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Książki na temat „Ion multivalent”

Autor: Grafiati

Data publikacji: 9 listopada 2024

Data aktualizacji: 31 lipca 2025

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1

Conference, Society for Emblem Studies International. Polyvalenz und Multifunktionalität der Emblematik =: Multivalence and multifunctionality of the emblem : proceedings of the 5th International Conference of the Society for Emblem Studies. Oxford, 2002.

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Society for Emblem Studies. International Conference. Polyvalenz und Multifunktionalität der Emblematik =: Multivalence and multifunctionality of the emblem : proceedings of the 5th International Conference of the Society for Emblem Studies. Oxford, 2002.

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Norris, Robin, Rebecca Stephenson, and Renée R. Trilling. Feminist Approaches to Early Medieval English Studies. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721462.

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Scholarship on early medieval England has seen an exponential increase in scholarly work by and about women over the past twenty years, but the field has remained peculiarly resistant to the transformative potential of feminist critique. Since 2016, Medieval Studies has been rocked by conversations about the state of the field, shifting from #MeToo to #WhiteFeminism to the purposeful rethinking of the label “Anglo-Saxonist.” This volume takes a step toward decentering the traditional scholarly conversation with thirteen new essays by American, Canadian, European, and UK professors, along with

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Society for Emblem Studies. International Conference. Polyvalenz und Multifunktionalität der Emblematik: Akten des 5. Internationalen Kongresses der Society for Emblem Studies = Multivalence and multifunctionality of the emblem : proceedings of the 5th International Conference of the Society for Emblem Studies. P. Lang, 2002.

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1941-, Hag Kari, and Broch Ole Jacob, eds. The ubiquitous quasidisk. American Mathematical Society, 2012.

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Culver, Annika A., and Norman Smith, eds. Manchukuo Perspectives. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528134.001.0001.

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This collection reveals how, in Manchukuo (1932-1945), literature both furthered national aims while contesting them, as writers of varied ethnicities engaged in multivalent strategies to continue cultural production amidst difficult political circumstances. Studies of their work by transnational scholars today demonstrate that these writers faced factors influencing outcomes of their production, such as censorship, the Japanese puppet regime's propaganda aims, and even the market. In addition, particular hybrid language practices emerged, with writers engaging in transnational practices in a

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Muller, Hannah Weiss. The Laws of Subjecthood. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190465810.003.0002.

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Chapter 1 explores the myriad legal understandings of subject status that coexisted in the seventeenth and eighteenth centuries. It revisits the landmark case of Calvin v. Smith, among others, in order to examine notions of allegiance, obedience, and protection that cast a long shadow over subsequent interpretations of subject status. Many of the questions left unanswered by this case, particularly those relating to the specific nature of allegiance and protection, led to further definitions and legal quandaries. The numerous treaties, opinions, and correspondence in which subjecthood was also

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germ Society for Emblem Studies International Conference 1999 Munich. Polyvalenz Und Multifunktionalitat Der Emblematik: Akten Des 5. Internationalen Kongresses Der Society For Emblem Studies = Multivalence And Multifunctionality ... (Frankfurt Am Main, Germany), Bd. 65.). Peter Lang Publishing, 2002.

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Davison, Claire. Cross-Channel Modernisms. Edited by Derek Ryan and Jane A. Goldman. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474441872.001.0001.

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Described by Katherine Mansfield in 1921 as ‘a great cold sword between you and your dear love Adventure’, in the early twentieth century the English Channel, or ‘la Manche’ in French, represented both a political and intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms ‘Translating’, ‘Fashioning’ and ‘Mediating’, this book presents ten original essays by scholars working on both sides of the Channel. Cross-Channel Modernisms historicises artistic exchanges in Britain, France and bey

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Edwards, Leigh H. Country Music and Class. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.19.

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This chapter establishes how class is a key category of analysis for country music studies because the genre is still symbolically associated with a southern white working-class audience and milieu and shares much in common with long-running thematic traditions in country music, even though audiences have always been broader. Through case studies about Johnny Cash as well as about Dolly Parton and the hillbilly trope, the chapter demonstrates the importance of discussing class in relation to gender and race in the genre. Class themes in country music can be multivalent. The chapter also links

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Riemer, Frances Julia, ed. Re-Centering Women in Tourism. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781978724006.

