Rozprawy doktorskie na temat „Image and meaning”
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Arrigo, Michael Tood. "Image as metaphor, metaphor as meaning, meaning as existance". The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1303412484.
Pełny tekst źródłaHutchins, Brett. "Bradman : representation, meaning and Australian culture /". [St. Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16171.pdf.
Pełny tekst źródłaStrandberg, Åsa. "The Gazelle in Ancient Egyptian Art : Image and Meaning". Doctoral thesis, Uppsala universitet, Egyptologi, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-107642.
Pełny tekst źródłaStrandberg, Åsa. "The gazelle in ancient Egyptian art : image and meaning /". Uppsala : University of Uppsala. Dept. of Archaeology and Ancient History, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018635196&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Pełny tekst źródłaMawby, Robert Iain. "The police image : a study of construction, communication and legitimacy". Thesis, Keele University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323682.
Pełny tekst źródłaPenkrat, Tatiana. "Image and liturgy the history and meaning of the Epitaphion /". Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p015-0478.
Pełny tekst źródłaSkousen, Benjamin Jacob. "Monkey Pots: Inferring Meaning Through Time and Space from Function, Decoration, and Context". Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3206.pdf.
Pełny tekst źródłaInfanger, Valori. "Speaking out : how women create meaning from the dove campaign for real beauty /". Diss., CLICK HERE for online access, 2010. http://contentdm.lib.byu.edu/ETD/image/etd3209.pdf.
Pełny tekst źródłaFife, Megan Melissa. "A Meaning-Based Instruction to Enhance Literacy Learning in a Dual-Language Kindergarten Classroom". Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1192.pdf.
Pełny tekst źródłaBadger, Erin Houghtaling. "The influence of risk taking on student creation of mathematical meaning : Contextual Risk Theory /". Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2965.pdf.
Pełny tekst źródłaWolfman-Robichaud, Sarah Leah. "The evocation of meaning : a study of Image Theatre in three elementary classrooms". Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/2531.
Pełny tekst źródłaNixon, Virginia. "The Anna Selbdritt in late medieval Germany : meaning and function of religious image". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://spectrum.library.concordia.ca/325/1/NQ39798.pdf.
Pełny tekst źródłaMosayebi, Golrokh. "A Critical Review on “Image”-based Tourism : A Case of Slow Traveler". Thesis, Södertörns högskola, Institutionen för livsvetenskaper, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-15513.
Pełny tekst źródłaGagalis-Hoffman, Kelly. "An Examination of the Meaning of Family Recreational Storytelling among Parents and their Adult Children". Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd450.pdf.
Pełny tekst źródłaNorton, R. David. "Communicating Affective Meaning from Software to Wetware Through the Medium of Digital Art". BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/5546.
Pełny tekst źródłaKarnadewi, Fika. "Investigating the effect of meaning familiarity and ambiguity of words on the attentional blink /". [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19778.pdf.
Pełny tekst źródłaDeGraaf, Leanne. "Towards a Generative Theory of Emotion, Meaning, and Expression in Musical Performance". Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/33408.
Pełny tekst źródłaHarris, Gordon C. "The meaning of humanity made in the image of God from Genesis to Paul /". Theological Research Exchange Network (TREN), 1999. http://www.tren.com.
Pełny tekst źródłaFoot, Thomas Frederick. "Towards a new phenomenology of communication : image, communication and the privatisation of meaning in postmodernity". Thesis, University of East London, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359990.
Pełny tekst źródłaLiu, Rebekah Yi. "The backgrounds and meaning of the image of the beast in Rev 13|14, 15". Thesis, Andrews University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10162883.
