Rozprawy doktorskie na temat „Imaginary”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Sprawdź 50 najlepszych rozpraw doktorskich naukowych na temat „Imaginary”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Przeglądaj rozprawy doktorskie z różnych dziedzin i twórz odpowiednie bibliografie.
Weisbard, Daniel J. "Imaginary spaces /". Online version of thesis, 2007. http://hdl.handle.net/1850/5869.
Pełny tekst źródłaGustafson, Sean. "Imaginary Interfaces". Phd thesis, Universität Potsdam, 2013. http://opus.kobv.de/ubp/volltexte/2013/6896/.
Pełny tekst źródłaDie Größe mobiler Geräte ist vornehmlich bestimmt durch die Größe des Berührungsbildschirms. Forscher haben daher erkannt, dass der Weg zur äußersten Mobilität in der kompletten Aufgabe des Bildschirms liegt. Solche tragbaren Geräte werden durch Handgesten, Sprachbefehle oder eine kleine Anzahl physikalischer Tasten gesteuert. Mit der Aufgabe des Bildschirms geben diese Geräte allerdings auch den momentan weitverbreiteten Stil räumlicher Interaktion auf (zum Beispiel das Betätigen von Tasten), da scheinbar nichts existiert, das man betätigen kann. Leider verhindert diese Entwicklung, dass Benutzer Interaktionswissen, welches sie sich auf herkömmlichen berührungsempflindlichen Geräten angeeignet haben, anwenden können. In dieser Doktorarbeit stelle ich Imaginary Interfaces vor, imaginäre Benutzerschnittstellen, die räumliche Interaktionen auf bildschirmlosen mobilen Geräten ermöglichen. Diese Schnittstellen erlauben Benutzern, im leeren Raum vor ihnen oder auf ihren Handfläche zu zeigen und zu zeichnen. Zwar können Benutzer die Ergebnisse ihrer Interaktion nicht sehen, sie erhalten jedoch visuelle und taktile Rückmeldung dadurch, dass sie ihre Hände während der Interaktion beobachten und fühlen. Nach der Einführung des Imaginary Interfaces Konzepts stelle ich zwei Hardware-Prototypen vor, die zwei verschiedene Arten von Interaktionen mit Imaginary Interfaces demonstrieren, jeweils mit ihren eigenen Vorteilen: Imaginary Interfaces in der Luft können groß und ausdrucksstark sein, während Imaginary Interfaces basierend auf Handflächen eine Fülle von taktilen Merkmalen aufweisen, die das Erlernen unterstützen. Die fehlende visuelle Ausgabe führt zu einer der Hauptherausforderungen von Imaginary Interfaces, nämlich Benutzern zu ermöglichen, die Anordnung der Benutzerschnittstellen herauszufinden. Diese Doktorarbeit stellt drei Lösungen vor: vorheriges Lernen mit Koordinaten, Durchsuchen mit Tonrückmeldung und Lernen durch Transfer. Letztere demonstriere ich mit Imaginary Phone, einem Imaginary Interface basierend auf Handflächen, das die den Benutzern schon vertraute Anordnung eines physikalischen Mobiltelefons imitiert. Obwohl diese Lösungen die Interaktion mit Imaginary Interfaces ermöglichen, können sie keine Aussage darüber treffen, warum eine solche Interaktion möglich ist. Im letzten Teil dieser Doktorarbeit untersuche ich, welche menschlichen Wahrnehmungsfähigkeiten während der Interaktion mit Imaginary Interface basierend auf Handflächen genutzt werden und zu welchem Ausmaß jede dieser Wahrnehmungsfähigkeiten zur Effizienz bei der Benutzung beiträgt. Diese Ergebnisse vertiefen unser Verständnis von Imaginary Interfaces und legen nahe, dass Imaginary Interfaces basierend auf Handflächen die eigenständige und blickfreie Benutzung von vielen Anwendungen ermöglichen können, eingeschlossen Benutzerschnittstellen für sehbehinderte Benutzer.
