of the International Society for Folk Narrative Research (ISFNR), Ragusa, Italy, June 12–16, 2018". Fabula 59, nr 3-4 (7.11.2018): 313–15. http://dx.doi.org/10.1515/fabula-2018-0107.
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Biscotti, Nello, i Andrea Pieroni. "The hidden Mediterranean diet: wild vegetables traditionally gathered and consumed in the Gargano area, Apulia, SE Italy". Acta Societatis Botanicorum Poloniae 84, nr 3 (2015): 327–38. http://dx.doi.org/10.5586/asbp.2015.031.
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<p>Despite the extensive bio-scientific literature concerning the Mediterranean diet, which emerged in the last three decades, systematic ethnography-centered investigations on a crucial portion of this food system, linked to the traditional consumption of non-cultivated vegetables, are still largely lacking in many areas of the Mediterranean Basin.</p><p>In this research, an ethnobotanical field study focusing on wild vegetables traditionally gathered and consumed locally, was conducted in a few centers and villages located in the Gargano area, northern Apulia, SE Italy, by interviewing twenty-five elderly informants. The folk culinary uses of seventy-nine botanical taxa of wild vascular plants, belonging to nineteen families, were recorded, thus showing a remarkable resilience of traditional environmental knowledge (TEK) related to wild food plants. In particular, approximately one-fourth of the recorded wild vegetables are still very commonly gathered and consumed nowadays, while ten taxa have never been reported in previous ethnobotanical studies conducted in Southern Italy. These findings demonstrate the crucial cultural role played by folk cuisines in preserving TEK, despite significant socio-economic changes that have affected the study area during the past four decades.</p>
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Zalewska-Jura, Hanna. "Circe and Rome. The Origin of the Legend". Studia Ceranea 8 (30.12.2018): 77–87. http://dx.doi.org/10.18778/2084-140x.08.04.
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Circe is associated first of all with the episode narrated in the 10th book of the Odyssey, in which she turns Odysseus’s crewmen into pigs using her herbal pharmaka. Odysseus survives due to divine help, his inborn cleverness, and the miraculous herb moly. The fairy-tale theme of the spells of Circe, clearly showing its folk provenance, got entrenched in ancient literature: featured most often in poems of playful content, Circe symbolized the power to subjugate male souls and bodies. From the Hellenistic era to the Byzantine times, however, Circe is mentioned in scholarly works – in the context of the history of Roman Italy. The aim of the present article is, first of all, to analyse the Greek-language source texts and show the ways in which ancient authors managed to connect a character from a folk fairy tale – intrinsically different in form and not identifiable with any heroic myth – with the prehistory of Roman Italy, and even place her among the ancestors of Rome. The considerations also allow us to identify some of the mechanisms of the creation and functioning of the legend as a cultural phenomenon of the ancient world.
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Motti, Riccardo. "Wild Plants Used as Herbs and Spices in Italy: An Ethnobotanical Review". Plants 10, nr 3 (16.03.2021): 563. http://dx.doi.org/10.3390/plants10030563.
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Wild edible plants are an essential component of people’s diets in the Mediterranean basin. In Italy, ethnobotanical surveys have received increasing attention in the past two centuries, with some of these studies focusing on wild edible plants. In this regard, the literature in Italy lacks the coverage of some major issues focusing on plants used as herbs and spices. I searched national journals for articles on the use of wild food plants in Italy, published from 1963 to 2020. Aims of the present review were to document plant lore regarding wild herbs and spices in Italy, identify the wild plants most frequently used as spices, analyze the distribution of wild herbs and spices used at a national scale, and finally, to describe the most common phytochemical compounds present in wild plant species. Based on the 34 studies reviewed, I documented 78 wild taxa as being used in Italy as herbs or spices. The studies I included in this systematic review demonstrate that wild species used as herbs and spices enrich Italian folk cuisine and can represent an important resource for profitable, integrated local small-scale activities.
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Campagnaro, Marnie. "The Long Reach of Creativity: The Lasting Impact of 1970s Italian Children’s Literature". Bookbird: A Journal of International Children's Literature 62, nr 2 (2024): 5–13. http://dx.doi.org/10.1353/bkb.2024.a929805.
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Abstract: Between 1968 and 1980, Italy witnessed a dynamic transformation in children’s literature marked by innovative visual, aesthetic, and educational paradigms, involving a profound assimilation of social, cultural, and political dimensions into children’s literature. Children’s books became hubs of interdisciplinary experimentation in which young readers were to be critical cultural participants. These changes took the forms of playful storytelling, intertextuality, nonlinear narratives, and groundbreaking visual, graphic, and material elements. Pioneering technologies further enriched the sensory experience suffusing these books. This article examines the enduring impact of these transformations on Italian children’s literature, focusing particularly on early literacy. It explores four distinct categories of change: the emergence of radical series, innovative adaptations of folk tales, multisensory training grounds, and a trend toward visual narrative cards. These innovations revolutionized prereading education, emphasizing children’s agency and sensory engagement. In studying these shifts, this research underscores the legacy of early experiments in Italian children’s literature, initiatives that continue to shape contemporary children’s literature and education globally, exemplifying the profound impact of a revolutionary period in children’s publishing.
