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1

Clelia, Mazzanti, red. The Italian way of seating: Fifty years of Italian chairs = cinquant'anni di sedie italiane. Roma, Italy: Edizioni di storia e letteratura, 2007.

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Italy), Palazzo Rocca (Chiavari, red. L'arte della sedia a Chiavari: Catalogo della mostra, Chiavari, Palazzo Rocca, 14 dicembre 1985-14 gennaio 1986. Genova: SAGEP, 1985.

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Patrizia, Capolino, i Università degli studi di Roma "La Sapienza." Dipartimento di storia dell'architettura, restauro e conservazione dei beni architettonici., red. Teoria e storia dell'arredamento: Sedie e sedili italiani dalle matrici all'Ottocento. Roma: Edizioni Kappa, 1994.

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Baños, Josep-Eladi, Carlo Orefice, Francesca Bianchi i Stefano Costantini, red. Good Health, Quality Education, Sustainable Communities, Human Rights. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-896-9.

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The publication collects the contributions presented during the International Symposium of the Italian UNESCO Chairs (CONIUS) entitled Human Rights and Sustainable Development Goals 2030, which took place on 16 November 2018 at the University of Florence. The contributions of national and international experts address the Global Aims for Sustainable Development of the UNESCO including Sustainable Development Goals (SDGs) n. 3 Improvement of the ‘Global Health’, n. 4 ‘Quality Education’, n. 11 ‘Cities and Inclusive Human Sett lements’ and n. 16 ‘Peace and Justice’, using transdisciplinary and transnational perspectives and implemented through theoretical studies and good practices.
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5

Musée de Grenoble. De chair et d'esprit: Dessins italiens du musée de Grenoble, XVe-XVIIIe siècle. Paris: Somogy, 2010.

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Bordoni, L. Curve di distribuzione ed integrali della temperatura di 34 località italiane. Roma: Comitato nazionale per la ricerca e per lo sviluppo dell'energia nucleare e delle energie alternative, 1987.

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Musée de Grenoble. De chair et d'esprit: Dessins italiens du musée de Grenoble, XVe-XVIIIe siècle. Paris: Somogy, 2010.

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Bezuidenhout, Morné P. An Italian office book of the late thirteenth century. Cape Town: South African Library, 1990.

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Rodin, Auguste. Rodin: La chair, le marbre. Paris: Hazan, 2012.

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10

Mariano, Fresta, Catoni Giuliano i Leoncini Alessandro, red. Il Cantar Maggio delle contrade di Siena nel XVII secolo. Siena: Cantagalli, 2000.

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Agnese, Battista. Atlante nautico. Venezia: Marsilio, 1990.

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Bagnoli, Carlo, Alessia Bravin, Maurizio Massaro i Alessandra Vignotto. Business Model 4.0. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-286-4.

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The manufacturing digital transformation is changing the industry through the introduction of advanced solutions that allow companies to re-interpret their role along the value chain. The industrial revolution opens up great opportunities for Italian companies, in terms of process efficiency, cost reduction and improvement in productivity, but also in the rethinking of products, new services, and the ability of reaction to market needs. This report examines the possible impact of Industry 4.0 on business models considering technological innovation also as a driver of strategic innovation.
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13

Caraci, Giuseppe. Segni e colori degli spazi medievali: Italiani e catalani nella primitiva cartografia nautica medievale. Wyd. 2. Reggio Emilia: Diabasis, 1993.

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Jensen, Jürgen. Kirchliche Rituale als Waffen gegen Dämonenwirken und Zauberei: Ein Beitrag zu einem Komplex von Schutz- und Abwehrritualen der Katholischen Kirche des 17. und 18. Jahrhunderts in Italien unter besonderer Berücksichtigung systematisch-ethnologischer Gesichtspunkte. Berlin: Lit, 2007.

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15

Danti, Ignazio. Le tavole geografiche della Guardaroba medicea di Palazzo Vecchio in Firenze. Ponte San Giovanni (Perugia): Benucci, 1995.