Pełny tekst źródłaProblem: This dissertation investigates the first century Greco-Roman cultural backgrounds and the literary context of the motif of the image of the beast in Rev 13:14, 15, in order to answer the problem of the author’s intended meaning of the image of the beast to his first century Greco-Roman readers. Method: There are six steps necessary to accomplish the task of this dissertation. These steps are taken in the form of the exegetical studies which are done in six chapters, respectively. Following the introductory chapter, the second chapter is a brief history of the historical interpretations of the image of the beast in Rev 13:14, 15, starting with the interpretations from scholars of the first three centuries and continuing on to the present. This historical survey in Chapter 2 demonstrates that an in depth exegetical study of the image of the beast is much needed. Chapters 3-6 were an attempt to make up for this deficiency by providing an exegetical study of the image of the beast motif in its original cultural and literary context of the book of Revelation. Chapter 3 is a study of the image-of-the-beast motif within its immediate context of Revelation 13. Chapters 4-6 provide a study of the image-of-the-beast motif in the latter half of Revelation, i.e., Revelation 14-20, with Chapters 4-5 studying the image-of-the-beast motif in the chapters (Revelation 14-16, 19, and 20) in which this term occurs, and Chapter 6 studying this motif in the chapters (Revelation 17, 18) in which this term is absent. Conclusion: As I have come to see it, the narrative of Rev 13:14, 15 depicts the attempt of an unholy trinity to counteract God’s goal for the plan of salvation, i.e., the restoration of Imago Dei in human beings in the last days by creating the image of the beast on Earth. The image of the beast is an end time entity, comprised of a community of people who reflect the character of the dragon, and has the three-fold religious-economic-political power to impose false worship on Earth. The image of the beast is best identified with the end time Babylon the Great of chapters 17-18.
Tanner, Bronwyn. "The impact of home modifications on the meaning of home for older people living in the community /". [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19106.pdf.
Pełny tekst źródłaJohnson, Christine. ""Choose Your Words" : refining what counts as mathematical discourse in students' negotiation of meaning for rate of change of volume /". Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2474.pdf.
Pełny tekst źródłaConduit, Anne Murray. "The Trompanaars model of cultural diversity in a labor/management interaction in Japan : meaning orientations and social groups /". [St. Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16354.pdf.
Pełny tekst źródłaWyatt, Nicholas. "The Christian image and contemporary British painting : the communication of meaning and experience in religious paintings". Thesis, Loughborough University, 2015. https://dspace.lboro.ac.uk/2134/17679.
Pełny tekst źródłaMedley, Stuart. "Less realism : more meaning : evaluating imagery for the graphic designer". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2008. https://ro.ecu.edu.au/theses/232.
Pełny tekst źródłaTurpin, Merrill June. "The role of analysis of narratives from a hermeneutic perspective in exploring meaning and purpose of occupation in occupational therapy /". St. Lucia, Qld, 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18000.pdf.
Pełny tekst źródłaKear, Louise. "Growing political apathy in Australia : a study of the gap between the self-perception and the public perception of politicians and its meaning /". St. Lucia, Qld, 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe.pdf.
Pełny tekst źródłaCruz-Morgado, Luciano E. "IMAGE, EXPRESSION, AND MEANING OF THE MULATO IN FOUR MOMENTS OF CUBAN LITERATURE (1968-1948)". UKnowledge, 2008. http://uknowledge.uky.edu/hisp_etds/13.
Pełny tekst źródłaLjunggren, Rhonda L. "Camera lucida : the moving image as evocative document : film form, film meaning and the grammatology of archival selection". Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/25714.
Pełny tekst źródłaArts, Faculty of
Library, Archival and Information Studies (SLAIS), School of
Graduate
Tran, Thi Linh Giang Suree Kanjanawong. "Gender identity, sexual meaning and sexual health among young female physical disabled in Hai Duong City-Vietnam /". Abstract, 2004. http://mulinet3.li.mahidol.ac.th/thesis/2547/cd364/4537970.pdf.
Pełny tekst źródłaAndersson, Sebastian, i Oskar Larsson. "Omvänd Celebrity Endorsement : Överförs värden från företag till kändis?" Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Medie- och kommunikationsvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-29394.