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Toporkov, Andrey L. "“Dream of the Virgin” in Russian Handwritten and Folklore Traditions (17th – the Beginning of the 21st Century)". Studia Litterarum 8, nr 2 (2023): 268–87. http://dx.doi.org/10.22455/2500-4247-2023-8-2-268-287.
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“The Dream of the Virgin” is one of the most widespread Christian Apocrypha. It is known among many European peoples, mainly Orthodox and Catholic, namely Belarusians, Bulgarians, Bosnians, Gagauz, Greeks, Irish, Spaniards, Italians, Macedonians, Germans, Poles, Portuguese, Romanians, Russians, Serbs, Slovenes, Ukrainians, French, Croats, etc. The “Dream of the Virgin” is most widely represented in the folk traditions of Eastern, Southern, Central and Western Europe. Some countries have an old scholarly tradition of studying this plot. Such well-known philologists as Alexander Veselovsky in Russia and Bogdan Petriceicu Hasdeu in Romania wrote about it as early as the 19th century. In the 20th century, this text was studied a lot in Italy, Germany, Romania, Russia, etc. The article proposes a preliminary classification of the main genre versions of the “Dream of the Virgin” in Russian manuscript and folklore traditions.
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Żmidziński, Jakub. "„Wędrowiec-dantofil” w rodzinnej Italii. Stanisław Vincenz a włoska tradycja artystyczna". Poznańskie Studia Polonistyczne. Seria Literacka, nr 38 (15.10.2020): 77–101. http://dx.doi.org/10.14746/pspsl.2020.38.4.
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The article is the first attempt at a holistic view of Stanisław Vincenz’s relationship with Italian culture. Since his youth, Vincenz would visit the Italian Peninsula travelling to Venice and, already as an emigrant after World War II, made a few visits to Naples and Tuscany. These journeys resulted in numerous comments included in his essays on Dante Alighieri, as separate overview Z perspektywy podróży (From a traveller’s perspective) and List z Neapolu. Dialog z Czesławem Miłoszem (A letter from Naples. A dialogue with Czesław Miłosz). Italian journeys, interest in Dante and Italian culture (architecture, painting, folk rituals) brought numerous Italian motifs in the tetralogy Na wysokiej połoninie (On a high mountain pasture). The key element is included in volume II, Zwada (Conflict), which describes a group of loggers cutting down trees in a primeval Carpathian forest. In this part, a young Italian dies and is buried after a Hutsul funeral ritual which is not understood by the foreigners. The analysis of the abovementioned motifs shows how important Italian culture was to Vincenz, also in a very personal sense, given the Vincenz family’s distant Venetian roots. One may even claim that for the writer, Italy was almost a family land. Personifying the European spirit, Italy was his “broader” homeland.
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Ichim-Radu, Mihaela Nicoleta. "Vasile Alecsandri: Unique Aspects of the Biographical Itinerary vs. Recovery of the Writer's Memory". Intertext, nr 1/2 (57/58) (październik 2021): 76–81. http://dx.doi.org/10.54481/intertext.2021.1.08.
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Among the writers of his generation, Alecsandri is the most comprehensive one, expressing not only the patriotic aspirations and desires, but also the discoveries from the universe of the private life and trying to make himself noticed in almost all the main literary genres and species. By different circumstances, Alecsandri gets to travel through Moldavia, Wallachia, Bucovina and Transylvania, to the European part of Turkey, to Italy, Austria, Germany, France, Spain, Great Britain, North of Africa, either for personal pleasure, to accompany Elena Negri, who was trying to find a more favourable climate for her fragile health, or for official business. All these travels and each of them separately are part of the development of his creation, leaving marks in his fiction and poetry and “it is printed on the screen of the human experience which defines his public and private personality”. In one of these travels, Alecsandri will discover the folk poetry, discovery which will profoundly mark his destiny as a writer and it will also have immeasurable consequences on the entire development of the Romanian literature from the last century, but also from the years to follow. As a result of the translations into French, German and English of the folk poems or of some of his original poems, Alecsandri becomes one of our first modern writers who became famous also abroad, being accessible to the foreign world.
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Plyukhanova, Maria B. "“Dream of the Virgin” – “Sogno di Maria” in the Context of Italian Literary and Folk Texts about the Passion of Christ". Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies 3 (2021): 34–61. http://dx.doi.org/10.31860/2712-7591-2021-3-34-61.
