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Naseri, Sis Farzaneh. "Iris Murdoch". Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610506/index.pdf.
Pełny tekst źródłas fiction has been influenced by dramatic elements, particularly comic elements. This influence has been revealed as parody. Murdoch parodies the comic character types of the eiron, alazon, buffoon and agroikos by exaggerating and mixing their functions and themes of love, separated lovers and metamorphosis in her novels, The Nice and the Good, The Black Prince, and The Sea, The Sea. In addition, she makes parodic uses of Shakespearean plays, As You Like It and Love'
s Labour'
s Lost, Hamlet, and The Tempest, in her novels in question. Her use of parody as a weapon against the genre of romantic comedy, its character types and main themes is the result of her philosophical view of drama and the dramatic. She argues that comedy and tragedy deal with appearance whereas drama and the dramatic ought to involve reality. In her novels in question, she shows that the dramatic is the conflict of selfish self with itself to reach self-knowledge. Murdochian self- knowledge is the knowledge of what lies beyond self. This kind of knowledge is achieved by unselfing, a process through which a solipsistic self recognizes its solipsism and challenges it by means of love and art.
Conlin, Alice. "Iris Murdoch on knowledge and freedom". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79833.
Pełny tekst źródłaIn chapter two, I turn to Murdoch's description of the journey from illusion to reality and the role of love or eros in this journey. I examine the many points of intersection between her description of the escape from selfishness and Wendy Farley's (1996) theory of how we acknowledge the other through a type of attention that she calls eros for the other .
In Chapter three, I discuss the problem that evil poses for Murdoch's moral philosophy, and how Murdoch and Farley interpret the experience of the void as yearning for relation. In the conclusion of this thesis, I present Murdoch's views on form as the consolation of human yearning. (Abstract shortened by UMI.)
O'Connor, Patricia Jo. "The moral philosophy of Iris Murdoch". Thesis, University of Exeter, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253061.
Pełny tekst źródłaCampanile, Rosa <1993>. "Etica e letteratura in Iris Murdoch". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16288.
Pełny tekst źródłaBernas-Martel, Claire. "La vérité dans l'oeuvre de Iris Murdoch". Paris 10, 1993. http://www.theses.fr/1993PA100064.
Pełny tekst źródłaIris Murdoch's novels are the realm of illusions, delusion, real lies, pseudo-truths and even supernatural events. All these elements point to the concept of truth which is precisely the object of our study in six of her novels: Under the Net, The Sea, the Sea, The Philosopher's Pupil, The Good Apprentice, The Unicorn, The Flight From the Enchanter. The problem one is confronted with is whether, in I. Murdoch's view, the subject can know the truth concerning reality, himself, others, or not, to which extent, what truth he may achieve and how. This implies studying the particular nature of reality in the novels (its close link with dreams, imagination and fantasies), then the subjective and colouring nature of the subject and the part it plays in the access to truth. There also arises the question of the author's truth: her conception of human nature and human condition, her general conception of truth, where morals and art have a deep part
Boldrini, Miranda. "Éthique, imagination et réalité chez Iris Murdoch". Thesis, Amiens, 2019. http://www.theses.fr/2019AMIE0039.
Pełny tekst źródłaThe thesis focuses on Iris Murdoch's (1919-1999) moral thought. The research aims to show Murdoch's heterogenic and innovator role within contemporary moral philosophy, in particular in the analytic tradition. Murdoch's philosophical perspective is analyzed in three axes : the relationship between ethics and language ; moral psychology ; the relationship between philosophical method and normativity. The thesis shows Murdoch's contribution to some central debates of contemporary philosophical ethics, notably : the critic of the dichotomy between fact and value ; moral perfectionism ; and the critic of "scientism" and the kind of non-scientific naturalism Murdoch conceive for ethics. Through this analysis, both theoretical and historical, the research argues that Murdoch played a crucial role in the constitution of an alternative line of analytic moral philosophy : a "philosophy of the ordinary" inheriting from Wittgenstein, which consider philosophical reflection as conceptual elucidation interested in ordinary moral life. In this perspective, the thesis explores the relationship between Murdoch's moral thought and contemporary ethics of care along with feminist approaches interested in moral epistemology, in order to show that what Murdoch offers for ethics is a "different moral epistemology"
La, Cassagnère Mathilde. "La vision dans l'univers romanesque d'Iris Murdoch /". Lille : Atenier national de reproduction des thèses, 1999. http://catalogue.bnf.fr/ark:/12148/cb38987578p.
