Gotowe bibliografie tematyczne / Indian dance – Great Plains

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Gotowa bibliografia na temat „Indian dance – Great Plains”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "Indian dance – Great Plains"

McPherson, Robert. "Circles, Trees, and Bears: Symbols of Power of the Weenuche Ute". American Indian Culture and Research Journal 36, nr 2 (1.01.2012): 103–30. http://dx.doi.org/10.17953/aicr.36.2.w280374p4142140q.

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The Ute community of White Mesa, comprised of approximately 315 people, sits in the corner of southeastern Utah, eleven miles outside of Blanding. The residents, primarily of Weenuche Ute and Paiute ancestry, enjoy a cultural heritage that embraces elements from plains, mountain, and desert/Great Basin Indian culture. Among their religious practices are the Worship Dance, Ghost Dance, Sun Dance, and Bear Dance. Although each ceremony is unique, and performed for a variety of reasons, the common ground among them cannot be missed. Healing the sick, renewing necessities for survival, connecting spiritually with ancestors, communicating with the Land Beyond, establishing patterns for life, and sharing symbols that unify religious expression—such as the circle, tree, and bear—are elements that characterize the faith of these people as expressed in these ceremonies. Their origin sheds light on the relevance of these practices as they blend traditions from the past with contemporary usage. As symbols imbued with religious relevance, they make the intangible visible while continuing to teach and protect that which is important in Ute cultural survival. This article looks at these shared elements while offering new information about the origin and symbolism of the Ghost Dance as practiced in the Worship Dance. Circles, trees, bears, and other emblems provide not only themes from past teaching but empower the Ute universe today.

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Gautom, Priyanka, Jamie H. Thompson, Jennifer S. Rivelli, Senait R. Tadesse, Richard Mousseau, LaToya Brave Heart, Kelley LeBeaux i in. "Abstract A044: Creating culturally relevant colorectal cancer screening messages and materials for tribal communities in the Great Plains". Cancer Epidemiology, Biomarkers & Prevention 32, nr 12_Supplement (1.12.2023): A044. http://dx.doi.org/10.1158/1538-7755.disp23-a044.

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Abstract Introductory sentences indicating the purposes of the study: We applied a modified version of boot camp translation (BCT), a validated community participatory approach, to engage tribal community members in the Great Plains to develop culturally and locally relevant colorectal cancer (CRC) screening messages and materials. Brief description of pertinent experimental procedures: CRC is one of the leading causes of cancer death in the United States and disproportionally affects American Indian adults, especially American Indians living in the Great Plains. Routine CRC screening leads to earlier diagnosis and prolonged survival from the disease. However, American Indian adults are less likely to be up to date on CRC screening than White adults, highlighting the need to increase CRC screening within this community. In partnership with the Great Plains Tribal Leaders Health Board and the National Association of Chronic Disease Directors, we used a modified BCT approach to elicit feedback from tribal community members to create messages and materials that motivate tribal members to get screened for CRC. To make the BCT process more meaningful for our partner communities, we reframed the BCT sessions by referring to them as listening sessions. Eligible tribal community members recruited were between the ages of 45-75 and agreed to participate in all three listening sessions over a two-month period. The sessions consist of one five-hour in-person gathering in Rapid City, South Dakota, and two one-hour follow-up video-conferencing calls. The in-person session included a cultural presentation of Lakota teachings by a local hoop dancer, CRC education by an expert in CRC research, a presentation by local leaders on interventions to increase community access to CRC screening, and discussions on CRC knowledge, beliefs, barriers to screening, and messages/materials to help increase screening. The follow-up sessions, scheduled to occur in the summer of 2023, will gather feedback on draft materials and messages. Summary of the new unpublished data: A total of 38 adults participated in the first listening session. The key themes emphasized the importance of: 1) including Lakota words in the messages/materials as language is tied to cultural identity, 2) creating messaging/materials that are relatable, address local barriers, and include resources and cultural imagery, 3) applying a multigenerational approach to screening education in the messages and materials, 4) including cultural details about healing traditions, and 5) using visuals for colon health education and screening education. The participants suggested using videos in clinics, radio ads, visual stories, brochures, and text messages as the primary channels to disseminate the messages/materials. Statement of conclusions: We successfully used a modified BCT approach to incorporate participant feedback to develop CRC screening messages and materials and identified preferred dissemination channels for the Great Plains tribal communities. Final materials will be showcased. Citation Format: Priyanka Gautom, Jamie H. Thompson, Jennifer S. Rivelli, Senait R. Tadesse, Richard Mousseau, LaToya Brave Heart, Kelley LeBeaux, Derrick Molash, Lorrie Graaf, Dawn Wiatrek, Gloria D. Coronado. Creating culturally relevant colorectal cancer screening messages and materials for tribal communities in the Great Plains [abstract]. In: Proceedings of the 16th AACR Conference on the Science of Cancer Health Disparities in Racial/Ethnic Minorities and the Medically Underserved; 2023 Sep 29-Oct 2;Orlando, FL. Philadelphia (PA): AACR; Cancer Epidemiol Biomarkers Prev 2023;32(12 Suppl):Abstract nr A044.

