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Artykuły w czasopismach na temat "Indochinese cycle"
Franke, K., A. Richter, H. Bovensmann, V. Eyring, P. Jöckel, P. Hoor i J. P. Burrows. "Ship emitted NO<sub>2</sub> in the Indian Ocean: comparison of model results with satellite data". Atmospheric Chemistry and Physics 9, nr 19 (1.10.2009): 7289–301. http://dx.doi.org/10.5194/acp-9-7289-2009.
Pełny tekst źródłaElias, T., S. Szopa, A. Zahn, T. Schuck, C. Brenninkmeijer, D. Sprung i F. Slemr. "Acetone variability in the upper troposphere: analysis of CARIBIC observations and LMDz-INCA chemistry-climate model simulations". Atmospheric Chemistry and Physics Discussions 11, nr 3 (17.03.2011): 9165–215. http://dx.doi.org/10.5194/acpd-11-9165-2011.
Pełny tekst źródłaElias, T., S. Szopa, A. Zahn, T. Schuck, C. Brenninkmeijer, D. Sprung i F. Slemr. "Acetone variability in the upper troposphere: analysis of CARIBIC observations and LMDz-INCA chemistry-climate model simulations". Atmospheric Chemistry and Physics 11, nr 15 (8.08.2011): 8053–74. http://dx.doi.org/10.5194/acp-11-8053-2011.
Pełny tekst źródłaRozprawy doktorskie na temat "Indochinese cycle"
Kocevar, Savannah. "Tracer sa voie/x : une ethnocritique du cycle indochinois de Marguerite Duras". Electronic Thesis or Diss., Université de Lorraine, 2021. http://www.theses.fr/2021LORR0134.
Pełny tekst źródłaThis ethnocritic research aims at exploring the cultural poetry existing within Marguerite Duras’ Indochinese cycle. Our text corpus is composed of Un Barrage contre le Pacifique (1950), L’Eden Cinéma (1977), L’Amant (1984) and L’Amant de la Chine du Nord (1991), and follows the « autobiographical » narrative path of Duras’colonial childhood through the reminicence of constantly reworked themes and patterns. The purpose of our work is to question the expression of a pluralistic culture. Cultural practices, language polyphonies, cultural dialogics, intertextualities and interpenetrations between diverse cultures are fundamental issues to understand Duras’ writings. Furthermore, my thesis is based on a cultural hermeneutic approach, so as to grasp the symbolic systems of the texts and by that means shine a light on the ritual structure of the narration. According to our perspective, Duras’ characters and their trajectories are intimately connected to the notion of initiation. What’s more, this essay argues that initatory issuues impacts the narrator (as a fictional projection of the author) as well as her real and historical creative journey. Analyzincontinua and belligerences between literacy and orality (and thus corporeality) eventualy leads to a better understanding of the creative process
Nguyen, Xuan Tue. "Les Français dans le cycle de "La Nuit indochinoise"". Rennes 2, 1989. http://www.theses.fr/1989REN20015.
Pełny tekst źródłaThis investigation of Jean Hougron's series "La nuit indochinoise" established round themes from the literary tradition of exoticism and colonialism, conveys the connection between literary representation and French colonial reality in Indochina at the end of colonization and leads to estimations for their contribution to the mutual comprehension between the French and the Indochinese. Dream and reality. Stranded in dochine, depersonalized by a depraved environment, some French adventurers endured an exiled life. Others liked the Indochinese way of life. French colonials treated each other as brother-enemies, surrounded by rivalries, divisions, racism and regionalism. The relationship between the French and the autochthons was particularly seen through the married or concubinary couples of Frenchmen and native women, united in ephemeral love. This raised the problem of the French Indochinese metis abandoned by his father. Face to nationalist insurrections. A metropolitan notion of neo-colonialism, motived by anticommunism justified the return of a new type colonial into Indochina and who considered the war of independence in Vietnam as a rebellion. From incorrect information, French colonials took the Vietminh for pirates, only French defeat compelled them to recognize colonial failure. Conclusion. We showed: the continuous production of the stereotyped, negatives images of French colonist and the Indochinese, their mutual comprehension having made no progress, French knowledge about Indochina unimproved; a feverish anticolonialism and a certain colonial vision of French regret at the loss of the colonial empire