Gotowe bibliografie tematyczne / Horror tales

Gotowa bibliografia na temat „Horror tales”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "Horror tales"

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الخنجي, نورة محمد. "Horror themes in Qatari tales". مجلة دراسات الخليج والجزيرة العربية 49, nr 188 (1.01.2023): 383–416. http://dx.doi.org/10.34120/jgaps.v49i188.289.

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الأهداف: تحديد ثيمات الرعب في السرد الشعبي القطري من خلال دراسة أربعة نماذج حكائية. المنهج: تحليل أربع حكايات تحليلاً نصياً، واستقرائياً. النتائج: حددت الدراسة ثيمات الرعب في الحكاية الشعبية القطرية، وهي: أكل لحوم البشر (الكانيبالية)، ومص الدماء، والجن والعفاريت، والقتل، والموت السحري، وحديث الأموات. وقد حضرت هذه الثيمات بوصفها عناصر مركزية في النص، وحضرت أحياناً على درجات أقل وذلك بأفعال الشخصيات أو في صورة عناصر دافعة للأحداث أو مؤثثة للمكان، وقد تقاطعت هذه الثيمات مع نظائر لها في الثقافة الشعبية العربية من جهة، كما أن البحث فيها يكشف عن حضورها في الحكايات الشعبية العالمية من جهة أخرى. إن أكل لحوم البشر قد ظهر في الحكاية الواقعية وفي العجائبية؛ أي إنه فعل أسند إلى البشر وإلى الجن على حد سواء، بخلاف مص الدماء الذي أسند إلى الجن فقط. واستحضار الجن يشكل، في حد ذاته، ثيمة رعب؛ لكونه من الغيبيات، أما القتل، فيحضر في الحكاية الواقعية على نحو صادم. ونرى الموت السحري يتأتى من كونه مرتبطاً بالكلمات. الخاتمة: بينت الدراسة أن الرعب قد شكل عنصراً مهماً في بناء الحكايات الأربع، وذلك من خلال ست ثيمات: أكل لحوم البشر (الكانيبالية)، ومص الدماء، والجن والعفاريت، والقتل، والموت السحري، وحديث الأموات. وقد توصلت الدراسة إلى هذه الثيمات من خلال عقد مقارنات بين تشكلاتها في هذه الحكايات، وعلاقاتها بالمكونات السردية الأخرى؛ كالشخصيات والأحداث والزمان والمكان، ودرجة مركزيتها في البناء السردي العام.
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Tosi, Laura, i Alessandro Cabiati. "Introduction: Fairy Tales and Other Horrors". Literature 4, nr 1 (25.12.2023): 22–30. http://dx.doi.org/10.3390/literature4010002.

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In a Christmas 2017 interview with the British magazine Fortean Times, the celebrated Mexican filmmaker Guillermo del Toro described ‘Hansel and Gretel’, ‘the original Cinderella’, and ‘Little Red Riding Hood’ as ‘a horror story’, before affirming that ‘horror and the fairy tale walk hand in hand’ (del Toro 2017, p [...]
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Liu, Yuchen. "The Horror Writing of Strange Tales from Liaozhai". Communications in Humanities Research 3, nr 1 (17.05.2023): 563–68. http://dx.doi.org/10.54254/2753-7064/3/20220505.

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Strange Tales from Liaozhai is a representative work of the Zhiguai Chuanqi of Chinese classical literature, and the writing of horror stories is one of its most essential parts, which contains adequate meaning, showing its rich details and vivid writing characteristics, which also reflects a certain extent of the author, Pu Songling's unique aesthetic and value orientation. This paper analyzes the setting of the time and space environment of the original text, the use of the third-person limited angle of view in the narrative, and the selection of horror images, respectively, from the scene of the incident, the subject of experience and the object of experience in the horror story. This paper analyzes the original texts of Strange Tales from Liaozhai by summarizing writing techniques of horror stories in work to explore the process of creating the sense of horror in Strange Tales from Liaozhai and how the author uses the original source of human fear to create a horror story. It reveals the alienation and abnormality of time and space, the immersive sense of subjective, limited perspective, and the deadly threat behind horrific imagery. While appreciating the artistic beauty and realizing the diversity of stories types of this work, its implicit humanistic concern is not ignored.
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Patra, Indrajit. "Exploring the intersection of Lovecraftian monstrosity and techno-body horror in selected works of Neal Asher: an examination of (post-)humanity". Multidisciplinary Reviews 6, nr 1 (2.07.2023): 2023009. http://dx.doi.org/10.31893/multirev.2023009.

