Gotowe bibliografie tematyczne / Imperialism in motion pictures

Gotowa bibliografia na temat „Imperialism in motion pictures”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 26 lutego 2023

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Spis treści

Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Imperialism in motion pictures”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Artykuły w czasopismach na temat "Imperialism in motion pictures"

1

Nangimah, Musrifatun. "The cultural repertoire of recontextualized superhero in the Avengers sequels". EduLite: Journal of English Education, Literature and Culture 6, nr 2 (31.08.2021): 353. http://dx.doi.org/10.30659/e.6.2.353-368.

Pełny tekst źródła
Streszczenie:
This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe�s superhero motion pictures. It investigates the content, theme, and core ideas of Avengers sequels: The Avengers (2012), Avengers: Age of Ultron (2015), Avengers: Infinity War (2018), and Avengers: Endgame (2019). It explores how the Avengers sequels portrays recontextualization of superhero characters and whether as well as to what extent it provides US cultural monomyth. The finding shows that each character of the Avengers has flaws and vulnerabilities as common human beings that leave them from traditional superhero monomyth. Nevertheless, it still illustrates US cultural imperialism, pharmakon portrayal, hegemonic masculinity, and sovereignty. These motion pictures still serve US heroism and patriotism interest as well as binary interplay: order-chaos, law-violence and villain-superhero that occurs among superheroes, extra-terrestrial race, robots and Titans despite its recontextualized characters. Moreover, it depicts the traditional masculine ideal valorisation where men are more likely powerful, intelligent, and equipped by sophisticated technology whereas women are seen as supportive superheroes with implied beauty standards. The recommendation for future research is discussed.
Style APA, Harvard, Vancouver, ISO itp.
2

Geiger, Jeffrey. "Exquisite wonder: Colour film, realism and the Yankee voyage, 1936–38". Journal of New Zealand & Pacific Studies 8, nr 1 (1.05.2020): 57–79. http://dx.doi.org/10.1386/nzps_00015_1.

Pełny tekst źródła
Streszczenie:
This article looks at rare Kodachrome film taken across Oceania, mostly shot by a skilled amateur filmmaker, Edmund Zacher, to document the circumnavigation of the famous clipper Yankee. There are three intertwined lines of inquiry traced here. The first explores relations between US imperialism, moving image media and a popular imaginary, considering how experiences of virtual travel engage with cultural ideology. The second examines how this footage may be interpreted: how might critical frameworks brought to bear on amateur non-fiction differ from those commonly applied to professional and narrative fiction film? A key reference point is the theory of cinematic gesture developed by Giorgio Agamben, who expands on the work of Gilles Deleuze and his notion of the movement image. This stress on gesture and on the mediality of moving images leads towards a third key area under consideration: colour and the (then) new medium of Kodachrome. Homing in on relations between colour stock and motion picture realism, this study explores the ways that Kodachrome colour might have affected broader perceptions of the world itself.
Style APA, Harvard, Vancouver, ISO itp.
3

Young, Linda. "Motion Pictures". SMPTE Journal 105, nr 4 (kwiecień 1996): 177–78. http://dx.doi.org/10.5594/j15829.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Masson, Alan J. "Motion Pictures". SMPTE Journal 108, nr 2 (luty 1999): 75–78. http://dx.doi.org/10.5594/j17112.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Masson, Alan J. "Motion Pictures". SMPTE Journal 107, nr 1 (styczeń 1998): 11–13. http://dx.doi.org/10.5594/j17616.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Bonnaud, Irène, Suzanne Doppelt, Christophe Triau i Sacha Zilberfarb. "Motion pictures". Vacarme 15, nr 2 (2001): 60. http://dx.doi.org/10.3917/vaca.015.0060.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Burns, Edward J. "Motion Pictures". SMPTE Journal 97, nr 4 (kwiecień 1988): 268–74. http://dx.doi.org/10.5594/j00667.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Young, Linda. "Motion Pictures". SMPTE Journal 106, nr 1 (styczeń 1997): 9–11. http://dx.doi.org/10.5594/j09530.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Ricotta, Frank J. "Motion Pictures". SMPTE Journal 104, nr 4 (kwiecień 1995): 186–88. http://dx.doi.org/10.5594/j09609.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Ricotta, Frank J. "Motion Pictures". SMPTE Journal 103, nr 4 (kwiecień 1994): 211–15. http://dx.doi.org/10.5594/j09688.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Rozprawy doktorskie na temat "Imperialism in motion pictures"

1

Li, Chun-hoi Benjamin, i 李俊海. "Madame butterfly and orientalism". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952732.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Bae, Juyeon. "The representation of Asian others in Korean cinema since 2003 : multiculturalism, nationalism and sub-imperialism". Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33610/.

