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Artykuły w czasopismach na temat "Islamisme – Dans la littérature"
Salib, Amany Fouad. "La conception de l’identité [al-hûwiyya] dans le fondamentalisme islamique sunnite contemporain". Thème 24, nr 2 (12.07.2018): 41–74. http://dx.doi.org/10.7202/1050501ar.
Pełny tekst źródłaDakhlia, Jocelyne. "Les Miroirs des princes islamiques: une modernité sourde?" Annales. Histoire, Sciences Sociales 57, nr 5 (październik 2002): 1191–206. http://dx.doi.org/10.3406/ahess.2002.280102.
Pełny tekst źródłaBenmebarek, Zoubir. "Cognitive behavioural therapy : an Islamic perspective". Batna Journal of Medical Sciences (BJMS) 7, nr 2 (9.11.2020): 162–66. http://dx.doi.org/10.48087/bjmsra.2020.7221.
Pełny tekst źródłaDakhlia, Jocelyne. "Homoérotismes et trames historiographiques du monde islamique". Annales. Histoire, Sciences Sociales 62, nr 5 (październik 2007): 1095–120. http://dx.doi.org/10.1017/s0395264900035769.
Pełny tekst źródłaالكريطي, حاكم حبيب, i محمد ظاهر العارضي. "Le courant religieux à la louange du Ve siècle de l'hégire". Kufa Journal of Arts 1, nr 27 (16.08.2016): 71–100. http://dx.doi.org/10.36317/kaj/2016/v1.i27.6391.
Pełny tekst źródłaCosta, José. "ʿOlam ha-ze/ʿolam ha-ba, al-dunyā/al-āḫira : étude comparée de deux couples de termes dans la littérature talmudique et le Coran". Arabica 62, nr 2-3 (12.05.2015): 234–59. http://dx.doi.org/10.1163/15700585-12341345.
Pełny tekst źródłaMaazouzi, Djemaa. "Détrôner Dieu et les médias : carnavalisation et hybridité dans Zéro mort de YB". ALTERNATIVE FRANCOPHONE 1, nr 2 (10.12.2009): 94–106. http://dx.doi.org/10.29173/af7116.
Pełny tekst źródłaLoudiyi, Mourad. "Penser la notion de frontière dans 'Rêves de femmes' de Fatima Mernissi –de quelques transgressions identitaires, culturelles et génériques–". HYBRIDA, nr 6 (29.06.2023): 55. http://dx.doi.org/10.7203/hybrida.6.26238.
Pełny tekst źródłaal-Qāḍī, Wadād. "The Myriad Sources of the Vocabulary of ʿAbd al-Ḥamīd al-Kātib (d. 132/750)". Arabica 66, nr 3-4 (30.07.2019): 207–302. http://dx.doi.org/10.1163/15700585-12341536.
Pełny tekst źródłaBaptiste, Enki. "Semantic of Names: Djihadist Taxonomy and Medieval Imaginary". Passés politisés, nr 9 (15.12.2023): 69–82. http://dx.doi.org/10.35562/frontieres.1763.
Pełny tekst źródłaRozprawy doktorskie na temat "Islamisme – Dans la littérature"
Fischer, Nicole. "Représentations de l'Islam dans la littérature contemporaine - Le nouveau "genre" de la dystopie islamique". Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030076.
