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Artykuły w czasopismach na temat "Iconographic representations"
Laugrand, Frédéric, i Jarich Oosten. "Representing the “Sea Woman”". Religion and the Arts 13, nr 4 (2009): 477–95. http://dx.doi.org/10.1163/107992609x12524941450000.
Pełny tekst źródłaOdak, Marina. "From an imperial stemma to a laurel wreath. Images of rulers on prince Lazar’s coinage". Zograf, nr 46 (2022): 175–90. http://dx.doi.org/10.2298/zog2246175o.
Pełny tekst źródłaKnight, Vernon. "Style and Configuration in Prehistoric Iconography". Southern Anthropological Society Proceedings 42, nr 1 (2013): 223–38. http://dx.doi.org/10.56702/mpmc7908/saspro4201.10.
Pełny tekst źródłaFundic, Leonela. "Picturing Christ’s childhood: Some examples of a rare iconographic theme inspired by the infancy gospels". Zograf, nr 37 (2013): 133–45. http://dx.doi.org/10.2298/zog1337103f.
Pełny tekst źródłaÖZRİLİ, Yaşar. "THE CROSS IN BYZANTINE ART: ICONOGRAPHY SYMBOLISM AND MEANING". KutBilim Sosyal Bilimler ve Sanat Dergisi 3, nr 2 (28.12.2023): 116–30. http://dx.doi.org/10.58642/kutbilim.1384706.
Pełny tekst źródłaVolodarskaya, Elena A. "A Study of the Scientist’s Image in the Context of S. Moscovici’s Theory of Social Representations". RUDN Journal of Psychology and Pedagogics 18, nr 2 (15.12.2021): 402–21. http://dx.doi.org/10.22363/2313-1683-2021-18-2-402-421.
Pełny tekst źródłaVinzent, Jutta. "In Search of Hybridity: Inculturation, Interculturation and Transculturation in Contemporary Religious Art in Britain". Exchange 39, nr 1 (2010): 29–48. http://dx.doi.org/10.1163/016627410x12559405201117.
Pełny tekst źródłaRussell-Smith, Lilla. "Stars and Planets in Chinese and Central Asian Buddhist Art in the Ninth to Fifteenth Centuries". Culture and Cosmos 10, nr 1 and 2 (październik 2006): 99–124. http://dx.doi.org/10.46472/cc.01210.0213.
Pełny tekst źródłaBeckerlegge, Gwilym. "Iconographic representations of Sri Ramakrishna and Swami Vivekananda". Journal of Contemporary Religion 11, nr 3 (październik 1996): 319–35. http://dx.doi.org/10.1080/13537909608580778.
Pełny tekst źródłaRaaphorst, Kevin, Gerda Roeleveld, Ingrid Duchhart, Wim Van der Knaap i Adri Van den Brink. "Reading landscape design representations as an interplay of validity, readability and interactivity: a framework for visual content analysis". Visual Communication 19, nr 2 (11.06.2018): 163–97. http://dx.doi.org/10.1177/1470357218779103.
Pełny tekst źródłaRozprawy doktorskie na temat "Iconographic representations"
Rouhani, Esfahani Mina. "Représentation des femmes dans l'argenterie sassanide du IIIe au VIIe siècle : une approche iconographique". Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0618.
Pełny tekst źródłaThe study of women representations on works of art from Sasanid Iran (224-651 CE) has not only meant a tremendous challenge subject but also a source of pleasure and curiosity. During the four Sassanid centuries, the female representations on silver vessels have increased especially at the end of this period. The relevant iconography on vessels have significantly changed more than on any other artistic sources of this period such as the rock reliefs, seals, coins, mosaics, stucco and figurines.Volume I (text, illustrations) in three chapters, studies women representations on silver vessels and addresses the comparison of its iconography with other works of art of this period.Volume II is the catalog of iconographic documents on women representations on Sassanid silver vessels from the 3rd to the 7th century (61 silver objects).An appendix contains additional explanations, tables and figures to support the chapters of Volume I
Cohen, Golda. "Les représentations sociales du médicament : une perspective iconographique". Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30093/document.