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Witmer, Robert, i William K. Powers. "War Dance: Plains Indian Musical Performance". Yearbook for Traditional Music 27 (1995): 159. http://dx.doi.org/10.2307/768117.

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Levine, Victoria Lindsay, i William K. Powers. "War Dance: Plains Indian Musical Performance". Ethnomusicology 36, nr 3 (1992): 426. http://dx.doi.org/10.2307/851877.

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Cloudsley, Peter. "War Dance. Plains Indian Musical Performance". Journal of Arid Environments 21, nr 1 (lipiec 1991): 127. http://dx.doi.org/10.1016/s0140-1963(18)30741-9.

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Hatton, Orin T., i William K. Powers. "War Dance: Plains Indian Musical Performance". American Indian Quarterly 16, nr 3 (1992): 440. http://dx.doi.org/10.2307/1185821.

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Harrod, Howard, i William K. Powers. "War Dance: Plains Indian Musical Performance". Ethnohistory 39, nr 3 (1992): 364. http://dx.doi.org/10.2307/482308.

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Carlson, Paul H., i Brad D. Lookingbill. "War Dance at Fort Marion: Plains Indian War Prisoners". Journal of Southern History 73, nr 3 (1.08.2007): 722. http://dx.doi.org/10.2307/27649526.

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Ahern, W. H. "War Dance at Fort Marion: Plains Indian War Prisoners". Journal of American History 93, nr 4 (1.03.2007): 1255. http://dx.doi.org/10.2307/25094673.

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Frisbie, Charlotte J. ": War Dance: Plains Indian Musical Performance . William K. Powers." American Anthropologist 94, nr 1 (marzec 1992): 215–16. http://dx.doi.org/10.1525/aa.1992.94.1.02a00560.

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Rozprawy doktorskie na temat "Indian dance – Great Plains"

Hodge, Adam R. "Vectors of Colonialism: The Smallpox Epidemic of 1780-82 and Northern Great Plains Indian Life". [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1239393701.

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Thesis (M.A.)--Kent State University, 2009.
Title from PDF t.p. (viewed March 3, 2010). Advisor: Kevin Adams. Keywords: Great Plains; Native Americans; Indians; smallpox; disease ecology; Northern Plains; epidemic; environment; climate; warfare; Sioux; Shoshone; Mandan; Arikara; Hidatsa; Crow; Cree; Assiniboine; Blackfoot; horse; firearm; Hudson's Bay Company; traders; fur. Includes bibliographical references (p. 196-203).

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Warren, Scott Daniel. "Landscape and place-identity in a Great Plains Reservation community a historical geography of Poplar, Montana /". Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/warren/WarrenS0508.pdf.

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This study constructs a historical-geographical narrative of Poplar, Montana and explores residents' place-identity in the context of economic restructuring. Located on the Fort Peck Indian Reservation in northeastern Montana, Poplar offers an ideal setting to better understand how economic restructuring affects the lives of residents in northern Plains reservation communities. Loss of businesses, consolidation of services, and general economic restructuring continue to challenge communities on the Great Plains. For Great Plains Indian reservations, however, these problems are compounded by additional variables such as persistently high poverty rates, a dynamic relationship with the federal government, and increasing populations. Archival research, landscape analysis, and interview data are all used to better understand the influence of economic restructuring in shaping Poplar. This study demonstrates the value of historical and cultural geographic approaches in understanding the past evolution as well as the contemporary challenges of reservation communities in the American West.

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Anderson, Joshua Tyler. "Dams, Roads, and Bridges: (Re)defining Work and Masculinity in American Indian Literature of the Great Plains, 1968-Present". DigitalCommons@USU, 2013. https://digitalcommons.usu.edu/etd/1768.