Pełny tekst źródłaThis thesis focuses on a comparative analysis of the literary form of Islamic dystopia – dystopian narratives that address the crisis of Islam in the real world and project it into a futuristic scenario, under the rule of an Islamist regime. These narratives exploit patterns of Islamic perception that are discursively perpetuated in the real world, imbuing them with a new explosive political force. This work examines the aesthetic, ideological, and socio-communicative aspects of Islamic dystopia that have not yet been systematically reviewed.We pay particular attention to how political concepts of identity, community, and future are treated within Islamic dystopias, especially in the context of the debate on the ‘muslim question’ often framed as a clash between Islam and the West. In that, the thesis identifies two main currents within contemporary literature's Islamic dystopias. On the one hand, works like 2084 : La Fin du Monde (2015) by Boualem Sansal and Soumission (2015) by Michel Houellebecq can be seen as compensatory literature. These works address the challenges posed by the growing presence of the Muslim Other in a world marked by migration and multiculturalism. They establish new boundaries based on the superiority of the West, which are aesthetically presented in the form of cultural triumphalism.On the other hand, works such as 2028 (2016 [2006]) by Thérèse Fournier and Le dernier Été de la Raison (1999) by Tahar Djaout take a fundamentally different approach to established discourses on Islam. These works weaken the political categories mobilized in aforementioned discourses and undermine their ideological core. Instead of promoting identification with the West, they encourage reflection, laden with compassion, upon alternative relationships between the individual, community, and future. They argue that the West itself is dystopian and prompt a re-evaluation of its relationship with Islam and Muslims, particularly by reevaluating a traumatic and shared past.Overall, this thesis contributes to the systematic understanding and analysis of Islamic dystopia as a literary form. It highlights the complexity of the political, cultural, and ideological aspects present in these narratives, showcasing how Islamic dystopia offers diverse perspectives on extraliterary reality and the role of literature in this discourse
Wayall, Seydou. "Le discours de Sayyid Quṭb, littérature et civilisation". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA071.
Pełny tekst źródłaStudies relating to the production of Sayyid Quṭb are generally limited to his religious and political writings, which mirror his extremist views of Islam, and they thus obscure his literary production.Our research aims to study the works of Quṭb as a whole. It focuses on his discourse in various areas, be they religious, social, political or literary, as well as it takes into account the evolution in his views, in order to better highlight his changes of positions and his contradictions.It begins, in its first part, with the historical, socio-political and cultural context, within which Qutb’s work took place, before analyzing his religious, social and political views. In its second part, it addresses, at first, Qutb's literature in order to better grasp his literary vision. Then, basing its analysis on a narratological and semiological approach, this research goes on to analyze the novels of Quṭb, which are neglected by researchers, thus bringing into light the predominance of its “prophetic”, moral and didactic dimension. In its last part, we compare Qutb’s “Islamic” literature and his novels with his poetic production which is dominated by a romantic vision, so as to clearly highlight its internal contradictions
Diop, Alioune. "L'imaginaire animalier dans la littérature arabe". Paris 4, 1999. http://www.theses.fr/1999PA040180.
Pełny tekst źródłaVali, Shahab. "Les figures de l'Iran pré-islamique dans la littérature des Ŷarsâns, courant religieux kurde". Paris, EPHE, 2008. http://www.theses.fr/2008EPHE5004.
Pełny tekst źródłaThis thesis proposes to study the mythological figures in the sacred texts produced by the Yârsân Kurds and the dialogue that exists between the textual production of this religious group and the Iranian religious culture before and after Islam. The history of the Yârsâns dates back to the 11th century. However the most important period for Yarsâns starts in the 14th century, called also the ‘period of Truth’ in their own terms, when the literary sacred texts of the group began to be produced, collected and organized. Yârsân Kurds as a religious esoteric community have been a great source of interest for Western scholarship in recent decades. European scholars have mainly focused on the inextricable ties that exist between the main characteristics of the Yârsân religious thoughts and the Iranian religious background both before and after Islam, particularly with Shiite doctrines. Scholars such as Minorsky, Gobineau, Ivanow and later Mokri and During have largely followed this path to understand the particularity of the Yârsâns as a minority religious group. In spite of the efforts made by these scholars, the lack of use of Yarsân sacred texts as sources rendered previous research incomplete, and even in some cases distorted the reality. [. . . ] By using a large number of unpublished textual records, written by Yârsân spiritual masters, the present thesis aims to understand the religious doctrine that is reflected in these documents, and the mythological figures and their places both in Yârsân religious thought and also in the larger context of Iranian religious culture. I have also attempted to identify all these figures, and to describe their functions, their symbolic and religious characteristics, in the religious system of the Yârsâns. I have also attempted to trace the origins of this religious system in Iranian mythology by following the changes and additions. I also tried to specify more clearly the link between this Kurdish religious community and religious thinking of pre- Islamic Iran, which will lead me to provide an answer to the question of the origin of this religious group which has long been a mystery for the scholars of the subject
Labban, Rima. "Les figures mythiques dans la culture arabo-islamique médiévale : l'exemple des "Mille et Une nuits"". Paris 4, 2003. http://www.theses.fr/2003PA040058.