Pełny tekst źródłaThe medicine is a social object that is at the heart of many material and symbolic relationships. In order to know the opinions and knowledge associated with it within the French population, we mobilized the theoretical framework of social representations. Due to the massive spread of images in new mediums of communication, we chose to limit the research that constitutes this PhD in the iconographic perspective. As such, our investigations revolve around two axes: The first axis (N = 946) is concerned with the involvement of the mental imagery in the formation of social representation of the medicine. The three investigations carried out with this focus allowed us to observe the collective nature of mental imagery, encouraging research on the images. The second axis (N = 615) focuses in the processes mobilized by individuals when it comes to selecting, memorizing and understanding the images associated with the prototypical words of the social representation of the medicine. The results suggest the development of a methodology with the images. As a whole, the investigations invite the reader on one hand, to consider the importance of social representations in the deciphering of visual images, on the other hand to dig deeper in the iconography of the methodological perspective of the theory of social representations
Sarrasin, Francine. "La representation des instruments de musique : iconographie de la vie culturelle au canada". Paris, EHESS, 1986. http://www.theses.fr/1986EHESA112.
Pełny tekst źródłaMy thesis is based on the analysis of musical instruments in canadian works such as paintings, drawings, etchings. . . I have previously listed more than three hundred of the latter from the great eastern canadian museums (national gallery of canada, fine arts museum of montreal, museum of quebec, royal ontario museum. . . ). This inventory is not exhaustive but significant enough to layout the different chapters and set off the process of analysis. On the methodological point of view, the study of the different kinds of representations and the specific character of the chosen iconographic theme (the musical instrument), extend the area of my investigations. The iconology remains the principal way of my intervention but is frequently linked with the historical or sociological study, with the musical, ethnological or philosophical reference. The use of several methods of working in different specialized fields is a good way to circumvent the polysemic meaning of the subject which is concerned. One of the basic hypotheses is that the musical instruments, as figured in paintings, reveal something about the cultural reality. The canadian specification expresses itself principally with the instruments of the three first chapters: the instrument used in merrymaking: the fiddler's violin; -the instruments played outdoors: the military brittain wind-band and the indians' music; -the woman pianist. The three last chapters discuss a more universal subject. They are about the musical instrument in the portrait, the symbolism of the mythological lyre and of religious instruments and about still-life. The musical instruments which are played on in the first scenes become progressively silent. About this music, the representation takes over from which is represented
Ukmar, Victor Alexander. "The Photographic Representation of Refugees". Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21902.
Pełny tekst źródłaBARRY, YAYA. "Representations of British Salafi Responses to the 7/7 Bombings : An Iconographical Analysis". Thesis, Uppsala universitet, Teologiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-230208.
Pełny tekst źródłaGubel, Éric. "Phoenician furniture : a typology based on Iron Age representations with reference to the iconographical context /". Leuven : Peeters, 1987. http://catalogue.bnf.fr/ark:/12148/cb36149936v.
Pełny tekst źródłaLavigne, Philippe. "Représentations et significations du mythe de l'âge d'or dans les arts figurés (XV - XVIIIème siècle)". Thesis, Bordeaux 3, 2013. http://www.theses.fr/2013BOR30059/document.
Pełny tekst źródłaFrom the origins of history to the commonplaces it has become today, the myth of the Golden Age takes up a peculiar place in the collective psyche. Without a hero or a plot ; synonymous with an idealized life and a plenitude state, deep-rooted in the past and the future at the same time, it provides literature, poetry and philosophy with umpteen thoughts about the Human Condition. Yet in the field of the figurative arts, the expressions of the first starts of the modern thought are scarce. The Renaissance – whose very denomination make sense then – will pay a particular attention to set iconographic codes which are still in force. The representations of a cheering up or entertaining careless mankind show all the richness of their literary counterparts, from Virgil to Ovid in particular. Thus, under the cover of a conspicuous easiness, the pictured Golden Age send back to often mixed significations wich refer to politicics, religion and morals. However, if considered in the European sphere between 15th and the 18th century, these interpretations show some slightly different approaches which may reflect some deeper dissentions
Venorsky, Sarah Jean. "VISUAL REPRESENTATIONS OF ADAM AND EVE:AN ICONOGRAPHICAL STUDY OF MEDIEVAL AND RENAISSANCE IMAGES CONCERNING GENESIS 1-3". Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470076561.
