Rozprawy doktorskie na temat „Installations (Art)”
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Stansbie, Lisa. "Zeppelinbend : Multiplicity, encyclopaedic strategies and nonlinear methodologies for a visual practice". Thesis, Leeds Beckett University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533350.
Pełny tekst źródłaFortin-Desbiens, Patrick. "Pour un art universel : le défi de Babel /". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2003. http://theses.uqac.ca.
Pełny tekst źródłaShaffer, Michael J. "Dan Graham's Video-Installations of the 1970s". VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/56.
Pełny tekst źródłaBernardini, Elena. "Interrogating installation art from India". Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664613.
Pełny tekst źródłaVeber, Hélène. "Toi et moi aller-retour : l'installation vidéo comme reflet de l'humain /". Thèse, Chicoutimi : Montréal : Université du Québec à Chicoutimi ;. Université du Québec à Montréal, 2003. http://theses.uqac.ca.
Pełny tekst źródłaMercado, Nicholas. "A framework for site informed light art installations". Kansas State University, 2015. http://hdl.handle.net/2097/19162.
Pełny tekst źródłaLandscape Architecture/Regional and Community Planning
Mary C. Kingery-Page
The purpose of this study is to investigate and design public light art installations. The investigation consisted of evaluating select examples of public light installations in order to develop a typology, and designing two site-specific light art installations: one in Wichita, Kansas, and the other, in Denver, Colorado. Though public light art is found in most cities, its potential is often lost or unrecognized. In certain cases, public light art can be ‘plop art,’ which is plopped senselessly without much regard to context or experiential qualities. This project seeks to explore the different types of public light art and to find what approach or qualities should be considered when designing public light art. My approach can be described as artistic research. The methods include an apprenticeship to an artist, a precedent study, development of a light typology, an analysis of site and context, establishing a design matrix for two design projects, and an iterative process of making. Each of these methods were undertaken in order to effectively address my research question: What type of public light art is most appropriate for a specific site and how does it relate to creative placemaking? This project overlaps with a collective project group entitled Creative Place-Making, which is comprised of other fifth-year master of landscape architecture students with an underlying interest in art and design as place-making tools. Each student in the group addressed the site in Wichita, Kansas in a unique way. I addressed this site as a temporary landscape, creating an interactive light installation intended to be in place up to five years. In contrast, I addressed the Denver, Colorado site as a long term landscape, and designed a sculptural illuminating gateway. Each of these light art installations were informed by a particular set of characteristics that make each design site-specific.
Stanforth, Gregory Owen. "Turret envy /". Online version of thesis, 1991. http://hdl.handle.net/1850/11954.
Pełny tekst źródłaBouchard, Michèle. "Objets et sons dans l'installation sculpturale : portrait d'une cacophonie humaine /". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2006. http://theses.uqac.ca.
Pełny tekst źródłaKing, Donald V. "(Frame) /-bridge-\ !bang! ((spill)) *sparkle* (mapping Mogadore) /". [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1216759724.
Pełny tekst źródłaTitle from PDF t.p. (viewed Oct. 19, 2009). Advisor: Paul O'Keeffe. Keywords: Sculpture, Installation Art, Video Art. Includes bibliographical references (p. 25).
Ouzounian, Gascia. "Sound art and spatial practices situating sound installation art since 1958 /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291983.
Pełny tekst źródłaTitle from first page of PDF file (viewed May 14, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references P. 359-373.
Badawi, H. "The potential for installations to create new directions for Saudi Arabian art". Thesis, Coventry University, 2011. http://curve.coventry.ac.uk/open/items/0fcc12b6-5baf-4892-a1d2-f06776a58cc5/1.
Pełny tekst źródłaNicolaisen, Lelani. "Immersed in paint : Understanding painting installations through art practice". Mini-Dissertation, University of Pretoria, 2017. http://hdl.handle.net/2263/65593.
Pełny tekst źródłaLarocque, Marie-Claire. "Installation architectonique : trilogie "topophonique"". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1996. http://theses.uqac.ca.
Pełny tekst źródłaHeusner, Christine. "Chiasm /". Online version of thesis, 2008. http://hdl.handle.net/1850/7793.