Pełny tekst źródłaThe study of the mythical figures of king Salomon and the calife Haroun al-Rachid in the Arab-Islamic medieval culture, through The Thousand and One Nights, amounts, firstly, to questioning the making and animation of the imaginary representations in a society governed by religious interdictions to express its deepest desires. It consists, secondly, on examining the mechanisms and the mode of productions of the fancy, its instruments, and, the moments and places of its irruption. The study of these two figures is then situated at the center of the medieval fancy and at the same time at the intersection of the historical, political and social domains. To understand how a historical personality transforms into a politico-heroic myth, in other words, to answer the question of how figures become mythical, one should, at the same time, call upon the historical method and the literary analysis, from a narrative and semiotic point of view. The answers to these interrogations should lead to a definition of the mythical figure in the medieval Arab-Islamic culture and to a definition of the status of the tale in this culture
Agoun, Perpère Fatma. "Les Noirs dans les textes maghrébins". Paris 4, 2009. http://www.theses.fr/2009PA040029.
Pełny tekst źródłaThe North African (Maghrebin) society symbolizes the image of the Black man as an absolute alterity ; a highly pejorative alterity. In a general sense and regardless of the subject (literature, linguistics, philosophy, sociology or history), this negative image imbues the texts that concern Blacks. Interdisciplinary analyses of these texts allow one to discover the discursive and literary procedures that facilitate the diffusion of this degraded ideological representation. Forged and promoted by past and present social discourse, the representation of Black alterity is rooted in the underpinnings of cultural transmission: from the classical period on, erudite texts justifying the legitimizing of slavery or denigrating the Black population; dictionaries presenting words from the Arabic language which conserve traces of the pejorative image of Blacks; texts from folk-lore that illustrate clichés and stereotypes of Blacks; and finally, the French texts which scarcely offer much of a difference in cultural imagery because they function by integrating these prejudicial social representations. All of these reflect a collective imagination concerning the "Other"
Bousbina, Saïd. "Un siècle de savoir islamique en Afrique de l'ouest (1820-1920)". Paris 1, 1996. http://www.theses.fr/1996PA010621.
Pełny tekst źródłaThe Tijaniyya order was founded by Ahmad Al-Tijani around 1781 in the algerian south. Ever since then, this order has spread in all directions amongst the muslim world. However, the most dramatic propagation of the Tijaniyya was felt in western africa during the second half of the 19th century and at the beginning of the 20th century, thanks, notably, to the military action of Al-Hajj 'Umar and the pacific gesture of Al-Hajj Malik Sy. Parallely to this spread, a few members of this order produced a type of literature, hence called Tijaniyya literature, which also developed in that region. And it is precisely the aim of this thesis to deal chiefly with the tijaniyya literature. However, because it proved impossible to deal with the whole of this literature, we chose four authors who seemed to be the most representative of this literature : Al-Hajj 'Umar, Yirkoy Talfi, 'Ubayda Ben Anbuja et Al-Hajj Malik Sy. The writings of those authors cover a century (1820-1920) and are representative of the whole of western Africa, from present day Mauritania to actuel Guinea. The study, hence, the analysis of their works enable one to follow the Tijaniyya order within its african realm, and more especially its evolution and the fluctuation of themes within this literature. This should show how the tijanis authors presented and explained their order to their readers, which arguments were used in order to convince people to became affiliated to the tijaniyya, and finally which sources did they base themselves on and which religious and juridical authorities did they refer themselves to, in order to strengthen and articulate their arguments. This is precisely what this thesis attempts to show
Caiozzo, Anna. "L'iconographie du zodiaque dans les manuscrits d'astrologie et de littérature pseudo-scientifique du XIIe siècle au XVe siècle (turcs, arabes et persans)". Paris 4, 1998. http://www.theses.fr/1997PA040273.
