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Miller, Nadine Lee. "Concrete impermanence". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/MQ52728.pdf.
Pełny tekst źródłaSundrup, Michael Francis. "Impermanence memento mori /". Cincinnati, Ohio : University of Cincinnati, 2008. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1212086510.
Pełny tekst źródłaCommittee/Advisors: Riorden Elizabeth (Committee Chair), Michael McInturf (Committee Co-Chair). Title from electronic theses title page (viewed Sep. 2, 2008). Includes abstract. Keywords: Shanghai; 2010; World Expo; World Fair; Impermanence; design for disassembly. Includes bibliographical references.
SUNDRUP, MICHAEL FRANCIS. "Impermanence: Memento Mori". University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212086510.
Pełny tekst źródłaFerland, Éric. "Impermanence et moments chez Vasubandhu". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ29491.pdf.
Pełny tekst źródłaFerland, Eric. "Impermanence et moments chez Vasubandhu". Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26686.
Pełny tekst źródłaKhalili, Clifford Meena. "Visualizing Cultural Impermanence Through Entropic Design". VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2094.
Pełny tekst źródłaWhyte, Ross. "Perpetual erosion : impermanence in audio-visual intermedia". Thesis, University of Aberdeen, 2012. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=196018.
Pełny tekst źródłaKarlström, Anna. "Preserving Impermanence : The Creation of Heritage in Vientiane, Laos". Doctoral thesis, Uppsala universitet, Afrikansk och jämförande arkeologi, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-101166.
Pełny tekst źródłaGee, Sarah. "An exploration of impermanence in contemporary ceramic art practice". Thesis, University of Sunderland, 2016. http://sure.sunderland.ac.uk/8320/.
Pełny tekst źródłaKarlström, Anna. "Preserving impermanence : the creation of heritage in Vientiane, Laos /". Uppsala : Uppsala University, Department of Archaeology and Ancient History, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-101166.
Pełny tekst źródłaRospatt, Alexander von. "The Buddhist doctrine of momentariness : a survey of the origins and early phase of this doctrine up to Vasubandhu /". Stuttgart : F. Steiner, 1995. http://catalogue.bnf.fr/ark:/12148/cb37165757v.
Pełny tekst źródłaWhite, Christopher D. "A Perception of Change, A Change of Perception". VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3756.
Pełny tekst źródłaGreenshields, Barbara, i n/a. "Memento Mori: A Personal Story of Impermanance". Griffith University. Queensland College of Art, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060727.123955.
Pełny tekst źródłaMelander, Emily Ann. "Effluvia and Aporia". BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3256.
Pełny tekst źródłaGreenshields, Barbara. "Memento Mori: A Personal Story of Impermanance". Thesis, Griffith University, 2005. http://hdl.handle.net/10072/365392.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Full Text
Alexandrino, Helena. "Orientação ao jardim: andanças por caminhos impermanentes". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-31052017-102033/.
Pełny tekst źródłaIn this project, I intend to perform series of drawings, prints and paintings with the garden as the central theme. To accomplish it, I will look for references in my personal memories, particularly those related to the small garden of the suburban house of my childhood, and in the gardens designed by poets and artists, in what they may have of small, modest, delicate and unstable. This impermanence or ephemerality inherent at this theme will be reflected during the invention and production of the works, through the exploration of the instability and of the possible limits and borders, passages and paths, separations and approximations between painting, drawing and printmaking.
Queiroz, Veronica Santana. "Morte e subjetividade na hipermodernidade: a perspectiva do Budismo da Nova Tradição Kadampa". Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7237.
Pełny tekst źródłaA proposta do trabalho é analisar como a morte é entendida pela visão da hipermodernidade e pela visão do Budismo. Na contemporaneidade cuja lógica capitalista é embasada na lógica do mercado onde o consumo assume o papel principal, a morte se tornou um tabu, onde ela é evitada, esvaziada de sentido e descaracterizada. A dor e o sofrimento são depreciados e é exigido do homem uma inabalável postura performática e um desempenho cada vez melhor. Há ainda a crença de que o discurso tecnocientífico trará todas as soluções para as mazelas humanas. A felicidade é, portanto, um imperativo da sociedade hipermoderna e sua busca é exteriorizada isentando os indivíduos de um olhar crítico. Assim, a morte e o luto perdem seu lugar para a busca incessante de satisfação e bem-estar. O Budismo tem uma lógica que segue na contramão. Ensina que a existência humana no Samsara é constituída por principalmente quatro sofrimentos básicos: nascimento, envelhecimento, doença e morte. O Budismo ensina que a morte, assim como a vida, é um fenômeno comum a todos os seres vivos e que o exercício budista possibilita compreender o real significado da vida e da morte. A meditação sobre a impermanência, uma das práticas budistas, visa familiarizar o adepto budista a três pensamentos: certamente vou morrer; a hora da minha morte é totalmente incerta e na hora da minha morte e, depois dela, só a prática do Dharma vai me ajudar. Postula que para alcançar a verdadeira felicidade o homem deve provocar uma mudança interior, exercitar a compaixão e se desapegar da crença de que os fenômenos são permanentes e imutáveis. Tais considerações foram possíveis a partir da pesquisa sobre o Budismo da Nova Tradição Kadampa a partir de uma metodologia etnográfica que incluíram visitas ao campo de estudo, a confecção de um diário de campo e a realização de entrevistas com os praticantes budistas da Nova Tradição Kadampa.