Pełny tekst źródłaRobjant, David. "The river as a guide to Iris Murdoch". Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683256.
Pełny tekst źródłaSulcas, Roslyn Lee. "Narrative techniques in the novels of Iris Murdoch". Master's thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/21881.
Pełny tekst źródłaIn this thesis I have departed from the prevalent critical concentration on the affiliations between Murdoch's fiction and philosophy, and have attempted to explore the relationship between her narrative techniques and the conventions of realism. In doing so, I use the narrative theory of Dorrit Cohn, who proposes that novelists concerned to render a sense of "reality" are also those who construct the most elaborate and artificial fictive worlds and characters. I propose that Murdoch's "real-isation" of her fictional world incorporates the problems of access to, and representation of the real. This links her to two ostensibly antithetical traditions: that of British realism (within which she would place herself), and also a fictional mode consonant with the poststructuralist writing that focuses on such problems. An examination of the early novels in terms of the correlation between "realism" and technical sophistication implied by Cohn reveals a division of narrative purpose that Murdoch has herself described in the early part of her career as an alternation between "open" and "closed" novels. I suggest in the thesis that these two fictional modes are deliberate choices of style on Murdoch's part, rather than a "failed" realism, and that their different readerly rewards are compounded by the successful merging of these competing .views of the real in the later novels. My narratological emphasis in this dissertation indicates also the ways in which Murdoch's fiction incorporates the comedic, the romantic and the gothic into a framework of orthodox verisimilitude, utilising the clashes between these genres to foreground the difficulties of a unified view. This is particularly successful in the first-person novels, where the overt problematising of self-representation paradoxically feeds into our sense of their "realism".
Ianuskiewtz, Ana Paula Dias [UNESP]. "Arte e ética em The Bell de Iris Murdoch". Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/91526.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Iris Murdoch é uma figura dominante na literatura britânica do pós-guerra e também, uma filósofa notável que constantemente denunciou o interesse excessivo da filosofia moral moderna pelos temas da vontade, da deliberação e ação. Para ela, o estudo da ética deveria ter como prioridade o desenvolvimento da percepção estética, a atenção à realidade e, principalmente, a intensa apreensão de outros indivíduos. Murdoch considera a apreciação da beleza na arte e na natureza, não apenas como um exercício espiritual mas também, como uma maneira para alcançar a bondade, evitar o egocentrismo e ganhar o progresso moral. Seus romances são centrados na arte e no amor, pois Murdoch afirma que a boa arte e o amor intenso são intimações da verdade que levam o indivíduo ao aprimoramento moral. The Bell, seu romance publicado em 1958, descreve uma comunidade religiosa anglicana e os vários incidentes decorrentes da substituição do antigo sino da catedral. Esses eventos incitam reflexões em relação a várias questões morais, como por exemplo: a influência da religião e das instituições de poder na conduta moral; o modo de suplantar interesses próprios e o egoísmo em benefício do próximo, o papel das mulheres na sociedade e a maneira pela qual a sociedade é injusta e intolerante com aqueles cuja sexualidade difere da maioria. Assim, o objetivo desta pesquisa é analisar como certas questões da filosofia moral de Murdoch estão apresentadas nesse romance, The Bell, por meio da expressão literária, mostrando que a arte literária e visual estão amplamente relacionadas à sua teoria moral.
Iris Murdoch is a dominant figure of postwar British literature and also a remarkable philosopher who constantly denounced the excessive interest of modern moral philosophy in the themes of will, deliberation and action. According to her, the study of ethics should prioritize the development of aesthetic perception, the attention towards reality and mainly, the intense apprehension of other individuals. Murdoch considers the appreciation of beauty in arts and nature not only as a spiritual exercise but also, as a way to reach goodness, to avoid egocentrism and to gain moral improvement. Her novels are centered on art and love because she considers that great art or intense love can give intimations of truth, and move one towards moral perfection. The Bell, her novel published in 1958, describes an Anglican religious community and the incidents that happened due to the replacement of the old bell of the cathedral. These events incite moral reflections such as: the influence of religion and of the institutions of power in moral conduct; the way to supplant egoism for the benefit of others, the role of women in society and the ways society is unfair and intolerant of those whose sexuality differs from the majority. Thus, the aim of this study is to analyse in which ways some issues of Iris Murdoch moral philosophy are presented in The Bell, by means of the literary expression showing that the literary and the visual arts are closely related to ethics in her moral theory.