Pełny tekst źródłaPinkham, Todd Alan. "Brazen idols /". Online version of thesis, 1993. http://hdl.handle.net/1850/11902.
Pełny tekst źródłaSharek, Elizabeth. "The unsettled object". Click here to access this resource online, 2007. http://hdl.handle.net/10292/421.
Pełny tekst źródłaNoltze, Katja. "Dialog Kunst - Raum : situative Innenrauminstallation als Wahrnehmungsangebot und Lernort /". Oberhausen : Athena, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=013346201&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Pełny tekst źródłaBraddock, Christopher. "The artist will be present performing partial objects and subjects : a thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD), 2008". Click here to access this resource online, 2008. http://hdl.handle.net/10292/441.
Pełny tekst źródłaBartow, Paul J. "Information retrieval /". Online version of thesis, 1991. http://hdl.handle.net/1850/12169.
Pełny tekst źródłaRyan, Bengtsson Linda. "Re-negotiating social space : Public art installations and interactive experience". Doctoral thesis, Karlstads universitet, Avdelningen för medie- och kommunikationsvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-11723.
Pełny tekst źródłaMubarak, Oussama. "Designing and Modeling Collective Co-located Interactions for Art Installations". Thesis, Paris, CNAM, 2018. http://www.theses.fr/2018CNAM1170/document.
Pełny tekst źródłaWith works such as Kinoautomat by Radúz Činčera, SAM - Sound Activated Mobile by Edward Ihnatowicz, and Glowflow by Myron Krueger, artists have deployed, as early as the 1960s, art installations engaging novel situations of collective co-located interaction, i.e involving multiple or even many spectators interacting in the same place via and with a digital apparatus. The number of those works has continued to increase since the beginning of the 21st century, taking advantage of the new opportunities offered by advances in real-time computer vision technologies and the advent of ubiquitous computing marked by the multiplication and interoperability of mobile computing devices. While experiences in this area are more and more frequent, they have not yet been the subject of structured analysis and, even less, of proposals for dedicated tools and design methods. How can we, nowadays, conceive such interactive art installations whose intrinsic complexity involves questions of the technical, social, cognitive and aesthetic order? This dissertation draws on previous work in the fields of human-computer interaction (HCI), computer-supported cooperative work (CSCW), and interactive arts research with the aim of increasing our knowledge of the challenges faced both by art practitioners and participants in such collective interactive installations, and, beyond, the designers of apparatus in a promising future. A set of tools and guidelines are proposed when designing collective co-located interactions for digital art installations. First a classification system is developed centered on the most decisive aspects that allow the emergence of a collective experience. Two distinct approaches are then explored to find the bases of a graphical modeling language for the design and analysis of such apparatus. Build on top of Petri nets, the second approach supports modeling the spatial and material resources of an installation, as well as the human-machine, human-human and human-machine-human interactions. The investigations conducted for this research have required laying particular emphasis on the conditions - whether spatial, material, or human - which affect the ability for participants to co-construct a common aesthetic experience in the absence of orchestration or a preannounced goal to be achieved. While this singular approach primarily concerns interactive arts, it may be relevant to a wide range of research communities, including, and foremost, that of HCI, as well as CSCW, New Interfaces for Musical Expression (NIME), interaction design, and even culture, museography in particular
Mubarak, Oussama. "Designing and Modeling Collective Co-located Interactions for Art Installations". Electronic Thesis or Diss., Paris, CNAM, 2018. http://www.theses.fr/2018CNAM1170.