This work goal is to analyze how the experience of death is understood at the hypermodernity and Buddhist view. In the contemporary in which prevails the capitalistic logic that is based on the market logic towards which the consumption takes the main role, the experience of death has become a taboo, so it ends being avoided, made empty of any sense and so mischaracterized. The pain and the suffering are depreciated and man sees himself being required to have an indestructible performing posture summed to an even better efficient behavior towards this experience. There is also the belief that technological and scientific arguments will bring to humanity all the needed solutions in respect to mankind wounds. Happiness is so the imperative order at the hypermodern societies and its search is externalized from the individuals making them absents of a so called more critical overview. The experience of death and of mourning has lost room enough to the continuously search for satisfaction and well being sensations. The Buddhism and its logic are heading exactly in the opposite direction. It teaches that the mankind existence experience into the so called Samsara is mainly made of four basic suffering experiences: birth, becoming elder, unhealthy lives and death. The Buddhism teaches that the experience of death, as the experience of living, is a common phenomenon that reaches all living creatures and that the Buddhism practice allows the individual to comprehend the real meaning of life and death. The meditation about the impermanence, one of the Buddhist practices, looks for to help and make three different thoughts familiar to the ones adepts of Buddhism: Certainly I will die; My dying moment is totally uncertain and at my death experience moment and, after it, only the Dharma practice can help me. The Buddhism states that to reach the true happiness the men must look for an inside change, practice the compassion and break free from the belief that phenomenons in life are permanent and unchangeable. These above mentioned statements were possible according to the research done about Buddhism on the New Kadampa Tradition through an ethnographic methodology which included visits to the study field, a field diary as their product and interviews with Buddhism practitioners at the Kadampa New Tradition.
Fjell, Mario Maria. "Point of Constant Departures". Thesis, Konstfack, Institutionen för Konst (K), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6252.
Pełny tekst źródłaAction: Point of Constant Departures (https://mariofjell.wordpress.com/point-of-constant-departures/)
Pereira, Rosângela Santana. "Geofagia:corpos cerâmicos, corpos híbridos". Programa de Pós- Graduação em Artes Visuais da UFBA, 2007. http://www.repositorio.ufba.br/ri/handle/ri/9852.
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Esta é a dissertação que revela a investigação teórico-prática intitulada Geofagia:corpos cerâmicos, corpos híbridos, para conclusão de curso de mestrado. As reflexões sobre o tema em análise levam à compreensão das motivações e implicações presentes no processo de construção da obra, e da experimentação, em que foi utilizada uma técnica milenar tradicional, a cerâmica, que deu origem à cerâmica enquanto linguagem visual contemporânea híbrida. Durante o desenvolvimento desse trabalho, que teve o corpo como referência e a materialidade como tema, foram investigados outros materiais, além da argila, na construção de objeto, além de fotografia e instalação, dialogando com conceitos de registro,permanência/impermanêcia, memória, espaço e tempo. Tomando por base reflexões prático-teóricas, pretendeu-se realizar uma pesquisa que tivesse a obra como objeto de estudo, considerando o seu processo de instauração e a possibilidade de outros devires. No decorrer da construção dos objetos, instalações e esculturas, na qual a cerâmica foi utilizada como o principal meio de expressão com possibilidades híbridas, refletiu-se sobre aspectos contemporâneos da arte, identificados na pesquisa em questão, capazes de possibilitar a comunicação entre arte e outros conhecimentos afins, com a utilização de uma metodologia específica em artes visuais, a Poiética. Os autores eleitos para dar embasamento teórico à investigação foram Gaston Bachelard, Roland Barthes,Henri Bergson e Georges Didi-Huberman.
Salvador
Black, Thierry. "Away from the Abyss: Borgesian Translation Reconsidered through Buddhist Philosophy". Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/26244.
Pełny tekst źródłaGao, Tongxin. "Still Life Portrait : Contemporary jewelry in the form of still life painting". Thesis, Konstfack, Ädellab, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7217.
Pełny tekst źródłaGenestreti, Maria Emília Uzêda. "Claustro: abrigo de tempo e memória". Programa de Pós- Graduação em Artes Visuais da UFBA, 2007. http://www.repositorio.ufba.br/ri/handle/ri/9819.