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The “Dream of the Virgin” is an apocryphon about the Passion of Christ, revealed to the Mother of God in a visionary dream. It circulated among many European nations in the form of a spiritual verse, a narrative, a prayer, or an incantation. Starting with the fundamental work of A. N. Veselovsky, this story has been an important subject of comparative research up to the present day. The oldest manuscripts with texts related to it are of Italian origin and date back to the 14th and 15th centuries. The article presents features of the Italian tradition of the apocryphon in texts preserved in these early manuscripts and in more recent folklore recordings. In Italy, the “Dream of the Virgin” existed in the context of various poetic texts about the Passion of Christ and the Lament of the Virgin Mary. The development of Italian volgare literature on the theme of the Passion is associated with the cult of the Passion of Christ, which was extremely widespread in the 13th and 14th centuries. Some details in the Italian texts suggest that the motif of the Virgin Mary’s dream about the Passion possibly originated in the tradition of the Holy Land related to the Mount of Olives and Gethsemane
Książki na temat "Italy Folk literature"
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Selvi, Arthur M. Folklore of other lands: Folk tales, proverbs, songs, rhymes, and games of Italy, France, the Hispanic world, and Germany. Detroit, Mich: Omnigraphics, 1997.
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1933-, De Simone Roberto, i De Iudicibus Candida, red. Il cunto de li cunti. Torino: G. Einaudi, 2002.
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El renacimiento de la narración oral en Italia y España. Fundación Universitaria Española, 2007.
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Calasso, Roberto, i Tim Parks. Tablet of the Destinies. Farrar, Straus & Giroux, 2022.
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Calasso, Roberto. Tablet of the Destinies. Farrar, Straus & Giroux, 2022.
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Crane, Thomas Frederick. Italian Popular Tales. Redaktor Jack Zipes. ABC-CLIO, 2001. http://dx.doi.org/10.5040/9798400673283.
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An important reintroduction to this literature, this compilation of Thomas Crane's original translations of Italian folk stories includes new critical analysis. For 19th-century folklorist Thomas Crane, the value of collecting, translating, and reproducing folktales lay in their "internationalism"—their capacity to reveal how the customs of a particular group, no matter how unique, are linked to many others. In his classic collection, edited and updated by contemporary folklorist Jack Zipes, Crane traces the roots of Italian folktales to their origins, often in the Orient, then shows how they diffused in unpredictable and marvelous ways throughout Italy and over the centuries. A contemporary of the brothers Grimm, Crane offers a richer, more complex selection of oral and literary tales. Unlike the Grimms, he doesn't edit or modify the tales, which deal openly with surprisingly contemporary subjects: murder, adultery, incest, child abuse, and brutal vengeance.
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Vince, Ronald W. A Companion to the Medieval Theatre. Greenwood Press, 1989. http://dx.doi.org/10.5040/9798216183846.
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Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.
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Italo-Hispanic ballad relationships: The common poetic heritage. London: Tamesis Books, 1986.
Znajdź pełny tekst źródłaCzęści książek na temat "Italy Folk literature"
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Malvestio, Marco. "Ecogothic and Folk Horror". W Italian Gothic, redaktorzy Marco Malvestio i Stefano Serafini, 225–40. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474490160.003.0016.
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This chapter traces the presence of ecological issues in the Italian Gothic, with particular attention to the phenomenon of folk horror. The Gothic, as a literature of the re-emersion of the repressed, can provide a tool to discuss and redefine the boundaries between human and non-human in an anthropocentric cultural system. The analysis takes into account examples of Eco-Gothic through all Italian modern literature, as well as Italian folk horror cinema. As a sub-genre profoundly interested in the representation of the landscape and the portrayal of isolated communities, folk horror explores and develops peculiar themes and traits connected to the historical and contemporary traumas of Italian culture and landscape. Italian folk horror explores those parts of the country (such as Southern Italy or the margins of the Po Valley) that modernity has left behind.
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Gross, Natan. "Mordechai Gebirtig: The Folk Song and the Cabaret Song". W Polin: Studies in Polish Jewry Volume 16, 107–18. Liverpool University Press, 2003. http://dx.doi.org/10.3828/liverpool/9781874774730.003.0007.
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This chapter details how Mordechai Gebirtig engraved his name on the history of Jewish cabaret in Poland between the wars. Every singer had his songs in his or her repertoire. These songs spread from the cabaret stages (kleynkunstbine) of Łódź and Warsaw to all of Poland and to the entire Jewish world. Even today they are alive on the stage and in Jewish homes; they are an indispensable part of the repertoire of Jewish singers. They are also arousing increasing interest among non-Jewish audiences in Poland, Germany, the Netherlands, Italy, and the United States. Since the destruction of European Jewry, these songs have become a crucial means of learning about Jewish folklore and the life of the Jewish poor, matters inadequately recorded in Yiddish literature and other sources.