Davis, J. F. "Imaginary desires". Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1463498/.
Pełny tekst źródłaAndrews, Susan Lesley, University of Western Sydney, of Performance Fine Arts and Design Faculty i School of Design. "An imaginary other". THESIS_FPFAD_SD_Andrews_S.xml, 1997. http://handle.uws.edu.au:8081/1959.7/458.
Pełny tekst źródłaMaster of Arts (Hons)
Williams, Bryden John. "'A Hydrological Imaginary’". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17891.
Pełny tekst źródłaAndrews, Susan Lesley. "An imaginary other". Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/458.
Pełny tekst źródłaAndrews, Susan Lesley. "An imaginary other /". View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030915.151821/index.html.
Pełny tekst źródłaScaringi, Vanessa Cristina [UNESP]. "Deusa das noites: personagens (des)veladas". Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/90138.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
O curso do imaginário vai para uma esfera coletiva, além do individual. É um dinamismo que surgiu desde a mitologia e que perpassa séculos, transformando-se em si mesmo e antecipando aquilo que ainda não foi vivido. Em um mundo de sonhos, fantasias, imagens, memórias de muitas cenas que fascinam, encantam, seduzem, (des)velam, surge Afrodite - a deusa das noites - de diversas faces e personagens dançantes de tempos (ir)reais que se fazem passado, presente e futuro. Muitos são os caminhos para encontrá-la e o rumo optado faz da experiência um lugar mágico que se mistura a um lugar comum. Falar de DEUSA DAS NOITES: Personagens (des)veladas significa adentrar em um mundo de desejos, (des)encantos e seduções, movido por personagens de um paradoxo: realidade e ficção. Como a dançarina de striptease, por meio da dança erótica, cria as suas personagens entre a realidade e a ficção, possibilitando a e/ou interferindo na produção de subjetividade? Nesta perspectiva, pode-se pensar a referida pesquisa como espaço de experiências, de modos de afetação e produção de sentidos nos/pelos sujeitos em um cenário onde as danças da vida e do imaginário se entrelaçam. Tomando como princípio que a dança, inclusive a erótica, invoca a presença da imaginação, constitui-se como objetivo deste estudo discutir relações presentes entre o real e o ficcional que permeiam a criação da personagem da dançarina de striptease como processo de subjetivação. Esta pesquisa foi sendo produzida a partir de sete encontros com uma jovem dançarina de striptease de 21 anos de idade. Portanto, não busca fechar uma definição sobre o trabalho com o striptease, mas busca aliar-se à dançarina com o intuito de apontar variações e relações construídas no caminho que se traça para além da busca por uma meta...
The course of the imaginary goes to a collective domain, beyond the individual. It's a dynamism that has emerged since the mythology and has been running through the centuries, transforming in itself and anticipating what has not been lived. In a world of dreams, fantasies, images, memories of many scenes that fascinate, enchant, seduce, (un)ensure, emerges Aphrodite - the goddess of the love - of many faces and dancing characters of (un)real times that make themselves past, present and future. There are many ways to find her and the chosen path makes the experience a magical place that blends with the commonplace. Speaking of GODDESS OF NIGHTS: Characters (un)veiled means entering a world of desires, (dis)enchantment, seduction and fantasy, driven by characters of a paradox: reality and fiction. How does a stripper, through erotic dance, create her characters between reality and fiction, allowing and/or interfering with the production of subjectivity? In this perspective, one might think of a specific research as a space of experiences, ways of affectation and meaning production in/by the subjects in a scenario where the dances of life and imagination intertwine. Taking the principle that the dance, including the erotic, invokes the presence of the imagination, constitute the aim of this study to discuss present relations between the real and fictional that underlie the creation of the character of the stripper as a process of subjectification. This research is being produced from seven encounters with a young, 21 year old stripper. Therefore, it does not seek for a definition about the work with the striptease, but seeks to ally itself with a dancer in order to point out variations and relationships built in the path that is traced beyond the search for a goal. It's like enjoy the details in a work of art, doubting what is said, building the path to walk, casting off the call ... Do you want to dance with me?
