Gotowa bibliografia na temat „Indian music industry”
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Artykuły w czasopismach na temat "Indian music industry"
Ryu, Eunjoo. "The Study on the Identity of Contemporary Indian Film Music Portrayed by Lata Mangeshkar’s Singing: Focused on Analysis of Ornamentation Used in “Luka Chuppi”". Korean Society of Human and Nature 3, nr 1 (30.06.2022): 139–56. http://dx.doi.org/10.54913/hn.2022.3.1.139.
Pełny tekst źródłaManuel, Peter. "The regional North Indian popular music industry in 2014: from cassette culture to cyberculture". Popular Music 33, nr 3 (28.08.2014): 389–412. http://dx.doi.org/10.1017/s0261143014000592.
Pełny tekst źródłaKaur, Rupinder. "The Role of Private FM Radio Channels in Popularizing Indian Music". ECS Transactions 107, nr 1 (24.04.2022): 10159–70. http://dx.doi.org/10.1149/10701.10159ecst.
Pełny tekst źródłaB., Killa,, i Upadhyay, A.K. "Business Models in the Music Streaming Industry: A Critical Review of Literature on the Role of Audio Advertising". CARDIOMETRY, nr 24 (30.11.2022): 887–95. http://dx.doi.org/10.18137/cardiometry.2022.24.887895.
Pełny tekst źródłaKale, Appa M., Sunil S. Pimplikar i Shubham Nankar. "Development of Conceptual Sustainable Project Planning Model (SPPM) for Indian Roads". Journal of Law and Sustainable Development 11, nr 8 (29.09.2023): e1446. http://dx.doi.org/10.55908/sdgs.v11i8.1446.
Pełny tekst źródłaHughes, Stephen Putnam. "Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema". Journal of Asian Studies 66, nr 1 (luty 2007): 3–34. http://dx.doi.org/10.1017/s0021911807000034.
Pełny tekst źródłaBeaster-Jones, Jayson. "Re-tuning the past, selling the future: Tata-AIG and the Tree of Love". Popular Music 30, nr 3 (21.09.2011): 351–70. http://dx.doi.org/10.1017/s0261143011000183.
Pełny tekst źródłaSridhar, B., i R. Jaggi. "Content Consumption Patterns of Korean Pop Fans in India". CARDIOMETRY, nr 25 (14.02.2023): 315–24. http://dx.doi.org/10.18137/cardiometry.2022.25.315324.
Pełny tekst źródłaQureshi, Regula Burckhardt. "His Master's Voice? Exploring Qawwali and ‘Gramophone Culture’ in South Asia". Popular Music 18, nr 1 (styczeń 1999): 63–98. http://dx.doi.org/10.1017/s0261143000008734.
Pełny tekst źródłaArya, Suchivrat, i Gunjan Sharma. "Generative AI Images and Indian Media Industry: An Overview of Opportunities and Challenges". Journal of Communication and Management 2, nr 04 (18.12.2023): 271–74. http://dx.doi.org/10.58966/jcm2023249.
Pełny tekst źródłaRozprawy doktorskie na temat "Indian music industry"
Chakraborty, Avishek. "Copyright infringement in hindi and bengali film industry in India: A critical study of the role of indian law enforcement mechanism". Thesis, University of North Bengal, 2017. http://ir.nbu.ac.in/handle/123456789/2691.
Pełny tekst źródłaNowak, Florence. "Regional music goes digital : challenges of the Garhwali music industry (North India)". Paris, EHESS, 2015. http://www.theses.fr/2015EHES0668.
Pełny tekst źródłaThis is a study of the musical industry of Garhwal, a Himalayan area in North India. An important production labeled as "Garhwali music" or "Garhwal geet" and sung in the Garhwali dialect has been developing locally since the 1950s, firstly in the form of cassettes, then of compact discs and video clips. However, after an important upswing of the digital diffusion in the early 2000s, the production now seems to have entered a state of crisis. Concomitantly, the creation of the state of Uttarakhand (including the division of Garhwal) in 2001 triggered the implementation of a regional cultural policy, while the generalization of online music circulation challenged the economic model of this niche market. Through an ethnographic approach of the local industry, I wished to account for the factors that determine the dynamism and the difficulties of Garhwali muusic since the digital turn beyond a mere macro-economic explanation centered on "piracy". This anthropological analysis shed light on transversal issues that emerged directly from the field: notably, the ambiguous nature of a repertoire that is both a collective heritage and a cultural product; the interpersonal and social tensions that shape this environment; and the crucial role of migration patterns. By following such contemporary dilemmas faced by the actors of th entire production chain, I sought to draw the collective issues that regional popular music is facing today
Archer, Russell W. "If these walls could jump 'n' jive : a study of buildings and sites associated with jazz music in Indianapolis and Richmond, Indiana (c. 1910-1960)". Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1260487.