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This scholarly investigation aims to meticulously examine the various mechanisms employed by British science fiction writer Neal Asher in his works, including the Transformation trilogy (2015–17), Lockdown Tales (2020), and Lockdown Tales 2 (2023), to convey the erosion of humanity following profound physiological and cognitive changes. This research highlights how Asher skillfully combines elements of Lovecraftian grotesqueness with intricate portrayals of physical horror, thereby challenging conventional categorizations. These narratives feature a diverse ensemble of human and non-human protagonists, each subjected to transformative biotechnological, computational, and psychological enhancements. These processes raise questions about the feasibility of preserving even a semblance of humanity in an overwhelmingly advanced, distinctly post-human cosmological environment. While both biotechnological and Lovecraftian modes of horror explore humanity’s insignificance within a vast, indifferent, and often malevolent universe, Asher’s body of work consistently delves into the theme of how humans can retain their inherent humanity in the face of monstrous metamorphosis. Additionally, this investigation elucidates how such transformations give rise to the emergence of the “other” within oneself and the monstrous “Other” that takes center stage in the narrative. By exploring these themes, this study contributes to the scholarly discourse on the intersection of horror, transformation, and the preservation of humanity in science fiction literature.
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Ketelaar, Timothy. "Lions, tigers, and bears, oh God!: How the ancient problem of predator detection may lie beneath the modern link between religion and horror". Behavioral and Brain Sciences 27, nr 6 (grudzień 2004): 740–41. http://dx.doi.org/10.1017/s0140525x04320170.

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Atran & Norenzyan (A&N) claim that an appreciation of the evolved inferential machinery underlying supernatural beliefs can greatly aid us in understanding regularities in culturally shared conceptions of religion. I explore how their model provides insight into why culturally shared tales of horror (e.g., horror movies) often combine religious and predatory content.
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Lewin, David. "Between horror and boredom: fairy tales and moral education". Ethics and Education 15, nr 2 (17.02.2020): 213–31. http://dx.doi.org/10.1080/17449642.2020.1731107.

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Clifton, Diane. "How tax law creates fairy tales and horror stories". Journal of Corporate Accounting & Finance 1, nr 4 (1990): 367–77. http://dx.doi.org/10.1002/jcaf.3970010408.

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Doherty, Ryan Atticus. "The Devil’s Marriage: Folk Horror and the Merveilleux Louisianais". Literature 4, nr 1 (22.12.2023): 1–21. http://dx.doi.org/10.3390/literature4010001.

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At the beginning of his Creole opus The Grandissimes, George Washington Cable refers to Louisiana as “A land hung in mourning, darkened by gigantic cypresses, submerged; a land of reptiles, silence, shadow, decay”. This anti-pastoral view of Louisiana as an ecosystem of horrific nature and the very human melancholy it breeds is one that has persisted in popular American culture to the present day. However, the literature of Louisiana itself is marked by its creativity in blending elements of folktales, fairy tales, and local color. This paper proposes to examine the transhuman, or the transcendence of the natural by means of supernatural transformation, in folk horror tales of Louisiana. As the locus where the fairy tale meets the burgeoning Southern Gothic, these tales revolve around a reworking of what Vladimir Propp refers to as transfiguration, the physical and metaphysical alteration of the human into something beyond the human. The focus of this paper will be on three recurring figures in Louisiana folk horror: yellow fever, voodoo, and the Devil. Drawing upon works including Alcée Fortier’s collection of Creole folktales Louisiana Folktales (1895), Dr. Alfred Mercier’s “1878”, and various newspaper tales of voodoo ceremonies from the ante- and post-bellum periods, this article brings together theorizations about the fairy tale from Vladimir Propp and Jack Zipes and historiological approaches to the Southern Gothic genre to demonstrate that Louisiana, in its multilingual literary traditions, serves as a nexus where both genres blend uncannily together to create tales that are both geographically specific and yet exist outside of the historical time of non-fantastic fiction. Each of these figures, yellow fever, voodoo, and the Devil, challenges the expectations of what limits the human. Thus, this paper seeks to examine what will be termed the “Louisiana gothic”, a particular blend of fairy-tale timelessness, local color, and the transfiguration of the human. Ultimately, the Louisiana gothic, as expressed in French, English, and Creole, tends toward a view of society in decay, mobilizing these elements of horror and of fairy tales to comment on a society that, after the revolution in Saint-Domingue, the Louisiana Purchase, and the Civil War, was seen as falling into inevitable decline. This commentary on societal decay, expressed through elements of folk horror, sets apart Louisiana gothic as a distinct subgenre that challenges conventions about the structures and functions of the fairy tale.
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Cooper, B. Lee. "Shadow Knows: 34 Scary Tales from the Vaults of Horror". Popular Music and Society 42, nr 4 (25.03.2019): 508–9. http://dx.doi.org/10.1080/03007766.2019.1581325.