ARANTES, HAENDEL MOTTA. "THE IMAGINARY IN ANALYSIS". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8286@1.
Pełny tekst źródłaO que o curso de uma análise opera no registro Imaginário? Para tratar a questão, a pesquisa parte do exame do conceito freudiano de realidade psíquica, articulando-o à tríade de registros lacaniana - Real, Simbólico, Imaginário. Em seguida, examina o conceito de fantasia em Lacan, amarração matriz por onde é erguida a cena imaginária para um sujeito. Por fim, no interior da experiência clínica, localiza o caminho de uma reconstrução síntese da fantasia, a avançar segundo os passos do recordar, repetir, elaborar apontados em Freud.
What the curse of analysis operates on Imaginary? To treat this issue, this research exams the freudian concept of psychical reality, articulating it to Lacan´s three categories - Real, Symbolic, Imaginary. Next, it exams the concept of fantasy in Lacan´s theory, an essential arrangement where from imaginary scene is built for a person. Finally, inside the clinical experience, it locates a way to reconstruct a fantasy´s synthesis, according to the steps of recollection, repetition, workingthrough indicated by Freud.
Kazimierczak, Karolina Agata. "Translating Imaginary Aliens,Transgressing Imaginary Scholars : Invented Languages and the Performances of Fan/Scholarship". Thesis, Lancaster University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531700.
Pełny tekst źródłaMountian, Ilana. "Drugs, gender and social imaginary". Thesis, Manchester Metropolitan University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409499.
Pełny tekst źródłaKilbourne, Philip E. "The Imaginary Invalid: Directing Project". The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392817620.
Pełny tekst źródłaMaher, Sean William. "Noir and the urban imaginary". Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/42216/1/Sean_Maher_Thesis.pdf.
Pełny tekst źródłaMousset-Becouze, Chloé. "Du symbolisme comme chambre noire de l'imaginaire photographique". Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30018/document.
Pełny tekst źródłaTo refer to the existence of a photographical imagination arises an ideological issue when bringing the status of photography into question. To try to demonstrate the existence of this imagination; consideration should be given to a movement fundamentally reflecting the notion of the symbolist movement. Therefore, would it be necessary to consider how symbolism is founder of the photographical imagination? At that time, photography widely fits into a positivist system, it is the best recording scientific technique. Hence, photography has emerged from the middle of the 19th century as a new type of objectivity whose main characteristic is the exclusion of the observer's subjectivity. As for Symbolism, it reached its peak around 80-90s. It will oppose a searching for unity philosophical conception with scientific classification principle, based on separation and difference. Despite that, Symbolists have chosen to use the photographical tool. On the one hand, they took into account the most scientific and objective photographs over that period in relation with imagination and critical acumen. On the other hand, some of them became themselves photographers and will even institute photography as a real creative and practical experience. However, these concepts remain more or less alive on the long run. A set of symbols and methods were taken into account by the surrealist revolution. Those remain present at the origin of the contemporary photography by their re-actualization. The contemporary photography would really require the photographical imagination potential that were already set up by Symbolism. Therefore, the imperialist way of feeling and imagining reality would be thrown back into question. The aim of this research is not to assert that photography is symbolist but to determine which influence of symbolism about photography may currently be through the use of common concepts. All in all, this research is based on questioning about the photographical imagination
Scaringi, Vanessa Cristina. "Deusa das noites : personagens (des)veladas /". Rio Claro : [s.n.], 2011. http://hdl.handle.net/11449/90138.