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Esta dissertação, intitulada Claustro: Abrigo de Tempo e Memória, trata de um percurso interior, uma identidade intimista permeada pelo Tempo e pela Memória.Evidencia uma atitude contemporânea de expressão e de relacionamento com o espaço e com a arte como forma de depuração e de identificação simultaneamente.Neste processo criativo, materializado nas pinturas e objetos, como linguagens contemporâneas, foram questionadas a impermanência e a brevidade da vida.APRESSA-TE LENTAMENTE! Usou-se o tempo como matéria; a pátina, que permanece como memória na superfície dos objetos – os quais incitam a imaginação – foi conservada e reverenciada como sinal de alerta e de nobreza. Oferro assumiu destaque na construção das obras, ora como matéria, ora como suporte, pontuando o seu caráter misterioso e provocador e estimulando reflexões sobre a passagem do tempo. A forma metodológica adotada foi a poiética, que se mostrou capaz de amparar e delinear o corpo teórico, além de permitir o desenvolvimento de conceitos necessários ao processo de criação e instauração das obras desta investigação.
Salvador
Blackwell, Kara. "The impermanence of reality : a grounded theory study of the experience of transition to palliative care for people with end-stage kidney disease (ESKD)". Thesis, University of Surrey, 2017. http://epubs.surrey.ac.uk/813806/.
Pełny tekst źródłaUllyatt, Gisela. ""Bride of Amazement" : a Buddhist perspective on Mary Oliver's poetry / G. Ullyatt". Thesis, North-West University, 2013. http://hdl.handle.net/10394/9710.
Pełny tekst źródłaThesis (PhD (English))--North-West University, Potchefstroom Campus, 2013.
Benson-Greenwald, Tessa M. "The Light at the End of the Tunnel: Temporal Distancing and Academic Attitudes". Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami153175957068096.
Pełny tekst źródłaBernecker, Tobias. "Capturing gathering swarming re-coding post-communist space in East Germany /". Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/305/.
Pełny tekst źródłaBjörk, Carola. "About body-building". Thesis, Konstfack, Institutionen för Konst (K), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6828.
Pełny tekst źródłaIsnard, Michel. "Le chênon de sûnyatâ : contribution à l'étude de la vacuité Madhyamaka-prâsangika et de certains de ses reflets en Occident : thèse". Nice, 2001. http://www.theses.fr/2001NICE2014.
Pełny tekst źródłaCross-sectional study of Madhyamaka-Prâsangika's emptines illustrated by : An attempt to correlate the aspects of sûnyatâ with Ludwig Wittgenstein's philosophy. An approach of the topicality of interdependence (absence of nature per se) which can be seen both in certain axioms of quantum physics and through several work of the Palo Alto's school (those of Gregory Bateson and Paul Watzlawick especially). An analysis of the problems due to ontological and semantic limits of the concepts, pointed out by Nâgârjuna, approaching the allusive and paradoxical recourses of Zen masters and noticing the extension of Kôans' caracteristics in Malcom de Chazal's work
Tsaknaki, Vasiliki. "Making Preciousness : Interaction Design Through Studio Crafts". Doctoral thesis, KTH, Medieteknik och interaktionsdesign, MID, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-219765.
Pełny tekst źródłaQC 20171213
Serey, Rodríguez Jorge Roberto. "Estudio en Régimen Impermanente del Vaciado de Tubos". Tesis, Universidad de Chile, 2008. http://repositorio.uchile.cl/handle/2250/103066.
Pełny tekst źródłaO'Keeffe, Anne. "The art of presence : contemplation, communing and creativity /". Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/7072.
Pełny tekst źródłaThe thesis is an investigation of the choreographer's ongoing exploration of movement, singing and improvisation, informed by Buddhist philosophy. Both the writing and the performance mirror an embodied practice - making tangible themes and concepts that have emerged into consciousness.
Central interests include the ‘life-world’ of the artist and its influence on the creative process, the concepts of spirituality, spirit and ‘flow’, the experiential focus of the inquiry, improvisation as presence and the value of art as healing and therapy.
While the perspective of the writing is drawn from the subjectivity of the practitioner, the aim of the work is to draw on the broader fields of research in these areas and to connect with the creative practices of other artists. To this end, a conventional survey of the literature has been augmented by writings and teachings on Buddhism and other spiritual practices, documentaries and visual art. Interviews with artists in Australia and India and thoughts from the performers of Song of Longing are also included.
March, Tanya Lyn. "Guild's Lake Courts : an impermanent housing project". PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/2812.
Pełny tekst źródłaJane, Sarah. "Fluid Experience". Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1353468701.
Pełny tekst źródłaMachado, Paulo Eduardo Ferreira [UNESP]. "Artemídia impermanente: do transe ao trânsito de um editor de conteúdo de livros didáticos". Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/136749.
