Rozprawy doktorskie na temat „Irish Friend”
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Spivey, Adam. "Friend or Foe? Martial Race Ideology and the Experience of Highland Scottish and Irish Regiments in Mid-Victorian Conflicts, 1853-1870". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etd/3216.
Pełny tekst źródłaSams, Steven Michael. "The cauldron of enmities the Friends of Ireland and the conflict between liberalism and democracy in the early nineteenth century Atlantic world /". unrestricted, 2005. http://etd.gsu.edu/theses/available/etd-11182005-232347/.
Pełny tekst źródłaIan Christopher Fletcher, committee chair; Wendy Hamand Venet, committee member. Electronic text (131 p.). Description based on contents viewed May 8, 2007; title from title screen. Includes bibliographical references (p. 126-131).
Rorke, Bernard. "Beyond friends and enemies? : the politics of Irish nationalisms in the twentieth century". Thesis, University of Westminster, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433896.
Pełny tekst źródłaSams, Steven Michael. "The Cauldron of Enmities: The Friends of Ireland and the Conflict between Liberalism and Democracy in the Early Nineteenth Century Atlantic World". Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/history_theses/4.
Pełny tekst źródłaYounger, Alison Solveig Patricia. "'Look beyond these innocent outspread hands' : versions of post-coloniality in the works of Brian Friel". Thesis, University of Sunderland, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324053.
Pełny tekst źródłaMoriarty, John James. "Social influence from friends and other peers on Northern Irish adolescents' use of cannabis and other illicit drugs"". Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602688.
Pełny tekst źródłaDuncan, Dawn E. (Dawn Elaine). "Language and Identity in Post-1800 Irish Drama". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc277916/.
Pełny tekst źródłaBaker, Vanessa Grace. "RITUAL AS THE WAY TO SPEAK IN DANCING AT LUGHNASA". Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1149015059.
Pełny tekst źródłaPfeiffer, Iris [Verfasser], Gunther [Akademischer Betreuer] Friedl, Gunther [Gutachter] Friedl i Michael [Gutachter] Kurschilgen. "Outrage and Camouflage - An empirical examination of the Managerial Power Theory / Iris Pfeiffer ; Gutachter: Gunther Friedl, Michael Kurschilgen ; Betreuer: Gunther Friedl". München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1154931625/34.
Pełny tekst źródłaPfeiffer, Iris [Verfasser], Gunther [Akademischer Betreuer] Friedl, Gunther Gutachter] Friedl i Michael [Gutachter] [Kurschilgen. "Outrage and Camouflage - An empirical examination of the Managerial Power Theory / Iris Pfeiffer ; Gutachter: Gunther Friedl, Michael Kurschilgen ; Betreuer: Gunther Friedl". München : Universitätsbibliothek der TU München, 2018. http://nbn-resolving.de/urn:nbn:de:bvb:91-diss-20170828-1379360-1-1.
Pełny tekst źródłaCapuchinho, Adriana Carvalho. "Liminaridade, Sacrifício e Reciprocidade: uma abordagem do ritual em três peças de Brian Friel". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-21022013-111001/.
Pełny tekst źródłaThis work addresses three plays by Brian Friel - The Enemy Within (1962), Faith Healer (1979) and Dancing at Lughnassa (1990) - written within a period of almost thirty years. Our thesis is that Friel writes all three plays as rituals, a conception taken from the Cambridge Ritualists, who in the 1920s assume that Greek tragedy and drama grew out of the ancient fertility rituals. We notice that the influence of tragedy and rituals on Friel\'s work is more connected to the form and approach to the plays as rituals than to the rewriting of Greek tragedies or myths. Friel reworks myths and rituals in order to update and remake drama as a ritual in itself, whose raison d\'etre for him is to allow the meaning and reorganization of individual and social life in modern industrial world, mainly life in contemporary Ireland. We deal here with social dramas and rites of passage, with special regard to the liminal period, characterized by the transition between social roles and involving a period of not belonging. The three groups involved in each play: the monks and novices in The Enemy Within, the small troupe in Faith Healer and the family in Dancing at Lughnasa, live on the boundaries of their societies and are led by men who are in a liminal situation in social dramas which involve both institutionalized and informal ritual processes.