Ianuskiewtz, Ana Paula Dias. "Arte e ética em The Bell de Iris Murdoch /". Araraquara : [s.n.], 2009. http://hdl.handle.net/11449/91526.
Pełny tekst źródłaBanca: Maria das Graças Gomes Villa
Banca: Alzira Leite Vieira Allegro
Resumo: Iris Murdoch é uma figura dominante na literatura britânica do pós-guerra e também, uma filósofa notável que constantemente denunciou o interesse excessivo da filosofia moral moderna pelos temas da vontade, da deliberação e ação. Para ela, o estudo da ética deveria ter como prioridade o desenvolvimento da percepção estética, a atenção à realidade e, principalmente, a intensa apreensão de outros indivíduos. Murdoch considera a apreciação da beleza na arte e na natureza, não apenas como um exercício espiritual mas também, como uma maneira para alcançar a bondade, evitar o egocentrismo e ganhar o progresso moral. Seus romances são centrados na arte e no amor, pois Murdoch afirma que a boa arte e o amor intenso são intimações da verdade que levam o indivíduo ao aprimoramento moral. The Bell, seu romance publicado em 1958, descreve uma comunidade religiosa anglicana e os vários incidentes decorrentes da substituição do antigo sino da catedral. Esses eventos incitam reflexões em relação a várias questões morais, como por exemplo: a influência da religião e das instituições de poder na conduta moral; o modo de suplantar interesses próprios e o egoísmo em benefício do próximo, o papel das mulheres na sociedade e a maneira pela qual a sociedade é injusta e intolerante com aqueles cuja sexualidade difere da maioria. Assim, o objetivo desta pesquisa é analisar como certas questões da filosofia moral de Murdoch estão apresentadas nesse romance, The Bell, por meio da expressão literária, mostrando que a arte literária e visual estão amplamente relacionadas à sua teoria moral.
Abstract: Iris Murdoch is a dominant figure of postwar British literature and also a remarkable philosopher who constantly denounced the excessive interest of modern moral philosophy in the themes of will, deliberation and action. According to her, the study of ethics should prioritize the development of aesthetic perception, the attention towards reality and mainly, the intense apprehension of other individuals. Murdoch considers the appreciation of beauty in arts and nature not only as a spiritual exercise but also, as a way to reach goodness, to avoid egocentrism and to gain moral improvement. Her novels are centered on art and love because she considers that great art or intense love can give intimations of truth, and move one towards moral perfection. The Bell, her novel published in 1958, describes an Anglican religious community and the incidents that happened due to the replacement of the old bell of the cathedral. These events incite moral reflections such as: the influence of religion and of the institutions of power in moral conduct; the way to supplant egoism for the benefit of others, the role of women in society and the ways society is unfair and intolerant of those whose sexuality differs from the majority. Thus, the aim of this study is to analyse in which ways some issues of Iris Murdoch moral philosophy are presented in The Bell, by means of the literary expression showing that the literary and the visual arts are closely related to ethics in her moral theory.
Mestre
Ariturk, Nur Nilgun. "An Iris in the sun : perception-reception-perception in Iris Murdoch's novels of the good". Thesis, University of Stirling, 1997. http://hdl.handle.net/1893/1970.
Pełny tekst źródłaLazaro, Ann. "Le narrateur masculin dans l'oeuvre d'Iris Murdoch". Grenoble 3, 1991. http://www.theses.fr/1991GRE39030.
