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Artykuły w czasopismach na temat "Impermanence"

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Underhill, L. "Impermanence". Interdisciplinary Studies in Literature and Environment 14, nr 2 (1.07.2007): 235–42. http://dx.doi.org/10.1093/isle/14.2.235.

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Bradley-Springer, Lucy. "Impermanence". Journal of the Association of Nurses in AIDS Care 20, nr 4 (lipiec 2009): 247–48. http://dx.doi.org/10.1016/j.jana.2009.05.001.

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Ali, Syed. "Permanent Impermanence". Contexts 9, nr 2 (maj 2010): 26–31. http://dx.doi.org/10.1525/ctx.2010.9.2.26.

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Andrew J. Nathan. "Authoritarian Impermanence". Journal of Democracy 20, nr 3 (2009): 37–40. http://dx.doi.org/10.1353/jod.0.0097.

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Kahn, David. "Impermanence and Buddhism". Philosophers' Magazine, nr 80 (2018): 33–36. http://dx.doi.org/10.5840/tpm20188010.

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Kimura, Yukari. "Mundaneness and Impermanence". Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 69, nr 2 (25.03.2021): 913–08. http://dx.doi.org/10.4259/ibk.69.2_913.

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Miller, Erin T., i Samuel J. Tanner. "Moving into impermanence". Journal of Curriculum and Pedagogy 17, nr 2 (3.05.2020): 99–102. http://dx.doi.org/10.1080/15505170.2020.1786656.

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Steinberg, Karl. "Impermanence and Loss". Caring for the Ages 20, nr 7 (październik 2019): 14. http://dx.doi.org/10.1016/j.carage.2019.08.015.

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Greco, Francesca. "Reformulating Indifferentism". European Journal for Philosophy of Religion 14, nr 3 (16.10.2022): 227–38. http://dx.doi.org/10.24204/ejpr.2022.3909.

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In his examination of the concepts of evil and impermanence, entitled “Evil and the Problem of Impermanence in Medieval Japanese Philosophy”, Yujin Nagasawa addresses four responses to the problem of impermanence, arguing that the only satisfactory response to the problem leads to an implication about supernaturalism. As Nagasawa puts it, “the problem of impermanence can be construed as a partial argument for supernaturalism and against naturalism”. In response to Nagasawa, I will take up the challenge of naturalism by trying to deconstruct the arguments against indifferentism in order to reformulate and thus strengthen Nagasawa’s response to the problem of impermanence. I will then turn to the radicalization of this thesis by drawing out implications through a comparison with Dōgen’s thought.
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Gokhale, Pradeep P. "Buddhist Approaches to Impermanence: Phenomenal and Naumenal". Religions 12, nr 12 (8.12.2021): 1081. http://dx.doi.org/10.3390/rel12121081.

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The doctrine of impermanence can be called the most salient feature of the Buddha’s teaching. The early Buddhist doctrine of impermanence can be understood in four different but interrelated contexts: Buddha’s empiricism, the notion of conditioned/constituted objects, the idea of dependent arising, and the practical context of suffering and emancipation. While asserting the impermanence of all phenomena, the Buddha was silent on the questions of the so-called transcendent entities and truths. Moreover, though the Buddha described Nibbāṇa/Nirvāṇa as a ‘deathless state’ (‘amataṃ padam’), it does not imply eternality in a metaphysical sense. Whereas the early Buddhist approach to impermanence can be called ‘phenomenal’, the post-Buddhist approach was concerned with naumena (things in themselves). Hence, Sarvāstivāda (along with Pudgalavāda) is marked by absolutism in the form of the doctrines of substantial continuity, atomism, momentariness, and personalism. The paper also deals with the approaches to impermanence of Dharmakīrti and Nāgārjuna, which can be called naumenal rather than strictly phenomenal. For Dharmakīrti, non-eternality was in fact momentariness and it was not a matter of experience but derivable conceptually or analytically from the concept of real. Nāgārjuna stood not for impermanence, but emptiness (śūnyatā), the concept which transcended both impermanence and permanence, substantiality and non-substantiality.
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Rozprawy doktorskie na temat "Impermanence"

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Miller, Nadine Lee. "Concrete impermanence". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/MQ52728.pdf.