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This master's thesis explores the intersections of labor, socioeconomic class, and constructed American Indian masculinities in the literature of indigenous writers of the Great Plains published after the Native American Renaissance of the late 1960s. By engaging scholars and theorists from multiple disciplines--including Native labor historians such as Colleen O'Neill and Alexandra Harmon, (trans)indigenous studies scholars such as Chadwick Allen and Philip Deloria, and Native literary and cultural critics such as Gerald Vizenor and Louis Owens--this thesis offers an American Studies approach to definitions and expressions of work, wealth, and masculinity in American Indian literature of the Great Plains. With chapters on D'Arcy McNickle's posthumous Wind From an Enemy Sky (1978), Carter Revard's poetry and mixed-genre memoirs, and Thomas King's Truth and Bright Water (1999), this thesis emphasizes the roles of cross-cultural apprenticeships for young Native protagonists whose socioeconomic opportunities are often obstructed, threatened, or complicated by dams, roads, and bridges, both literal and metaphorical, as they seek ways to engage (or circumvent) the capitalist marketplace on their own terms. In highlighting each protagonist's relationship to blood (family and community), land, and memory, the chapters reveal how the respective Native authors challenge and reimagine stereotypes regarding Native workers and offer more complicated and nuanced discussions of Native "traditions" in modernity. (173 pages)

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Książki na temat "Indian dance – Great Plains"

Lookingbill, Brad D. War dance at Fort Marion: Plains Indian war prisoners. Norman, OK: University of Oklahoma Press, 2005.

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Kehoe, Alice Beck. The ghost dance: Ethnohistory and revitalization. Belmont, CA: Wadsworth/Thomson Learning, 2002.

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Kehoe, Alice Beck. The ghost dance: Ethnohistory and revitalization. New York: Holt, Rinehart, and Winston, 1989.

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White, Phillip M. The Native American Sun Dance religion and ceremony: An annotated bibliography. Westport, Conn: Greenwood Press, 1998.

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Holler, Clyde. Black Elk's religion: The sun dance and Lakota Catholicism. Syracuse, N.Y: Syracuse University Press, 1995.

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Powers, William K. War dance: Plains Indian musical performance. Tucson: University of Arizona Press, 1990.

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K, Rachlin Carol, red. Plains Indian mythology. New York: Penguin Meridian, 1985.

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Longstreet, Stephen. Indian wars of the Great Plains. New York: Indian Head Bks, 1993.

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Longstreet, Stephen. Indian wars of the Great Plains. New York: Indian Head Bks, 1993.

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Goodrich, Th. Scalp dance: Indian warfare on the high plains, 1865-1879. Mechanicsburg, PA: Stackpole Books, 1997.

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Części książek na temat "Indian dance – Great Plains"

"Northern Great Plains". W American Indian Health and Nursing. New York, NY: Springer Publishing Company, 2015. http://dx.doi.org/10.1891/9780826129857.0015.

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JOHNSON, TROY R. "SPIRITUAL TRADITIONS OF THE GREAT PLAINS". W American Indian Medicine Ways, 124–44. University of Arizona Press, 2017. http://dx.doi.org/10.2307/j.ctvs1g8n3.9.

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"THE EASTERN TRIBES MOVED INTO THE GREAT PLAINS". W The American Indian Frontier, 479–89. Routledge, 2013. http://dx.doi.org/10.4324/9781315005676-39.

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Sundstrom, Linea. "Coup Counts and Corn Caches: Contact-Era Plains Indian Accounts of Warfare". W Archaeological Perspectives on Warfare on the Great Plains, 120–41. University Press of Colorado, 2018. http://dx.doi.org/10.5876/9781607326700.c004.

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Bierhorst, John. "Myths for the Future". W The Mythology Of North America, 172–80. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195146226.003.0016.

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Abstract During the Ghost Dance activity of 1890, prophecies of world destruction swept through the Plains. People thought the earth was about to be destroyed and a new earth would come gliding out of the sky, bringing back the buffalo. The whites would vanish, and all the Indian ancestors-the ghosts-would return to life.

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Wong, Hertha Dawn. "Pictographs as Autobiography: Plains Indian Sketchbooks, Diaries, and Text Construction". W Sending My Heart Back Across the Years, 57–87. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069129.003.0004.

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Abstract When scholars talk about Native American autobiography, the assumption is that they mean the ethnographer-collected life histories of the late nineteenth and early twentieth centuries. Because autobiography has been considered a distinctly Western impulse emphasizing individuality and has been defined as the story of one’s life written by oneself, pre contact personal narratives spoken, performed, and painted by communal-oriented indigenous peoples have generally been overlooked. Even thoughtful critics like Arnold Krupat insist that ‘‘Indian autobiography has no prior model in the collective practice of tribal cultures.”But long before Anglo ethnographers came along, Native Americans were telling, performing, and painting their personal histories. One potential tribal model of autobiography, at least among Plains Indian males, is the pictographic personal narrative. The symbolic language of pictographs allowed pre-contact Plains Indians to “read” about one another from painted robes, tipis, and shields. According to Helen H. Blish, pictographic hides were a “widely practiced” form of artistic personal history. Such “personal records” were “quite common …among the Plains Indians/’ and, says Blish, “these are the most frequently found pictographic records. “In the Great Plains, in particular, pictography was highly developed and ‘‘universally employed and under stood.’ ‘Such picture writing was used to convey everyday messages announcements, rosters, personal letters, business and trade transac tions, and geographical directions and charts (Blish 20; Petersen)-as well as tribal histories (known as winter counts) and autobiographical narratives.

