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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 20 lutego 2023

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1

Lawhead, Stephen. Howard had a spaceship. Tring: Lion, 1986.

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2

Lawhead, Stephen. Howard had a spaceship. Tring [Herts., England]: Lion Pub. Corp., 1986.

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3

Howard Finster: Man of visions. Atlanta: Peachtree Publishers, 1989.

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1916-, Finster Howard, red. Howard Finster, man of visions. New York: Knopf, 1989.

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5

Kelton, Elmer. The art of Howard Terpning. New York: Bantam Books, 1992.

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6

Howard, Fogg, red. Howard Fogg and the diesel image. Mineola, N.Y: Weekend Chief Pub. Co., 1987.

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7

Phipps, Howard. Interiors: Wood engravings by Howard Phipps. Andoversford: Whittington Press, 1985.

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8

Allen, Cohen. Howard Hanson in theory and practice. Westport, Conn: Praeger, 2004.

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9

Hill, Ronald C. The railroad artistry of Howard Fogg. San Rafael, Calif: Cedco Pub., 1999.

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10

Forster, E. M. E.M. Forster's Howards End. New York: Pearson Longman, 2009.

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11

Christopher, Murray. Howard Finster: American flag paintings : exhibition and catalogue. Washington, D.C: Govinda Gallery, 1992.

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12

Read. The Howards of Caxley. Thorndike, Me: Center Point Pub., 2005.

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13

Read. The Howards of Caxley. Halifax: Remploy Press, 1994.

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14

Read. The Howards of Caxley. Chicago, Ill: Academy Chicago, 1988.

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15

Behrens, Howard. Howard Behrens: An artist's view of the world. New York: Soho Editions, 1993.

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16

Anna Howard Shaw: The story of a pioneer. Cleveland, Ohio: Pilgrim Press, 1994.

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17

Peacock, Robert. Paradise garden: A trip through Howard Finster's visionary world. San Francisco: Chronicle Books, 1996.

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18

Finster, Howard. The worlds folk art church: Reverend Howard Finster and family. Redaktorzy Viera Ricardo, Girardot N. J, Ralph Wilson Gallery i Lehigh University Art Galleries. Bethlehem, Pa: Lehigh University Art Galleries, 1986.

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19

Potts, Donna L. Howard Nemerov and objective idealism: The influence of Owen Barfield. Columbia: University of Missouri Press, 1994.

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20

Brown, William A. Howard L. Worner: The Wean Collection at the Butler. Youngstown, Ohio: Butler Institute of American Art, 1997.

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21

In remembrance and hope: The ministry and vision of Howard G. Hageman. Grand Rapids, Mich: Wm.B. Eerdmans, 1998.

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22

Timothy, Morrell, Australia Council i Biennale di Venezia (48th: 1999), red. Howard Arkley: The home show : Australian Pavilion, 48th Venice Biennale of Art 1999. [Melbourne?]: Australia Council, 1999.

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23

Weeden, Howard. Shadows on the wall: The life and works of Howard Weeden. Huntsville, AL: Burritt Museum, 1996.

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24

Morris, Clifford. Perceived cognitive interests by grade eight pupils within Howard Gardner's framework. [[Kanata, Ont.]]: C. Morris, J. Dionne, 1993.

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25

Behrens, Howard. Howard Behrens: New expressionist paintings, exhibition April 9 through April 26, 1986. Palm Beach, Fla: Wally Findlay Galleries, 1986.

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26

1952-, Patterson Tom, red. Howard Finster, stranger from another world: Man of visions now on this earth. New York: Abbeville Press, 1989.

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27

Washington University (Saint Louis, Mo.). Gallery of Art., red. The crossing of borders and the creation of worlds: The art of Howard Jones. St. Louis, Mo: Washington University Gallery of Art, 1993.

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28

Dinan, John A. Chicago ain't no sissy town: The regional detective fiction of Howard Browne. San Bernardino, Calif: Brownstone Books, 1997.

