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Artykuły w czasopismach na temat "Iris Murdoch"
Kane, Richard C., i Harold Bloom. "Iris Murdoch". South Atlantic Review 54, nr 3 (wrzesień 1989): 155. http://dx.doi.org/10.2307/3200208.
Pełny tekst źródłaHague, Angela, i Deborah Johnson. "Iris Murdoch". South Atlantic Review 54, nr 2 (maj 1989): 166. http://dx.doi.org/10.2307/3200579.
Pełny tekst źródłaSapio, Maria Del, Deborah Johnson i Alan Bold. "Iris Murdoch". Yearbook of English Studies 20 (1990): 342. http://dx.doi.org/10.2307/3507624.
Pełny tekst źródłaDykes, Anthony. "Iris Murdoch". New Blackfriars 75, nr 888 (grudzień 1994): 562–68. http://dx.doi.org/10.1111/j.1741-2005.1994.tb06434.x.
Pełny tekst źródłaSchneiderman, Leo. "Iris Murdoch: Fantasy Vs. Imagination". Imagination, Cognition and Personality 16, nr 4 (czerwiec 1997): 379–97. http://dx.doi.org/10.2190/2ycw-jjdl-nkpq-4thc.
Pełny tekst źródłaSadjadi, Bakhtiar, i Peyman Amanolahi Baharvand. "The Significance of Love and Selflessness in Iris Murdoch’s Moral Philosophy". Khazar Journal of Humanities and Social Sciences 22, nr 2 (lipiec 2019): 83–92. http://dx.doi.org/10.5782/2223-2621.2019.22.2.83.
Pełny tekst źródłaHenry, Richard, Iris Murdoch i John Bayley. "Iris: A Memoir of Iris Murdoch". World Literature Today 73, nr 4 (1999): 748. http://dx.doi.org/10.2307/40155169.
Pełny tekst źródłaUmachandran, Mathura. "‘THE AFTERMATH EXPERIENCED BEFORE’: AESCHYLEAN UNTIMELINESS AND IRIS MURDOCH'S DEFENCE OF ART". Ramus 48, nr 2 (grudzień 2019): 223–47. http://dx.doi.org/10.1017/rmu.2019.18.
Pełny tekst źródłaBraune, Camille. "From Inattentiveness Towards Moral Failures: Acknowledging Simone Weil in Iris Murdoch’s Literary Writings". Labyrinth 25, nr 2 (15.01.2024): 47–73. http://dx.doi.org/10.25180/lj.v25i2.341.
Pełny tekst źródłaBolton, Lucy. "Murdoch andMargaret: Learning a Moral Life". Film-Philosophy 21, nr 3 (październik 2017): 265–80. http://dx.doi.org/10.3366/film.2017.0051.
Pełny tekst źródłaRozprawy doktorskie na temat "Iris Murdoch"
Naseri, Sis Farzaneh. "Iris Murdoch". Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610506/index.pdf.
Pełny tekst źródłas fiction has been influenced by dramatic elements, particularly comic elements. This influence has been revealed as parody. Murdoch parodies the comic character types of the eiron, alazon, buffoon and agroikos by exaggerating and mixing their functions and themes of love, separated lovers and metamorphosis in her novels, The Nice and the Good, The Black Prince, and The Sea, The Sea. In addition, she makes parodic uses of Shakespearean plays, As You Like It and Love'
s Labour'
s Lost, Hamlet, and The Tempest, in her novels in question. Her use of parody as a weapon against the genre of romantic comedy, its character types and main themes is the result of her philosophical view of drama and the dramatic. She argues that comedy and tragedy deal with appearance whereas drama and the dramatic ought to involve reality. In her novels in question, she shows that the dramatic is the conflict of selfish self with itself to reach self-knowledge. Murdochian self- knowledge is the knowledge of what lies beyond self. This kind of knowledge is achieved by unselfing, a process through which a solipsistic self recognizes its solipsism and challenges it by means of love and art.
Conlin, Alice. "Iris Murdoch on knowledge and freedom". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79833.
Pełny tekst źródłaIn chapter two, I turn to Murdoch's description of the journey from illusion to reality and the role of love or eros in this journey. I examine the many points of intersection between her description of the escape from selfishness and Wendy Farley's (1996) theory of how we acknowledge the other through a type of attention that she calls eros for the other .
In Chapter three, I discuss the problem that evil poses for Murdoch's moral philosophy, and how Murdoch and Farley interpret the experience of the void as yearning for relation. In the conclusion of this thesis, I present Murdoch's views on form as the consolation of human yearning. (Abstract shortened by UMI.)
O'Connor, Patricia Jo. "The moral philosophy of Iris Murdoch". Thesis, University of Exeter, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253061.
Pełny tekst źródłaCampanile, Rosa <1993>. "Etica e letteratura in Iris Murdoch". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16288.
Pełny tekst źródłaBernas-Martel, Claire. "La vérité dans l'oeuvre de Iris Murdoch". Paris 10, 1993. http://www.theses.fr/1993PA100064.