Pełny tekst źródłaDepartment of Architecture
Jackson, Melveen Beth. "Indian South African popular music, the broadcast media, and the record industry, 1920-1983". Thesis, 1999. http://hdl.handle.net/10413/8883.
Pełny tekst źródłaThesis (Ph.D.)-University of Natal, Durban, 1999.
Karel, Ernst Kirchner Long. "Kerala sound electricals : amplified sound and cultural meaning in South India /". 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3097125.
Pełny tekst źródłaKsiążki na temat "Indian music industry"
Ziervogel, Kim. Meet a music industry professional: Alan Greyeyes. [Southampton, Ont.]: Ningwakwe Learning Press, 2009.
Znajdź pełny tekst źródłaAmlan, Das Gupta, red. Music and modernity: North Indian classical music in an age of mechanical reproduction. Kolkata: Thema, 2007.
Znajdź pełny tekst źródłaMontgomery, Erick. Duke Ellington: A life in music. Boston, Mass: Houghton Mifflin, 2004.
Znajdź pełny tekst źródłaManuel, Peter. Cassette culture: Popular music and technology in north India. Chicago: University of Chicago Press, 1993.
Znajdź pełny tekst źródłaRecording culture: Powwow music and the Aboriginal recording industry on the Northern Plains. Durham, NC: Duke University Press, 2012.
Znajdź pełny tekst źródłaCassette culture: Popular music and technology in north India. Chicago: University of Chicago Press, 1993.
Znajdź pełny tekst źródłaIs it all about hips?: Around the world with Bollywood dance. New Delhi: SAGE Publications, 2011.
Znajdź pełny tekst źródłaM, Ojha J. Cultural communication in India: Role and impact of phonograms. New Delhi: Concept Pub. Co., 1992.
Znajdź pełny tekst źródłaJ, Rodriguez Luis. Music of the mill: A novel. New York: Rayo, 2005.
Znajdź pełny tekst źródłaBehind the curtain: Making music in Mumbai's film studios. New York: Oxford University Press, 2008.
Znajdź pełny tekst źródłaCzęści książek na temat "Indian music industry"
Daga, Bhagyalakshmi. "India Beyond Bollywood? Exploring the Diverse Indian Independent Music Industry in the Digital Age". W Creative Industries in India, 226–42. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003129370-15.
Pełny tekst źródłaAhmed, Omar. "Representing Terrorism". W Studying Indian Cinema, 183–200. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906733681.003.0011.
Pełny tekst źródłaKumar, Yogesh. "Gun Culture: A Hidden Evil in Indian Society and Its Implications". W Gun Violence and Prevention - Connections, Cultures, and Consequences [Working Title]. IntechOpen, 2023. http://dx.doi.org/10.5772/intechopen.1002221.
Pełny tekst źródłaKumari, Meenu. "“36th International SurajKund Craft Fair: A Fair to Remember”". W Management and Practices of Pilgrimage Tourism and Hospitality, 171–80. IGI Global, 2023. http://dx.doi.org/10.4018/979-8-3693-1414-2.ch013.
Pełny tekst źródłaMcGuinness, Chris. "Recovering Sample Authorship: The Case of Sohan Lal". W Sampling Politics Today. Norient Books, 2020. http://dx.doi.org/10.56513/nftg6449-12.
Pełny tekst źródłaWeidman, Amanda. "The Remarkable Career of L. R. Eswari". W Vamping the Stage. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824869861.003.0008.
Pełny tekst źródłaJenkins, Philip. "Haunting America". W Dream Catchers, 1–19. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195161151.003.0001.
Pełny tekst źródłaManuel, Peter. "The cassette industry and popular music in North India". W Non-Western Popular Music, 307–22. Routledge, 2017. http://dx.doi.org/10.4324/9781315090450-14.
Pełny tekst źródłaKalinak, Kathryn. "A history of film music I". W Film Music: A Very Short Introduction, 30—C4P35. Wyd. 2. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/actrade/9780197628034.003.0004.
Pełny tekst źródłaSchwender, Alyssa D., i Christopher J. M. Leet. "Offshoring Entertainment and Media to India". W IT Outsourcing, 2278–92. IGI Global, 2010. http://dx.doi.org/10.4018/978-1-60566-770-6.ch144.
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