Pełny tekst źródłaThe zodiac has been known since ancient times but it was the Greek astronomers of the Hellenistic period who determined forms after the mythological figures and animals. The zodiac iconography inherited by the 8th and 9th century arabic-persian astronomers was largely inspired by ancient traditions. They subsequently updated it. Indeed, the iconography of the zodiac constellations had its codifier: the astronomer Abd al-rahman al-suff, then in the service of the buyid prince Adud al-dawla, who wrote “the book of the fixed stars”. The purpose of this iconography was mainly didactic, allowing constellations in the sky to be identified, hence a number of features characterizing the figures in all the copies made until the 19th century. A second type of zodiac appeared in the manuscripts starting in the 13th century: the astrological zodiac, which had a radically different purpose. The astrological zodiac was then used by astrologers to elaborate horoscopes but was often found in late 12th century east Anatolia or Persian metallic objects. Like the manuscripts as of the 14th century, these objects offer two types of iconography: - the first shows the signs conjugated with the planets in their various forms of associations, the most frequent being the planet associated to its house sign. - the second, frequently seen in miniatures starting in the 14th century, offers a new zodiac, purged so to speak, in which only some of the signs are perfectly associated to their planet: these are mixed series. We have underlined the major role of a focal point from which, we believe, a good part of the arabic-persian astrological zodiac may have originated: the city of Harran, in east turkey, whose inhabitants worshiped stars until the 9th century. The practice of the cult survived until the city was destroyed by the Mongols in the 13th century. It was at this time that this so distinctive iconography of the planets and the zodiac started appearing and spreading. The zodiac is not restricted to the two areas of astronomy and astrology. It also extends to other forms, among which the pictorial and mystical conception of heavens symbolized by the bearers of the divine throne. It was also used to make talismans, just like the ancient Arabic moon zodiac…
Elkayam, Moshé. "La typologie de Cai͏̈n et Abel dans les littératures hébrai͏̈ques, araméenne, sumérienne, akkadienne, de l'ancienne Egypte, ougaritique, indo-iranienne, chrétienne et islamique". Paris 8, 1992. http://www.theses.fr/1992PA080682.
Pełny tekst źródłaNazari, Fariba. "Les couleurs : usages et significations dans l’art et dans la société islamique au Moyen-âge". Paris, EHESS, 2012. http://www.theses.fr/2012EHES0176.
Pełny tekst źródłaThis thesis spells out specifically a developed tradition of polychrome in the art and the society Muslim Medieval, and tries to improve such concepts extensively. It should be mentioned that the recent improvements made in Islamic sensitivities for color over the recent centuries that separate us from the older period of time (the eighth to fifteenth century) that radiates the Islamic art is beyond this research. As a matter of fact in this study, our goal is to present the concept of color during the eighth to fifteenth century, explaining the meaning and the use of color during that time which correspond its true concept. Since the achievement of the harmony of colors depends on physical processes and appropriate techniques, we will try to demonstrate the practical application and objective of Islamic art and color at those centuries based on visual evidences that were obtained during our research, thus painting is considered as the raw material of our study. These centuries can present all the aesthetic elements of interest especially in painting (miniatures) because among the various arts, painting is the area where the colorist expressed with more freedom. From Baghdad to Tabriz, from Tabriz to Herat and from Herat to Shiraz and Isfahan, the Islamic miniature has produced the most beautiful pages of the history. In addition, color as an element in Islamic culture including poetry, mysticism, regulations and the religious holy book is studied to fully characterize the role of color in other Abrahamic religions
Książki na temat "Islamisme – Dans la littérature"
Mohamed, Toibibou Ali. Hommage aux morts dans la littérature islamique aux Comores (1942-2018). Moroni: Komedit, 2020.
Znajdź pełny tekst źródłaJuan, Goytisolo. Chroniques sarrasines. Paris: Fayard, 1985.
Znajdź pełny tekst źródłaMohammed, Harbi, red. L' Islamisme dans tous ses états. Paris: Arcantere, 1991.
Znajdź pełny tekst źródłaDialmy, Abdessamad. Féminisme, islamisme, soufisme. Paris: Publisud, 1997.
Znajdź pełny tekst źródłaChristiane, Benardeau, red. Napoléon dans la littérature. Paris: Nouveau monde, 2004.
Znajdź pełny tekst źródłaL'ÉCOLE DANS LA LITTÉRATURE. Paris: Editions L'Harmattan, 2006.
Znajdź pełny tekst źródłaChristiane, Bénardeau, red. Napoléon dans la littérature. [Paris]: Nouveau Monde, 2004.
Znajdź pełny tekst źródłaSaracens and the making of English identity: The Auchinleck manuscript. New York: Routledge, 2005.
