Gotowe bibliografie tematyczne / Image and meaning

Gotowa bibliografia na temat „Image and meaning”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 stycznia 2023

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Artykuły w czasopismach na temat "Image and meaning"

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Takagi, Tomohiro, Kazushi Kawase i Kazuhiko Otsuka. "Image Retrieval using Conceptual Fuzzy Sets". Journal of Advanced Computational Intelligence and Intelligent Informatics 4, nr 6 (20.11.2000): 450–56. http://dx.doi.org/10.20965/jaciii.2000.p0450.

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An algorithm is described that uses fuzzy sets to handle word ambiguity, the main cause of vagueness in the meaning of a word. It is based on conceptual fuzzy sets (CFSs), which represent the meaning of words by linking other related words. A trial application of this algorithm to image retrieval showed that it can retrieve images that conceptually fit the meanings of the entered keyword based on the context understood from the characteristics of images. Experimental results showed that the proposed algorithm works well to represent various meanings of a keyword by linking it to other words and to connect words directly to image data. In addition, image retrieval starting with a sample image also worked well. First, a selected sample image was translated into abstract concepts, and images fitting the concepts were chosen.
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Lopes, D. M. "Mindsight: Image, Dream, Meaning". Philosophical Review 115, nr 4 (1.10.2006): 543–45. http://dx.doi.org/10.1215/00318108-2006-019.

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Pardo Ruiz, Ricardo, i Claudia Del Pilar Vélez De La Calle. "Imágenes y significación". Hermenéutica Intercultural, nr 24 (1.09.2016): 131. http://dx.doi.org/10.29344/07196504.24.540.

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ResumenLa ciencia de carácter positivo desconoció a la imagen como fuente de significación de la realidad. El artículo recoge y analiza las distintas maneras en las que esta ruptura sobrevivió durante el siglo XX, y las formas como al mismo tiempo fue complejizándose el concepto de imagen, deviniendo en una serie de posturas que hoy lo vinculan con mayor fuerza a la búsqueda de significaciones y sentidos. En las conclusiones se puntualizan tres factores decisivos en el distanciamiento con la tradición y la configuración de un nuevo horizonte de comprensión sobre el vínculo imagen - significación, que se sugiere abierto a las Ciencias Sociales y Humanas.Palabras clave: imagen - significación - lenguaje - lógica - sentidos - realidad - conciencia. AbstractThe science of positive character ignored the image as a source of meaning of the reality. The article presents and analyzes the different ways in which this break survived in the twentieth century, and the ways the image concept was becoming complex emerging different kinds of postures that today most strongly linked to the search for meanings and senses. The conclusions point out three key factors in the distance with tradition and setting up a new horizon of understanding of the link image – meaning suggested to the social and human sciences.Keywords: image - meaning - language - logic - sense - reality - consciousness. ResumoA ciência de caráter positivo ignorou a imagem como uma fonte desentido da realidade. O artigo recolhe e analisa as diferentes formas emque esta ruptura sobreviveu durante o século XX, e as formas como aomesmo tempo, foi se complejizando o conceito de imagem, tornando-senuma série de posturas que hoje é vinculada com mais forca na procurade significados e sentidos. Nas conclusões apontam-se três fatores decisivosno distanciamento com a tradição e a configuração de um novohorizonte de compreensão sobre o vinculo imagem - significação, quese sugere aberta para as Ciências Sociais e Humanas.Palavras-chave: Imagem - significação - linguagem - lógica - sentidos, realidade - consciência.
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Lingga, Good Sumbayak, Siti Rahma Matondang i Alemina Br. Perangin-angin. "MULTIMODALITY IN A PERFUME ADVERTISEMENT OF A FASHION MAGAZINE". Leksema: Jurnal Bahasa dan Sastra 6, nr 2 (31.12.2021): 199–210. http://dx.doi.org/10.22515/ljbs.v6i2.4263.