Pełny tekst źródłaOf the twenty-four novels written by iris murdoch between 1954 and 1989, seven are presented bu a male narrator. The choice of a male narrator can be considered an interesting one for a woman writer and needs to be examined. In the first part of the thesis, each novel with a male narrator is studied in detail in order to trace the development of this phenomenon throughout murdoch's writing career, and to show clearly both the individual personality of each narrator and his affinities with those who precede or follow him chronologically. The problem of the narrating consciousness is also examined, along with some technique of presentation. In the second part of the thesis, certain themes recurring in murdoch's work are examined in the light of the preceding study of narrator personality;a close examination of religious aspirations, individual responsibility and relations with family and friends leads up to a final chapter which asks the vital question : why a male narrator? murdoch's own partial answers are given, and other explanations are provided
Perry, Sarah. "Confusion : Iris Murdoch, the gothic and the sense of place". Thesis, Royal Holloway, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.588502.
Pełny tekst źródłaGrimshaw, Tammy J. "Gender, sexuality and power in the novels of Iris Murdoch". Thesis, University of Leeds, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406279.
Pełny tekst źródłaReid, Diana. "Iris Murdoch on the role of Art in Moral Perception". Thesis, Department of Philosophy, 2017. http://hdl.handle.net/2123/18825.
Pełny tekst źródłaLarson, Kate. ""Everything important is to do with passion" : Iris Murdoch's concept of love and its Platonic origin /". Uppsala : Department of Philosophy, Uppsala University, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-9532.
Pełny tekst źródłaOlsson, Anna-Lova. "Strävan mot unselfing : en pedagogisk studie av bildningstanken hos Iris Murdoch". Doctoral thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-45716.
Pełny tekst źródłaLa, Cassagnère Mathilde. "La vision dans l'univers romanesque d'Iris Murdoch". Paris 4, 1997. http://www.theses.fr/1997PA040130.
Pełny tekst źródłaThis study focuses on the eventful journey of the murdochian "eye" that of the artist as well as of the narrator and characters) in its quest for a primal mode of "vision" a "grail" which could put an end to its pathologies and distractions. The reader himself cannot but get involved in the eye's voyage towards the object of its desire, so that the act of reading is revealed as a major aspect of vision in Murdoch’s work. As the eye progresses on its turbulent way, "avenues de rêve" let us suggest, as an equivalent of Bachelard's expression "the dream avenues of the unconscious" open in the depths of the novels, letting us peep at secret places of pleasure and anxiety, and discover the unexpected cosmogony of iris Murdoch’s universe
White, Frances Clare Patricia. "'Past forgiving?' : the experience of remorse in the writings of Iris Murdoch". Thesis, Kingston University, 2010. http://eprints.kingston.ac.uk/20274/.
Pełny tekst źródłaOsborn, Pamela. "Another country : bereavement, mourning and survival in the novels of Iris Murdoch". Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/26729/.
Pełny tekst źródłaServant, Barbara. "Légèreté pensive et énergie romanesque : Italo Calvino, Iris Murdoch et Raymond Queneau". Thesis, Rennes 2, 2019. http://www.theses.fr/2019REN20045.
Pełny tekst źródła"Thoughtful lightness" is an expression used by Italo Calvino in one of his Lezioni americane conferences in order to define a fundamental writing principle. Distinguished from entertainment and frivolity, according to the author, thoughtful lightness is by no means passive, but on the contrary active, dense, and concise. Above all, it is indistinguishable from an ability to set the gaze in motion and must thus make it possible to translate the reality in all its complexity and energy. This dissertation then proposes to study how lightness contributes to the common project of Calvino and two major writers of European literature of the last century - Raymond Queneau and Iris Murdoch - of making the novel an "open" encyclopaedia, characterized by an ethical commitment: to say the world without confining it with a univocal reading grid or within a narcissistic ego. At the same time essayists and novelists, these three authors constantly theorize their own practice while seeking to maintain a critical distance from it. The thoughtful lightness then induces what could be called a "narrative energy". Defined as an active force, energy here characterizes the intensity of the text, its vitality, and the novel's ability to apprehend and make the reader apprehend the world differently. Thus coupled, "thoughtful lightness" and "fictional energy" make it possible to shed light on the way the works are made, while at the same time raising both poetic and philosophical issues
Lubitz, Joseph B. "Anxious Seas: Reading Affect in Dazai and Murdoch". Oberlin College Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1451406893.