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Danti, Ignazio. Le trentacinque cartelle della Guardaroba Medicea di Palazzo Vecchio in Firenze =: The thirty five scrolls of the Medici Guardaroba of Palazzo Vecchio in Florence. Ponte San Giovanni (Perugia): Benucci, 2002.

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17

Giovanni, Boccaccio. Decamerone da un italiano all'altro. Milano: Rizzoli, 1990.

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18

Giovanni, Cecchetti, red. Giacomo Leopardi: Proceedings of the congress held at the University of California, Los Angeles, November 10-11, 1988, for the inauguration of the Charles Speroni Chair of Italian Studies. [s.l.]: Forum Italicum, 1990.

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1798-1837, Leopardi Giacomo, Cecchetti Giovanni 1922- i University of California, Los Angeles. Dept. of Italian., red. Giacomo Leopardi: Proceedings of the congress held at the University of California, Los Angeles, November 10-11, 1988, for the inauguration of the Charles Speroni Chair of Italian Studies. [Italy]: Forum Italicum, 1990.

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20

1922-, Cecchetti Giovanni, red. Giacomo Leopardi: Proceedings of the congress, held at the University of California, Los Angeles, November 10-11, 1988 for the inauguration of the Charles Speroni Chair of Italian Studies. [Italy]: Forum Italicum, 1990.

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21

Danti, Ignazio. Le trentacinque cartelle della Guardaroba Medicea di Palazzo Vecchio in Firenze =: The thirty five scrolls of the Medici Guardaroba of Palazzo Vecchio in Florence. Ponte San Giovanni (Perugia): Benucci, 2002.

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22

1937-, Careggio Alberto Maria, Quazza Ada 1937- i Regni Marina, red. Grande messale festivo di Giorgio di Challant. Turin: Priuli & Verlucca, 1993.

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23

James, Perrott. A critical edition of Sir James Perrot's 'The life, deedes and death of Sir John Perrott, knight'. Lewiston, N.Y: Edwin Mellen Press, 2002.

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1968-, Pettit Edward, i British Library, red. Anglo-Saxon remedies, charms, and prayers from British Library Ms Harley 585: The Lacnunga. Lewiston, N.Y: E. Mellen Press, 2001.

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Giovanni, Boccaccio. Decameron. Torino: Einaudi, 1992.

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Giovanni, Boccaccio. Decameron. Firenze: Le lettere, 1999.

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Giovanni, Boccaccio. Decameron. Milano: Mursia, 1996.

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Giovanni, Boccaccio. El Decamerón. México, D.F: Universidad Nacional Autónoma de México, Coordinación de Humanidades, Programa Editorial, 2003.

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Giovanni, Boccaccio. Dekamerone. Warszawa: Ksiazka i Wiedza, 1997.

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Giovanni, Boccaccio. El Decamerón. Wyd. 6. México, D.F: Porrúa, 1993.

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Giovanni, Boccaccio. Decameron. Milano: Mursia, 1996.

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32

Fioretto, Elena, i Angela Colonna. Knowledge Models and Dissemination for Sustainable Development: Italian UNESCO Chairs on the 2030 Agenda SDG Goals. Springer, 2024.

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Coppie celebri: Sedute storiche del design italiano dal dopoguerra agli anni Settanta. Roma: Sitcom, 2008.

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34

Italian tonaries. Ottawa, Canada: Institute of Mediaeval Music, 1988.

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35

Kugler, Franz, i H. M. Nicholson. Chronological Table of Italian Painters from A. D. 1200 To 1700. Creative Media Partners, LLC, 2018.

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Sica, Emanuele. The Italian Jewish Policy in France. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039850.003.0011.