Pełny tekst źródłaE ste trabalho tem por objetivo observar e interpretar a natureza de umfenômeno: oInglês como língua estrangeira modernaprocesso de edição de conteúdo de uma série didática de. Propõe-se a realizar a tarefa assumindo que processos em edição de conteúdo possuem equivalências com processos de prática em arte. Primeiramente, a investigação traça um panorama da busca do pesquisador-artista-editor pelo próprio objeto de estudo, no sentido de indicar como essa busca está imbricada na prática profisional do editor. Já o processo de edição é escrutinado a partir das textualizações feitas em uma perspectiva exotópica, tendo por base interações do editor com outros agentes do processo, apontamentos no caderno do pesquisadorartista-editor e elementos textuais do próprio objeto de edição, a série didática. Essas textualizações são a base da interpretação, tendo por viés uma abordagem hermenêutico-fenomenológica, que procura identifiar os temas que caracterizam a natureza do fenômeno. Umavezidentifiadosostemasemergentesdofenômeno processo de edição de conteúdo de uma série didática de Inglês como língua estrangeira, estes são comentados ou retextualizados através de imagens. Tais imagens são, por sua vez, resultado dos processos e procedimentos do pesquisadorartista-editor em sua busca estética. Desta forma,levando em consideração o conceito de serendipity, o que inicialmente se confiuraria na pesquisa como objeto de estudo, torna-se, em sua conclusão, instrumento para comentar e interpretar os temas que constituem a natureza do fenômeno do processo de edição.
T his study aims at observing and interpreting the nature of a phenomenon:the content editing process of a textbook series on English as aforeign language. It proposes to accomplish the task by assuming that processes in content edition fid parallel in art practice processes. At fist, the investigation provides an overview of the researcher-artisteditor's quest for the study object itself, trying to indicate how this search is embedded in the editor's professional practice. On the other hand, the editing process is scrutinized from textualizations put down in a perspective of exotopy, based on the interactions of the editor with the other subjects in the process, on the researcher-artist-editor's pad notes and textual elements of the editing object, that is, the textbook series. These textualizations are the groundwork for interpretation from a hermeneutic phenomenological point of view, which tries to identify the themes underlying the phenomenon's nature. Once the emerging themes of the content editing process of a textbook series on English as a foreign language phenomenon are identifid, they are commented or re-textualized through images. These images are, on their side, result of the processes and proceedings carried out by the researcherartist-editor in his aesthetic quest. Thus, taking into consideration the concept ofserendipity, what at fist could be characterized in this research as the object of study, ended up, at last, as a tool for commenting and interpreting the themes that make up the nature of the editing process phenomenon.
Machado, Paulo Eduardo Ferreira 1960. "Artemídia impermanente : do transe ao trânsito de um editor de conteúdo de livros didáticos /". São Paulo, 2015. http://hdl.handle.net/11449/136749.
Pełny tekst źródłaBanca: Agnaldo Valente Germano da Silva
Banca: Anna Cláudia Agazzi
Banca: Dirceu Antônio Scali Júnior
Banca: Rubens Eduardo Monteiro de Toledo
Resumo: E ste trabalho tem por objetivo observar e interpretar a natureza de umfenômeno: oInglês como língua estrangeira modernaprocesso de edição de conteúdo de uma série didática de. Propõe-se a realizar a tarefa assumindo que processos em edição de conteúdo possuem equivalências com processos de prática em arte. Primeiramente, a investigação traça um panorama da busca do pesquisador-artista-editor pelo próprio objeto de estudo, no sentido de indicar como essa busca está imbricada na prática profisional do editor. Já o processo de edição é escrutinado a partir das textualizações feitas em uma perspectiva exotópica, tendo por base interações do editor com outros agentes do processo, apontamentos no caderno do pesquisadorartista-editor e elementos textuais do próprio objeto de edição, a série didática. Essas textualizações são a base da interpretação, tendo por viés uma abordagem hermenêutico-fenomenológica, que procura identifiar os temas que caracterizam a natureza do fenômeno. Umavezidentifiadosostemasemergentesdofenômeno processo de edição de conteúdo de uma série didática de Inglês como língua estrangeira, estes são comentados ou retextualizados através de imagens. Tais imagens são, por sua vez, resultado dos processos e procedimentos do pesquisadorartista-editor em sua busca estética. Desta forma,levando em consideração o conceito de serendipity, o que inicialmente se confiuraria na pesquisa como objeto de estudo, torna-se, em sua conclusão, instrumento para comentar e interpretar os temas que constituem a natureza do fenômeno do processo de edição.