Pełny tekst źródłaCooper, Richard. "The languages of philosophy, religion, and art in the writings of Iris Murdoch /". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72105.
Pełny tekst źródłaAltorf, Marije. "Iris Murdoch and the art of imagination : imaginative philosophy as response to secularism". Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1677/.
Pełny tekst źródłaGrimshaw, Tammy. "Sexuality, gender, and power in Iris Murdoch's fiction /". Madison : Fairleigh Dickinson university press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40061493w.
Pełny tekst źródłaTomazic, Elizabeth Mary, i res cand@acu edu au. "Ariadne’s Thread: Women and Labyrinths in the Fiction of A.S. Byatt and Iris Murdoch". Australian Catholic University. School of Arts and Sciences, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp91.09042006.
Pełny tekst źródłaGriffin, Gabriele. "The influence of the writings of Simone Weil in the fiction of Iris Murdoch". Thesis, University of Leicester, 1989. http://hdl.handle.net/2381/7648.
Pełny tekst źródłaLee, Seogkwang. "A quest for alterity : a Levinasian reading of Iris Murdoch : her thought and novels". Thesis, University of Sussex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414769.
Pełny tekst źródłaTomazic, Elizabeth Mary. "Ariadne's thread: Women and labyrinths in the fiction of A.S. Byatt and Iris Murdoch". Thesis, Australian Catholic University, 2005. https://acuresearchbank.acu.edu.au/download/f460ef0772a6330f156c65e26a5c7c9278aefbf5f03157ea13d8c346a9797ab8/974339/65112_downloaded_stream_337.pdf.
Pełny tekst źródłaMiller, Emma Victoria. ""Literary Incest" : intertextuality and writing the last taboo in the novels of Iris Murdoch". Thesis, Durham University, 2011. http://etheses.dur.ac.uk/1400/.
Pełny tekst źródłaPinto, Rafael da Silva. "Ética e metafísica na filosofia de Iris Murdoch : a peregrinação moral em busca do bem". reponame:Repositório Institucional da UnB, 2010. http://repositorio.unb.br/handle/10482/8404.
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Interpretação da filosofia moral de Iris Murdoch. A presente dissertação é estruturada em torno de três temáticas correlatas a fim de buscar uma compreensão abrangente da ética e da metafísica da filósofa. São elas: o pluralismo das visões morais, o bem e o vazio. A pergunta fundamental que orienta a investigação é sobre a possibilidade ou não de compatibilizar o pluralismo das visões morais e a soberania do Bem. Esta relação ocorre por meio de uma filosofia moral concebida como iconoclasmo criativo, que se nutre da tensão entre forma e contingência, explorando as fissuras e as ambigüidades de vários cenários e conceitos morais tais como retratados por sistemas filosóficos, pelas obras de arte, pela religião e tantas outras atividades humanas investigadas. Por meio da crítica de correntes filosóficas preponderantes, a filósofa delineia o seu programa de recuperação de conceitos e imagens metafísicos, esclarecendo a sua centralidade para o pluralismo moral, concebido como a exploração imaginativa do mistério vinculado às visões morais dos indivíduos. O caráter assistemático de sua filosofia bem como a pluralidade de formas adotadas para investigar cenários morais diversos integram a sua concepção de moralidade como uma peregrinação individual em busca do Bem, que envolve a purificação do Eros e o aperfeiçoamento dos estados de consciência. O Bem é a melhor metáfora encontrada para exprimir que a moralidade não pode ser descartada da vida humana. O seu caráter transcendente visa à preservação da consciência moral e do julgamento ético individual como ferramentas críticas para apontar os limites e as falibilidades de toda e qualquer teoria. A sua filosofia é um convite ao leitor para empreender sua própria jornada espiritual, é uma provocação para que os indivíduos não considerem o discernimento entre o bem e o mal uma mera questão de escolha ou de vontade arbitrária, mas um engajamento existencial na tarefa inesgotável de atenção, purificação da energia espiritual, aprimoramento da visão moral, que envolve tanto um aprofundamento íntimo da compreensão do vocabulário moral como uma transformação moral interior. A discussão do problema do mal face ao realismo moral abre caminho para uma análise mais acurada do conceito de vazio, que se revela como idéia-chave para a compreensão do Bem e da própria atividade filosófica. _______________________________________________________________________________ ABSTRACT