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Sundrup, Michael Francis. "Impermanence memento mori /". Cincinnati, Ohio : University of Cincinnati, 2008. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1212086510.

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Thesis (Master of Architecture)--University of Cincinnati, 2008.
Committee/Advisors: Riorden Elizabeth (Committee Chair), Michael McInturf (Committee Co-Chair). Title from electronic theses title page (viewed Sep. 2, 2008). Includes abstract. Keywords: Shanghai; 2010; World Expo; World Fair; Impermanence; design for disassembly. Includes bibliographical references.
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SUNDRUP, MICHAEL FRANCIS. "Impermanence: Memento Mori". University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212086510.

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Ferland, Éric. "Impermanence et moments chez Vasubandhu". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ29491.pdf.

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Ferland, Eric. "Impermanence et moments chez Vasubandhu". Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26686.

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This thesis summarily examines the concepts of moment, momentariness (ksanikavada) and impermanence (anitya) in Indian Buddhism, especially in the influential treatises produced by Vasubandhu (fifth century A.D.) An expose of impermanence and momentariness is at once a fair picture of the religious philosophy that mostly was Indian Buddhism--a religion appropriate on the philosophical level.
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Khalili, Clifford Meena. "Visualizing Cultural Impermanence Through Entropic Design". VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2094.

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Entropy is a process of gradual decline as a system loses the strength to maintain itself. It begins with disorder and results in complete transformation. As a multi-cultural American, it has been my experience that the maintenance of my Iranian heritage parallels this concept. A method of visual communication that incorporates entropy is able to express notions of impermanence, disorder and transformation. This project is focused on employing entropy in the process of design and image making by using the transformation of my cultural identity as primary content.
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Whyte, Ross. "Perpetual erosion : impermanence in audio-visual intermedia". Thesis, University of Aberdeen, 2012. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=196018.

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Karlström, Anna. "Preserving Impermanence : The Creation of Heritage in Vientiane, Laos". Doctoral thesis, Uppsala universitet, Afrikansk och jämförande arkeologi, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-101166.

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This thesis is about the heritage in Vientiane. In an attempt to go beyond a more traditional descriptive approach, the study aims at bringing forward a discussion about the definition, or rather the multiplicity of definitions, of the concept of heritage as such. The unavoidabe tension emanating from a modern western frame of thought being applied to the geographical and cultural setting of the study provides an opportunity to develop a criticism of some of the assumptions underlying our current definitions of heritage. For this particular study, heritage is defined as to include stories, places and things. It is a heritage that is complex and ambiguous, because the stories are parallel, the definitions and perceptions of place are manifold and contested, and the things and their meaning appear altered, depending on what approach to materiality is used. The objective is not to propose how to identify and manage such a complex heritage. Rather, it is about what causes this complexity and ambiguity and what is in between the stories, places and things. In addition, the study aims to critically deconstruct the contemporary heritage discourse, which privileges material authenticity, form and fabric and the idea that heritage values are universal and should be preserved for the future and preferably forever. In Laos, Buddhism dominates as religious practice. In this context, the notion of material impermanence also governs the perception of reality. Approaches to materiality in Buddhism are related to the general ideas that things are important from a contemporary perspective and primarily as containers for spiritual values, that the spiritual values carry the connection to the past, and that heritage is primarily spiritual in nature and has little to do with physical structure and form. By exploring the concepts of restoration, destruction and consumption in such a perspective, we understand that preservation and restoration are active processes of materialisation. We also understand that destruction and consumption are necessary for the appreciation of certain heritage expressions, and that heritage is being constantly created. With this understanding, this book is an argument for challenging contemporary western heritage discourse and question its fundamental ideology of preservationism.
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Gee, Sarah. "An exploration of impermanence in contemporary ceramic art practice". Thesis, University of Sunderland, 2016. http://sure.sunderland.ac.uk/8320/.