Pełny tekst źródłaBanca: Romualdo Dias
Banca: Silvio Donizetti de Oliveira Gallo
Resumo: O curso do imaginário vai para uma esfera coletiva, além do individual. É um dinamismo que surgiu desde a mitologia e que perpassa séculos, transformando-se em si mesmo e antecipando aquilo que ainda não foi vivido. Em um mundo de sonhos, fantasias, imagens, memórias de muitas cenas que fascinam, encantam, seduzem, (des)velam, surge Afrodite - a deusa das noites - de diversas faces e personagens dançantes de tempos (ir)reais que se fazem passado, presente e futuro. Muitos são os caminhos para encontrá-la e o rumo optado faz da experiência um lugar mágico que se mistura a um lugar comum. Falar de DEUSA DAS NOITES: Personagens (des)veladas significa adentrar em um mundo de desejos, (des)encantos e seduções, movido por personagens de um paradoxo: realidade e ficção. Como a dançarina de striptease, por meio da dança erótica, cria as suas personagens entre a realidade e a ficção, possibilitando a e/ou interferindo na produção de subjetividade? Nesta perspectiva, pode-se pensar a referida pesquisa como espaço de experiências, de modos de afetação e produção de sentidos nos/pelos sujeitos em um cenário onde as danças da vida e do imaginário se entrelaçam. Tomando como princípio que a dança, inclusive a erótica, invoca a presença da imaginação, constitui-se como objetivo deste estudo discutir relações presentes entre o real e o ficcional que permeiam a criação da personagem da dançarina de striptease como processo de subjetivação. Esta pesquisa foi sendo produzida a partir de sete encontros com uma jovem dançarina de striptease de 21 anos de idade. Portanto, não busca fechar uma definição sobre o trabalho com o striptease, mas busca aliar-se à dançarina com o intuito de apontar variações e relações construídas no caminho que se traça para além da busca por uma meta... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The course of the imaginary goes to a collective domain, beyond the individual. It's a dynamism that has emerged since the mythology and has been running through the centuries, transforming in itself and anticipating what has not been lived. In a world of dreams, fantasies, images, memories of many scenes that fascinate, enchant, seduce, (un)ensure, emerges Aphrodite - the goddess of the love - of many faces and dancing characters of (un)real times that make themselves past, present and future. There are many ways to find her and the chosen path makes the experience a magical place that blends with the commonplace. Speaking of GODDESS OF NIGHTS: Characters (un)veiled means entering a world of desires, (dis)enchantment, seduction and fantasy, driven by characters of a paradox: reality and fiction. How does a stripper, through erotic dance, create her characters between reality and fiction, allowing and/or interfering with the production of subjectivity? In this perspective, one might think of a specific research as a space of experiences, ways of affectation and meaning production in/by the subjects in a scenario where the dances of life and imagination intertwine. Taking the principle that the dance, including the erotic, invokes the presence of the imagination, constitute the aim of this study to discuss present relations between the real and fictional that underlie the creation of the character of the stripper as a process of subjectification. This research is being produced from seven encounters with a young, 21 year old stripper. Therefore, it does not seek for a definition about the work with the striptease, but seeks to ally itself with a dancer in order to point out variations and relationships built in the path that is traced beyond the search for a goal. It's like "enjoy the details" in a work of art, doubting what is said, building the path to walk, casting off the call ... Do you want to dance with me?
Mestre
Ek, Adam. "Extracting social networks from fiction : Imaginary and invisible friends: Investigating the social world of imaginary friends". Thesis, Stockholms universitet, Institutionen för lingvistik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-145659.
Pełny tekst źródłaFigueiredo, Luiz Manoel Silva. "Serre's conjecture over imaginary quadratic fields". Thesis, University of Cambridge, 1996. https://www.repository.cam.ac.uk/handle/1810/251594.
Pełny tekst źródłaSherman, Alan James. "The imaginary universe of Jacques Benoit". Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/29531.
Pełny tekst źródłaArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Punt, Michael. "Early cinema and the technological imaginary". Amsterdam : Amsterdam : [s.n.] ; Universiteit van Amsterdam [Host], 2000. http://dare.uva.nl/document/81706.
Pełny tekst źródłaSchindler, Samuel Karl. "The imaginary entities that make science". Thesis, University of Leeds, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491819.