Interpretation of Iris Murdoch’s moral philosophy. The present dissertation is structured upon three issues correlated in order to propose a general grasp of ethics and metaphysics in Iris Murdoch’s thought. The issues are: the pluralism of moral visions, the good and the void. The fundamental question, which guides the investigation, is about the possibility of harmonizing her pluralism of moral visions and the sovereignty of the Good. This relation comes about by means of a moral philosophy conceived as creative iconoclasm, which is fostered by the tension between form and contingency, exploring fissures and ambiguities of several moral pictures and concepts as portrayed by philosophical systems, by works of art, by religion and so many others human activities investigated. By means of the criticism of predominating philosophical currents, the philosopher draws her recuperation program for metaphysics’ concepts and pictures, showing its centrality for moral pluralism, thought as an imaginative exploration of the mystery attached to individuals’ moral visions. The unsystematic feature of her philosophy, as well as the plurality of adopted forms in order to investigate different moral scenarios, integrates her conception of morality as an individual peregrination in search of the Good, which involves the purification of Eros and the improvement of states of consciousness. The Good is the best metaphor found to express that morality cannot be eliminated from human life. Its transcendent feature intends to preserve moral consciousness and individual ethical judgment as critical tools to point limits and failures of every theory. Her philosophy is an invitation to the reader to undertake his own spiritual journey. It’s a challenge to individuals not to regard the discernment between good and evil as a matter of choice or arbitrary will, but as an existential commitment to the ceaseless task of attention, to the purification of spiritual energy, to the improvement of moral vision, which involves an intimate deepening of the comprehension of moral vocabulary as well as an interior moral transformation. The discussion of the problem of evil faced with the Good as a reality principle enables a more accurate analysis of the concept of the void, that reveals itself as a key idea for the comprehension of the Good and of the philosophical activity itself.
Ikonomakis, Roula. "Post-war British fiction as "metaphysical ethnography" : gods, godgames and goodness in John Fowle's "The Magus" and Iris Murdoch's "The sea, the sea /". [S.l. : s.n], 2005. http://catalogue.bnf.fr/ark:/12148/cb40143287n.
Pełny tekst źródłaMorley, Elaine. "The Monster and the Maiden : Literary Affinities in the Writings of Iris Murdoch and Elias Canetti". Thesis, University of Kent, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523521.
Pełny tekst źródłaReuter, Anne-Marie. "Fictions of authority : enchanters, teachers and mentors in selected fiction of Iris Murdoch and A.S. Byatt". Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3784/.
Pełny tekst źródłaRogers, Susan. "Art and Destruction : shared philosophies which shape the work of Iris Murdoch and A. S. Byatt". Doctoral thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/8021.
Pełny tekst źródłaToboul, Denise. "Problème du mal et conscience humaniste après 1945 : George Orwell, Arthur Koestler, Angus Wilson, Iris Murdoch". Aix-Marseille 1, 1986. http://www.theses.fr/1986AIX10062.
Pełny tekst źródłaToboul, Denise. "Problème du mal et conscience humaniste après 1945 George Orwell, Arthur Koestler, Angus Wilson, Iris Murdoch". Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37598362c.
Pełny tekst źródłaMete, Baris. "Reconceptualisation Of Realism In British Postwar Fiction: The Cases Of Iris Murdoch, Muriel Spark And John Fowles". Phd thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613417/index.pdf.
Pełny tekst źródła60s Britain tended to catalogue the novelists of this period according to a well-established dichotomy between tradition and innovation in which the traditional realist novels, the neorealist works of C. P. Snow, Angus Wilson and Kingsley Amis, were privileged over any other fictional work having modernist innovative characteristics. Therefore, the first published novels of Iris Murdoch, Muriel Spark and John Fowles, novelists belonging to today&rsquo
s postmodern canon, were first critically recognised as social realist works in Britain. One of the objects of this study is to demonstrate the shortcomings of this classification. Moreover, the main argument of the study is that none of these three novelists should have been classified as a traditional realist novelist. All of these three British postwar novelists were reconceptualising traditional realism by self-reflexively including the problem of representation as part of their conventional subject matters in their formal realist novels.