Pełny tekst źródłaWith works such as Kinoautomat by Radúz Činčera, SAM - Sound Activated Mobile by Edward Ihnatowicz, and Glowflow by Myron Krueger, artists have deployed, as early as the 1960s, art installations engaging novel situations of collective co-located interaction, i.e involving multiple or even many spectators interacting in the same place via and with a digital apparatus. The number of those works has continued to increase since the beginning of the 21st century, taking advantage of the new opportunities offered by advances in real-time computer vision technologies and the advent of ubiquitous computing marked by the multiplication and interoperability of mobile computing devices. While experiences in this area are more and more frequent, they have not yet been the subject of structured analysis and, even less, of proposals for dedicated tools and design methods. How can we, nowadays, conceive such interactive art installations whose intrinsic complexity involves questions of the technical, social, cognitive and aesthetic order? This dissertation draws on previous work in the fields of human-computer interaction (HCI), computer-supported cooperative work (CSCW), and interactive arts research with the aim of increasing our knowledge of the challenges faced both by art practitioners and participants in such collective interactive installations, and, beyond, the designers of apparatus in a promising future. A set of tools and guidelines are proposed when designing collective co-located interactions for digital art installations. First a classification system is developed centered on the most decisive aspects that allow the emergence of a collective experience. Two distinct approaches are then explored to find the bases of a graphical modeling language for the design and analysis of such apparatus. Build on top of Petri nets, the second approach supports modeling the spatial and material resources of an installation, as well as the human-machine, human-human and human-machine-human interactions. The investigations conducted for this research have required laying particular emphasis on the conditions - whether spatial, material, or human - which affect the ability for participants to co-construct a common aesthetic experience in the absence of orchestration or a preannounced goal to be achieved. While this singular approach primarily concerns interactive arts, it may be relevant to a wide range of research communities, including, and foremost, that of HCI, as well as CSCW, New Interfaces for Musical Expression (NIME), interaction design, and even culture, museography in particular
Robertson, Josée. "Les mémoires suspendues /". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2003. http://theses.uqac.ca.
Pełny tekst źródłaTanoai, Tuafale. "Story telling as koha consolidating community memories : [an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design, 2009] /". Click here to access this resource online, 2009. http://hdl.handle.net/10292/783.
Pełny tekst źródłaMondloch, Kate. "Thinking through the screen media installation, its spectator, and the screen /". Diss., Restricted to subscribing institutions, 2005. http://proquest.umi.com/pqdweb?did=1031040591&sid=32&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaJames, David. "Travelling space : locating in-between : exegesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2007 /". Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1365/.
Pełny tekst źródła5 DVDs contain appendices. Includes bibliographical references. Also held in print (47 leaves : col. ill. ; 30 cm. + 5 DVDs) in City Campus Collection (T 709.93 JAM)
Grim, Courtney. "Beef you feel good about /". Online version of thesis, 1996. http://hdl.handle.net/1850/11956.
Pełny tekst źródłaBenedetto, Giuseppe. "La colonne à travers l'espace-temps et/ou l'imaginaire de la durée /". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1994. http://theses.uqac.ca.
Pełny tekst źródłaEbner, Bonnie M. "Many telling moments the essence of fragmented image culture /". Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002116.
Pełny tekst źródłaFong, Helen. "The image as metaphor an exploration into the metaphorical and experiential operations of the installed image : this exegesis [thesis] is submitted to Auckland University of Technology in partial fulfilment of the degree of Masters of Art and Design, 2003". Full thesis. Abstract, 2003.
Znajdź pełny tekst źródłaIllustrations not included in e-thesis. Also held in print (21 leaves : col. ill. ; 30 cm. + 1 CD-ROM) in Wellesley Theses Collection (T 709.93 FON)
Jewesbury, Daniel. "'No higher unity' : hybridity, non-linear narratives and the mirage in the Arizona desert". Thesis, University of Ulster, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274105.
Pełny tekst źródłaVaughan, Pam. "..and the rabbit". Thesis, The University of Sydney, 2004. https://hdl.handle.net/2123/27960.
Pełny tekst źródłaBanyard, Kylie Jane Art College of Fine Arts UNSW. "Phantom in the corner: staging a gothic spectacle". Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43082.
Pełny tekst źródłaHare, Richard Paul. "Craft art practice [an exegesis [thesis] submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2003]". Full thesis. Abstract, 2003.
Znajdź pełny tekst źródłaSteer, Laurie. "A fatal cycle this exegesis is submitted to Auckland University of Technology in partial fulfillment of the requirements for the degree of Master of Art and Design, 2007". Click here to access this resource online, 2007. http://hdl.handle.net/10292/177.
Pełny tekst źródłaIncludes bibliographical references. Also held in print (53 leaves : col. ill. ; 21 x 30 cm. + 1 DVD) in the Archive at the City Campus (T 709.05 STE)
Bacon, Julie. "La performance-installation et les relations d'acte-archivage". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2001. http://theses.uqac.ca.