Pełny tekst źródłaBarry, Desmond. "The escape of the imaginary author". Thesis, University of South Wales, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.591056.
Pełny tekst źródłaDavis, P. A. J. "The 'imaginary resistance' of Dryden's Virgil". Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598392.
Pełny tekst źródłaRamirez, Genaro Zalpa. "The imaginary world of Mexican comics". Thesis, University of York, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288065.
Pełny tekst źródłaFoley, James Jardine. "Emergence of the Scottish economic imaginary". Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23497.
Pełny tekst źródłaChristakos, Yiannis. "Personal mapping : memories and imaginary maps". Thesis, University of East London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532511.
Pełny tekst źródłaLeman, Lucia. "Byron's "Manfred" and the Greek imaginary". Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/13972/.
Pełny tekst źródłaKang, Joong-Hoon. "Experiment in Three Imaginary Musical Scenes". University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1014845542.
Pełny tekst źródłaPeake, Bryce. "The social imaginary and social imagination". Waltham, Mass. : Brandeis University, 2009. http://dcoll.brandeis.edu/handle/10192/23242.
Pełny tekst źródłaClifford, Reginald A. "Critical mediation : tracking the social imaginary". Thesis, Loughborough University, 1999. https://dspace.lboro.ac.uk/2134/35473.
Pełny tekst źródłaRando, Martin Andréa. "Des jeux de miroirs au miroir du prince. : Le traitement des savoirs dans le Roman de Perceforest". Thesis, Université Grenoble Alpes (ComUE), 2017. http://www.theses.fr/2017GREAL030/document.
Pełny tekst źródłaVast work of medieval literature, the Roman de Perceforest retells the arthurian genealogy and the progressive rise of a christian monarchy. This christian power emerges on an island populated with wizards and faeries, renowned for its marvels and its creatures, and upon which two kings reign, Betis and Gadiffer. Yet, supernatural events are narrated with numerous allusions to ancient and medieval sciences, which allow an educated reader to uncover the illusionist behind the wizard, the female physician behind the faerie, and the natural phenomenon behind the unfathomable power of a mysterious beast. These sciences then account among the most potent forces that drive the novel toward Christendom. Giving reasons behind supernatural events, revealing impostors, sciences put forth the concept of Nature, and set the stage not only for the advent of christianity, but also for the strengthening of the royal power. Through the king and noblemen and women, it is in fact the power of nature and christianity that is constructed
Ashcroft, Catherine. "Imaginary companions : phenomenology and the child's response". Thesis, University of Southampton, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268650.
Pełny tekst źródłaWiszniewski, Witold Roman School of Philosophy UNSW. "Time, quasi-temporal change and imaginary numbers". Awarded by:University of New South Wales. School of Philosophy, 2006. http://handle.unsw.edu.au/1959.4/23401.
Pełny tekst źródłaBök, Christian. "Pataphysics, the poetics of an imaginary science". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0020/NQ27282.pdf.
Pełny tekst źródłaMartini, Chandra. "Alien others : speculative hybrids in imaginary worlds". Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43381.
Pełny tekst źródłaGustafson, Sean [Verfasser], i Patrick [Akademischer Betreuer] Baudisch. "Imaginary Interfaces / Sean Gustafson. Betreuer: Patrick Baudisch". Potsdam : Universitätsbibliothek der Universität Potsdam, 2013. http://d-nb.info/1045443239/34.
Pełny tekst źródłaBordoni, Silvia. "Imaginary homeland : romantic women writers and Italy". Thesis, University of Nottingham, 2004. http://eprints.nottingham.ac.uk/13190/.
Pełny tekst źródłaBarker, David. "Imaginary readers : the novels of Alison Lurie". Thesis, University of Newcastle Upon Tyne, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245711.
Pełny tekst źródłaOda, Yukari. "The formation of Emily Brontës imaginary world". Thesis, University of Liverpool, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441937.
Pełny tekst źródłaGaffney, Eamonn Andrew. "Aspects of imaginary time thermal field theory". Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627526.