Abstract: T his study aims at observing and interpreting the nature of a phenomenon:the content editing process of a textbook series on English as aforeign language. It proposes to accomplish the task by assuming that processes in content edition fid parallel in art practice processes. At fist, the investigation provides an overview of the researcher-artisteditor's quest for the study object itself, trying to indicate how this search is embedded in the editor's professional practice. On the other hand, the editing process is scrutinized from textualizations put down in a perspective of exotopy, based on the interactions of the editor with the other subjects in the process, on the researcher-artist-editor's pad notes and textual elements of the editing object, that is, the textbook series. These textualizations are the groundwork for interpretation from a hermeneutic phenomenological point of view, which tries to identify the themes underlying the phenomenon's nature. Once the emerging themes of the content editing process of a textbook series on English as a foreign language phenomenon are identifid, they are commented or re-textualized through images. These images are, on their side, result of the processes and proceedings carried out by the researcherartist-editor in his aesthetic quest. Thus, taking into consideration the concept ofserendipity, what at fist could be characterized in this research as the object of study, ended up, at last, as a tool for commenting and interpreting the themes that make up the nature of the editing process phenomenon.
Doutor
Sakata, Gonzáles Yuri Alithú. "El ideal de la impermanencia: la construcción conflictiva de la identidad vista a través del budismo zen en la novela La iluminación de Katzuo Nakamatsu de Augusto Higa Oshiro (2008)". Master's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/13389.
Pełny tekst źródłaTesis
Larrea, Jorquera María Carolina. "El Papel en el Geido, enseñanza, praxis y creación desde la mirada de Oriente". Doctoral thesis, Universitat Politècnica de València, 2015. http://hdl.handle.net/10251/53030.
Pełny tekst źródła[ES] Resumen EL PAPEL EN EL GEIDO- Enseñanza, praxis y creación desde la mirada de Oriente Palabras Clave: washi; Geido; papel hecho a mano; impermanencia; práctica del arte; kensho; naturaleza; educación en el arte; papel de fibras vegetales; budismo Zen. Este estudio presenta una reflexión sobre el sentido que ha tenido la práctica del arte del papel hecho a mano, desde una perspectiva histórica como testigo del desarrollo de la cultura del hombre, a través de su transmisión por todo Oriente, gracias a los viajes realizados por los monjes budistas en su difusión del Dharma; y desde una perspectiva de la práctica del arte tomada desde nuestra experiencia de taller como una forma de abordar la vida, como búsqueda de conocimiento y como proceso de creación. Ambas visiones nos conducen al mismo punto de encuentro, el Geido, o la vía del arte tradicional del budismo Zen; camino que se basa fundamentalmente en el proceso, cuyo origen se encuentra en la transición del Taoísmo al Budismo (del Tao al Do), y que se va recorriendo sin tener como objetivo final el resultado, sino el conocimiento de la propia naturaleza que progresivamente se va abriendo al aprendiz a través de la práctica disciplinada de un arte, de la mano de un mentor o maestro. Desde este recorrido, vamos exponiendo diversos aspectos que involucran el arte del papel hecho a mano, focalizándonos principalmente en el arte del washi o papel japonés, que engloba los aspectos más característicos de esta vía con una profunda base espiritual y filosófica, como es la observación, la transformación de la naturaleza y el sentido meditativo que contiene su práctica; y lo llevamos al ámbito de la educación superior para proponerlo como método de observación, aprendizaje y conocimiento del arte del papel y de todo arte vinculado íntimamente con la naturaleza.
[CAT] Resum EL PAPER AL GEIDO-Ensenyament, praxi i creació des de la mirada d'Orient Paraules Clau: washi, Geido, paper fet a mà, impermanència, pràctica de l'art, Kensho, natura, educació en l'art, paper de fibres vegetals, budisme Zen Aquest estudi presenta una reflexió sobre el sentit que ha tingut la pràctica de l'art del paper fet a mà, des d'una perspectiva històrica com a testimoni del desenvolupament de la cultura de l'home, a través de la seva transmissió per tot Orient, gràcies als viatges realitzats per els monjos budistes en la seva difusió del Dharma; i des d'una perspectiva de la pràctica de l'art presa des de la nostra experiència de taller com una forma d'abordar la vida, com a recerca de coneixement i com a procés de creació. Ambdues visions ens condueixen al mateix punt de trobada, el Geid¿, o la via de l'art tradicional del budisme Zen; camí que es basa fonamentalment en el procés, l'origen es troba en la transició del taoisme al Budisme (del Tao al Do), i que es va recorrent sense tenir com a objectiu final el resultat, sinó el coneixement de la pròpia naturalesa que progressivament va obrint a l'aprenent a través de la pràctica disciplinada d'un art, de la mà d'un mentor o mestre. Des d'aquest recorregut, anem exposant diversos aspectes que involucren l'art del paper fet a mà, focalitzant principalment en l'art del washi o paper japonès, que engloba els aspectes més característics d'aquesta via amb una profunda base espiritual i filosòfica, com és l'observació , la transformació de la naturalesa i el sentit meditatiu que conté la seva pràctica; i el portem a l'àmbit de l'educació superior per proposar com a mètode d'observació, aprenentatge i coneixement de l'art del paper i de tot art vinculat íntimament amb la natura.