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This practice-led research investigates clay-based impermanent creativity, exploring this means of expression as a contribution to knowledge in the expanded field of contemporary ceramic art practice. The research considers recent developments in innovative work by practitioners from the ceramic tradition, characterised by unconventional uses of material, natural decay and weathering, deliberate destruction, performance and physicality. A key aspect of the research exploration is phenomenographic alignment of personal praxical development with that of contemporaries sharing backgrounds in the ceramic tradition. A case study approach based on a reflexive Schönian and Kolbian cycle is utilised and research material is viewed from trans-disciplinary perspectives to explore and elucidate its nature, impacts and implications. Impermanence in clay is found to de-familiarise art work, altering and enhancing the creative role of percipients. Relationships between work, maker and percipient are explored. Mediatisation of impermanent clay-based art is considered for its impact on work’s reception and interpretation. A perceptible shift is detected in such art practice from the arena of visual art towards that of performance, moving artist and audience relationships towards shared ownership in ceramic creativity, in which co-presence of work and percipient are essential. Aspects of relational aesthetics offer a cogent framework. Consideration is given to clay’s shared significance with other basic materials such as textile in holding meaning beyond its physicality. The thesis contributes to the discourse on methodological frameworks for practice-led research and to academic writing on contemporary ceramic art in its exploration of clay-based impermanence, encompassing maker intentionality, material alteration and destruction, site/location and significance, performativity and unrepeatability, and record. It provides a transferable research model for considering creative impermanence. Areas identified for further research include artist/audience relationships and the nature of creativity, the role of location, performativity as an aspect of contemporary practice, and curation of performance and impermanence.
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Karlström, Anna. "Preserving impermanence : the creation of heritage in Vientiane, Laos /". Uppsala : Uppsala University, Department of Archaeology and Ancient History, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-101166.

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Książki na temat "Impermanence"

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Impermanence. Victoria, B.C: Ekstasis Editions, 2012.

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1974-, Hodge Hi-Jin Kang, red. Impermanence: Embracing change. Ithaca, NY: Snow Lion Publications, 2008.

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1955-, Srinivas K. (Kunchapudi), red. Buddhist ethics in impermanence. New Delhi: D.K. Printworld, 2011.

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Debī, Jyotirmmaẏī. The impermanence of lies: Stories. Calcutta: Stree, 1998.

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The public world/syntactically impermanence. [Middletown, Conn.]: Wesleyan University Press, 1999.

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Lin, Yutang. Impermanence: A Buddhist view of life. El Cerrito, Calif: Yutang Lin, 1999.

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Ratnagoḍa, Lasanta. Siyalu saṃskāra dharma năsena suḷuya. Varakapola: Āriya Prakāśakayō, 2006.

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Vaṅʻʺ, Khyacʻ Caṃ. Chanʻ phvapʻ saññʻʹ ʼa bhuiʺ ʼui. Ranʻ kunʻ: Panʻʺ Myuiʺ Tacʻ rā Cā pe, 1998.

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Bodhesako. Change: An examination of impermanence in experience. Colombo, Sri Lanka: Karunaratne & Sons, 1991.

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Jake fades: A novel of impermanence. Boston: Trumpeter, 2007.

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Części książek na temat "Impermanence"

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Brillenburg Wurth, Kiene. "Impermanence". W The Palgrave Encyclopedia of the Possible, 1–6. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-98390-5_230-1.

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Brillenburg Wurth, Kiene. "Impermanence". W The Palgrave Encyclopedia of the Possible, 760–65. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90913-0_230.

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Coleman, C. Norman, i Karolynn F. Coleman. "Understanding Impermanence". W Identity in a Changing World, 19–27. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18582-4_3.