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29

Nugent, John C. The politics of Yahweh: John Howard Yoder, the Old Testament, and the people of God. Eugene,Or: Cascade Books, 2011.

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30

Gardner, Howard. Jiadena er tong qi meng yin yue: Howard Gardner functional music for children. [Jinan Shi]: Qi lu dian zi yin xiang chu ban she, 2005.

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31

Howard, Ian. Ian Howard: Paintings, prints and related works. Third Eye Centre, 1989.

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32

The Human touch: New work by young artists from England and Scotland; Philip Braham, Joyce Cairns, Christopher Cook, Jacinta Feeney, Simon Fraser, Gwen Hardie, Ian Howard, Ian Hughes, Ansel Krut, Anthony Lysycia. London: Fischer Fine Art, 1986.

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33

Clark, Nicola. Epilogue. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198784814.003.0008.

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The Howard dynasty tumbled dramatically from its position of power and favour at the very end of Henry VIII’s reign in 1546 with the arrest and imprisonment (until 1553) of the family patriarch Thomas Howard, Third Duke of Norfolk, and the arrest and subsequent execution (in January 1547) of his son and heir Henry, Earl of Surrey. The ‘fall of the Howards’ is often considered to have set the tone for the Howard family’s fortunes until Mary I’s accession in 1553, and is thus of considerable importance to the dynasty’s post-Henrician narrative. Beginning with an analysis of this episode, this epilogue explores the activities and experiences of the Howard women from the end of Henry VIII’s reign onwards, until the accession of Elizabeth in 1558, at which point a new generation of Howard women flooded into the new Queen’s household.

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34

Clark, Nicola. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198784814.003.0009.

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The conclusion draws together the key themes of the book in order to raise the question of the existence of any form of ‘family strategy’ among dynasties like the Howards. The actions of these women suggest that there were sometimes coherent group strategies, most discernibly in efforts to evade life-threatening legal convictions, or, more usually but less obviously, in attempts to augment the family’s fortunes by promoting family and clients. Among the Howards, however, collective strategy was rare. The conclusion also reflects on the role of the women of the dynasty in perpetuating dynastic identity. Families and individuals were themselves responsible for writing and rewriting their own dynastic history, and, therefore, their dynastic identity. Women could be the source of its creation, its subject, and the means by which it was passed on. It also shows that throughout the early modern period, a Howard woman remained a Howard woman no matter how many marriages she experienced.

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35

Ferguson, Gillum. Howard. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036743.003.0008.

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This chapter examines the new commander in the Illinois and Missouri territories—Brigadier General Benjamin Howard, a native Kentuckian. Although no professional soldier, in his youth Howard had fought Indians in his state's border warfare and he is said to have commanded volunteers attached to Anthony Wayne's army. After peace was restored, Howard entered a career in his native Lexington as a lawyer and, briefly, as a judge. In 1800 he was elected to the Kentucky legislature and in 1807 to the United States House of Representatives. Howard served in the Tenth and Eleventh Congresses, but in 1810 he resigned from Congress to accept appointment as governor of Louisiana (soon renamed Missouri) Territory, a post in which he succeeded the ill-fated Meriwether Lewis.

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36

Barton, Gregory A. To the Empire and Beyond. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199642533.003.0007.

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This chapter traces the expansion of industrial agricultural methods after the Second World War. Western governments and the Food and Agriculture Organization pushed for increased use of chemical fertilizers to aid development and resist Soviet encroachment. Meanwhile small groups of organic farmers and gardeners adopted Howard’s methods in the Anglo-sphere and elsewhere in the world. European movements paralleled these efforts and absorbed the basic principles of the Indore Method. British parliament debated the merits of organic farming, but Howard failed to persuade the government to adopt his policies. Southern Rhodesia, however, did implement his ideas in law. Desiccation theory aided his attempts in South Africa and elsewhere, and Louise Howard, after Albert’s death, kept alive a wide network of activists with her publications.