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Re-Centering Women in Tourism: Anti-Colonial Feminist Studies addresses tourism as simultaneously empowering women and reproducing colonial hierarchies. This volume contributes to conversations on the engagement of women in tourism by centering women’s multivalent lived experiences—as hosts, liaisons, vendors, performers, producers, and consumers—in tourism projects. Examining eco-tourism, craft production, and food tourism initiatives, the contributors embrace the building of new knowledge and advocate for change. By centering women and their experiences through epistemological lenses that en

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Ó Briain, Lonán. On Becoming Vietnamese. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190626969.003.0002.

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Chapter 1 examines the mythologization of the Hmong and other minorities by mainstream performing artists to show how those minorities have been inscribed into Vietnam’s national consciousness through popular music. The chapter traces the early history and migrations of the Hmong into the mountains of Southeast Asia to their formal identification as an ethnic group in French Indochina. From revolutionary songs (ca khúc cách mạnh) in the 1950s and 1960s to independent creative artists in the late twentieth and early twenty-first centuries, the multivalent superculture that comprises the Vietnam

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Berlinerblau, Jacques. Political Secularism. Edited by Phil Zuckerman and John R. Shook. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988457.013.6.

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The term “secularism” stands as one of the most multivalent phrases in the contemporary global political lexicon. Mutually irreconcilable definitions of the term exist side by side in popular, journalistic, and even scholarly discourse. In an effort to reduce the confusion, this chapter suggests that the term “political secularism” be employed in contradistinction to “secularity,” “secular humanism,” or usages that equate secularism with atheism. It is argued that the fundamental principles that undergird political secularism have a lengthy and complex genealogy in Christian political philosop

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Wolfson, Todd, ed. Governance: Democracy All the Way Down. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038846.003.0006.

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This chapter examines indymedia's multilayered, transnational application of direct democracy, which in many ways anticipates and sets the stage for Occupy Wall Street. It focuses on the ways that democracy is understood and enacted by indymedia activists—from the development of an open media system where anyone can speak (democratizing the media), to the preference for consensus-based decision making (democratic governance), and the belief that activists must develop the structures, processes, and relationships within the movement that they aim to achieve in the world (prefigurative politics)

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Ghosh, Shubha. The Mirror, the Lamp, and Public Performances. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935352.013.45.

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How courts determine copyright infringement has been the subject of scholarly debate. Where courts fail is in adequately appreciating the richness of a creative work, often reducing the novel, the song, the work to its literal terms. While the need for contextualizing creative works is accepted, the approach is not. This article uses the aesthetic framework of literary critic M.H. Abrams to offer a conceptual framework to contextualizing a work within the legal method for assessing copyright infringement. This framework is applied to the problems of infringement by reproduction and unauthorize

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Willingham, Lee, and Glen Carruthers. Community Music in Higher Education. Edited by Brydie-Leigh Bartleet and Lee Higgins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219505.013.9.

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The establishment of community music courses and degree programs in universities gives rise to discourse about the fundamental principles of community music. Can community music flourish in the complexity of academia, where disciplines are regulated, researched, and examined systematically? This chapter will argue that community music principles are synergistic with higher education goals, and, in fact, traditional music education has much to learn and gain from community music practices. How can schools of music be more civic minded, community friendly, and enhance the cultural life of the re

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Hui, Isaac. Conclusion: ‘Fools, they are the only nation’: Rereading the Interlude and Beyond. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423472.003.0007.

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This concluding chapter re-examines Jonson’s thinking of metempsychosis based on the previous discussion of Volpone’s bastards. While metempsychosis is usually referred to as the transmigration of souls, the idea in Volpone can be carnivalesque and is full of slippage and deferral. Using Sontag’s concept of Camp, it argues how the interlude represents a celebration of an epicene style. Finally, this chapter discusses the idea of Jonson’s comedies as lack with other early modern city comedies and modern film comedies, with a particular focus on Middleton (for plays such as A Mad World, My Maste

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Lewis, Hannah. Source Music and Cinematic Realism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0006.