Pełny tekst źródłaRobinson, T. P. E. "Cords of time : an iconographic analysis of the flat two dimensional knot in the context of classic period Maya representation". Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1427442/.
Pełny tekst źródłaFraser, Charikleia Konstantina. "The iconography of late Anglo-Saxon kingship representations of kings Æthelstan, Edgar, and Cnut in three illuminated manuscripts". Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/32212.
Pełny tekst źródłaKsiążki na temat "Iconographic representations"
Foundation, A. G. Leventis, red. Aspects of everyday life in ancient Cyprus: Iconographic representations. Nicosia: A.G. Leventis Foundation, 2006.
Znajdź pełny tekst źródłaBesares, Dominador. Hinabol nga pagtuo: An ethno-iconographic representation of St. Augustine as a Vissayan. Iloilo City, Philippines: University of San Agustin, 2004.
Znajdź pełny tekst źródłaMcAlpine, Duncan Alister. Film robot: An iconographic study of the representation of the robot in science fiction film ... [s.l.]: typescript, 1985.
Znajdź pełny tekst źródłaWalbiri iconography: Graphic representation and cultural symbolism in a central Australian society. Chicago: University of Chicago Press, 1986.
Znajdź pełny tekst źródłaDidactic narration: Jataka iconography in Dunhuang with a catalogue of jataka representations in China. Münster: Lit, 2000.
Znajdź pełny tekst źródłaVrieje Universiteit Brussel. Faculteit der Letteren en Wijsbegeerte. Sectie Kunstgeschiedenis enArcheologie., red. Phoenician furniture: A typology based on Iron Age representations with reference to the iconographical context. Leuven: Peeters, 1987.
Znajdź pełny tekst źródłaSourvinou-Inwood, Christiane. Studies in girlsʼ transitions: Aspects of the arkteia and age representation in Attic iconography. Athens: Kardamitsa, 1988.
Znajdź pełny tekst źródłaSourvinou-Inwood, Christiane. Studies in girls' transitions: Aspects of the arkteia and age representation in Attic iconography. Athens: Kardamitsa, 1988.
Znajdź pełny tekst źródłaNadav, Naʼaman, Zevulun ʻUzah, Ziffer Irit, Makhon le-arkheʼologyah ʻa. sh. Sonyah u-Marḳo Nadler. i Universiṭat Tel-Aviv Makhon le-arkheʼologyah, red. Imagery and representation: Studies in the art and iconography of ancient Palestine : collected articles. Tel Aviv: Emery and Claire Yass Publications in Archaeology, 2002.
Znajdź pełny tekst źródłaE, Cosgrove Denis, i Daniels Stephen, red. The Iconography of landscape: Essays on the symbolic representation, design, and use of past environments. Cambridge [England]: Cambridge University Press, 1988.
Znajdź pełny tekst źródłaCzęści książek na temat "Iconographic representations"
Pasquali, Paola. "Medical Iconographic Representations in the Pre-photographic Era". W Photography in Clinical Medicine, 3–14. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24544-3_1.
Pełny tekst źródłaPop-Curşeu, Ioan, i Ștefana Pop-Curșeu. "Doomsday and Hellfire: Iconographic Representations of Witchcraft in Last Judgment Compositions". W Witchcraft in Romania, 219–304. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-15222-1_6.