Pełny tekst źródłaThis study regards Celebrity Endorsements, meaning collaborations where celebrities vouch for a product or a company in order to exchange values and hopefully increase sales. Previous research within this field is focused on what a celebrity can provide for the company. This essay examines the phenomena from the other direction, meaning what the company can provide to the celebrity. We want to find out if the swedes, football player Zlatan Ibrahimovic and Robin Carlsson, also known as the pop artist Robyn, through separate celebrity endorsement actions regarding the campaign “Made by Sweden” by Volvo, assumes values from the company. In order to apply our results on existing theoretical frameworks and thereby enabling ourselves to answer our questions, we have chosen to relate to previous research regarding celebrity endorsements, theories regarding how messages are transmitted, for instance the Meaning transfer model, as well as marketing theories regarding brand identity. Through three focus group interviews, we received an image of the two celebrities from the respondents, making the foundation for our analysis. Through comparing the image created by the respondents with the profile of the company, we could determine whether values had been transmitted from the company to the celebrity. Our study concluded that values are not transmitted from company to celebrity. Values encoded by the company were not represented in the image pictured by our respondents regarding the celebrities. The study does however show that a celebrity may gain new values through a celebrity endorsement action.
Wilson, Dion. "Working meaning, an act toward the goal of the recasting of architecture as and between object, image & text". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq64123.pdf.
Pełny tekst źródłaTavoras, Vilius. "Būsimų muzikos mokytojų meninės individualybės raiškos skatinimas universitete". Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20100122_105350-99827.
Pełny tekst źródłaPeculiarities of the expression of artistic individuality of future teachers are analysed in the dissertation. Problem of the investigation has been formulated: in what way and what impact the musical activity can exert on artistic individuality of future music teachers and to what extent this impact can be optimised. The model of the expression of artistic individuality of future music teachers has been created and substantiated both theoretically and empirically. The model encompasses the components of reflexivity, creativity, high artistic value and responsibility. Manifestations of artistic individuality in musical activity of future teachers and the level of expression of these manifestations, interrelations between components of artistic individuality and their dependence on the external factors (the type of higher education institution that provides different musical education (university, non-university) and the year the students are in, as well as internal factors (musical abilities, artistic experiences and recognition of the significance of values) have been revealed by the diagnostic examination. Statistically significant changes in the expression of artistic individuality of future music teachers have been determined and strategies for developing the expression of artistic individuality of future music teachers have been brought out and tested in the course of the education project. On the basis of the data of the research work the basic brought out strategies... [to full text]
Olofsson, Malin. "En kognitiv semantisk analys av partikelverbet gå upp: : Conceptual Metaphor Theory (CMT) kontra Principled Polysemy Approach to Meaning Analysis (PPAMA)". Thesis, Örebro University, Department of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-1881.
Pełny tekst źródłaThis essay examines the differences and similarities, weaknesses and strengths of the two Cognitive Semantic theories Conceptual Metaphor Theory and Principled Polysemy Approach to Meaning Analysis. To illustrate the two theories, the Swedish verb-particle construction "gå upp" is examined and analyzed accordingly. The results showed differences in the number of polysemous meaning found. The methodological evaluation showed that the differences in the underlying ideas concerning meaning-construction behind these two theories make them incompatible.
Basoli, Lídia Pampana [UNESP]. "O texto e o traço: reflexões sobre as crônicas ilustradas de Arnaldo Jabor". Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/89500.
Pełny tekst źródłaUniversidade Estadual Paulista (UNESP)
Subjetividade, crônica, ilustração, jornalismo impresso e produção de sentido. O que esses termos têm em comum? Mais do que apresentar uma opinião pessoal, a crônica e a ilustração, frutos de uma indústria cultural que chega ao Brasil em meados do século XX, influenciam outra visão social, uma vez que se caracterizam pela busca incessante em captar um momento da realidade e interpretá-lo por meio do texto ou do traço. Os meios de comunicação atraem a atenção do leitor pelas diferentes maneiras de informar ou comentar uma notícia. Ao longo da evolução do jornalismo impresso, colunas de informação foram adaptadas ao jornal e o uso da ilustração passou a ser um recurso utilizado para produção de sentido na realidade. Tão subjetiva quanto as crônicas, editoriais e comentários, a ilustração hoje é empregada diariamente no meio impresso, devido ao avanço proporcionado pelas novas tecnologias e também pela boa recepção que obteve junto ao público leitor que cada vez mais consume imagens. A partir dessa perspectiva, temos a inegável importância de se estudar a relação entre o texto e a imagem para compreendermos a implicação do verbal e do não verbal através das novas propostas de comunicação. Na presente dissertação, verificaremos a produção de sentido entre determinadas crônicas de Arnaldo Jabor e ilustrações de Cido Gonçalves publicadas no Caderno 2 do jornal O Estado de S. Paulo entre 2006 e 2007. Analisaremos as mesmas como manifestações de uma indústria cultural consolidada e ainda forte. Verificar a relação texto e imagem é o objetivo principal a que nos propomos, refletindo sobre a importância da crônica e da ilustração no meio impresso. Pretendemos analisar as crônicas selecionadas averiguando como essas superam a efemeridade das notícias utilizando outros referenciais para situar os constantes conflitos sociais. Analisaremos...