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Ballon, Bruce, i Molyn Leszcz. "Horror Films: Tales to Master Terror or Shapers of Trauma?" American Journal of Psychotherapy 61, nr 2 (kwiecień 2007): 211–30. http://dx.doi.org/10.1176/appi.psychotherapy.2007.61.2.211.

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Rozprawy doktorskie na temat "Horror tales"

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Reinhart, Marilee J. "The evolution of women's roles in horror fiction". Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1990. http://www.kutztown.edu/library/services/remote_access.asp.

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Vick, Sharen Fay. "Corn silk dolls /". Read thesis online, 2007. http://library.uco.edu/UCOthesis/VickSF2007.pdf.

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Ma, Ho-yan, i 馬昊欣. "The Art of Gothic Terror: a study of Edgar Allan Poe's tales". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952240.

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Ma, Ho-yan. "The Art of Gothic Terror : a study of Edgar Allan Poe's tales /". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161744.

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Stropa, Rogério Vicente. "A poética do horror em Amândio Sobral". Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/19338.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-11-17T11:28:01Z No. of bitstreams: 1 Rogério Vicente Stropa.pdf: 1168962 bytes, checksum: 8c18646f38b9295211ef7e6241515ed9 (MD5)
Made available in DSpace on 2016-11-17T11:28:01Z (GMT). No. of bitstreams: 1 Rogério Vicente Stropa.pdf: 1168962 bytes, checksum: 8c18646f38b9295211ef7e6241515ed9 (MD5) Previous issue date: 2016-09-20
This work aims to find the restricted terror literature field in Brazil; for this, we analyzed the horror effects present in three tales of the author Amândio Sobral: O homem que matou um morto, A estranha cavalgada de Ivan Palinskyand A podridão viva, these stories present in the work Contos Exóticos, published in 1934. For the realization such intent, the dissertation is divided into four chapters. In the first, Tale: a genre that says a lot in a few words, we analyze the theories of the story in order to point out the main characteristics of this genre. We rely here on considerations made by theorists such as Julio Cortazar, Ricardo Piglia and Edgar Allan Poe. In the second chapter, horror aesthetic variations, we analyze the fantastic genre and its relationship with the unusual, gothic, horror, the grotesque and the sublime. For this we use the theories of Marcelo Briseno Marques de Melo, Maurício Cesar Menon, Wolfgang Kayser, Tzvetan Todorov and Lainister de Oliveira Esteves. The third chapter, Amândio Sobral: a seemingly text out of context, in turn, has the purposeof presenting the author and his context and point out some of its predecessors literary influences regarding the use of the horror and the fantastic in literature Brazil, using this aspect, the reflections of Antonio Candido, Alfredo Bosi, Randal Johnsonand Luis Bueno. At last, Suspense, fear and horror: the tales of Amândio Sobral, we present the analysis of the works and the strategies employed by the author to generate the horror effect and fear in his short stories, using, for this, the H.P. Lovecraft considerations, Alcides Ribeiro, Gaston Bachelard and Benedito Nunes