Znajdź pełny tekst źródłaPerez, Jean-Claude. L' islamisme dans la guerre d'Algérie: Logique de la nouvelle révolution mondiale. Paris: Dualpha, 1999.
Znajdź pełny tekst źródłaPerez, Jean-Claude. L' islamisme dans la guerre d'Algérie: Logique de la nouvelle révolution mondiale. [Paris]: Dualpha, 2004.
Znajdź pełny tekst źródłaCzęści książek na temat "Islamisme – Dans la littérature"
Daros, Philippe. "Discours anthropologique et littérature". W Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 230–42. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch17.
Pełny tekst źródłaMourlan, Lou. "Humanisme et littérature d’après-guerre". W Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 337–47. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch25.
Pełny tekst źródła"Bibliographie". W Coran et tradition islamique dans la littérature maghrébine, 171–87. Karthala, 2002. http://dx.doi.org/10.3917/kart.bourg.2002.01.0171.
Pełny tekst źródła"Simple exotisme ou contestation subliminale : les costumes mongols dans le Kalīla wa-Dimna de Rabat (BRR 3655)". W Les périples de Kalila et Dimna: Itinéraires de fables dans les arts et la littérature du monde islamique, 301–24. BRILL, 2022. http://dx.doi.org/10.1163/9789004498143_011.
Pełny tekst źródła"Entre deux mondes : une anthologie illustrée inédite inspirée de Kalīla wa-Dimna". W Les périples de Kalila et Dimna: Itinéraires de fables dans les arts et la littérature du monde islamique, 325–56. BRILL, 2022. http://dx.doi.org/10.1163/9789004498143_012.
Pełny tekst źródła"Une version illustrée de Kalīla wa-Dimna en turc ottoman". W Les périples de Kalila et Dimna: Itinéraires de fables dans les arts et la littérature du monde islamique, 357–71. BRILL, 2022. http://dx.doi.org/10.1163/9789004498143_013.
Pełny tekst źródła"Catalogue des manuscrits illustrés de Kalīla wa-Dimna et textes apparentés / Catalog of Illustrated Kalīla wa-Dimna Manuscripts and Related Texts". W Les périples de Kalila et Dimna: Itinéraires de fables dans les arts et la littérature du monde islamique, 391–99. BRILL, 2022. http://dx.doi.org/10.1163/9789004498143_015.
Pełny tekst źródła"A Rat and Its Redactors: Silent Co-Authorship in Kalīla wa-Dimna". W Les périples de Kalila et Dimna: Itinéraires de fables dans les arts et la littérature du monde islamique, 3–42. BRILL, 2022. http://dx.doi.org/10.1163/9789004498143_002.
Pełny tekst źródła"Histoires de transmissions : un manuscrit arabe du XIIIe siècle et ses copies tardives". W Les périples de Kalila et Dimna: Itinéraires de fables dans les arts et la littérature du monde islamique, 130–71. BRILL, 2022. http://dx.doi.org/10.1163/9789004498143_006.
Pełny tekst źródła"Confluence of Cultures: The Rabat Kalīla and Dimna and Its Copy". W Les périples de Kalila et Dimna: Itinéraires de fables dans les arts et la littérature du monde islamique, 172–202. BRILL, 2022. http://dx.doi.org/10.1163/9789004498143_007.
Pełny tekst źródłaStreszczenia konferencji na temat "Islamisme – Dans la littérature"
Petitier, Paule, i Claude Millet. "L’histoire dans tous ses états". W Littérature et histoire en débats. Fabula, 2013. http://dx.doi.org/10.58282/colloques.2104.
Pełny tekst źródłaDebaene, Vincent, i Jean-Louis Jeannelle. "Où est la littérature ?" W L'idée de littérature dans les années 1950. Fabula, 2004. http://dx.doi.org/10.58282/colloques.66.
Pełny tekst źródłaPoels, Géraldine. "La littérature dans les collections de l’INA". W Mémoire audiovisuelle de la littérature. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9231.
Pełny tekst źródłaMurat, Michel. "Progrès dans le roman assez lents". W Jean Paulhan et l’idée de littérature. Fabula, 2012. http://dx.doi.org/10.58282/colloques.1712.