Pełny tekst źródłaSkeen, Michael P., i L. Lee Glenn. "Imaginary Link Between Alcoholism and Energy Drinks". Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/7505.
Pełny tekst źródłaGallo, Sara C. "Lost Horizon : Domestic, cartographic and imaginary space". The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1283894506.
Pełny tekst źródłaStenner, Rachel. "The typographic imaginary in early modern literature". Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681347.
Pełny tekst źródłaBidgood, Lee. "Real Imaginary Place in Czech Bluegrass Songs". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1081.
Pełny tekst źródłaMathé, Jean-Gérard. "L'imaginaire français dans la littérature coloniale de la Tunisie (1881-1956)". Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30030.
Pełny tekst źródłaThe imaginary of the French people who emigrated in Tunisia during the colonial period called the French protectorate was particularly rich as indicated by the myriad of testimonies from many authors who dabbled in writing it down on paper. This thesis seeks to study the Tunisian colonial era from a literary perspective through a systematic approach of the texts and the vision of the authors on the assented exile of French Tunisia. An exile, but also a return to the main land. For many of them who lived the end of the French protectorate, the difficulty was to move to a country which was their own, but not entirely. The choice of the analytical method relies on an imagology study of this matter which will assess the complex notion of imaginary from the myth-analysis point of view. Then the different components will be verified and applied to the context of colonial Tunisia. Regarding the latter topic, literature seems to be the ideal approach to study and highlight the richness of the imaginary of the French Tunisians through the great diversity of texts available : memoirs, testimonies, novels, personal documents, photographes, etc. Finally, the personal experience of the author in the context of the French protectorate in Tunisia will allow to consider the topic via analytical objectivity and a subjective analysis
Boukhris, Linda. "Imaginaire national et imaginaire touristique au Costa Rica : le tourisme comme fabrique du territoire et de la nation". Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010702.
Pełny tekst źródłaCosta Rica has undergone a touristic turn of its economy since the 1990s, with a tourism identity based on the representations of a peaceful state without armed forces as well as the wilderness. This research examines the discourse on the Costa Rican exception deployed within the context of tourism development. A genealogy of the composition of these images reveals the deep relation between the tourism imaginary and the national imaginary. Indeed, the tourism imaginary takes on the main historical characteristics of the Costa Rican national ideology shaped within the context of its independence, but also entails the incorporation of an environmental paradigm into the national imaginary. This work analyzes the instituting dimension of the tourism imaginary as participating in the production of space and place, and the production of an image of the nation associated with figures of nature. However, this tourism imaginary is also hegemonic and exclusive, as was the national imaginary in the nineteenth century, which promoted the idea of a democratic and peaceful Costa Rican nation based on the theory of the white race. From the historical discourse on whiteness to the contemporary discourse on nature, this study investigates the role of the tourism imaginary in the reproduction of spatial racialization processes against the Costa Rican indigenous and Afro-Caribbean populations. Thus, the tourism imaginary becomes the space where figures of the nation are defined, and where their belonging to the national political community are negotiated
Palmer, Ryan. "Enchanting Irruptions : Wonder, Noir, and the Environmental Imaginary". Doctoral thesis, Uppsala universitet, Engelska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-334648.
Pełny tekst źródłaHo, Andy C. T. "Imaginary charge quantum electrodynamics : a running coupling analysis". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0005/NQ34551.pdf.
Pełny tekst źródłaChristian, Laura. "Perverse implantations : cinema, seduction and the Foucaultian imaginary /". Diss., Digital Dissertations Database. Restricted to UC campuses, 2006. http://uclibs.org/PID/11984.
Pełny tekst źródłaBloom, Emily. "The impact of imaginary companions on social development". Lynchburg, Va. : Liberty University, 2008. http://digitalcommons.liberty.edu.
Pełny tekst źródłaJoseph, Maia. "Urban change and the literary imaginary in Vancouver". Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/38137.
Pełny tekst źródła