Pełny tekst źródła
Streszczenie:
This thesis elucidates current industrial and representational tendencies in South Korean films that depict Asian others. Asian others such as migrant workers, marriage migrants, overseas ethnic Koreans and North Korean defectors have become increasingly important in South Korean filmic discourse and practice since 2003. This thesis examines how contemporary Korean cinema has responded to the multicultural society and how it seeks to articulate Korean nationalism in the globalised era through the appropriation of Asian others. Such films are intertwined with governmental policies of multiculturalism and discourses on globalisation and thus reflect historical formations both inside and outside South Korean cinema. In particular, this thesis places the celebration of multicultural identity in Korean cinema into dialogue with existing debates on nationalism and sub-imperialism. Through case studies of selected films, this thesis investigates the tension between a changing society and emerging sub-imperial perspectives. The specific interest of this thesis lies in the examination of historical, geopolitical and socio-cultural trajectory in the representation of Asian others, since this discursive structure has been formed around Asia and its regional socio-political history. In doing so, this thesis aims to shift the discursive sphere of these films, which is limited to the discussion of multiculturalism and globalisation, to an expanded sphere which embraces historical and regional perspectives.
Style APA, Harvard, Vancouver, ISO itp.
3

Lam, Sui-kwong Sunny. "The impact of translated Japanese comics on Hong Kong cinematic production : cultural imperialism or local redeployment? /". Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18598389.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Li, Chun-hoi Benjamin. "Madame butterfly and orientalism". Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B22535305.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Lam, Sui-kwong Sunny, i 林萃光. "The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Emerson, John. "The representation of the colonial past in French and Australian cinema, from 1970 to 2000 /". Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Cazdyn, Eric M. "Problem cinema : culture, capital and form in Japan /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Chan, Kim-mui Eileen. "Postmodernity and recent Hong Kong cinema /". Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Carbonaro, Joseph. "Enabling church members to evaluate the moral content of feature films". Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Tam, Siu-yan Xavier. "Between penumbrae and shadow contextualizing transnational queer Chinese cinemas /". Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Książki na temat "Imperialism in motion pictures"

1

James, Chapman. Projecting empire: Imperialism and popular cinema. London: I.B. Tauris, 2009.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Chapman, James. Projecting empire: Imperialism and popular cinema. London: I.B. Tauris, 2009.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Anderson, Mark Cronlund. Cowboy imperialism and Hollywood movies. New York: P. Lang, 2008.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Stollery, Martin. Alternative empires: Soviet montage cinema, the British documentary movement & colonialism. [s.l.]: typescript, 1994.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Sherzer, Dina. Cinema, colonialism, postcolonialism: Perspectives from the French and francophone world. Austin: University of Texas Press, 1996.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Eades, Caroline. Le cinéma post-colonial français. Paris: Éditions du Cerf, 2006.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Izhar, Dror. Quit India: The image of the Indian patriot on the commercial British film and television, 1956-1985. Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2011.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Limbrick, Peter. Making settler cinemas: Film and colonial encounters in the United States, Australia, and New Zealand. New York: Palgrave Macmillan, 2010.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Adolfo, Colombres, red. Cine, antropología y colonialismo. Wyd. 2. Buenos Aires: Ediciones Del Sol, 2005.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Grieveson, Lee, i Colin MacCabe. Empire and film. London: Palgrave Macmillan on behalf of the British Film Institute, 2011.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Części książek na temat "Imperialism in motion pictures"