Oliveira, Mariana Lessa de. "Translating ireland : Brian Friel's Translations beyond words". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/114839.
Pełny tekst źródłaFirst staged in 1980 in Derry, Northern Ireland, by the Field Day Theater Co., Translations is considered a milestone in the history of Irish theater, bringing up various interpretations and analysis, from post-colonial to language studies. The present research aims at studying language as a tool in the crafting of a national art in Ireland, especially in the foundation of a theater and in the creation of a literary tradition, presenting Translations as a metaphor for this process. This study presents a possibility for the translation of the play and is divided in three main parts: 1) a presentation of the play and the discussions surrounding the time of its creation as well as the reception of critics and scholars; 2) a brief presentation of the history of the Irish national theater starting by the foundation of the Irish Literary Theater in 1897 by W.B. Yeats, and a comparison with the foundation of the Field Day Theater Company where their first production, Translations, stands in the tradition started in late 19th century. Besides that, the second part also presents some periods in Irish literature and the relation between writers and the language of production: English or Irish, comparing this relationship to the one found amongst characters in the play; 3) analysis of the translations the play has received to Irish, Greek, Italian and Brazilian Portuguese as well as reflections on the process of translating the play. The following study uses theories in Irish studies such as the ones by Declan Kiberd, theater scholars such as Christopher Murray and Scott Boltwood and texts published by Field Day. Newspapers columns and articles were also researched for this study, especially when concerning the language of literary production in Ireland. The main objetive of this study is to present a reading of the play that does not refer to the death of a language, but to the rebirth of a new Irish language incorporated in the English language, a third language used in the creation of Irish art.
Hölken, Iris [Verfasser]. "Mechanically stable and environmentally friendly polymer/particle composites for the application as low-fouling coating in the marine sector / Iris Hölken". Kiel : Universitätsbibliothek Kiel, 2016. http://d-nb.info/1115183621/34.
Pełny tekst źródłaParker, Michael Richard. "The writers and the troubles : the impact of politics on Northern Irish writing in the late 1960s and early 1970s, with particular reference to the work of Brian Friel and Seamus Heaney". Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364183.
Pełny tekst źródłaTripp, Scott T. "Selected Repertoire for the Tenor Voice". FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/629.
Pełny tekst źródłaPEREZ, TOSTADO Igor. "Looking for 'powerful friends' : Irish ad English political activity in the Spanish monarchy (1640-1660)". Doctoral thesis, 2004. http://hdl.handle.net/1814/5935.
Pełny tekst źródłaExamining board: Prof. Fernando Bouza Álvarez, Universidad Complutense, Madrid (External supervisor) ; Dr. Declan M. Downey, University College Dublin ; Prof. John H. Elliott, Oriel College, University of Oxford ; Prof. Lawrence Fontaine, EHESS, Paris (Supervisor) ; Prof. Bartolomé Yun Casalilla, European University Institute
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
Johnson, Amy R. "Stranger in the Room: Illuminating Female Identity Through Irish Drama". Thesis, 2007. http://hdl.handle.net/1805/918.
Pełny tekst źródłaTitle from screen (viewed on May 23, 2007) Department of English, Indiana University-Purdue University Indianapolis (IUPUI) Includes vita. Includes bibliographical references (leaves 82-83)
Pínová, Kateřina. "Inscenační praxe a recepce hry Briana Friela "Tanec na konci léta" v irském a českém kontextu". Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-322180.
Pełny tekst źródłaPichrtová, Lenka. "Role genderu ve vybraných irských dramatech". Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-323420.
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