Larrea Jorquera, MC. (2015). El Papel en el Geido, enseñanza, praxis y creación desde la mirada de Oriente [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/53030
TESIS
Pasaravičienė, Daiva. "Savanoriškai vaikus globojanti šeima: auklėjimo savitumas". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080924_181903-91118.
Pełny tekst źródłaAbout 20% of all inhabitans in Lithuania are children. After getting back the independence Lithuania faced with many difficulties: pervasive drug addiction, alcoholism, pornography, unemployment and etc. Thats why the number of unattended children which need our care is increasing nowdays. Children which are left by their parents are usually in care of other families and different state and private Foster Homes. The best thing is then the child is fostered in harmonious family. Only in a family the child can have the total socialization, when a person is in communication with other family member he naturally obserbs their experience, behaviour, tradicions and language. People who have fosterchildren usually have a lot of difficulties. The main problem of the reseach work is in what ways to bring up children, how to get experience on purpose to achieve the final positive rezult. It means total socialization of the child in society. The main subject of the reseach work ie the peculiarities and state of parenting in families which have fosterchildren. The aim of the reseach work is to show the peculiarities and state of parenting in families which voluntarily have fosterchildren. The pieces of the work are: to review the development of fosterage and its recent state in Lithuania, to survey the situatio and peculiarities of fosterchildren bringing up in families, to see how such families are supported to know what support they need most of all, what support they lack to find... [to full text]
CHIN-SHENG, CHANG, i 張志勝. "Impermanent Impression&Impressional Impermanence-Works of Recording the Present Moment". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/80378292431115617297.
Pełny tekst źródła大葉大學
造形藝術學系碩士在職專班
96
In addition to pursuing beauty, art conveys the impression of hidden ideas. In this impression, the author wishes to settle the tastes of “inconstant life”. These settled feelings and emotions are stories taking place in the time-space we exist. So why should we not take a “quick note” of the “present” memories which have made us feel frustrated, blank, infatuated, self-pitying, miserable, immersed in things that attract us, betray our love, crazed, hopeless, and even like failures? These splendid, true and eternal memories and emotions which we can grasp, though we may neither deliberately decorate them nor rack our brain to embellish youth, we can always learn from them that the value and content of life is noble and profound. Wishing to face “the variable impressions and varying impressions” with innocent eyes, the author abandoned all camouflage and falsification and grasped this innocent and weary road of life with powerful hands to present the truth with the sparkle of creation. This truth, the author exploited all “quick sketch” skills, including (1) the light and shadow in impressionism; (2) surrealism; (3) quasi-cartoon layout; (4) desire expression; (5) direct expression like freehand brushwork, color expression, spiritual implications and emotional expressions; (6) representational tokens; (7) extra sensory picture portfolio; and (8) metaphors and irony, to create a series of works that focus on the “variable impressions” in human life. These works fall into four categories, namely, the (1) political, (2) emotion, (3) social, and (4) life series.
Catanu, Paul. "Becoming and impermanence in Nietzsche's Philosophy". Thèse, 2008. http://hdl.handle.net/1866/6576.
Pełny tekst źródłaZbinden, Sven Eric. "Architecture and impermanence: The re-thinking of territories". Thesis, 2003. http://hdl.handle.net/1911/17634.
Pełny tekst źródłaLiu, Mei-Hui, i 劉美惠. "Mixed Media Art Production on Impermanence and Unhindered Mind". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/17072744917189311239.
Pełny tekst źródła文藻外語大學
創意藝術產業研究所
102
The study aims to examine viewpoints about life and death from the perspectives of religion, philosophy, and art. It seeks to shed light on the following issues: the meaning and impermanence of life, the origin and destination of life, and the essence and value of life. By investigating the creative process involving mixed media that incorporates the concepts of “impermanence” and “unhindered mind” this paper also hopes to review the artist’s experiences and bring enlightenment to the self. The research is divided into three main sections: literature review, analysis of artworks, and examination of the artist’s works. Literature review focuses on discourse of life and death in Buddhist, Taoist, Catholic literature, and important philosophical thoughts. Different as they are in the interpretations of life, they share a common cause to enunciate the value of life and its existence, maintaining that as human beings, people should make use of their natural talents and instincts for self-enlightenment and to enlighten others. The analysis of artworks examines works in the East and the West which deal with the subject of life and death from the perspectives of creative idea, academic theory, content of form, and media skills. Works of art are the vessel that carries the artists’ emotions and mental imageries, which invite viewers to share the essence of life as expressed by the works. The author’s works are categorized into two main series: “impermanence” and “unhindered mind” The former deals with four subjects: the four sufferings of life (birth, aged, illness, and death); things cannot be pursued; unpredictability; the four kalpas of the Great Eon (eon of evolution, eon of evolution-duration, eon of dissolution, and eon of dissolution-duration). The latter highlights the four concepts of the Diamond Sutra: “giving without clinging to form,” “liberating sentient beings without the concept of self,” “living without abiding,” and “cultivating without asking for gain.” It is through recognizing the essence of life and death that one can understand the nature of impermanence in life. The researcher seeks to address the impermanence of life and death, in order to attain the state of “unhindered mind” It is both the starting point of this study, and the final destination for this life.