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Chapter 5 focuses on the role of diegetic music in early poetic realist films. Poetic realism, the filmmaking genre that emerged out of the politics of the mid-1930s, had its roots in transition-era films by filmmakers such as Jean Grémillon, Julien Duvivier, Jacques Feyder, and perhaps most notably, Jean Renoir. The soundtracks of these filmmakers tended to favor a “realistic” incorporation of music into the narrative, an aesthetic decision grounded in a broader preference for direct recording, and frequently featured popular songs and street musicians to enhance the realism of a film’s setti

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Bivins, Jason C. Belief. Edited by Michael Stausberg and Steven Engler. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198729570.013.35.

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Belief is a central shaping category in the study of religion. Owing to its continued scrutiny, belief is both an analytic device and a conceptual prism through which to assess changes in the study of religion. While it is difficult to write about ‘belief’ outside the category’s well-known critical interrogation, engagement with the complexities of lived religion shows ineluctably how belief takes numerous and multivalent shapes that point beyond such critiques. This chapter first describes some of the complexities of ‘belief’ as a concept in the study of religion, and it briefly considers thr

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Lather, Amy. Materiality and Aesthetics in Archaic and Classical Greek Poetry. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474462358.001.0001.

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This book formulates a novel way to comprehend the relationship between materiality and cognition by demonstrating how descriptions of objects in archaic and classical Greek texts reveal distinctive ways of conceptualizing human thought and perception. The readings center on the concept of poikilia, a richly multivalent term in Greek aesthetics that is used to characterize artifacts as well as mental activity. By delineating patterns of interaction between living and inorganic beings through the lens of this aesthetic concept, this book maps a body of canonical texts onto the new critical terr

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Barzel, Tamar. “We Began from Silence”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0010.

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In the late 1970s, the Mexican ensemble Atrás del Cosmos, a pioneering free improvisation collective (1975–1983), held an eight-month residency at El Galeón, a city theater. Jazz and experimental theater were twin touchstones for the ensemble, which adapted ideas borrowed from Alejandro Jodorowsky, a Chilean expatriate known for his radical influence on the city’s 1960s theater scene, including the notion that theatrical performance should shatter social decorum and elicit liberating ways of being-in-the-world. For Atrás del Cosmos, art’s transformative potential also lay in articulating a per

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Santamarina, Xiomara. Inscribing Economic Desire. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199390205.003.0005.

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This chapter offers a compact analysis of the greed or money inscriptions made by Dave the Potter. “Cash wanted” and “Give me silver or; either Gold” are inscriptions in which the speaker brazenly announces a desire for cash despite the fact that slaves were not permitted to participate in a cash economy at the time. The announcement of economic desire brings into relief Dave’s status as an “ambiguous economic subject” whose relationship to commodity capitalism is challenged through his inscriptions. According to Santamarina, these rebellious inscriptions sallow Dave to challenge Lewis Miles’

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Sweeney, Carole. From Fetish to Subject. Greenwood Publishing Group, Inc, 2004. http://dx.doi.org/10.5040/9798400654480.

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Was modern primitivism complicit with the ideologies of colonialism, or was it a multivalent encounter with difference? Examining race and modernism through a wider and more historically contextualized study, Sweeney brings together a variety of published and new scholarship to expand the discussion on the links between modernism and primitivism. Tracing the path from Dada and Surrealism to Josephine Baker and Nancy Cunard's Negro: An Anthology, she shows the development of négrophilie from the interest in black cultural forms in the early 1920s to a more serious engagement with difference and

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Kim, Nami, and Wonhee Anne Joh, eds. Feminist Praxis against U.S. Militarism. The Rowman & Littlefield Publishing Group, Inc., 2019. https://doi.org/10.5040/9781666992274.

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Feminist Praxis against U.S. Militarism provides critical feminist and womanist analyses of U.S. militarism that challenge the ongoing U.S. neoliberal military-industrial complex and its multivalent violence that destroys people’s lives, especially women and other vulnerable populations. It highlights the intentional critique of U.S. militarism from feminist/womanist perspectives that seek to show the ways in which gender, race/ethnicity, sexuality, and violence intersect to threaten women’s lives, especially women of color’s lives, and the broader environment upon which women’s lives are depe

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Beeston, Alix. Black Flesh Is White Ash. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190690168.003.0003.