Subjectivity, chronics, illustration, printed journalism and production of meaning. What do these terms have in common? More than presenting a personal opinion, chronics and illustrations, offspring of a cultural industry that arrives in Brazil in the beginning of the 20th century, influence other social vision, once they are characterized by a restless search to capture a moment of reality and interpret it through text or illustration. The means of communication attracts the reader’s attention through different ways of informing or commenting a piece of news. During the evolution of printed journalism, columns of information were adapted to the newspaper and the use of illustration started being a resource used in the construction of a new production of meaning over the reality. As subjective as the chronics, editorials and comments, the illustration is used nowadays in a daily basis in the printed media, due to the evolution enabled by the new technologies and also by the good acceptance which received along to the readers which more and more consumes images. From this perspective, there is the undeniable importance of studying the relationship between text and image to understand the implication of the verbal and non-verbal through the new propositions of communication. In the present dissertation, we are going to check the production of meaning among determined chronics by Arnaldo Jabor and the illustrations of Cido Gonçalves published in Caderno 2 of the O Estado de S. Paulo newspaper between 2006 and 2007. We will analyze them as manifestations of a consolidated and strong cultural industry. Checking the relationship between text and image is the main objective proposed, reflecting over the importance of chronics and illustration in the printed media. We intend to analyze the selected chronics noticing how they overcome the ephemerity of the news using other referentials to site ...(Complete abstract click electronic address below)
Melhuish, Elizabeth Clare. "Inhabiting the Image : architecture and social identity in the post-industrial city". Thesis, Bucks New University, 2007. http://bucks.collections.crest.ac.uk/10112/.
Pełny tekst źródłaInfanger, Valori. "Speaking Out: How Women Create Meaning from the Dove Campaign for Real Beauty". BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1988.
Pełny tekst źródłaMeneghetti, Diego Pontoglio [UNESP]. "Imagens imersivas: estudo sobre a dicotomia proximidade e afastamento no jornalismo visual". Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/89380.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta pesquisa é dedicada à relação entre proximidade e afastamento, provacada pelas imagens da mídia, por meio dos vínculos que tais superfícies produzem na mediação entre homem e mundo, e entre homem e a própria mídia. Com o objetivo de colaborar com a ampliação do estatuto epistemológico do jornalismo visual, este estudo considera que os sentidos produzidos pela informação visual são componentes importantes na construção discursiva das notícias. Por ser uma relação binária, polar e assimétrica, proximidade e afastamento atribuem à comunicação imagética cargas ora positivas, ora negativas, de acordo com sua configuração e contexto. A partir dessa dicotomia, serão analisadas diferentes formas de utilização das imagens no jornalismo brasileiro, especialmente nos suportes impressos e on-line, de acordo com estratégias discursivas que permitem aproximar ou afastar o observador da informação ou da própria midia. A construção teórica e conceitual do trabalho forma-se, principalmente, a partir dos estudos do teórico da mídia Harry Pross (sobre a teoria relacional dos signos e estrutura simbólica do poder), do filósofo Vilém Flusser (ao tratar sobre as formas de leitura das imagens), entre outros autores como Hans Belting, Dietmar Kamper e, do Brasil, Norval Baitello Junior, Malena Segura Contrera e Luciano Guimarães
This research is dedicated to the relationship between proximity and remoteness, caused by media imagens, through the ties that such surfaces produce in the mediation between man and world, and between man and the media itself. The purpose of the research is support the epistemological expansion of visual journalism and it considers that the senses produced by the visual information are important in the discursive news construction. Proximity and remoteness have a binary, polar and asymmetric relation and because of this it attaches to imagery communication sometimes positive and sometimes negative load, according to its configuration and context. Different ways of using images in Brasilian journalism from this dichotomy will be analyzed, particularly in printed and online media. This will be according to the discursive strategies that allow the viewer zoom in or out of the information or the media itself. The theoretical and conepctual construction of work is mainly created from the media studies theorist Harry Poss (about the relational theory of signs and symbolic structure of power). It's also created from the philosopher Vilém Flusser (on how to handle the reading of images), besides other authors such as Hans Belting, Dietmar Kamper and, of Brazil, Norval Baitello Junior, Malena Segura Contrera and Luciano Guimarães
Hilmo, Michael S. "The Effect of Repeated Textual Encounters and Pictorial Glosses upon Acquiring Additional Word Senses". Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1215.pdf.