SHEN, MENG-SYUAN, i 沈孟萱. "Impermanence and Endless -Design Belief Space for Hinduism in Malaysia". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/7275ax.
Pełny tekst źródła樹德科技大學
建築與室內設計研究所
106
In 21st centuries, people make new life style continuously because technology has made enormous progress. When people focus on something different from usual, religion is no longer absolutely relied by people. However, the world in which we live still influenced by religion. Somebody still chase after past ideal world partially. And there is different sense of religion in different people’s mind. People with demand for religious beliefs can re-establish alienated interpersonal by religious activity. Space and building is changing with times. It is interpreted by new aesthetic perception or new material. However, the essence of expression will not be changed. It still can be interpreted by different people. The preservation of religious culture requires religious activity. And the continuation of religious activity brings out belief space. Space preserve culture and let culture can revive space. There have interdependent relationship. Up to now, it is closely integrated with our life. Culture of Hinduism is mixed with another culture by spreading. It will try to blend in with local and keep its’ original tradition. Finally, it will be produced new feature. In this design thesis, we designed new belief space for Hindus reinterpret literature of Hinduism. Then We planned Hindu temple, its belief space and school, and studied new style of temple space with combining local characteristic. Furthermore, we designed belief space for local Hindus and pilgrim.
Wu, Yao-Ching, i 吳耀清. "Senior High School Students’ Intention of EnvironmentalBehavior influenced by Impermanence of Life". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/x252wn.
Pełny tekst źródła環球科技大學
環境資源管理所
101
According to the experiment of King et al., this research did some adjustment in experiment to explore whether the high school students near Mailiao naphtha cracker plant will more cherish their life and try to realize the tendency about life because they knew life was short. And by the result, we tried to explore the feasibility of environmental risky education. This research used two experimental design to explore whether the students of Mailiao senior high school will be influenced by the impermanent life. The subjects of experiments were divided into two groups (case and control). One group received the stimulus of filling in words about death and the other received the stimulus of filling in words about pain. After the stimulus, subjects answered the inventory about the meaning of life, the concern of environment and the agreement of environmental behavior. The results of research are listed as follows: 1. Subjects can take easy environmentally action, but they rarely participate in political and lawful action. 2. Subjects still have contradictory attitude that human being usually have about natural environment. 3. Subjects think that they have sense of life meaning and the motivation of seeking life. 4. Sex and age of subjects won’t influence the results. 5. Stimulus of impermanent life can’t influence the results of other variances and inventory.
Li, Li-chiu, i 李麗秋. "The Impermanence Concept in Classical Literature:a Study Based on "Hojoki" and "Tsurezuregusa"". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/10203164000853785275.
Pełny tekst źródła義守大學
應用日語學系碩士班
97
A sense of the evanescence [vanity] of life is closely relate with Buddhism, and has a far-reaching impact on Japan. With the introduction of Buddhist thoughts into Japan, Japan, from the national culture to the religious beliefs, was deeply influenced. Through the literary works, this study discusses what influence a sense of the evanescence [vanity] of life in Buddhism had on Japanese people, how the following generations further understood this concept, and how the concept was developed. Also, by studying the impermanence concept in these two works, it is aimed to find what influence the concept has in modern society. Since these two works were created in the medieval times, it is worth studying how people, events, objects and concepts of the same ages were mutually related from the perspectives of different dynasties and different times. This study aims to discuss a sense of the evanescence [vanity] of life in two classical literary works, “Hou Zyou Ki” and “Tu Re Du Re Gu Sa,” and the impact it has on the following generations. Meanwhile, the thought, the concept and the national culture the authors wished to convey to the readers are also discussed respectively. Through the analysis and discussion in this study, the characteristics of the impermanency concept are introduced, which help us understand more about the profundity of these two well-known works of occasional scribbling writing as well as the different stylistic cultures, and further develop the intention to further study Japanese culture.
Chiang, Yi-Shiung, i 江義雄. "“Black and White Impermanence”and“Generals Fan and Xie”Research in Taiwan". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/56428226057935539235.
Pełny tekst źródłaWong, Andrea. "London Layover: Impermanent dwelling in a nomad's city". Thesis, 2011. http://hdl.handle.net/10012/5847.