Pełny tekst źródłaIris Murdoch's novels are the realm of illusions, delusion, real lies, pseudo-truths and even supernatural events. All these elements point to the concept of truth which is precisely the object of our study in six of her novels: Under the Net, The Sea, the Sea, The Philosopher's Pupil, The Good Apprentice, The Unicorn, The Flight From the Enchanter. The problem one is confronted with is whether, in I. Murdoch's view, the subject can know the truth concerning reality, himself, others, or not, to which extent, what truth he may achieve and how. This implies studying the particular nature of reality in the novels (its close link with dreams, imagination and fantasies), then the subjective and colouring nature of the subject and the part it plays in the access to truth. There also arises the question of the author's truth: her conception of human nature and human condition, her general conception of truth, where morals and art have a deep part
Boldrini, Miranda. "Éthique, imagination et réalité chez Iris Murdoch". Thesis, Amiens, 2019. http://www.theses.fr/2019AMIE0039.
Pełny tekst źródłaThe thesis focuses on Iris Murdoch's (1919-1999) moral thought. The research aims to show Murdoch's heterogenic and innovator role within contemporary moral philosophy, in particular in the analytic tradition. Murdoch's philosophical perspective is analyzed in three axes : the relationship between ethics and language ; moral psychology ; the relationship between philosophical method and normativity. The thesis shows Murdoch's contribution to some central debates of contemporary philosophical ethics, notably : the critic of the dichotomy between fact and value ; moral perfectionism ; and the critic of "scientism" and the kind of non-scientific naturalism Murdoch conceive for ethics. Through this analysis, both theoretical and historical, the research argues that Murdoch played a crucial role in the constitution of an alternative line of analytic moral philosophy : a "philosophy of the ordinary" inheriting from Wittgenstein, which consider philosophical reflection as conceptual elucidation interested in ordinary moral life. In this perspective, the thesis explores the relationship between Murdoch's moral thought and contemporary ethics of care along with feminist approaches interested in moral epistemology, in order to show that what Murdoch offers for ethics is a "different moral epistemology"
La, Cassagnère Mathilde. "La vision dans l'univers romanesque d'Iris Murdoch /". Lille : Atenier national de reproduction des thèses, 1999. http://catalogue.bnf.fr/ark:/12148/cb38987578p.
Pełny tekst źródłaRobjant, David. "The river as a guide to Iris Murdoch". Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683256.
Pełny tekst źródłaSulcas, Roslyn Lee. "Narrative techniques in the novels of Iris Murdoch". Master's thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/21881.
Pełny tekst źródłaIn this thesis I have departed from the prevalent critical concentration on the affiliations between Murdoch's fiction and philosophy, and have attempted to explore the relationship between her narrative techniques and the conventions of realism. In doing so, I use the narrative theory of Dorrit Cohn, who proposes that novelists concerned to render a sense of "reality" are also those who construct the most elaborate and artificial fictive worlds and characters. I propose that Murdoch's "real-isation" of her fictional world incorporates the problems of access to, and representation of the real. This links her to two ostensibly antithetical traditions: that of British realism (within which she would place herself), and also a fictional mode consonant with the poststructuralist writing that focuses on such problems. An examination of the early novels in terms of the correlation between "realism" and technical sophistication implied by Cohn reveals a division of narrative purpose that Murdoch has herself described in the early part of her career as an alternation between "open" and "closed" novels. I suggest in the thesis that these two fictional modes are deliberate choices of style on Murdoch's part, rather than a "failed" realism, and that their different readerly rewards are compounded by the successful merging of these competing .views of the real in the later novels. My narratological emphasis in this dissertation indicates also the ways in which Murdoch's fiction incorporates the comedic, the romantic and the gothic into a framework of orthodox verisimilitude, utilising the clashes between these genres to foreground the difficulties of a unified view. This is particularly successful in the first-person novels, where the overt problematising of self-representation paradoxically feeds into our sense of their "realism".
Ianuskiewtz, Ana Paula Dias [UNESP]. "Arte e ética em The Bell de Iris Murdoch". Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/91526.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Iris Murdoch é uma figura dominante na literatura britânica do pós-guerra e também, uma filósofa notável que constantemente denunciou o interesse excessivo da filosofia moral moderna pelos temas da vontade, da deliberação e ação. Para ela, o estudo da ética deveria ter como prioridade o desenvolvimento da percepção estética, a atenção à realidade e, principalmente, a intensa apreensão de outros indivíduos. Murdoch considera a apreciação da beleza na arte e na natureza, não apenas como um exercício espiritual mas também, como uma maneira para alcançar a bondade, evitar o egocentrismo e ganhar o progresso moral. Seus romances são centrados na arte e no amor, pois Murdoch afirma que a boa arte e o amor intenso são intimações da verdade que levam o indivíduo ao aprimoramento moral. The Bell, seu romance publicado em 1958, descreve uma comunidade religiosa anglicana e os vários incidentes decorrentes da substituição do antigo sino da catedral. Esses eventos incitam reflexões em relação a várias questões morais, como por exemplo: a influência da religião e das instituições de poder na conduta moral; o modo de suplantar interesses próprios e o egoísmo em benefício do próximo, o papel das mulheres na sociedade e a maneira pela qual a sociedade é injusta e intolerante com aqueles cuja sexualidade difere da maioria. Assim, o objetivo desta pesquisa é analisar como certas questões da filosofia moral de Murdoch estão apresentadas nesse romance, The Bell, por meio da expressão literária, mostrando que a arte literária e visual estão amplamente relacionadas à sua teoria moral.