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Fisher, Paul. "Sustainable Impermanence". W New Giants Rising, 79–91. New York : Taylor & Francis, [2018]: Productivity Press, 2018. http://dx.doi.org/10.1201/b22056-8.

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Anālayo, Bhikkhu. "Impermanence (Buddhist)". W Encyclopedia of Sciences and Religions, 1044–46. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_1618.

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Agganyani, Ven. "Anicca: Impermanence". W Encyclopedia of Sciences and Religions, 102. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_201205.

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Eriksen, Christine, i Susan Ballard. "Impermanence: Elemental Forces". W Alliances in the Anthropocene, 91–114. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2533-9_6.

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Rovira, Roberto. "Varying degrees of impermanence". W Innovations in Landscape Architecture, 223–35. Abingdon, Oxon ; New York, NY : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315716336-15.

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Anālayo, Bhikkhu. "Impermanence in Early Buddhism". W Encyclopedia of Mindfulness, Buddhism, and Other Contemplative Practices, 1–2. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90465-4_13-1.

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Kahn, David. "LEGO®, Impermanence, and Buddhism". W LEGO® and Philosophy, 185–92. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119194033.ch18.

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Streszczenia konferencji na temat "Impermanence"

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Tien-Yu, Miao. "Impermanence". W ACM SIGGRAPH 2013 Computer Animation Festival. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2503541.2503583.

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Wardrip-Fruin, Noah. "Hypermedia, eternal life, and the impermanence agent". W ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.312630.

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Celento, David, i Rebecca Henn. "Nimble Urban Dwellings: Re-enabling Permanent Impermanence". W eCAADe 2011 : Respecting Fragile Places. eCAADe, 2011. http://dx.doi.org/10.52842/conf.ecaade.2011.635.

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Gallina, Barbara, i Sasikumar Punnekkat. "FI4FA: A Formalism for Incompletion, Inconsistency, Interference and Impermanence Failures' Analysis". W 2011 37th EUROMICRO Conference on Software Engineering and Advanced Applications (SEAA). IEEE, 2011. http://dx.doi.org/10.1109/seaa.2011.80.

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Panutsos, Melanie. "The Impermanence of Permanence: Questioning Permanence As a Central Tenant of Sustainability". W Architectural Engineering Conference 2013. Reston, VA: American Society of Civil Engineers, 2013. http://dx.doi.org/10.1061/9780784412909.074.

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Tsafoulia, Loukia. "Transient Spaces: Building Community in Crisis Contexts Project". W 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.2.

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Transiency no longer appears as a condition of exception, but rather as the predominant mode of existence. The increased tension across and beyond national borders and territorial divisions has drawn the attention of designers across the globe and densified our reflections on questions of identity, equality, politics and economic exchange, expanding the reach of design from the realm of physical forms, into modes of interaction in social spaces. The project presents design outcomes from the research conducted and methods employed during the advanced architectural design studio I developed and taught at the CCNY during 2017. The studio triggered an international call for contributions and it is currently under development for a book publication that explores the concept of impermanence in global contemporary society and aims to stimulate conversations about the potential of a new public realm.
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Bordalo, Ana, i Ana paula Rainha. "Marginal Architecture [How will we live together?] - a process under construction…". W 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021273n11.

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The organization of territory and cities is a structuring element for the management of epidemic crises. The existence of basic sanitary structures is, nowadays, an acquired and determined factor for the healthiness of territories, as well as for the structural contribution to the well-being of the populations. Since the 19th century epidemic crises established health parameters for Architecture and Urbanism, which are still a reference today. Almost after one hundred years, where the questions of salubrity were supposed to be consolidated, we find that, suddenly, without advice, new alarm bells rings: we found that the world was not prepared to be closed in its “housing units”. Assuming Portimão as an urban laboratory and as a waterfront city, we will present the process developed for studies, searching for proposals witch solutions look for a contemporary assignment, which imposes to Architecture a principle settled on options of sustainability, impermanence, reuse and recycling.
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Tsafoulia, Loukia, i Severino Alfonso. "Transient Spaces: Building Community in Crisis Contexts". W 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.1.