Pełny tekst źródłaYANG, CHUN-CHA, i 楊春茶. "From the Dying Accompany to the Life Care--The Concept on the Impermanence of the Death of《The Great Treatise on the Stages of The Path to Enlightenment》". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/478ke5.
Pełny tekst źródła南華大學
生死學系哲學與生命教育碩士班
105
Nowadays the medical concept has changed from “cure” to “care”, and therefore, the important problems that the dying life will face are the medical choice or spiritual accompanionship. Based on the classic《The Great Treatise on the Stages The Path to Enlightenment》 , this study states the philosophyies of "impermanence of the death," the drawbacks of wasting time or commiting evil action, and the unique advantages of doing beneficent works to people . Because of the awareness of mutual benefits, intensive spiritual practice, and inspiration of the wisdom about death and life,the regrets in life at facing dying are reduced This study also describes the life accompany on the deathbed, the life attitude towards the dying, advantages and disadvantages of medical choice, and the significance of spiritual blessings. Besides, it showed the evelasting spirit of hospice care and of life in the lead by the other life. When facing the dying,if the companions can’t give up the medical treatment, the dying life will suffer from tortures. Instead, the quality of spiritual care of the dying life can be promoted by refusing invasive treatment. From the researcher’s mother and a number of dying life care experience, the researcher finds that the dying life and family members can enhance their spiritual level and go beyond the fear of death through care and companionship. When people expands their life patterns, the companions can realize that it is happier to give than to receive; at the same time, the dying can die a natural death with dignity. The main findings and conclusions are as follows: First, everybody must die, and it comes at any time. We take nothing with us when we die. Therefore, we have to spur on striving after virtue and practicing good deeds to die a natural death at the end of life. Second, by refusing the invasive treatment, the dying life doesn’t have to suffer physically and mentally anymore, and dies naturally and peacefully. Third, let everyone do the best to learn constantly and attain growth while alive, and develop the greatest value of life. In addition, let everyone heal himself and others by caring for the lives tolerantly and mercifully. The researcher hopes that the subjective experience of this study can be helpful for the dying and their family members. The researcher also anticipates that the study can provide people with a new understanding and attitude toward "the dying", and keep away from the unnecessary sadness and sorrow.
Sá, Sara Carina Gomes Correia. "Metabolismo: perpetuidade de impermanência". Master's thesis, 2021. http://hdl.handle.net/1822/76595.
Pełny tekst źródłaMetabolismo: Perpetuidade de Impermanência propõe evocar uma viagem ao oriente num momento de retrospectiva dos anos sessenta. Mergulhamos numa análise experimental sobre as memórias modernas de um movimento arquitectónico singular: o Metabolismo. Visando o estudo do seu manifesto, é explorado um espectro cultural extremamente peculiar à realidade ocidental; envolvendo momentos internacionais, são abordadas noções, por vezes paralelas, quase que tangentes, que tocam ilusoriamente em premissas irreverentes. Procura-se realçar determinados momentos históricos que preconizaram o modernismo japonês; compreender a atmosfera heurística que deu génese ao movimento em estudo, explorando cronologicamente as suas ideologias e obras. Propõe-se uma análise entre o tradicionalismo e o modernismo, envolvidos na identidade nipónica, explorando a sua narrativa ecléctica. Pretende-se uma dialéctica, em modo de ensaio, que visa observar, o último movimento avant-garde da arquitectura moderna. Numa investigação entre memórias de manifestos e projectos experimentais, procura-se reflectir de que modo poderiam coincidir ou convergir, intersectando duas realidades, num paralelismo de possibilidades utópicas.
Metabolism: Perpetuity of Impermanence proposes to evoke a journey to the Orient in a moment of retrospective of the sixties. We immerse ourselves in an experimental analysis of the modern memories of a singular architectural movement: Metabolism. Aiming at the study of its manifesto, a cultural spectrum extremely peculiar to the western reality is explored; involving international moments, notions are approached, sometimes parallel, almost tangent, which illusory touch on irreverent premises. It seeks to highlight certain historical moments that advocated Japanese modernism; understand the heuristic atmosphere that gave rise to the movement under study, exploring its ideologies and works chronologically. It proposes an analysis between traditionalism and modernism, involved in the Japanese identity, exploring its eclectic narrative. It is intended a dialectic, in rehearsal mode, which aims to observe the latest avant-garde movement of modern architecture. In an investigation between memories of manifestos and experimental projects, the aim is to reflect on how they could coincide or converge, intersecting two realities, in a parallelism of utopian possibilities.
PALCOVÁ, Petra. "Pomíjivost (cyklus 10 maleb v kombinované technice na téma zanikání fyzické hmoty).Prakticko-teoretická práce". Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-53158.
Pełny tekst źródła