Este trabalho tem a finalidade de pesquisar o restrito campo da literatura do terror no Brasil; para isso, analisamos os efeitos de terror presentes em três contos do autor Amândio Sobral: O homem que matou um morto, A estranha cavalgada de Ivan Palinskye A podridão viva, contos esses presentes na obra Contos Exóticos, publicada em 1934. Para a realização de tal intento, a dissertação está dividida em quatro capítulos. No primeiro deles, Conto: um gênero que diz muito em poucas palavras, analisamos as teorias sobre o conto, a fim de apontarmos as principais características desse gênero. Baseamo-nos, aqui, nas considerações feitas por teóricos como Julio Cortázar, Ricardo Piglia e Edgar Allan Poe. No segundo capítulo, Variações da estética do horror, analisamos o gênero fantástico e sua relação com o insólito, o gótico, o terror, o grotesco e o sublime. Para isso, fizemos uso das teorias de Marcelo Briseno Marques de Melo, Maurício Cesar Menon, Wolfgang Kayser, Tzvetan Todorov e Lainister de Oliveira Esteves. O terceiro capítulo, Amândio Sobral: um texto aparentemente fora do contexto, por seu turno, tem a finalidade de apresentar o autor e seu contexto, bem como apontar algumas de suas predecessoras influências literárias no que concerne ao uso do horror e do fantástico na literatura brasileira, recorrendo, neste aspecto, às reflexões de Antônio Candido, Alfredo Bosi, Randal Johnson e Luís Bueno. No último, Suspense, medo e horror: os contos de Amândio Sobral, apresentamos a análise das obras e as estratégias empregadas pelo autor para gerar o efeito de horrore medo em seus contos, utilizando, para isso, das considerações de H.P. Lovecraft, Alcídes Ribeiro, Gaston Bachelard e Benedito Nunes
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Lovercheck, Ede. "A Woman's Gotta Do What a Woman's Gotta Do and Other Tales of Horror". The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392378422.

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Sullivan, Kathleen Erin. "Suffering men/male suffering : the construction of masculinity in the works of Stephen King and Peter Straub /". view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978256.

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Thesis (Ph. D.)--University of Oregon, 2000.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 292-307). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9978256.
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McAvan, Em. "The postmodern sacred: popular culture spirituality in the genres of science fiction, fantasy and fantastic horror". Thesis, McAvan, Em (2007) The postmodern sacred: popular culture spirituality in the genres of science fiction, fantasy and fantastic horror. PhD thesis, Murdoch University, 2007. https://researchrepository.murdoch.edu.au/id/eprint/188/.

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In my thesis I argue that the return of the religious in contemporary culture has been in two forms the rise of so-called fundamentalisms in the established faiths-Christian, Jewish, Muslim, Hindu, even Buddhist-and the rise of a New Age style spirituality that draws from aspects of those faiths even as it produces something distinctively different. I argue that this shift both produces post-modern media culture, and is itself always-already mediated through the realm of the fictional. Secular and profane are always entangled within one another, a constant and pervasive media presence that modulates the way that contemporary subjects experience themselves and their relationship to the spiritual. I use popular culture as an entry point, an entry point that can presume neither belief nor unbelief in its audiences, showing that it is 'unreal' texts such as Lord of the Rings, Harry Potter, The Matrix and so on that we find religious symbols and ideas refracted through a postmodernist sensibility, with little regard for the demands of 'real world' epistemology. I argue that it is in this interplay between traditional religions and New Age-ised spirituality in popular culture that the sacred truly finds itself in postmodernity.
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McAvan, Em. "The postmodern sacred : popular culture spirituality in the genres of science fiction, fantasy and fantastic horror /". McAvan, Em (2007) The postmodern sacred: popular culture spirituality in the genres of science fiction, fantasy and fantastic horror. PhD thesis, Murdoch University, 2007. http://researchrepository.murdoch.edu.au/188/.

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In my thesis I argue that the return of the religious in contemporary culture has been in two forms the rise of so-called fundamentalisms in the established faiths-Christian, Jewish, Muslim, Hindu, even Buddhist-and the rise of a New Age style spirituality that draws from aspects of those faiths even as it produces something distinctively different. I argue that this shift both produces post-modern media culture, and is itself always-already mediated through the realm of the fictional. Secular and profane are always entangled within one another, a constant and pervasive media presence that modulates the way that contemporary subjects experience themselves and their relationship to the spiritual. I use popular culture as an entry point, an entry point that can presume neither belief nor unbelief in its audiences, showing that it is 'unreal' texts such as Lord of the Rings, Harry Potter, The Matrix and so on that we find religious symbols and ideas refracted through a postmodernist sensibility, with little regard for the demands of 'real world' epistemology. I argue that it is in this interplay between traditional religions and New Age-ised spirituality in popular culture that the sacred truly finds itself in postmodernity.
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Levine, Jonathan David. "'One wiser, better, dearer than ourselves' : gothic friendship /". Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6643.

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Książki na temat "Horror tales"

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Lovecraft, H. P. Great Tales of Horror. New York, USA: Fall River Classics, 2012.

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T, Pines, red. 13 tales of horror. London: Scholastic, 1992.

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Bodden, Valerie. Horror. Mankato, MN: Creative Education, 2012.

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1962-, Hantke Steffen, i Paradoxa (Firm), red. Horror. Vashon Island, Wa: Paradoxa, 2002.

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Jancovich, Mark. Horror. London: Batsford, 1992.

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Castle, Mort. Writing horror. Cincinnati, Ohio: Writer's Digest Books, 1997.

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1951-, Stuprich Michael Charles, red. Horror. San Diego, CA: Greenhaven Press, 2001.

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Bodden, Valerie. Horror. Mankato, MN: Creative Education, 2012.

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Infante, Ricardo. Horror vacuo. Bogotá, D.C: Uniediciones, 2018.

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Cabeen, R. Payne. Tainted treats: [horror tales & poems]. Santa Monica, Calif: Streamline Pictures, 1994.

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Części książek na temat "Horror tales"

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Nelson, John S. "Horror, Crisis, and Control: Tales of Facing Evils". W The Politics of Horror, 17–31. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42015-4_2.

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Piatti-Farnell, Lorna. "Blood Flows Freely: The Horror of Classic Fairy Tales". W The Palgrave Handbook to Horror Literature, 91–100. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97406-4_7.

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Germaine Buckley, Chloé. "“You Don’t Think I’m Like Any Other Boy. That’s Why You’re Afraid”: Haunted/Haunting Children from The Turn of the Screw to Tales of Terror". W The Palgrave Handbook to Horror Literature, 233–47. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97406-4_18.

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Sellers, Susan. "Unlimited Horror". W Myth and Fairy Tale in Contemporary Women’s Fiction, 79–95. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-4039-1920-5_5.

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Kellner, Douglas. "Presidential Debates, the Access Hollywood Tapes, and Donald the Deplorable". W American Horror Show, 1–15. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-974-4_1.

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Short, Sue. "Houses of Horror: Domestic Dangers and Man-made Monsters". W Fairy Tale and Film, 113–39. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137020178_6.

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Scahill, Andrew. "It Takes a Child to Raze a Village". W The Revolting Child in Horror Cinema, 113–42. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481320_6.

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Piatti-Farnell, Lorna. "A Bitter Feast: Dining Tables in their Horror Contexts". W Consuming Gothic, 221–59. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-45051-7_6.

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Doyle, Arthur Conan. "A Pastoral Horror". W Gothic Tales. Oxford University Press, 2018. http://dx.doi.org/10.1093/owc/9780198734307.003.0010.

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Far above the level of the Lake of Constance, nestling in a little corner of the Tyrolese Alps, lies the quiet town of Feldkirch. It is remarkable for nothing save for the presence of a large and well-conducted Jesuit school* and...
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Doyle, Arthur Conan. "The Horror of the Heights". W Gothic Tales. Oxford University Press, 2018. http://dx.doi.org/10.1093/owc/9780198734307.003.0032.