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This chapter argues that Jean Toomer’s tactics of poetic and narrative visualization of the series of black female bodies in Cane (1923) correspond to the strategic reappropriation of lynching photographs by African American political activists in the early twentieth century. Configured in line with the ontological multivalence of photography and bearing witness to the deep antinomy embedded in the photographic archive of white supremacy, Cane disassembles the ritualized scene of lynching by reframing and restaging it. Through the confluence of its ruptured, gap-ridden female figures and its r

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Fewell, Danna Nolan, and R. Christopher Heard. The Genesis of Identity in the Biblical World. Edited by Danna Nolan Fewell. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199967728.013.8.

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The book of Genesis has consistently attracted literary-critical attention to its stories. In addition to celebrating this rich tradition of critical engagement, this chapter examines how Genesis uses various narrative strategies to mark group boundaries, alternately establishing, maintaining, stretching, and crossing them, as well as debating the rules and conditions for boundary adjustments. Woven into the narrative fabric is a diverse range of questions, perspectives, and concerns that interrogate the moral dimensions of human experience against a backdrop where issues of communal identity

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Wang, Xiaojue. Borders and Borderlands Narratives in Cold War China. Edited by Carlos Rojas and Andrea Bachner. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199383313.013.17.

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The Cold War marks a key moment in a historical process that catalyzed a multivalent, transnational topography of Chinese literature. This chapter examines borderlands narratives in Cold War China that deal with borders, border-crossers, and the imaginary of other spaces. It features an analysis of Lu Ling’s “Wadi shang de ‘zhanyi’” (“Battle” of the Lowlands) in conjunction with Eileen Chang’sChidi zhilian(Love in the Redland). By emplotting the Korean War, these two stories address China–Korea contact from the perspective of romance, passion, and desire. The chapter continues with a reading o

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Gupta, Gopal K. Māyā in the Bhāgavata Purāṇa. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198856993.001.0001.

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The idea of māyā pervades Indian philosophy: it is complex, multivalent, and foundational, with its oldest referents found in the Ṛg -veda. This book explores māyā’s rich conceptual history, and then focuses on the highly developed theology of māyā found in the Sanskrit Bhāgavata Purāṇa, one of the most important Hindu sacred texts. Gopal K. Gupta examines māyā’s role in the Bhāgavata’s narratives, paying special attention to māyā’s relationship with other key concepts in the text, such as human suffering (duḥkha), devotion (bhakti), and divine play (līlā). In the Bhāgavata, māyā is often iden

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Dallmayr, Fred. Political Life in Dark Times. The Rowman & Littlefield Publishing Group, 2020. https://doi.org/10.5040/9781978721623.

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Against the background of the present political and cultural disarray, this book asks: What can be learned from past historical examples of such decay? How can political life be restored now to its original purpose: the promotion of the "good life" or the "common good?" Taking up these key questions, the volume performs a deep dive into the historical and literary record, tracing out the collision of institutions and society, and the development of philosophical and ethical accounts of what constitutes politics, the state, the public, and individuals. Throughout history, there have been a mult

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Ingleby, Matthew, and Matthew P. M. Kerr, eds. Coastal Cultures of the Long Nineteenth Century. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474435734.001.0001.

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Coastal Cultures of the Long Nineteenth Century examines the importance of the coastline in the nineteenth-century British imagination. The years between the naval blockade of 1775, which began the American War, and the start of the First World War in 1914 witnessed a dramatic, varied flourishing in uses for and understandings of the coast on both sides of the Atlantic. Prior to the second half of the eighteenth century, coasts were often thought of as unhealthy, dangerous places. Developments in both medicine and aesthetics changed this. Increasingly, the coast could seem at once a space of c

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Birkenstein, Jeff, and Robert C. Hauhart, eds. Connections and Influence in the Russian and American Short Story. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781666987027.

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In Connections and Influence in the Russian and American Short Story, editors Robert C. Hauhart and Jeff Birkenstein have assembled a collection of eighteen original essays written by literary critics from around the globe. Collectively, these critics argue that the reciprocal influence between Russian and American writers is integral to the development of the short story in each country as well as vital to the global status the contemporary short story has attained. This collection provides original analyses of both well-known Russian and American stories as well as some that might be more un

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Cole, Jean Lee. How the Other Half Laughs. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826527.001.0001.