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Getting information from magazine is the most favorite behavior of every people. Especially women want to know about many products such as perfume. On this occasion, the researcher tries to analyze the type of meaning contained in an advertising image, namely perfume products. Through analysis using multimodal, it will be found what meaning is contained in the image. The meaning content that will be examined are Representational, Interactive, and Composition. In an advertisement, of course, it will create attractive images or visuals in order to make buyers interested in the product. The product that will be analyzed in this research is perfume. Perfume is a product that both men and women are interested in. Because everyone wants to smell good at all times these days. In a conclusion, the many characteristics of the image will be summarized. What are the multimodal meanings included in the advertisement's product image?
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Ni Wayan Kasni, Asrofil i Nur Afnita Asfar. "Texts and Images in Aquaman Movie (A Multimodal Discourse Analysis)". International Journal of Systemic Functional Linguistics 5, nr 1 (20.04.2022): 23–33. http://dx.doi.org/10.55637/ijsfl.5.1.4917.23-33.

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This study discussed texts and images in Aquaman Movie using a multimodal discourse analysis by Kress and Van Leeuwen's (2006) theory. The objectives of this study are to find out how the texts and images modes are used in the movie and how is the meaning of the text related to the meaning of the image. This research used the descriptive qualitative method. The source of data in this study was taken from Aquaman Movie. The data was collected through downloading, reading the dialogue, watching, screenshotting, selecting and coding the data based on the theory Kress and Van Leeuwen (2006). The result found the text and image components are used to know and identify the meaning contained in the Aquaman movie, which aims to provide information to readers and viewers through the modes displayed in the movie. The texts and images mode explain each other’s meaning and show related and non-conflicting meanings so that, can be easily understood by the public. Keywords: Aquaman Movie, Images, Multimodal Discourse Analysis, Texts
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Rensberger, Boyce. "Report: Image and Meaning Conference". Science Communication 23, nr 3 (marzec 2002): 342–47. http://dx.doi.org/10.1177/107554700202300308.

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Rubin, Daniel L. "Finding the Meaning in Images: Annotation and Image Markup". Philosophy, Psychiatry, & Psychology 18, nr 4 (2011): 311–18. http://dx.doi.org/10.1353/ppp.2011.0045.

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TOLUN, Elif Fatma. "MEANING THE TREE AS A CONTEMPORARY ART IMAGINE". IEDSR Association 6, nr 15 (20.09.2021): 288–98. http://dx.doi.org/10.46872/pj.366.

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In the time period extending from the past to the present, the tree appears as both an object and an image not only Turkish culture but also in different cultures. In addition, the tree has taken its place in art and art history as an important asset in human life. The tree, which seems an ordinary object but exists imaginatively in the field of art, has been given deep meanings in history. The tree has sometimes become set into an expression as an object, as a form or as a legend. It has sometimes been the symbol of life and death as the tree of life, the genealogy as an indicator of personal history, or a wishing tree that expresses hopes for the future, and sometimes it has been the object of a political reaction. In this study, it is emphasized how the 'tree' image is valued, how it has experienced a historical change process and how it is interpreted in today's art. Besides, it is focused on creating different meanings artistically through images and reconstruction with changes in meaning also producing new meanings. In summary, in this study, a perspective that criticize the different meaning and change process of the tree image with examples from some contemporary artists is presented.
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Vachkov, I. V., i M. A. Sukhoruchenkov. "Special Aspects of Sensual Images During Imago Therapy Process". Клиническая и специальная психология 6, nr 4 (2017): 125–47. http://dx.doi.org/10.17759/cpse.2017060409.

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The article presents the results of the study performed on 27 adults who have completed five imago therapeutic sessions. The subjects were split in two groups: problem-solving group and problem-analysis group. The peculiarities of sensory images that arise during the sessions by Glezer grounded theory method were studied. It turned out that the subject sensual tissue of the psychosemiological tetrahedron (the term of F. Vasiljuk) of the imago therapeutic image is represented mainly by sensory imaginary events and less frequently by sensual objects and recalled events. The pole and sensory tissue of meaning are least expressed in the imago therapeutic image. The pole and sensory tissue of personal meaning are significantly expressed by the imago therapeutic image. Not only elements relating to the imagination are woven into the imago therapeutic image but also elements reflecting the process of imaginative psychotherapy as a whole, a separate session, the process of imagination. These elements are closely related to the elements of imaginary and remembered events, their feelings and comprehension.
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Siddharta, Regina. "Semiotic Analysis of Sampoerna a Mild Image Creation". K@ta Kita 7, nr 3 (16.12.2019): 382–90. http://dx.doi.org/10.9744/katakita.7.3.382-390.