Dooley, Gillian Mary Adele, i gillian dooley@flinders edu au. "Courage and Truthfulness: Ethical Strategies and the Creative Process in the Novels of Iris Murdoch, Doris Lessing and V.S. Naipaul". Flinders University. English, 2001. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20050530.150240.
Pełny tekst źródłaMagie, Lynne Adele. "The daemon Eros : Gothic elements in the novels of Emily and Charlotte Brontë, Doris Lessing, and Iris Murdoch /". Thesis, Connect to this title online; UW restricted, 1988. http://hdl.handle.net/1773/9448.
Pełny tekst źródłaFrom, Andreas. "Den viljande människan och ett gott liv : -En undersökning av viljebegreppet hos Iris Murdoch och Simone de Beauvoir". Thesis, Uppsala universitet, Teologiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-242488.
Pełny tekst źródłaIanuskiewtz, Ana Paula Dias [UNESP]. "Iris Murdoch e Simone de Beauvoir: uma leitura feminista de A fairly honourable defeat e La femme rompue". Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/126527.
Pełny tekst źródłaFundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
Nesta pesquisa abordamos aspectos do feminismo pelo viés da crítica feminista anglo-americana em duas obras ficcionais publicadas no final dos anos sessenta e início da década de setenta: La Femme Rompue (1967), de Simone de Beauvoir (1908-1986), e A Fairly Honourable Defeat (1970), da escritora irlandesa Iris Murdoch (1919-1999). Primeiramente, estabelecemos um diálogo entre o pensamento filosófico de Beauvoir e o de Murdoch. Posteriormente, estabelecemos uma relação entre a crítica literária feminista e o pensamento beauvoiriano e murdochiano no que tange a questão do papel da mulher como leitora e escritora de textos literários. Dessa forma, examinamos o papel do leitor(a) como instância fundamental no processo de desconstrução do caráter discriminatório das ideologias de gênero e demonstramos que, assim como Virginia Woolf, Beauvoir e Murdoch defendem o conceito de androginia na literatura. Finalmente, analisamos os diferentes recursos estéticos que Beauvoir e Murdoch utilizam na caracterização de suas personagens femininas, uma vez que La Femme Rompue apresenta as características de um romance moderno, enquanto A Fairly Honourable Defeat possui traços de um romance realista
The aim of this research is to address some aspects of feminism from a feminist Anglo-American critical stance in two fictional works that have been published in the late sixties and early seventies: La Femme Rompue (1967) by Simone de Beauvoir (1908-1986) and A Fairly Honourable Defeat (1970) by the Irish writer Iris Murdoch (1919-1999). First, we establish a dialogue between the philosophical thought of Beauvoir and Murdoch. Then, we firm a relationship between feminist literary criticism and Beauvoir's and Murdoch's thoughts regarding the issue of women's role as a reader and as a writer of literary texts. Thus, we explore the role of the reader as a key instance in the process of deconstruction of the discriminatory nature of gender ideologies and we demonstrate that, just as Virginia Woolf, Beauvoir and Murdoch defended the concept of androgyny in literature. Finally, we analyze the different aesthetic features that Beauvoir and Murdoch use in the characterization of female characters, since La Femme Rompue presents the characteristics of a modern novel while A Fairly Honourable Defeat has some traces of a realist novel
Ianuskiewtz, Ana Paula Dias. "Iris Murdoch e Simone de Beauvoir : uma leitura feminista de A fairly honourable defeat e La femme rompue /". Araraquara, 2015. http://hdl.handle.net/11449/126527.