Pełny tekst źródłaSchaap-Jonker, Hanneke. "Before the face of God : an interdisciplinary study of the meaning of the sermon and the hearer's God image, personality and affective state /". Wien ; Zürich Berlin Münster : Lit, 2008. http://d-nb.info/989460851/04.
Pełny tekst źródłaAoyama, Kazumasa. "Using A Diglot Reader to Teach Kanji: The Effects of Audio and Romaji on the Acquisition of Kanji Vocabulary". Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd888.pdf.
Pełny tekst źródłaNorenius, Simon. "Att Vandra i Intets Närhet : Wittgenstein, Heidegger och Vägen Bortom Filosofins Slut". Thesis, Södertörns högskola, Filosofi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-31223.
Pełny tekst źródłaBasoli, Lídia Pampana. "O texto e o traço : reflexões sobre as crônicas ilustradas de Arnaldo Jabor /". Bauru : [s.n.], 2008. http://hdl.handle.net/11449/89500.
Pełny tekst źródłaBanca: Rozinaldo Antonio Miani
Banca: Maria Lúcia Vissotto Paiva Diniz
Resumo: Subjetividade, crônica, ilustração, jornalismo impresso e produção de sentido. O que esses termos têm em comum? Mais do que apresentar uma opinião pessoal, a crônica e a ilustração, frutos de uma indústria cultural que chega ao Brasil em meados do século XX, influenciam outra visão social, uma vez que se caracterizam pela busca incessante em captar um momento da realidade e interpretá-lo por meio do texto ou do traço. Os meios de comunicação atraem a atenção do leitor pelas diferentes maneiras de informar ou comentar uma notícia. Ao longo da evolução do jornalismo impresso, colunas de informação foram adaptadas ao jornal e o uso da ilustração passou a ser um recurso utilizado para produção de sentido na realidade. Tão subjetiva quanto as crônicas, editoriais e comentários, a ilustração hoje é empregada diariamente no meio impresso, devido ao avanço proporcionado pelas novas tecnologias e também pela boa recepção que obteve junto ao público leitor que cada vez mais consume imagens. A partir dessa perspectiva, temos a inegável importância de se estudar a relação entre o texto e a imagem para compreendermos a implicação do verbal e do não verbal através das novas propostas de comunicação. Na presente dissertação, verificaremos a produção de sentido entre determinadas crônicas de Arnaldo Jabor e ilustrações de Cido Gonçalves publicadas no Caderno 2 do jornal O Estado de S. Paulo entre 2006 e 2007. Analisaremos as mesmas como manifestações de uma indústria cultural consolidada e ainda forte. Verificar a relação texto e imagem é o objetivo principal a que nos propomos, refletindo sobre a importância da crônica e da ilustração no meio impresso. Pretendemos analisar as crônicas selecionadas averiguando como essas superam a efemeridade das notícias utilizando outros referenciais para situar os constantes conflitos sociais. Analisaremos ...(Resumo completo, clicar acesso eletrônico abaixo)
Abstract: Subjectivity, chronics, illustration, printed journalism and production of meaning. What do these terms have in common? More than presenting a personal opinion, chronics and illustrations, offspring of a cultural industry that arrives in Brazil in the beginning of the 20th century, influence other social vision, once they are characterized by a restless search to capture a moment of reality and interpret it through text or illustration. The means of communication attracts the reader's attention through different ways of informing or commenting a piece of news. During the evolution of printed journalism, columns of information were adapted to the newspaper and the use of illustration started being a resource used in the construction of a new production of meaning over the reality. As subjective as the chronics, editorials