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This chapter examines Italy’s Jewish policy in France. Foreign Jews, arguably the most famous aspect of the Italian occupation of the French Riviera, found a sanctuary in the former free zone. Thanks to the organizational skill and powerful networking of an Italian Jewish banker, Angelo Mordechai Donati, and the effective complicity of Italian military and civilian authorities alike, thousands of Jews found a needed respite from both Gestapo and Vichy chasers that were hunting them. However, this idyllic scenario was abruptly ended by the disintegration of the Italian Army in September 1943, a consequence of the botched negotiations between the Allies and the Italian military government following the ouster of Benito Mussolini on July 25, 1943. This chapter first considers how the Vichy regime’s hatred for the Jews influenced the Italian Jewish policy in France and how the Jewish question shaped the overall Italian occupation policy in southeastern France.
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Bencivenni, Marcella. Fired by the Ideal. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252041051.003.0004.

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This chapter details the social, political and historical context out of which Italian anarchism emerged in New York City. Embracing a transnational approach, she charts the movement's early roots, its main leaders, geopolitical spaces and distinctive subculture starting from the late nineteenth century when the great Italian immigration to the United States began through the 1920s when the movement started to decline under the blows of governmental repression and postwar nativist calls for 100 percent Americanism.
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Forlenza, Rosario. The Liminal Origins of Italian Democracy. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817444.003.0002.

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This chapter conceptualizes the end of Fascism and the beginning of the civil war, after the armistice of September 8, 1943, as the collapse of the markers of certainty and the beginning of a liminal period of chaos and political, as well as existential, uncertainty. It takes the reader for a ride in what was a confusing and bewildering scenario that followed the removal of the Duce, the collapse of the nation, the dissolution of the structure of power, and the disintegration of national unity. A situation of pure liminality and radical uncertainty, pulling and pushing, imbued with a deep sense of disorientation and confusion pervaded all sectors of Italian society: the governmental level, the army units inside and outside the country, as well as people in the cities and in the countryside. Yet, it was precisely this situation of uncertainty that paved the way for passage to democracy.
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Bernard, Seth. Materials and Supply. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878788.003.0002.

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This chapter details the formation of Republican Rome’s urban supply chains. As much of the city’s material even in later periods derived from Italy, the geography of supply emphasizes the Mid-Republican period, when the first stages of imperial conquest allowed Roman access to Italian quarries, forests, mines, and so forth. This discussion also serves to introduce various building materials referred to throughout the volume. Alongside reviewing the evidence for the supplies of stone, terracotta, metal, and wood to urban construction, the chapter considers the role of the Republican state in acquiring and working territories that provided such resources.
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40

Vesper and Compline Music for One Principal Voice (Seventeenth-Century Italian Sacred Music). Routledge, 1996.

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41

Le "siècle" de Marie de Médicis: Actes du Séminaire de la chaire rhetorique et société en Europe (XVIe-XVIIe siècles) du Collège de France. Alessandria: Edizioni dell'Orso, 2003.

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Giovanni, Boccaccio. Il Decameron - Primary Source Edition (Italian Edition). Nabu Press, 2014.

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Frascarelli, Mara. The interpretation of pro in consistent and partial null-subject languages. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815853.003.0009.

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This chapter deals with the acceptability and interpretation of referential null subjects (NSs) and compares consistent pro-drop in Italian with equivalent sentences in Finnish (a partial NS language), in different syntactic constructions (matrix, completive, factive, and adverbial clauses). This leads to the formulation of an original proposal that opens new perspectives for future research. Specifically, based on the interpretive judgements of 273 native speakers of Finnish, it is shown that a Topic chain analysis (Frascarelli 2007) can (and should) be assumed in partial NS languages as well, and that ‘partiality’ cannot be explained through narrow syntactic constraints. The Locality requirement is thus re-proposed as an Interface Visibility Condition (IVC), according to which in partial NS languages a pro is preferably interpreted as referring to the closest overt link in a Topic chain. The Topic Criterion is thus proposed as a Macroparameter of NS languages and the necessity of a ‘graded analysis’ ascribed to the IVC (as a Mesoparameter).
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Fortin, Katharine. Control of Territory and Human Rights Obligations of Armed Groups. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808381.003.0009.