Pełny tekst źródłaBanca: Cleide Antônia Rapucci
Banca: Guacira Marcondes Machado Leite
Banca: Maria Dolores Aybar Ramírez
Banca: Nadilza Martins de Barros Moreira
Resumo: Nesta pesquisa abordamos aspectos do feminismo pelo viés da crítica feminista anglo-americana em duas obras ficcionais publicadas no final dos anos sessenta e início da década de setenta: La Femme Rompue (1967), de Simone de Beauvoir (1908-1986), e A Fairly Honourable Defeat (1970), da escritora irlandesa Iris Murdoch (1919-1999). Primeiramente, estabelecemos um diálogo entre o pensamento filosófico de Beauvoir e o de Murdoch. Posteriormente, estabelecemos uma relação entre a crítica literária feminista e o pensamento beauvoiriano e murdochiano no que tange a questão do papel da mulher como leitora e escritora de textos literários. Dessa forma, examinamos o papel do leitor(a) como instância fundamental no processo de desconstrução do caráter discriminatório das ideologias de gênero e demonstramos que, assim como Virginia Woolf, Beauvoir e Murdoch defendem o conceito de androginia na literatura. Finalmente, analisamos os diferentes recursos estéticos que Beauvoir e Murdoch utilizam na caracterização de suas personagens femininas, uma vez que La Femme Rompue apresenta as características de um romance moderno, enquanto A Fairly Honourable Defeat possui traços de um romance realista
Abstract: The aim of this research is to address some aspects of feminism from a feminist Anglo-American critical stance in two fictional works that have been published in the late sixties and early seventies: La Femme Rompue (1967) by Simone de Beauvoir (1908-1986) and A Fairly Honourable Defeat (1970) by the Irish writer Iris Murdoch (1919-1999). First, we establish a dialogue between the philosophical thought of Beauvoir and Murdoch. Then, we firm a relationship between feminist literary criticism and Beauvoir's and Murdoch's thoughts regarding the issue of women's role as a reader and as a writer of literary texts. Thus, we explore the role of the reader as a key instance in the process of deconstruction of the discriminatory nature of gender ideologies and we demonstrate that, just as Virginia Woolf, Beauvoir and Murdoch defended the concept of androgyny in literature. Finally, we analyze the different aesthetic features that Beauvoir and Murdoch use in the characterization of female characters, since La Femme Rompue presents the characteristics of a modern novel while A Fairly Honourable Defeat has some traces of a realist novel
Doutor
Yore, Susan Elizabeth. "The mystic way in postmodernity : transcending theological boundaries in the writings of Iris Murdoch, Denise Levertov and Annie Dillard". Thesis, Durham University, 2006. http://etheses.dur.ac.uk/1810/.
Pełny tekst źródłaJordan, Jessy E. G. Moore Scott Hunter. "Iris Murdoch's genealogy of the modern self retrieving consciousness beyond the linguistic turn /". Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5240.
Pełny tekst źródłaDooley, Gillian. "Courage and truthfulness ethical strategies and the creative process in the novels of Iris Murdoch, Doris Lessing and V.S. Naipaul /". Connect to this title online, 2000. http://voyager.flinders.edu.au/local/adt/public/adt-SFU20050530.150240/index.html.
Pełny tekst źródłaWilkinson, Lorna Christine Rose. ""A blur of potentialities" : the figure of the trickster in the works of Elizabeth Bowen, Elizabeth Taylor, Iris Murdoch and Muriel Spark". Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/28760.
Pełny tekst źródłaWalker, Rosalind. "The distinctive voice of literature and its importance to ethical enquiry studied in relation to the work of Iris Murdoch and Martha Nussbaum". Thesis, University of Essex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411277.
Pełny tekst źródłaNahir, Mohammed. "L'anti-heros dans : room at the top (john braine), lucky jim (amis kingsley), hurry on down (john wain), under the net (iris murdoch)". Grenoble 3, 1986. http://www.theses.fr/1986GRE39022.
Pełny tekst źródłaTo what extent these novels can be said to reflect, or to mystify, reality is a question of how far the anti-hero's stands are relevant to this reality. One can actually measure out their validity in relation to the concepts of anger and existentialism. The study of these novels has hopefully demonstrated that the antihero is, on the whole, politically uncommitted, socially classless and emotionally apoplectic. In these novels, there is no utter rejection of society, not even a fundamental dissatisfaction with the injustices it wields. There is only a rejection of one life-style in favour of another. The denouement in these novels refutes the identification of the antihero with both the angry young man and the outsider. In retrospect, critics appear to have exaggerated these identifications. One can accuse the anti-hero of many things -of being an arrivist, a coward, a sycophant, but not of being a bore. Through the bias of humour, he transcends the boundaries of space and time -post-war england- and remains alive. He is constantly resurrected in literature and art. Perhaps, laughter is the best cure, after all