Pełny tekst źródłaPenco, Sara. "Smarticon: a Digital Eco-System for Cultural Heritage. Iconographic Convergences in Art and in World Religions". W Proceedings e report, 135–42. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.33.
Pełny tekst źródłade Brouwer, Jérôme, i Xavier Rousseaux. "A Ghostly Corpse in the City? Spatial Configurations and Iconographic Representations of Capital Punishment in the ‘Belgian’ Space (16th–20th C.)". W Ius Gentium: Comparative Perspectives on Law and Justice, 337–68. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90787-1_17.
Pełny tekst źródłaMailleur, Stéphanie, i Renato Saleri. "Imagining Roman Port Cities: From Iconographic Evidence to 3D Reconstruction". W Beyond Digital Representation, 279–90. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36155-5_18.
Pełny tekst źródłaRomán-Odio, Clara. "Globalization and Chicana Politics of Representation". W Sacred Iconographies in Chicana Cultural Productions, 99–117. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137077714_5.
Pełny tekst źródłaXian, Zhou. "Wang Guangyi's The Great Criticism and pop iconography". W Cultural Representation and Cultural Studies, 230–45. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003407089-21.
Pełny tekst źródłaMounin, Georges. "Iconography and Semiology: Representations of the Crucifixion". W Semiotic Praxis, 127–34. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4684-4829-0_12.
Pełny tekst źródłaGraziani, Michela. "Il Portogallo nel XVIII secolo". W Studi e saggi, 13–129. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0128-5.04.
Pełny tekst źródłaStandish, Paul. "Signs of the Times: Iconography of a New Education". W Educational Research: Material Culture and Its Representation, 179–89. Cham: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-03083-8_12.
Pełny tekst źródłaStreszczenia konferencji na temat "Iconographic representations"
Banu, Ionut Alexandru. "Iconographic representations on glass from the collection of dr. Nicolae Minovici museum of popular art". W Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.18.
Pełny tekst źródłaBandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING". W NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.
Pełny tekst źródłaNovello, Giuseppa, i Maurizio Marco Bocconcino. "Dal Theatrum Sabaudiae: disegni di fortificazioni nelle raffigurazioni celebrative di una dinastia". W FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11522.
Pełny tekst źródłaVitali, Marco, Giulia Bertola, Fabrizio Natta i Francesca Ronco. "Modelli plastici di architettura militare: valore di un patrimonio culturale da preservare e valorizzare nell’era digitale". W FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11537.
Pełny tekst źródłaTalenti, Simona. "Visions “humaines” ou “infernales”: les moyens de transport et la perception de la ville chez Le Corbusier". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.821.
Pełny tekst źródłaPajić, Sanja, i Roza G. Damiko. "UMETNIČKO – ISTORIJSKE VEZE KRAJEM 13. I POČETKOM 14. VEKA: ZAJEDNIČKE TEME U SRPSKOJ I ITALIJANSKOJ UMETNOSTI". W Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.581p.
Pełny tekst źródłaShajani, Nafiseh. "MILLENNIAL REPRESENTATIONS OF MEDIEVAL RELIGIOUS SCHISM IN WESTERN MEDIA: An Iconographic Analysis of Dante�s Inferno 28 and the Twenty-First Century Films Dracula Untold and Kingdom of Heaven". W 8th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscah.f2021/s06.11.
Pełny tekst źródłaRodríguez Romero, Eva Juana, Carlota Sáenz de Tejada Granados i Rocío Santo-Tomás Muro. "The role of historical green spaces in the identity and image of today’s cities: The case of Madrid". W 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5340.
Pełny tekst źródłaPalestini, Caterina, i Carlos Cacciavillani. "Integrazioni multidisciplinari: storia, rilievo e rappresentazioni del castello di Palmariggi in Terra d’Otranto". W FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11358.
Pełny tekst źródłaTalha Farooqi, Abu, i Sourav Banerjea. "Visual Culture, Disciplinary Engagement and Drawing: Pedagogical Possibilities for an Indian Way of Architectural Thinking". W 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.33.
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