and comments, the illustration is used nowadays in a daily basis in the printed media, due to the evolution enabled by the new technologies and also by the good acceptance which received along to the readers which more and more consumes images. From this perspective, there is the undeniable importance of studying the relationship between text and image to understand the implication of the verbal and non-verbal through the new propositions of communication. In the present dissertation, we are going to check the production of meaning among determined chronics by Arnaldo Jabor and the illustrations of Cido Gonçalves published in Caderno 2 of the O Estado de S. Paulo newspaper between 2006 and 2007. We will analyze them as manifestations of a consolidated and strong cultural industry. Checking the relationship between text and image is the main objective proposed, reflecting over the importance of chronics and illustration in the printed media. We intend to analyze the selected chronics noticing how they overcome the ephemerity of the news using other referentials to site ...(Complete abstract click electronic address below)
Mestre
Soares, Carlos Walter Alves. "Metáforas e significados na composição musical : quando o compositor revisita e ressignifica seus passos". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/148285.
Pełny tekst źródłaThis thesis presents technical elucidations and post-compositional interpretations of four pieces composed during my doctorate degree: "Io" and "Calisto", for solo piano, "Ganimedes" and "Europa" for two pianos. The music composition is approached in three steps: a) description of the musical and extra musical aspects of the first stages of the composition; b) investigation of the sonorous characteristics of the pieces; c) construction of fictional postcompositional interpretations, imagining Jupiter's moons as compositional and interpretative impetus. The third stage is achieved under the perspective of the contemporary theory of metaphor proposed by George Lakoff and Mark Johnson, and posteriorly developed by Mark Turner and Gilles Falconnier. Through the introduction of metaphor categories, the cross-domain mapping, the image schema, the invariance principle, the mental spaces and the conceptual blending, some connections are established between the metaphoric concepts and the metaphoric conceptualization of music. This contributes to the approximation between the main characteristics of the pieces and the scenes/actions proposed in the first step of the post-compositional interpretations. This work proposes a reflection about the attribution of meanings on the musical composition in a global perspective, where extra musical elements can expand the assimilation of the musical phenomenon, as well as to contribute to the pedagogy of musical composition and the production of collaborative works.
Orders, Shari A. "Unwrapping Giftedness: How Mothers of Elementary School-aged Children Assessed as Intellectually Gifted Make Meaning of the Gifted Construct and Participate in Educational Decision Making". Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/22705.
Pełny tekst źródłaKype, Benjamin, i Leo Genberg. "Borde Zlatan ryta till? : En experimentell kvantitativ studie om marknadsaktiviteters påverkan på en Celebrity Endorsers uppfattade varumärkespersonlighet". Thesis, Högskolan i Halmstad, Akademin för ekonomi, teknik och naturvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-37175.
Pełny tekst źródłaMorau, Alessandra Cristina Bonilha. "Análise sociossemiótica da loja Farm: interações e sentidos das práticas de vida e consumo da Rua Harmonia". Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21301.