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This thesis mainly deals with the process of signification in order to find out what images are being built, how those images are represented, and what messages delivered in Sampoerna A Mild billboard advertisements through the use of semiotic resources. The focus of the writers’ analysis is the advertisements themselves, as the writer uses the process of signification that involves denotation, connotation, and myth. Those theories help the writers in analyzing the meaning of the advertisement first, and then figure out how meaning is created by the advertisement. Meaning in this research is an integrated form consisting the meaning from three level of signification process: denotative level, connotative level, and myth. This research uses qualitative content analysis method to describe the meaning of qualitative materials in a systematic way. At the end, those denotative meaning and connotative meaning build an image and create myth which naturalizes the image itself. Key Words: billboard advertisements, sampoerna a mild, semiotics, process of signification, connotation, denotation
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Rozprawy doktorskie na temat "Image and meaning"

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Arrigo, Michael Tood. "Image as metaphor, metaphor as meaning, meaning as existance". The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1303412484.

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Hutchins, Brett. "Bradman : representation, meaning and Australian culture /". [St. Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16171.pdf.

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Strandberg, Åsa. "The Gazelle in Ancient Egyptian Art : Image and Meaning". Doctoral thesis, Uppsala universitet, Egyptologi, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-107642.

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This thesis establishes the basic images of the gazelle in ancient Egyptian art and their meaning. A chronological overview of the categories of material featuring gazelle images is presented as a background to an interpretation. An introduction and review of the characteristics of the gazelle in the wild are presented in Chapters 1-2. The images of gazelle in the Predynastic material are reviewed in Chapter 3, identifying the desert hunt as the main setting for gazelle imagery. Chapter 4 reviews the images of the gazelle in the desert hunt scenes from tombs and temples. The majority of the motifs characteristic for the gazelle are found in this context. Chapter 5 gives a typological analysis of the images of the gazelle from offering processions scenes. In this material the image of the nursing gazelle is given particular importance. Similar images are also found on objects, where symbolic connotations can be discerned (Chapter 6). References to healing and regeneration are found, particularly in relationship to the context of the objects. The gazelle is found in a divine context in a limited material (Chapter 7). A discussion of these sources sees a focus on the gazelle as representative for the desert mountains as the setting for death and rebirth. This relates to the gazelle as a feminine image with a connection to the models of female divinity (Chapter 8).
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Strandberg, Åsa. "The gazelle in ancient Egyptian art : image and meaning /". Uppsala : University of Uppsala. Dept. of Archaeology and Ancient History, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018635196&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Mawby, Robert Iain. "The police image : a study of construction, communication and legitimacy". Thesis, Keele University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323682.

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Penkrat, Tatiana. "Image and liturgy the history and meaning of the Epitaphion /". Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p015-0478.

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Skousen, Benjamin Jacob. "Monkey Pots: Inferring Meaning Through Time and Space from Function, Decoration, and Context". Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3206.pdf.

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Infanger, Valori. "Speaking out : how women create meaning from the dove campaign for real beauty /". Diss., CLICK HERE for online access, 2010. http://contentdm.lib.byu.edu/ETD/image/etd3209.pdf.

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Fife, Megan Melissa. "A Meaning-Based Instruction to Enhance Literacy Learning in a Dual-Language Kindergarten Classroom". Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1192.pdf.

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Badger, Erin Houghtaling. "The influence of risk taking on student creation of mathematical meaning : Contextual Risk Theory /". Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2965.pdf.

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Książki na temat "Image and meaning"

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Mindsight: Image, dream, meaning. Cambridge, Mass: Harvard University Press, 2004.