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In the popular press of the early twentieth century, immigrant masses and the tenement districts were frequently portrayed as occasions for laughter rather than as objects of pity or problems to be solved. This distinctly comic sensibility, most visible in the form of the comic strip, merged the grotesque with the urbane and the whimsical with the cynical, representing the world of what Jacob Riis called the “Other Half” with a jaundiced, yet sympathetic, eye. Various forms of the comic sensibility emerged from a competitive, collaborative environment fostered at newspapers and magazines publi

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Mitchell, Koritha. From Slave Cabins to the White House. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043321.001.0001.

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This book argues for a new reading practice. Rather than approach art and literature from marginalized groups as examples of protest or as responses to “dominant” culture, it demonstrates the power of reading through the lens of achievement, using case studies from black expressive culture. Even while bombarded with racist and sexist violence, African Americans remain focused on defining, redefining, and pursuing success. By examining canonical examples of black women’s cultural production, this study reveals how African Americans keep each other oriented toward accomplishment through an ongoi

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Rabaka, Reiland. Hip Hop's Inheritance. The Rowman & Littlefield Publishing Group, 2011. https://doi.org/10.5040/9781666999754.

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Hip Hop's Inheritance arguably offers the first book-length treatment of what hip hop culture has, literally, "inherited" from the Harlem Renaissance, the Black Arts movement, the Feminist Art movement, and 1980s and 1990s postmodern aesthetics. By comparing and contrasting the major motifs of the aforementioned cultural aesthetic traditions with those of hip hop culture, all the while critically exploring the origins and evolution of black popular culture from antebellum America through to "Obama's America," Hip Hop's Inheritance demonstrates that the hip hop generation is not the first gener

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Williams, Gareth D. Pietro Bembo on Etna. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272296.001.0001.

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This book is centered on the Venetian humanist Pietro Bembo (1470–1547), on his stay in Sicily in 1492–4 to study the ancient Greek language under the Byzantine émigré Constantine Lascaris, and above all on his ascent of Mount Etna in 1493. The more particular focus of this study is on the imaginative capacities that crucially shape Bembo’s elegantly crafted account, in Latin, of his Etna adventure in his so-called De Aetna, published at the Aldine Press in Venice in 1496. This work is cast in the form of a dialogue that takes place between the young Bembo and his father, Bernardo (himself a p

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Jones, Alisha Lola. Flaming? Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190065416.001.0001.

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Flaming?: The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance examines the rituals and social interactions of African American men who use gospel music-making as a means of worshiping God and performing gendered identities. Prompted by the popular term “flaming” that is used to identify over-the-top or peculiar performance of identity, Flaming? argues that these men wield and interweave a variety of multivalent aural-visual cues, including vocal style, gesture, attire, and homiletics, to position themselves along a spectrum of gender identities. These multisensory ena

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Elior, Rachel. Jewish Mysticism. Translated by Arthur B. Millman. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781874774679.001.0001.

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Mysticism is one of the central sources of inspiration of religious thought. It is an attempt to decode the mystery of divine existence by penetrating to the depths of consciousness through language, memory, myth, and symbolism. By offering an alternative perspective on the world that gives expression to yearnings for freedom and change, mysticism engenders new modes of authority and leadership; as such it plays a decisive role in moulding religious and social history. For all these reasons, the mystical corpus deserves study and discussion in the framework of cultural criticism and research.

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McGuire, Colin P. Martial Sound. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197775936.001.0001.

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Abstract Martial Sound is an ethnographic book examining the music of traditional Chinese martial arts. More specifically, the book investigates the gong and drum percussion used to accompany the lion dance and kung fu, as practised by the Hong Luck Kung Fu Club in Toronto, Canada. Hong Luck’s history and character are distinctive, but the club’s practices and approaches are typical of many styles of Southern Chinese martial arts, both in China and abroad. The book proposes a theory of martial sound, which is the way we can hear music as martial arts and listen to hand combat as musicking, pro

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Jendza, Craig. Paracomedy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190090937.001.0001.

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Paracomedy: Appropriations of Comedy in Greek Tragedy is the first book that examines how ancient Greek tragedy engages with the genre of comedy. While scholars frequently study paratragedy (how Greek comedians satirize tragedy), this book investigates the previously overlooked practice of paracomedy: how Greek tragedians regularly appropriate elements from comedy such as costumes, scenes, language, characters, or plots. Drawing upon a wide variety of complete and fragmentary tragedies and comedies (Aeschylus, Sophocles, Euripides, Aristophanes, Rhinthon), this monograph demonstrates that para

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