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37

Clark, Nicola. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198784814.003.0001.

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The Introduction outlines the historiographical context for this study and introduces the Howards. It argues that we need to appreciate the importance of the Howard women, but that we can only fully understand this by placing them in their many contexts: at court as well as at home, as sisters and cousins as well as wives and mothers; and by appreciating the interaction and intersection of their full kaleidoscope of identities, as Howards, as evangelical, conservative, or otherwise in religion, as subjects of the crown, as both patronesses and petitioners. None of these categories is sufficient explanation of their role taken in isolation, and all need to be seen side by side. This highlights the ongoing need to integrate women into sixteenth-century political historiography, and also a need to nuance our understanding of the triangular relationship between elite women, the aristocratic dynasty, and the early modern state.

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38

Kaminsky, Stuart M. The Howard Hughes Affair. Blackstone Audiobooks, 1999.

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39

Kaminsky, Stuart M. The Howard Hughes Affair. Warner Books, 1990.

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40

Pyle, Howard. Howard Pyle's Book of Pirates. IndyPublish.com, 2003.

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41

Pyle, Howard. Howard Pyle's Book of Pirates. IndyPublish.com, 2003.

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42

Pyle, Howard. Howard Pyle's Book of Pirates. BiblioBazaar, 2007.

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43

Pyle, Howard. Howard Pyle's Book Of Pirates. Kessinger Publishing, 2004.

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44

Pyle, Howard. Howard Pyle's Book of Pirates. Echo Library, 2006.

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45

Pyle, Howard. Howard Pyle's Book of Pirates. IndyPublish.com, 2006.

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46

Kelton, Elmer. The Art of Howard Terpning. The Greenwich Workshop Press, 2001.

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47

Lindsey, Treva B. Climbing the Hilltop. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252041020.003.0002.

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By the first decade of the twentieth century, Howard University emerged as the premier institution for higher learning for African Americans. Using the life of Lucy Diggs Slowe, a Howard alumnus and the first Dean of Women at Howard, this chapter discusses the experiences of African American women at Howard during the early twentieth century to illustrate how New Negro women negotiated intra-racial gender ideologies and conventions as well as Jim Crow racial politics. Although women could attend and work at Howard, extant African American gender ideologies often limited African American women’s opportunities as students, faculty, and staff. Slowe was arguably the most vocal advocate for African American women at Howard. She demanded that African American women be prepared for the “modern world,” and that African American women be full and equal participants in public culture. Her thirty-plus years affiliation with Howard makes her an ideal subject with which to map the emergence of New Negro womanhood at this prestigious university. This chapter presents Howard as an elite and exclusive site for the actualization of New Negro womanhood while simultaneously asserting the symbolic significance of Howard University for African American women living in and moving to Washington. Although most African American women in Washington could not and did not attend or work at Howard, this institution was foundational to an emergent sense of possibility and aspiration that propelled the intellectual and cultural strivings of African American women in New Negro era Washington.

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48

Clark, Nicola. ‘Many kyne and few that dothe for me’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198784814.003.0002.

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Family relationships were the cornerstone of society, especially for women, whose time was often spent advancing their kin. But not every relationship between kin could be positive all of the time, and this is as true for women as for men. Noble dynasties are often presented either as a series of coherent family groups united in pursuit of shared goals, or, conversely, as disparate individuals as likely to fight as unite, and women are not always given space in these interpretations. Yet this need not be an either/or choice. While both these interpretations might be true under extraordinary circumstances, even the Howards did not live every moment under such intense pressures. This chapter examines the everyday relationships between the Howard women and their kin, arguing that the family were neither automatically united nor wholly disunited.

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49

Bradshaw-Jones, Colin, i Howard David Johnson. The Fairy Art of Howard David Johnson. Lulu.com, 2006.

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50

Fogg, Howard, Al Chione i Ronald C. Hill. The Railroad Artistry of Howard Fogg. Cedco Publishing Company, 1999.

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