Iris Murdoch is a dominant figure of postwar British literature and also a remarkable philosopher who constantly denounced the excessive interest of modern moral philosophy in the themes of will, deliberation and action. According to her, the study of ethics should prioritize the development of aesthetic perception, the attention towards reality and mainly, the intense apprehension of other individuals. Murdoch considers the appreciation of beauty in arts and nature not only as a spiritual exercise but also, as a way to reach goodness, to avoid egocentrism and to gain moral improvement. Her novels are centered on art and love because she considers that great art or intense love can give intimations of truth, and move one towards moral perfection. The Bell, her novel published in 1958, describes an Anglican religious community and the incidents that happened due to the replacement of the old bell of the cathedral. These events incite moral reflections such as: the influence of religion and of the institutions of power in moral conduct; the way to supplant egoism for the benefit of others, the role of women in society and the ways society is unfair and intolerant of those whose sexuality differs from the majority. Thus, the aim of this study is to analyse in which ways some issues of Iris Murdoch moral philosophy are presented in The Bell, by means of the literary expression showing that the literary and the visual arts are closely related to ethics in her moral theory.
Książki na temat "Iris Murdoch"
Nicol, Bran J. Iris Murdoch. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230288584.
Pełny tekst źródłaJonathan, Noakes, red. Iris Murdoch. London: Vintage, 2004.
Znajdź pełny tekst źródłaNicol, Bran. Iris Murdoch. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230374751.
Pełny tekst źródłaRowe, Anne, red. Iris Murdoch. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230625174.
Pełny tekst źródłaMartin, Priscilla, i Anne Rowe. Iris Murdoch. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282964.
Pełny tekst źródłaRamanathan, Suguna. Iris Murdoch. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1.
Pełny tekst źródłaSpear, Hilda D. Iris Murdoch. London: Macmillan Education UK, 1995. http://dx.doi.org/10.1007/978-1-349-24095-1.
Pełny tekst źródłaSpear, Hilda D. Iris Murdoch. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-0-230-20755-4.
Pełny tekst źródłaByatt, A. S. Iris Murdoch. London: British Council, 1988.
Znajdź pełny tekst źródłaSpear, Hilda D. Iris Murdoch. Basingstoke: Macmillan, 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Iris Murdoch"
Thies, Henning. "Murdoch, Iris". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14379-1.
Pełny tekst źródłaArens, Werner, i Henning Thies. "Iris Murdoch". W Kindler Kompakt Englische Literatur 20. Jahrhundert, 158–59. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_41.
Pełny tekst źródłaGarrard, Peter, John R. Hodges, Vijeya Ganesan i Karalyn Patterson. "Iris Murdoch". W Cases of Amnesia, 336–53. New York, NY : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429023880-16.
Pełny tekst źródłaRamanathan, Suguna. "Introduction". W Iris Murdoch, 1–38. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_1.
Pełny tekst źródłaRamanathan, Suguna. "Brendan Craddock in Henry and Cato". W Iris Murdoch, 39–66. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_2.
Pełny tekst źródłaRamanathan, Suguna. "James Arrowby in The Sea, the Sea". W Iris Murdoch, 67–96. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_3.
Pełny tekst źródłaRamanathan, Suguna. "Anne Cavidge in Nuns and Soldiers". W Iris Murdoch, 97–121. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_4.
Pełny tekst źródłaRamanathan, Suguna. "William Eastcote in The Philosopher’s Pupil". W Iris Murdoch, 122–46. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_5.
Pełny tekst źródłaRamanathan, Suguna. "Stuart Cuno in The Good Apprentice". W Iris Murdoch, 147–72. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_6.
Pełny tekst źródłaRamanathan, Suguna. "Jenkin Riderhood in The Book and the Brotherhood". W Iris Murdoch, 173–203. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21054-1_7.
Pełny tekst źródłaStreszczenia konferencji na temat "Iris Murdoch"
Zhang, Lei. "An Apocalyptic Imagery—Iris Murdoch’s Moral and Artistic Goodness in Major Fiction". W 2021 International Conference on Modern Educational Technology and Social Sciences (ICMETSS 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210824.027.
Pełny tekst źródłaZhang, Lei. "An Archetypal Interpretation of Irish Murdoch’s The Black Prince". W 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.027.
Pełny tekst źródłaZhang, Lei. "An Analysis of Moral Pursuit in Irish Murdoch’s The Severed Head". W 2021 5th International Seminar on Education, Management and Social Sciences (ISEMSS 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210806.038.
Pełny tekst źródłaZhang, Lei. "An Archetypal Interpretation of Power Figure in Irish Murdoch’s The Flight from the Enchanter". W 2021 2nd International Conference on Mental Health and Humanities Education(ICMHHE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210617.073.
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