1

Germann, Christophe. "Chapter 7. Content Industries and Cultural Diversity: The Case of Motion Pictures". W Cultural Imperialism, redaktorzy Bernd Hamm i Russell Smandych, 93–113. Toronto: University of Toronto Press, 2005. http://dx.doi.org/10.3138/9781442602090-014.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

kydd, Elspeth. "Motion Pictures". W The Critical Practice of Film, 17–37. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_2.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Kamada, Seiichi. "Motion Pictures". W Springer Monographs in Mathematics, 39–73. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4091-7_3.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Kamada, Seiichi. "Motion pictures". W Mathematical Surveys and Monographs, 63–70. Providence, Rhode Island: American Mathematical Society, 2002. http://dx.doi.org/10.1090/surv/095/09.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Walters, James. "Perpetual motion pictures". W The Routledge Companion to World Cinema, 382–92. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-32.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Czitrom, Daniel. "Early Motion Pictures". W Communication in History, 175–83. Seventh edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315189840-26.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Prinz, Jesse. "Affect and Motion Pictures". W The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 893–921. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_38.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Walls, W. David. "Motion Pictures, Economics of". W The New Palgrave Dictionary of Economics, 1–7. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1942-1.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Walls, W. David. "Motion Pictures, Economics of". W The New Palgrave Dictionary of Economics, 9164–70. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1942.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Sigal, Leonid, i Michael J. Black. "Predicting 3D People from 2D Pictures". W Articulated Motion and Deformable Objects, 185–95. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11789239_19.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.

Streszczenia konferencji na temat "Imperialism in motion pictures"

1

Lagendijk, R. L., i M. I. Sezan. "Motion compensated frame rate conversion of motion pictures". W [Proceedings] ICASSP-92: 1992 IEEE International Conference on Acoustics, Speech, and Signal Processing. IEEE, 1992. http://dx.doi.org/10.1109/icassp.1992.226178.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Karaki, Koichi, Hiroko Sasaki i Masaharu Mitsunaga. "Holographic motion pictures by hole burning". W International Conferences on Optical Fabrication and Testing and Applications of Optical Holography, redaktor Toshio Honda. SPIE, 1995. http://dx.doi.org/10.1117/12.215315.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Alexander, P. "Development of integral holographic motion pictures". W Display Holography: Fifth International Symposium, redaktor Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201899.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Chuang, Yung-Yu, Dan B. Goldman, Ke Colin Zheng, Brian Curless, David H. Salesin i Richard Szeliski. "Animating pictures with stochastic motion textures". W ACM SIGGRAPH 2005 Papers. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1186822.1073273.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Holynski, Aleksander, Brian Curless, Steven M. Seitz i Richard Szeliski. "Animating Pictures with Eulerian Motion Fields". W 2021 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2021. http://dx.doi.org/10.1109/cvpr46437.2021.00575.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Baecker, Ronald, Alan J. Rosenthal, Naomi Friedlander, Eric Smith i Andrew Cohen. "A multimedia system for authoring motion pictures". W the fourth ACM international conference. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/244130.244142.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Mayhew, Christopher A. "True Three-Dimensional Animation In Motion Pictures". W OE LASE'87 and EO Imaging Symp (January 1987, Los Angeles), redaktorzy David F. McAllister i Woodrow E. Robbins. SPIE, 1987. http://dx.doi.org/10.1117/12.940133.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Abdulsamet, Hasiloglu, i Tosun Olcay. "Identification system from motion pictures: LBPH application". W 2017 International Conference on Computer Science and Engineering (UBMK). IEEE, 2017. http://dx.doi.org/10.1109/ubmk.2017.8093546.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Awatsuji, Yasuhiro, Aya Komatsu, Masatomo Yamagiwa i Toshihiro Kubota. "Motion pictures of propagating ultrashort laser pulses". W 26th International Congress on High-Speed Photography and Photonics, redaktorzy Dennis L. Paisley, Stuart Kleinfelder, Donald R. Snyder i Brian J. Thompson. SPIE, 2005. http://dx.doi.org/10.1117/12.567035.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

MAEDA, Toshiyuki, Masumi YAJIMA i Akiyoshi WAKATANI. "Frequency-based Skill Analysis for Motion Pictures". W 2018 12th France-Japan and 10th Europe-Asia Congress on Mechatronics. IEEE, 2018. http://dx.doi.org/10.1109/mecatronics.2018.8495892.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.

Raporty organizacyjne na temat "Imperialism in motion pictures"

1

Koschmann, Anthony, i Yi Qian. Latent Estimation of Piracy Quality and its Effect on Revenues and Distribution: The Case of Motion Pictures. Cambridge, MA: National Bureau of Economic Research, sierpień 2020. http://dx.doi.org/10.3386/w27649.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „Imperialism in motion pictures” dla poszczególnych typów źródeł:
Artykuły w czasopismach Rozprawy doktorskie Książki
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii