Gotowa bibliografia na temat „Humanities -> music -> techniques”
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Artykuły w czasopismach na temat "Humanities -> music -> techniques"
Comber, Chris, David J. Hargreaves i Ann Colley. "Girls, Boys and Technology in Music Education". British Journal of Music Education 10, nr 2 (lipiec 1993): 123–34. http://dx.doi.org/10.1017/s0265051700001583.
Pełny tekst źródłaEhmann, Andreas F., i J. Stephen Downie. "Music to knowledge: A visual programming environment for the development and evaluation of music information retrieval techniques". Journal of the Acoustical Society of America 118, nr 3 (wrzesień 2005): 2031. http://dx.doi.org/10.1121/1.4785794.
Pełny tekst źródłaSmith, Julius O. "Signal processing techniques in music synthesis based on a physical model." Journal of the Acoustical Society of America 90, nr 4 (październik 1991): 2336. http://dx.doi.org/10.1121/1.402205.
Pełny tekst źródłaMills, John A. "The application of cochlear audio analysis techniques to electro‐acoustic music". Journal of the Acoustical Society of America 115, nr 5 (maj 2004): 2450. http://dx.doi.org/10.1121/1.4782231.
Pełny tekst źródłaMills, John. "Application of cochlear analysis techniques to percussion in electro‐acoustic music". Journal of the Acoustical Society of America 117, nr 4 (kwiecień 2005): 2477. http://dx.doi.org/10.1121/1.4787600.
Pełny tekst źródłaPiryazeva, Elena Nikolaevna. "Digital music art through the prism of interdisciplinarity". Философия и культура, nr 12 (grudzień 2020): 25–39. http://dx.doi.org/10.7256/2454-0757.2020.12.34491.
Pełny tekst źródłaWeymann, Eckhard. "Improvisation as “unthought known”: creative techniques in music therapy supervision". Nordic Journal of Music Therapy 25, sup1 (30.05.2016): 114–15. http://dx.doi.org/10.1080/08098131.2016.1180133.
Pełny tekst źródłaKvistad, Garry M. "Rhythmic techniques and psychoacoustic effects of the percussion music of Steve Reich". Journal of the Acoustical Society of America 134, nr 5 (listopad 2013): 4187. http://dx.doi.org/10.1121/1.4831357.
Pełny tekst źródłaAnderson Mills, John. "Application of cochlear analysis techniques to finding percussive events in electro‐acoustic music". Journal of the Acoustical Society of America 121, nr 5 (maj 2007): 3061. http://dx.doi.org/10.1121/1.4781825.
Pełny tekst źródłaMills, Anderson. "Application of cochlear analysis techniques to finding percussive events in electro‐acoustic music". Journal of the Acoustical Society of America 119, nr 5 (maj 2006): 3440. http://dx.doi.org/10.1121/1.4786932.
Pełny tekst źródłaRozprawy doktorskie na temat "Humanities -> music -> techniques"
Clemen, Hannah E. "The use of principles and techniques derived from meditation for the design and creation of co-participatory musical systems". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2005. https://ro.ecu.edu.au/theses/644.
Pełny tekst źródłaBroadhurst, Emily H. "The effect of frustration reduction techniques on self-reported mood scales and physiological responses". Thesis, University of the Pacific, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1558976.
Pełny tekst źródłaThe purpose of this study was to explore treatment options for aggression-related disorders. Two activities were examined to validate their use as frustration-reduction techniques --yoga and therapeutic drumming. Twenty-two college students were randomly assigned to participate in one of three groups--yoga, drumming, or silence (control)--following experimentally-induced frustration using a computerized Stroop color-word technique. Self-reported emotion levels and physiological responses were tracked at baseline, post-frustration, and post-treatment to measure responses to treatment. Results indicate that self-reported frustration levels were significantly reduced in all experimental groups, but physiologic responses showed no significant changes. A Multivariate Analysis of Variance (MANOVA) indicated no significant difference in lowered frustration for any of the treatment groups, suggesting that they are equally effective. These results also suggest that the passage of time may be key to successful emotion regulation. Further study should examine control variables and methodology to identify other factors that may be involved in regulating aggressive emotions.
Th'ng, Hannah. "Larry Sitsky’s Century: A response to selected twentieth-century notation, associated piano techniques, and performance possibility". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2023. https://ro.ecu.edu.au/theses/2662.
Pełny tekst źródłaGafor, Susan, i Hartmann Lise Sihvola. "The effectiveness of using songs and music to foster motivation and language development in the young English L2 classroom". Thesis, Malmö universitet, Fakulteten för lärande och samhälle (LS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-30610.
Pełny tekst źródłaAllen, Matthew. "The belt’s got soul! an investigation into the vocal characteristics of r&b/soul singing and the production of the ‘belt voice’ within this style". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2766.
Pełny tekst źródłaMulliken, Jasmine Tiffany. "From "disentangling the subtle soul" to "ineluctable modality" : James Joyce's transmodal techniques". Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3060.
Pełny tekst źródłatext
Anaka, Nicole Elaine. "Women on the verge, sounds from beyond : extended vocal technique and visions of womanhood in the vocal theatre of Meredith Monk, Diamanda Galás, and Pauline Oliveros". Thesis, 2006. http://hdl.handle.net/1828/1838.
Pełny tekst źródłaCzęści książek na temat "Humanities -> music -> techniques"
Sun, Jiale. "Analysis of the Performance Techniques and Style of Yan Zongbai’s Bamboo Flute Music". W Advances in Social Science, Education and Humanities Research, 1064–71. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-170-8_120.
Pełny tekst źródłaSadhana, Senyum, Harpang Y. Karyawanto i Heri Murbiyantoro. "Sticking as a Basic Drum Technique in the Indria-Level Percussion Course in the Music Study Program". W Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022), 1687–94. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-008-4_182.
Pełny tekst źródłaVieira, Edinilson Santos, i Débora Araújo Leal. "Education and teaching Ead: reflections on pedagogical practice in Post Modernity". W Themes focused on interdisciplinarity and sustainable development worldwide. Seven Editora, 2023. http://dx.doi.org/10.56238/tfisdwv1-173.
Pełny tekst źródłaPearson, David. "The Dystopian Sublime of Extreme Hardcore Punk". W Rebel Music in the Triumphant Empire, 103–32. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197534885.003.0004.
Pełny tekst źródłaStreszczenia konferencji na temat "Humanities -> music -> techniques"
Zhou, Xianying. "The combination of national music elements and western composition techniques in Liu Xiaogeng's Piano Works--In the piano works qSani fantasyq". W 2016 5th International Conference on Social Science, Education and Humanities Research. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ssehr-16.2016.338.
Pełny tekst źródłaStockert, Robin, Andreas Bergsland, Stefano Fasciani i Alexander refsum Jensenius. "STUDENT ACTIVE LEARNING IN A TWO CAMPUS ORGANISATION". W eLSE 2020. University Publishing House, 2020. http://dx.doi.org/10.12753/2066-026x-20-080.
Pełny tekst źródła"Discussion on string technique in MIDI music production". W 2017 International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2017. http://dx.doi.org/10.25236/ssah.2017.21.
Pełny tekst źródłaDima, Gabriela E. "ANNA BOLENA BY FELICE ROMANI: THE LIBRETTO AND ITS SOURCES". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs10.15.
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