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Transiency no longer appears as a condition of exception, but rather as the predominant mode of existence in many parts of the world. The increased tension across and beyond national borders and territorial divisions has drawn the attention of designers across the globe and densified our reflections on questions of identity, equality, politics and economic exchange, expanding the reach of design from the realm of physical forms, into modes of interaction in social spaces. Planners and architects are being challenged to create infrastructural systems and new spatial structures of unparalleled resilience and elasticity. The paper presents part our research on the refugee crisis in the context of Greece, intertwined with the process and the experience gained as part of an advanced design studio Loukia Tsafoulia developed and taught during spring 2017 at the City College of New York. After its conclusion, the studio triggered an international call for contributions and it is currently under development for a book publication titled Transient Spaces, that explores conditions of impermanence and aims to stimulate conversations on issues of belonging and displacement.
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Plumb, Helen. "IMPERMANENT ART- THE ESSENCE OF BEAUTY IN IMPERFECTION". W CAT 2010: Ideas before their time : Connecting the past and present in computer art. BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/cat2010.9.

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Queiroz, Suzane, i Alfredo Jefferson. "Humanidade 2012: Do Impermanente ao Efêmero, um Protótipo de Solução Sustentável". W 7º Simpósio Design Sustentável. São Paulo: Editora Blucher, 2019. http://dx.doi.org/10.5151/7dsd-2.1.030.

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Raporty organizacyjne na temat "Impermanence"

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March, Tanya. Guild's Lake Courts : an impermanent housing project. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.2806.

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Woodruffe, Paul. Suburban Interventions: Understanding the Values of Place and Belonging Through Collaboration. Unitec ePress, maj 2012. http://dx.doi.org/10.34074/ocds.12012.

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How can a socially defined project facilitate meaningful knowledge transfer between community, corporate and institution? In order to address this question, this paper focuses on an ongoing live project in suburban Auckland New Zealand begun in 2010, undertaken by a post-graduate student and researcher collective. The collective currently creates subtle interventions sited within local cyberspace, and through this current project will employ impermanent and small-scale design to advocate for a series of neglected and disputed sites. It explores the impact and value the presence of artists and designers working within local communities can have, and “champions the role of the artist in the development of the public realm, and their intuitive response to spaces, places, people and wildlife” (Wood 2009, p.26). The significance of this project is that it promotes a collaborative and multidisciplinary methodology that works with community groups to advocate to corporate entities for a wider social and environmental awareness of specific sites. This paper aims to explain the processes and findings of the project to date through both its successes and failures. It also proposes the possibility of the methodology being transferred to undergraduate and post-graduate study as a tool to promote multi-disciplined collaborate project briefs that focus on community well being.
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Woodruffe, Paul. Suburban Interventions: Understanding the Values of Place and Belonging Through Collaboration. Unitec ePress, maj 2012. http://dx.doi.org/10.34074/ocds.12012.

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How can a socially defined project facilitate meaningful knowledge transfer between community, corporate, and institution? In order to address this question, this paper focuses on an ongoing live project in suburban Auckland New Zealand began in 2010, undertaken by a post-graduate student and researcher collective. The collective currently creates subtle interventions sited within local cyberspace, and through this current project will employ impermanent and small-scale design to advocate for a series of neglected and disputed sites. It explores the impact and value the presence of artists and designers working within local communities can have, and “champions the role of the artist in the development of the public realm, and their intuitive response to spaces, places, people and wildlife” (Wood 2009, p.26). The significance of this project is that it promotes a collaborative and multidisciplinary methodology that works with community groups to advocate to corporate entities for a wider social and environmental awareness of specific sites. This paper aims to explain the processes and findings of the project to date through both its successes and failures. It also proposes the possibility of the methodology being transferred to undergraduate and post-graduate study as a tool to promote multi-disciplined collaborate project briefs that focus on community well being.
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