Pełny tekst źródłaDitche, Élisabeth Rallo. "Voix et émotions dans DanielDeronda de George Eliot". W L'émotion, puissance de la littérature. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2333.
Pełny tekst źródłaRobinson, Jenefer. "L’empathie, l’expression, et l’expressivité dans la poésie lyrique". W L'émotion, puissance de la littérature. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2329.
Pełny tekst źródłaVérilhac, Yoan. "Science et sensationnalisme dans Détective (1928-1940)". W Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/ieub4478.
Pełny tekst źródłaAbramovici, Jean-Christophe. "Les traces littéraires dans La Fable mystique". W Michel de Certeau et la littérature. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5058.
Pełny tekst źródłaFroidefond, Marik. "Commentaires sur la place des études de prosodie poético-musicale dans la recherche musico-littéraire". W Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1258.
Pełny tekst źródłaVaugeois, Dominique. "« Faire son cinéma » : la citation audiovisuelle dans le texte critique". W Mémoire audiovisuelle de la littérature. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9165.
Pełny tekst źródłaRaporty organizacyjne na temat "Islamisme – Dans la littérature"
Belkaïd, Meryem. Figures de la marginalité dans la littérature policière française contemporaine. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.14.
Pełny tekst źródłaReverdy, Thomas, i Alicia Roehrich. Incertitude et résilience dans les projets technologiques. Fondation pour une culture de sécurité industrielle, styczeń 2016. http://dx.doi.org/10.57071/582prj.
Pełny tekst źródłaAlaoui, Siham, Nadia Naffi i Simon Collin. Les technologies éducatives en milieu scolaire et universitaire. Observatoire international sur les impacts sociétaux de l'IA et du numérique, czerwiec 2023. http://dx.doi.org/10.61737/nvtm1722.
Pełny tekst źródłaMaubert, Camille, Jeremy Allouche, Irene Hamuli, Eustache Kuliumbwa Lulego, Gauthier Marchais, Ferdinand Mushi Mugumo i Sohela Nazneen. Le pouvoir d’action des femmes et la protection humanitaire au Nord et au Sud-Kivu, RDC. Institute of Development Studies, marzec 2023. http://dx.doi.org/10.19088/ids.2023.015.
Pełny tekst źródłaAlexis, Alex, i Alexandra Bahary-Dionne. Réduire les impacts de la fracture numérique sur les populations marginalisées : leçons apprises de la littérature à la portée des organismes communautaires. Observatoire international sur les impacts sociétaux de l'IA et du numérique, wrzesień 2022. http://dx.doi.org/10.61737/ctfe9118.
Pełny tekst źródłaBellwood-Howard, Imogen, Peter Taylor, Aminata Niang, Kaderi Bukari, Eric Kioko, Peter Wangai, Lansine Sountoura, Bronson Eran’Ogwa i Mohammed Yamusah. Les arts dans le dialogue et la communication sur l’environnement en Afrique de l’Ouest et de l’Est. Institute of Development Studies, sierpień 2023. http://dx.doi.org/10.19088/ids.2023.037.
Pełny tekst źródłaScarpini, Celeste, Oyebola Okunogbe i Fabrizio Santoro. Les promesses et les limites des technologies de l’information dans la mobilisation fiscale. Institute of Development Studies, kwiecień 2023. http://dx.doi.org/10.19088/ictd.2023.019.
Pełny tekst źródłaGaillard, Irène. Facteurs socio-culturels de réussite du REX industriel par l'analyse bibliographique. Fondation pour une culture de sécurité industrielle, czerwiec 2005. http://dx.doi.org/10.57071/867rex.
Pełny tekst źródłaLucinda, Cazdow, Martin Hearson, Frederik Heitmüller, Katharina Kuhn, Okagna Okagna i Tovony Randriamanalina. Une coopération fiscale internationale inclusive et efficace : Points de vue des pays du Sud. Institute of Development Studies, grudzień 2023. http://dx.doi.org/10.19088/ictd.2023.059.
Pełny tekst źródłade Marcellis-Warin, Nathalie, François Vaillancourt, Ingrid Peignier, Molivann Panot, Thomas Gleize i Simon Losier. Obstacles et incitatifs à l’adoption des technologies innovantes dans le secteur minier québécois. CIRANO, maj 2024. http://dx.doi.org/10.54932/dlxt6536.
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