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Chapter 9 considers the relevance of control of territory to the acquisition of legal obligations by armed groups. Employing the principle of ‘effectiveness’ as its starting point, the chapter conducts a detailed analysis of the rules on State responsibility, focusing in particular on Article 9. It also charts jurisprudence from the US Supreme Court, the US-Mexico General Claims Commission, and the Franco-Italian Conciliation Commission. Finding support for the idea that States may be held responsible for the impersonal acts of armed groups, the chapter explains how this case law may give rise to an argument that armed groups are bound by the international obligations of the State in instances where they control territory. It concludes by explaining how the obligations of armed groups may also originate in the continued rights of the population in the territory under their control.
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Boe, John. Chant and Notation in South Italy and Rome Before 1300. Taylor & Francis Group, 2017.

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Pombi, Marco, David Modiano i Gilberto Corbellini. Malaria eradication in Italy: the story of a first success. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198789833.003.0013.

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The Italian experience represents a historical example that education and sociopolitical vision can effectively contribute to the conquest of malaria. Until the end of 19th century, the infection spread mostly in the Central and Southern parts of Italy, with about 7 percent of the population affected and 20,000 annual deaths. Malaria showed different facies, owing to a complex vectorial system with remarkable ecological and behavioral differences. With the involvement of a critical mass of scientists and physicians, the etiology of malaria and the biological and socioeconomics determinants of the transmission dynamics were identified. This provided the opportunity to break the “malaria transmission chain” by an integrated approach. Moreover, Italy was the first country to develop special legislation for the fight against malaria, representing an example of integration between scientific, political, social and economic knowledge. In 1970, after decades of fight, the World Health Organization officially declared Italy free from malaria.
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Forlenza, Rosario. Monarchy or Republic? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817444.003.0003.

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This chapter examines the meanings of “monarchy” and “republic,” explores how these meanings were modified in the wake of critical events during the civil war, and gauges the range of expectations held by ordinary people and political actors that affected the outcome of the referendum of June 1946. By 1943, while the lofty memories of the Roman republic or the medieval city-states were limited to a small circle of enlightened elites, to the majority of the population the republic meant confusion and chaos, revolution and anarchy. However, after the armistice and the King’s ignominious departure from Rome in September 1943, monarchic loyalism began to crumble and fade away in various sectors of Italian society. Furthermore, the war was also a social revolution, which in different areas of the country subverted traditional subordination and modified meanings, beliefs, and ideas that shaped the final outcome of the referendum.
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Boe, John. Chant and Notation in South Italy and Rome Before 1300. Taylor & Francis Group, 2017.

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Chant and notation in South Italy and Rome before 1300. Burlington, VT: Ashgate Pub. Company, 2009.

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Welsh, Mary Sue. A Silent Exit. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037368.003.0013.

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This chapter describes Stoki's All-American Youth Orchestra. As the war began to overtake Europe in 1939, and German and Italian influence threatened to take hold in South America, the Berlin Philharmonic Orchestra and performers from La Scala made tours through South America, winning friends for their respective countries. Alarmed, the Roosevelt administration wanted to counter those successes by sending U.S. cultural emissaries to Latin America. However, little government money was available to finance such projects. Stokowski stepped up to offer one solution to the dilemma. What better way to challenge the cultural impact that the Berlin Philharmonic and La Scala made on South America and counter the propaganda then circulating about the Hitler Youth Movement than by forming an orchestra of fresh-faced and highly talented young Americans as goodwill emissaries? To do this, he proposed to form an orchestra of young people from all over the United States. It would forge cultural ties with South Americans through the universal language of music and the charm of youth. Stoki also chose thirteen players from the Philadelphia Orchestra and set them strategically within his new ensemble to provide a backbone of expertise for the final product so that it could be brought together quickly. One of them was harpist Edna Phillips.
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