Pełny tekst źródłaMartin, Ariya. "In search of delicious /". Link to online version, 2005. https://ritdml.rit.edu/dspace/handle/1850/1109.
Pełny tekst źródłaAlberganti, Alain. "Esthétique de la spatialité immersive dans l'art de l'installation". Paris 8, 2009. http://www.theses.fr/2009PA083257.
Pełny tekst źródłaInstallation art in his immersive form represents a main event in the history of art and in the society. It means the advent of a new visual space on the borderline between art and reality. The frontier is the driving force of an immersive artistic device by which the visitor of the installation experiments a new perception of the space. The reception of the work of art is not any more based on the opposition subject / object but on a plan which generates the spatility from the visitor’s perceptions. This spatiality takes place at the junction of visual arts, performing arts and architecture. After the “border-space’’ of the classical art that capture which is visible in the space, after the “environment-space” of modern art that capture the sensitive of the spatiality, the contemporary art, through installation, dramatizes the border between art and life of the work of art to create a space-to-be-lived. The evolution of the distance between form and background tells the story of the western man. It was master and judge in front of the world and gradually dives there. Our work understands the notion of penetration as a paradigm of aesthetic relationship of the contemporary man to art space and urban space
Cosentino, Daniel. "Cosentinoworks /". Online version of thesis, 2009. http://hdl.handle.net/1850/9603.
Pełny tekst źródłaVictor, Suzann. "The image stammers /". View thesis, 1999. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030905.163129/index.html.
Pełny tekst źródła"Submitted in part fulfillment for the degree of Master of Arts Honours in Visual Arts, University of Western Sydney Nepean, 1999." Includes bibliographical references (leaves 59-61, 62-63).
Martin, Jacques. "Lieu commun". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1991. http://theses.uqac.ca.
Pełny tekst źródłaCe travail de recherche a été réalisé à l'UQAC dans le cadre du programme en arts plastiques extensionné de l'UQAM à l'UQAC. CaQCU Document électronique également accessible en format PDF. CaQCU
Lamontagne, François. "Pour une ontologie du corps /". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1994. http://theses.uqac.ca.
Pełny tekst źródłaRésumé disponible sur Internet. Diapositives à la fin du v. en pochette. CaQCU CaQCU Document électronique également accessible en format PDF. CaQCU
Johnston, Amber. "In memory of trauma /". Online version of thesis, 2009. http://hdl.handle.net/1850/11248.
Pełny tekst źródłaKosovac, Ena. "Awkward formalism the role of objects in contemporary painting installation : this exegesis is submitted to Auckland University of Technology in partial fulfilment for the degree of Master of Art and Design, 2009 /". Click here to access this resource online, 2009. http://hdl.handle.net/10292/799.
Pełny tekst źródłaSchmiedel, Dean. "The other mother : an artist's conception /". Online version of thesis, 2007. http://hdl.handle.net/1850/4486.
Pełny tekst źródłaCunniffe, Paula Marie. "Locating interiority text, image, identity, and the domestic : an exegesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art & Design), 2007". Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1364/.
Pełny tekst źródłaFindlay, Jules. "Mrs Gallagher, Acts of disobedience : performance and installation in rural New Zealand : this exegesis is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2007 /". Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1366/.
Pełny tekst źródłaAppendix 4 contains 2 DVDs. Includes bibliographical references. Also held in print (55 leaves : col. ill. ; 22 x 30 cm. + 2 DVDs) in City Campus Collection (T 709.93 FIN)
Hong, Misun. "Between the sky and the earth /". Online version of thesis, 1990. http://hdl.handle.net/1850/11079.
Pełny tekst źródłaBaasch, Rachel Mary. "The eyes of the wall : space, narrative and perspective". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001578.
Pełny tekst źródłaBerigny, Wall Caitilin de. "Documentary transforms into video installation via the processes of intertextuality and detournement /". Canberra : University of Canberra, 2006. http://erl.canberra.edu.au/public/adt-AUC20070723.103335/index.html.
Pełny tekst źródłaSubmitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of Canberra, May 2007. Includes filmography (leaves 124-126) and bibliography (leaves 130-136). Also available online.