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Image to meaning: Essays on Philippine art. Quezon City: Ateneo de Manila University Press, 2001.

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Stone, Karen. Image and spirit: Finding meaning in visual art. Minneapolis: Augsburg Books, 2003.

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Image and spirit: Finding meaning in visual art. Minneapolis: Augsburg Books, 2003.

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Maxwell, T. S. The gods of Asia: Image, text, and meaning. Delhi: Oxford University Press, 1997.

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Image and spirit: Finding meaning in visual art. London: Darton Longman & Todd, 2003.

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Reconstructing obesity: The meaning of measures and the measure of meanings. New York: Berghahn Books, 2013.

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1949-, Marchese Francis T., red. Understanding images: Finding meaning in digital imagery. Santa Clara, CA: TELOS, 1995.

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White, Edward T. Building meaning: Analysis and design for image-sensitive projects. Tallahassee, Fla: Architectural Media, 1996.

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Mural painting in Britain 1840-1940: Image and meaning. Oxford: Oxford University Press, 2000.

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Części książek na temat "Image and meaning"

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Norrman, Ralf. "Creating the World in Our Image". W Form Miming Meaning, 59. Amsterdam: John Benjamins Publishing Company, 1999. http://dx.doi.org/10.1075/ill.1.08nor.

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Gameson, Richard. "Chapter 2. The Image of the Medieval Library". W The Meaning of the Library, redaktor Alice Crawford, 31–71. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400865741-005.

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Kalyva, Eve. "Rhetorical Operations and the Discursive Creation of Meaning". W Image and Text in Conceptual Art, 177–224. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-45086-5_5.

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Kauffmann, C. M. "The Meaning of Biblical Imagery in Churches: Is the Liturgy the Answer?" W Image, Memory and Devotion, 61–67. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.sga-eb.1.100572.

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von Devivere, Beate. "The Image of Humans in Search for Meaning". W Meaningful Work: Viktor Frankl’s Legacy for the 21st Century, 7–17. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-89791-2_2.

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Wei, Songjie, Qianqian Wu i Milin Ren. "Relacha: Using Associative Meaning for Image Captcha Understandability". W Security, Privacy, and Anonymity in Computation, Communication, and Storage, 353–67. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-72389-1_29.

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Cienki, Alan. "Some Properties and Groupings of Image Schemas". W Lexical and Syntactical Constructions and the Construction of Meaning, 3. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/cilt.150.04cie.

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Dingley, Robert. "Meaning Everything: The Image of Pan at the Turn of the Century". W Twentieth-Century Fantasists, 47–59. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22126-4_5.

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Johnson, Mark L. "Il significato incarnato dell’architettura". W La mente in architettura, 39–56. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-286-7.04.

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Reflects on the nature of human meaning making through architecture. Meaning mak-ing is understood to be situated, relational, qualitative, dynamic and enacted. To appre-ciate the significance of architecture we need to understand how meaning is structured through the body. Some image-body schemas include containment, verticality, balance, forces and motion. Architecture’s moral imperative is to creatively transform the condi-tions of human habitation and interaction.
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Vernillo, Paola. "Grounding Abstract Concepts in Action". W Language, Cognition, and Mind, 167–94. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69823-2_8.

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AbstractSensory-motor information is linguistically encoded by action verbs. Such verbs are not only used to express action concepts and events, but they are also pervasively exploited in the linguistic representation of abstract concepts and figurative meanings. In the light of several theoretical approaches (i.e., Embodied Theories, Conceptual Metaphor Theory, Image Schema Theory), this paper analyzes the mechanisms that enable action verbs to acquire abstract meanings and that motivate the symmetries (or asymmetries) in the semantic variations of locally equivalent verbs (e.g., premere and spingere; Eng., to press and to push). The research is carried out within the IMAGACT framework and focuses on a set of four Italian action verbs encoding force (i.e., premere, spingere, tirare, and trascinare; Eng., to press, to push, to pull, and to drag). The results confirm that metaphorical extensions of action verbs are constrained by the image schemas involved in the core meaning of the verbs. Additionally, the paper shows that these image schemas are responsible for the asymmetries in the metaphorical variation of action verbs pertaining to the same semantic class (i.e., force).
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Streszczenia konferencji na temat "Image and meaning"

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Ayupova, Roza. "Phraseological Meaning and Image". W EUROPHRAS 2017 - Computational and Corpus-based Phraseology: Recent Advances and Interdisciplinary Approaches. Editions Tradulex, Geneva, Switzerland, 2017. http://dx.doi.org/10.26615/978-2-9701095-2-5_023.