Pełny tekst źródłaMade available in DSpace on 2018-08-08T11:24:05Z (GMT). No. of bitstreams: 1 Alessandra Cristina Bonilha Morau.pdf: 8317185 bytes, checksum: 013082d930e329db960c00b5bbb0e886 (MD5) Previous issue date: 2018-06-21
Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
The stores are seen as textual arrangements that allow the academic research of spatial manifestations. These, in turn, grant the opportunity of understanding what is lived in day-to-day practices of circulation and consumption of the surroundings. Without failing to consider that in commercial and urban spaces, strong proponents such as the city’s government and the economic enablers (brands), operate in an articulate way that act in do-believe, do-do, do-feel. Based on the analysis of several retail spaces in the street of São Paulo, Farm’s brand store, located in Vila Madalena, in the city of São Paulo, was selected as the object of this research. In order to analyze its identity, it will be taken into account its connection with the Beco do Batman and the Harmonia street. This research aims answer the following: how does the Farm’s store, through the its speech construction promote experiences and dialogue with the values of the surroundings? Farm’s relationship with the social and physical environment allows us to see how the values of one subject, figuratively, interpenetrate the production of sense and identity of the other. Thus, symbolic and semi-symbolic elements are used to communicate messages of tradition, mission and style, that the enunciator elects to give to his axiology. The discursive semiotics of Greimas (and followers) makes it possible to evidence the senses that emerge at the point of sale, in its generative path of meaning. The relations that evoke sense-making will be identified using the narratives between subjects according to Landowski. From this foundation, the research intends to point out how the dynamics of interaction between target subjects and recipients operate in the construction of meaning. These, concretised in the plasticity and syncretism with more elements of the expression, supported by studies of Floch and Oliveira. Thus, symbolic and semi-symbolic elements are used to communicate messages of tradition, mission and style that the enunciator elects to give to see its axiology. This research will therefore, bring contributions to the students of space, and to those of the consumption and communication universe
As lojas são vistas como arranjos textuais que permitem a investigação pelos estudiosos de manifestações espaciais, o que abre oportunidades de compreensão do vivido nas práticas diárias de circulação e consumo do entorno, sem deixar de considerar que, nos espaços comerciais e urbanos, fortes destinadores operam de modo articulado, tais como a administração pública da cidade e os destinadores econômicos (marcas), que atuam em fazer-crer, fazer-fazer, fazer-sentir. A partir da análise de diversos espaços do varejo nas ruas paulistana, foi selecionado como corpus de estudos a loja da marca Farm, situada na Rua Harmonia, no bairro Vila Madalena, na cidade de São Paulo. Para analisar a construção do simulacro da identidade da marca, será levada em consideração sua conexão com o Beco do Batman e os comércios da rua. Busca-se responder à seguinte questão: como a loja Farm, nos modos de construção de seu discurso, promove experiências que dialogam com os valores do entorno? Essa relação da loja Farm com o meio social e físico permite entrever como os valores de um sujeito, figurativizados, interpenetram a produção do efeito de sentido de identidade do outro. A semiótica discursiva de Greimas e seguidores possibilita elucidar os sentidos que emergem no ponto de venda, em seu percurso gerativo de sentido. As relações que convocam o fazer-sensível serão identificadas a partir das narrativas entre os sujeitos, segundo postulado da sociosemiótica de Landowski. Dessa fundamentação, a pesquisa aponta como a dinâmica das interações entre sujeitos destinadores e destinatários opera na construção de sentido. Essas relações concretizam-se na análise da plasticidade e sincretismo dos elementos da expressão, sustentada por estudos de Floch e Oliveira. Assim, distinguem-se elementos simbólicos e semissimbólicos utilizados para comunicar mensagens de tradição, missão e estilo que o enunciador elege para dar a ver sua axiologia. A pesquisa trará contribuições tanto para os estudiosos do espaço, quanto para aqueles do universo do consumo e da comunicação
Meneghetti, Diego Pontoglio. "Imagens imersivas : estudo sobre a dicotomia proximidade e afastamento no jornalismo visual /". Bauru : [s.n.], 2010. http://hdl.handle.net/11449/89380.