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Della Cananea, Giacinto. "Italy and the European Union: A Legal Analysis". W Studies of the Central European Professors’ Network, 79–104. CEA Publishing, 2023. http://dx.doi.org/10.54237/profnet.2023.avlbcvci_3.
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The tasks of this chapter are two-fold: descriptive and interpretative. The first is to de- scribe essential facts concerning the relationship between the Italian legal order and that of the European Economic Community, now the European Union (EU). In this re- spect, it is important not to lose sight of the evolving nature of European construction and the increasingly strong foundations of integration in Italian constitutional set- tlement. This section seeks to lay the groundwork for a later discussion of these inter- pretations. There are contending theories and the literature is rapidly evolving. The chapter suggests that while the acquis is hardly susceptible to being re-discussed, the emergence of political movements and parties characterised by sceptical views about European integration may impinge on the role of Italy within the EU.
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Bennett, J. A. W. "Gower". W Middle English Literature 1100–1400, redaktor Douglas Gray, 407–29. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198122289.003.0009.
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Abstract About the life of John Gower, Chaucer’s friend, little can be said with certainty. His family evidently had Yorkshire origins, but certain features of his language suggest a connection with Kent, where he purchased lands in 1378. In that year Chaucer, when setting out for Italy, gave power of attorney to Gower and a lawyer called Richard Forester. In his French poem, the Mirour de l’omme (21772—4), Gower says that he is not a ‘clerk’ but that he wears ‘la raye mance’, the distinctive dress of serjeants at law and certain court officials; and other documents and allusions confirm the suggestion that he was a Londoner versed in the law, who was in touch with Kentish gentry, and had some knowledge of life at court. In the Mirour de l’omme, he confesses (27337 ff.) that in his youth he aban¬ doned himself to ‘foldelit et veine joye’, and wrote ‘fol ditz d’amours’, songs and ditties such as those he was to attribute to Chaucer and to Amans in the Confessio Amantis (i. 2727), whom he represents as composing ‘rondeal, balade and virelai’. Some of the fifty-one French balades that survive in the Trentham manuscript (now MS Egerton 2862 in the British Library) may represent these youthful poems: Machaut, Deschamps, and Froissart had made the ba/ade a fashionable medium for love-poetry well before the death of Edward III (1377). In his Latin poem, the Vox C/amantis, he gives a mordant description of society in the following reign, including accounts of the Peasants’ Revolt (1381) and of Richard II’s reconciliation with the House of Commons (1392). The original (undated) Prologue and Conclusion to Confessio Amantis dedicate the poem to Richard, but about 1393 they were changed in favour of Henry of Lancaster, who in that year gave ‘an esquire John Gower’ the collar that is presumably the collar of SS shown on his tomb. Five weeks after his coronation Henry, as king, rewarded Gower with a grant of two pipes of Gascon wine for life. The untitled poem called by his editor, G. C. Macaulay, ‘In Praise of Peace’, belongs to this period.
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Lustrino, Michele, Claudio Chiarabba i Eugenio Carminati. "Igneous activity in central-southern Italy: Is the subduction paradigm still valid?" W In the Footsteps of Warren B. Hamilton: New Ideas in Earth Science. Geological Society of America, 2022. http://dx.doi.org/10.1130/2021.2553(28).
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ABSTRACT The Pliocene–Quaternary igneous record of the Tyrrhenian Sea area features a surprisingly large range of compositions from subalkaline to ultra-alkaline and from ultrabasic to acid. These rocks, emplaced within the basin and along its margins, are characterized by strongly SiO2-undersaturated and CaO-rich to strongly SiO2-oversaturated and peraluminous compositions, with sodic to ultrapotassic alkaline and tholeiitic to calc-alkaline and high-K calc-alkaline affinities. We focused on the different models proposed to explain the famous Roman Comagmatic Region, part of the Quaternary volcanism that spreads along the eastern side of the Tyrrhenian area, in the stretched part of the Apennines thrust-and-fold belt. We reviewed data and hypotheses proposed in the literature that infer active to fossil subduction up to models that exclude subduction entirely. Many field geology observations sustain the interpretation that the evolution of the Tyrrhenian-Apennine system was related to subduction of the western margin of Adria continental lithosphere after minor recycling of oceanic lithosphere. However, the lateral extent of the subducting slab in the last millions of years, when magmatism flared up, remains debatable. The igneous activity that developed in the last millions of years along the Tyrrhenian margin is here explained as originating from a subduction-modified mantle, regardless of whether the large-scale subduction system is still active.