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Attri, Shalini, i Yogesh Chander. "Reproducing Meaning: A Dialogic Approach to Sports and Semiotics". W GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.11-3.

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The wide variety of the components of signs stems from verbal communication to visual gestures, ciphers, images, music, and Morse code. Barthes’ Semiotic Theory restructured the theory of analyzing signs and allowed for a new understanding and interpretation of signs through seeing diverse cultures and societies. Saussure’s definition of the sign as a combination of signifier and signified led Barthes to further elucidate sign as connotative (cultural) and denotative (literal) processes. Semiotics can be applied to all aspects of life, as meaning is produced not in isolation but in totality, establishing multiple connotations and denotations. In the article “The World of Wrestling” published in Mythologies (1957), Barthes focused on images portrayed by the wrestler resulting in understanding of the wrestler’s image and the image of spectator. In Morse code, gestures can make any sport a spectacle of suffering, defeat and justice, representation of morality, symbols, anger, smile, passion etc., from which derive denotative and connotative meanings. Similarly, Thomas Sebeok identifies sign as one of six factors in communication, and which makes up the rich domain of semiotic research. These are message, source, destination, channel, code, and context. The present paper will focus on a dialogic relation between semiotics and sports, thus making it a text that reproduces meaning and represents certain groups. It focuses on various aspects of semiotics and their relation to sports. The paper also contemplates the versions and meanings of signs in sports that establish sport as an act of representation.
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Di Lecce, Vincenzo, i Andrea Guerriero. "Image feature meaning for automatic key-frame extraction". W Electronic Imaging 2004, redaktorzy Minerva M. Yeung, Rainer W. Lienhart i Chung-Sheng Li. SPIE, 2003. http://dx.doi.org/10.1117/12.526706.

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Abbadeni, N. "Perceptual meaning of the estimated parameters of the autoregressive model". W rnational Conference on Image Processing. IEEE, 2005. http://dx.doi.org/10.1109/icip.2005.1530604.

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Da Silva, Teofilo Augusto, i Suzete Venturelli. "Computational Image: a review about the image as simulation". W IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8953.

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This essay it’s a bibliographic review about the issue of the image in the computational art creation environment. With the technological breakthroughs, specially in the computer graphics, the computational images insert themselves in the art field to understand and discuss how they can interfere in sign and meaning matter. WIth the computational technology the images became machine generated and this phenomenon impacts are still under investigation. This work, that have as base the discussions brought by Edmond Couchot, Oliver Grau, Cláudia Gianetti, José Luis Brea, Pierre Lévy, Vilém Flusser, Suzete Venturelli and Cleomar Rocha, aims to show off the consequences, in the artist context, of numerical ambient images uses.
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"Extracting Semantic Meaning from Photographic Annotations using a Hybrid Approach". W International Workshop on Metadata Mining for Image Understanding. SciTePress - Science and and Technology Publications, 2008. http://dx.doi.org/10.5220/0002339700480057.

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"MEANING AND EFFICIENCY IN THE GESTALT-SYSTEM - An Approach to Automatic Image Description". W Mathematical and Linguistic Techniques for Image Mining. SciTePress - Science and and Technology Publications, 2007. http://dx.doi.org/10.5220/0002070601880193.

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Brodie, Roderick J., Maureen Benson-Rea i Christopher J. Medlin. "COUNTRY OF ORIGIN BRANDING: INTEGRATING COLLECTIVE MEANING WITH IDENTITY AND IMAGE". W Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Korean academy of marketing science, 2014. http://dx.doi.org/10.15444/gmc2014.01.04.01.