Pełny tekst źródłaBanca: Mauro de Souza Ventura
Banca: Alberto Carlos Augusto Klein
Resumo: Esta pesquisa é dedicada à relação entre proximidade e afastamento, provacada pelas imagens da mídia, por meio dos vínculos que tais superfícies produzem na mediação entre homem e mundo, e entre homem e a própria mídia. Com o objetivo de colaborar com a ampliação do estatuto epistemológico do jornalismo visual, este estudo considera que os sentidos produzidos pela informação visual são componentes importantes na construção discursiva das notícias. Por ser uma relação binária, polar e assimétrica, proximidade e afastamento atribuem à comunicação imagética cargas ora positivas, ora negativas, de acordo com sua configuração e contexto. A partir dessa dicotomia, serão analisadas diferentes formas de utilização das imagens no jornalismo brasileiro, especialmente nos suportes impressos e on-line, de acordo com estratégias discursivas que permitem aproximar ou afastar o observador da informação ou da própria midia. A construção teórica e conceitual do trabalho forma-se, principalmente, a partir dos estudos do teórico da mídia Harry Pross (sobre a teoria relacional dos signos e estrutura simbólica do poder), do filósofo Vilém Flusser (ao tratar sobre as formas de leitura das imagens), entre outros autores como Hans Belting, Dietmar Kamper e, do Brasil, Norval Baitello Junior, Malena Segura Contrera e Luciano Guimarães
Abstract: This research is dedicated to the relationship between proximity and remoteness, caused by media imagens, through the ties that such surfaces produce in the mediation between man and world, and between man and the media itself. The purpose of the research is support the epistemological expansion of visual journalism and it considers that the senses produced by the visual information are important in the discursive news construction. Proximity and remoteness have a binary, polar and asymmetric relation and because of this it attaches to imagery communication sometimes positive and sometimes negative load, according to its configuration and context. Different ways of using images in Brasilian journalism from this dichotomy will be analyzed, particularly in printed and online media. This will be according to the discursive strategies that allow the viewer zoom in or out of the information or the media itself. The theoretical and conepctual construction of work is mainly created from the media studies theorist Harry Poss (about the relational theory of signs and symbolic structure of power). It's also created from the philosopher Vilém Flusser (on how to handle the reading of images), besides other authors such as Hans Belting, Dietmar Kamper and, of Brazil, Norval Baitello Junior, Malena Segura Contrera and Luciano Guimarães
Mestre
Moore, Dianna. "An experiential group design to explore the impact of patriarchal culture and religion on women's faith development and God images and to facilitate composition of women's unique images of themselves and ultimate meaning". Theological Research Exchange Network (TREN), 1988. http://www.tren.com/search.cfm?p100-0091.
Pełny tekst źródłaLelièvre, Samuel. "Image et sens dans l'herméneutique et la philosophie de l'art de Paul Ricoeur". Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0078.
Pełny tekst źródłaRicoeur’s philosophical project can be broadly termed as a philosophical anthropology. Within this context, a main role is given to the issue of imagination through the resources of phenomenology, hermeneutics, and reflexive philosophy. The issue of picture, however, remains quite unknown and has not been much questioned; it might even be undermined by being reduced to the context of reproductive imagination as opposed to that of productive imagination within Ricoeur’s anthropology, and due to the emphasis on the linguistic relationship to sense or meaning. Yet, instead of opposing the plane of picture to the plane of sense or meaning, an articulated connection between those two planes should be sought. The issue of symbolism opened by Ricoeur in his Philosophie de la volonté provides the starting point for our investigation. From that early hermeneutics on to La mémoire, l’histoire, l’oubli, via De l’interprétation. Essai sur Freud, La Métaphore vive, and Temps et récit, one could also consider that picture makes us think. But the issue of symbolism cannot be distinguished from that of imagination. One also has to link two paths of Ricoeur’s philosophy through the issue of symbolism, one that is orientated in the path of hermeneutics – the progression to the standpoint set by Du texte à l’action –, another that links the project of a philosophical anthropology to the fields of art and aesthetics. The research is thus structured around four parts. A first part is focused on the articulated connection between Ricoeur’s philosophy of imagination and philosophical aesthetics by addressing the hermeneutical prospect as the condition for the effectiveness of this connection. Extending this hermeneutical stance, a second part seeks to establish a bond between Ricoeur’s notion of a critical hermeneutics and the issue of picture. A third part, concurrent with the context of a critical hermeneutics, aims to consider imagination as mediating the plane of art and the plane of experience by referring to Ricoeur’s reading of analytic philosophy and, more specifically, analytic philosophy of art. Relying on the previous parts, a fourth part finally addresses the field of film, articulating ontological, narrative, and social layers to a philosophical hermeneutics