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Bennett, John W. "The Plains Indian Sun Dance: Leslie Spier’s Historical Reconstruction, and Functionalist Research by Others". W Classic Anthropology, 101–28. Routledge, 2017. http://dx.doi.org/10.4324/9781351291200-6.

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West, Elliott. "Eeikish Pah and Return". W The Last Indian War, 301–14. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195136753.003.0018.

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Abstract Indian Territory wasn’t so bad, commissioner of Indian affairs E. A. Hayt wrote. The temperature there differed only slightly from that in Idaho. While maybe true according to an annual mean, on the basis of human experience the claim was astounding. The summer heat in what is today eastern Oklahoma is relentless, and the low altitude, about eight hundred feet, and high humidity keep the nights close and uncomfortable. For people acclimated to the high, dry air of the Wallowa valley and the Salmon River country, it must have seemed like living compressed in a warm, wet sponge. Winters, too, can be brutal there. Arctic fronts barrel down with snow, sleet, and freezing rain, and as on all the Great Plains, there is little to slow down the punch, certainly nothing like the mountain walls and protective canyons of the Nez Perces’ homeland.

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Cole, Daniel G. "A Cartographic History and Analyses of Indian-White Relations in the Great Plains". W Digital Mapping and Indigenous America, 76–92. Routledge, 2021. http://dx.doi.org/10.4324/9780429295546-6-7.

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Carlson, Paul H. "Indian Agriculture, Changing Subsistance Patterns, and the Environment on the Southern Great Plains". W European Intruders and Changes in Behaviour and Customs in Africa, America and Asia before 1800, 77–85. Routledge, 2017. http://dx.doi.org/10.4324/9781315255934-5.

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Streszczenia konferencji na temat "Indian dance – Great Plains"

Kumar, Raj, M. S. Gunjiyal i Nitesh Sinha. "Design Challenges and Technological Advancement: A Case Study of Pipeline Through Sand Dunes (in Thar Desert)". W ASME 2013 India Oil and Gas Pipeline Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/iogpc2013-9827.

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This paper highlights the design challenges encountered during the project execution phase of HMPL’s Mundra - Bathinda Pipeline (MBPL), a crude import pipeline for feeding Guru Gobind Singh Refinery of HMEL at Bathinda in Punjab State. For the first time in India, a cross-country pipeline was planned through a terrain wherein section of more than 270 km length runs through the eastern fringe of Thar desert in the state of Rajasthan. MBPL routed in newer and exotic expanse of Great Indian Thar desert posed greater challenges in respect of pipeline routing, design and construction. The pipeline route across the bygone desert is characterized by severe climate and remote locations. The summer daytime temperature reaches upto 50 deg C while in winter it drops to near freezing temperature. Sand dunes at some places along the route were more than 40 m high and were of different kinds and separated by inter-dunal sandy plains of varying stretches.

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Raporty organizacyjne na temat "Indian dance – Great Plains"

Rosse, Anine, i Myles Cramer. Water quality monitoring for Knife River Indian Villages National Historic Site: 2019 data report. National Park Service, grudzień 2022. http://dx.doi.org/10.36967/2295547.

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The Northern Great Plains Inventory and Monitoring Network (NGPN) began monitoring water quality in the Knife River at Knife River Indian Villages National Historic Site (KNRI) in 2013, with the assistance of the U.S. Geological Survey (USGS). This report summarizes the data collected during the 2019 ice-free season (April 18 through October 31) for streamflow, water temperature, dissolved oxygen, specific conductance, and pH. This was the third season of continuous monitoring. 2019 began as moderately dry year until discharge on the Knife River peaked at 1,900 cubic feet per second in September following unusually heavy precipitation. There was considerable seasonal variation in all water quality measures. A summary of our results can be found in Descriptive Statistics Summary tables for the ice-free season (Table 2) and for each month (Table 3). Notably, water temperature exceeded state standards (Table 1) in summer months although these exceedances made up less than 1% of all records. Additionally, dissolved oxygen was observed below state standards twice on the same day in June, but Knife River still met the dissolved oxygen standard due to the brief nature of this deficiency. NGPN’s collaboration with USGS supported real-time and archived access to this data through the USGS National Water Information System Website KNIFE RIVER NR STANTON, ND - USGS Water Data for the Nation, where it remains available to the public

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