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Watanabe, Sayako, i Ichiro Kobayashi. "Image Generation Reflecting the Meaning of Language That Reveals Object’s Attributes". W 2022 Joint 12th International Conference on Soft Computing and Intelligent Systems and 23rd International Symposium on Advanced Intelligent Systems (SCIS&ISIS). IEEE, 2022. http://dx.doi.org/10.1109/scisisis55246.2022.10002075.

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Li, Jing. "The Mirror Image and Narrative Meaning of qSaturdayq in Michael Eun's Works". W 2017 International Conference on Humanities Science, Management and Education Technology (HSMET 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/hsmet-17.2017.161.

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Raporty organizacyjne na temat "Image and meaning"

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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina i Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], lipiec 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by (ethno)logy, and is implicitly embedded into (cosmo)logy. The technology application object is the text of the twentieth century Cuban poet José Ángel Buesa. The choice of poetry was dictated by the appeal to the most important function of emoji – the expression of feelings, emotions, and mood. It has been discovered that sensuality can reconstructed with the help of this type of meta-linguistic digital continuum. It is noted that during the emoji design in the Emoji Maker program, due to the technical limitations of the platform, it is possible to phenomenologize one’s own essential-empirical reconstruction of the lyrical image. Creating the image of the lyrical protagonist sign, it was sensible to apply knowledge in linguistics, philosophy of language, psychology, psycholinguistics, literary criticism. By constructing the sign, a special emphasis was placed on the facial emogram, which also plays an essential role in the transmission of a wide range of emotions, moods, feelings of the lyrical protagonist. Consequently, the Emoji Maker digital platform allowed to create a new model of digital presentation of fiction, especially considering the psychophysiological characteristics of the lyrical protagonist. Thus, the interpreting reader, using a specific digital toolkit – a visual iconic sign (smile) – reproduces the polylaterial metalinguistic multimodality of the sign meaning in fiction. The effectiveness of this approach is verified by the poly-functional emoji ousia, tested on texts of fiction.
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Dmytrovskyi, Zenon. THE TEXTBOOK, THAT TEACHES AND BRINGS UP. Ivan Franko National University of Lviv, luty 2022. http://dx.doi.org/10.30970/vjo.2022.51.11414.

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The review is about textbook on television and radio communication for students, teachers of faculties and departments of journalism, as well as journalists-practitioners, prepared by the author’s team edited by Vasyl Lyzanchuk. Textbok absorbed some considerations and conclusions from previous theoretical developments, which found a new meaning here, deeper argumentation, supplemented by many interesting observations that correspond to the spirit of the time, the innovations that have appeared in recent years in the media space of Ukraine. The textbook has ten sections, each of which is designed to enrich the student with knowledge of television and radio communications, teach him or her all that a media professional should know and be able to apply it in practice. The titles of the sections indicate their practical orientation: «Basic methodical measures of functioning of information radio and television genres», «How we analyze, interpret, explain facts, events, phenomena», «Features of the creation of artistic programs on radio and television» and others. All sections of the textbook are meaningfully connected and constructed in such a way as to provide students with the opportunity to gradually, step by step to deepen their theoretical and practical knowledge of television and radio communications. This is undoubtedly the merit of the authors of the edition. The student will benefit from the numerous examples of television and radio materials prepared by the students themselves. Their creative work should convince that this work can serve as a stimulus for creative work for future journalists during their years of study. In addition to professional competence, as rightly emphasized in the textbook by Professor Vasyl Lyzanchuk, “It is very important to form in students, future journalists, socio-national competence, deep understanding of the essence of freedom of speech and responsibility for the content of the spoken word and image, to develop the belief that they are active participants in the Ukrainian state-building processes, and not intermediaries or repeaters of information”. It should be noted that the educational element is present throughout the textbook starting with the first chapter, historical (author Professor Ivan Krupskyi). While studying this textbook, students should realize that from the honor of journalists, their dignity, patriotism depends on the honor, authority, bright name of Ukraine, its future; that their assertion of Ukrainian national identity is the key to further prosperity of our state.
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