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T he idea that the extraordinary narrative which has been called the Joyce-Armstrong Fragment is an elaborate practical joke evolved by some unknown person, cursed by a perverted and sinister sense of humour, has now been abandoned by all who have examined the matter....
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Streszczenia konferencji na temat "Horror tales"

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Marfievici, Ramona, Pablo Corbalán, David Rojas, Alan McGibney, Susan Rea i Dirk Pesch. "Tales from the C130 Horror Room". W SenSys '17: The 15th ACM Conference on Embedded Network Sensor Systems. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3143337.3143343.

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BESSALAH, H., N. ANANE i M. ANANE. "MULTIFUNCTION GENERATOR USING HORNER SCHEME AND SMALL TABLES". W Proceedings of the 9th International Workshop on Systems, Signals and Image Processing. WORLD SCIENTIFIC, 2002. http://dx.doi.org/10.1142/9789812776266_0025.

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Bessalah, H., N. Anane i M. Anane. "Multifunction generator using Horner scheme and small tables". W Proceedings of the 15th International Conference on Microelectronics. IEEE, 2003. http://dx.doi.org/10.1109/icm.2003.238618.

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Zheleva, Aleksandra, Michał Kacper Gil, Edoardo Pelosin, Durk Talsma, Lieven De Marez i Klaas Bombeke. "Kitchen Horrors: Unraveling the Influence of Multimodal Stressors on User Experience in Virtual Reality through Electrodermal Activity". W 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004982.

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The last couple of years have seen a surge in the quality of on-site multiplayer virtual reality experiences. The shift to standalone VR headsets, the decrease in latency and the increase in reliability of rendering VR content have all benefited the rise of VR entertainment parks. The next frontier, however, seems to be the inclusion of sensor data (e.g., electrodermal activity signals) to aid the creation of adaptive VR experiences that are equally immersive for all users. If we can assess the specific impact certain stimuli have on the user during an immersive experience, creators will not only be able to create more engaging content but also design feedback loops to bring to users personalized VR experiences in real time. The current study takes a vital step in this direction by measuring electrodermal activity (EDA) to differentiate between stress responses to visual, audio, and audio-visual stimuli in a haunted VR kitchen game. The study leverages data from 13 participants who underwent a 40-minute-long virtual reality experience. The analysis suggests that relying solely on cleaned EDA data to differentiate between stress and no-stress conditions may not be effective, despite subjective reports of such distinctions. However, a more detailed analysis of EDA features (i.e., EDA peak amplitude and SCR peak amplitude) reveals the ability to not only differentiate between the impact of various stimuli modalities (audio, visual, and audio-visual) on stress responses but also discern between individuals’ responses. These findings underscore the imperative for adaptive VR experiences tailored to the unique responses of individual users, pointing towards a future where personalized, real-time immersive experiences can be finely crafted based on users' physiological reactions.
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ابراهيم عزيز حسين, لمى. "Genocide in Halabja". W Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/8.

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"Halabja: It is an Iraqi city located in the Kurdistan region of Iraq, near the Iranian border, about 8-10 miles away, 150 miles away from Baghdad and located in the southeast of the city of Sulaymaniyah. It is one of the important cities that contains many mosques, shrines and shrines. In 1985, this city was subjected to the former regime's aerial bombardment, where more than 450 Kurdish villages were bombed, 300 citizens executed within one month, and internationally prohibited chemical weapons were used. The Iraqi regime’s violations of human rights continued to reach their climax in 1988, which was known as the Halabja events, which will be the subject of our research, the Halabja massacre, which took place at the end of the first Gulf War or what is known as the Iran-Iraq war from 16-17 March 1988, the killing of Kurdish civilians and the use of chemical weapons against them and the effects of a war The first Gulf and the breach of the international treaty through the use of chemical weapons that are banned internationally, as well as international reports on human rights violations in Halabja, which left about 5,000 martyrs, most of whom are residents of the region, and we will also clarify who is responsible for the events of Halabja, and the truth can be highlighted through documents and evidence The editorial in the Halabja case, where these documents included information about chemical weapons in handwriting and not in a printer to evade responsibility. The document talks about the production and accumulation of chemical agents by the former regime and the intention of the former regime to strike them when necessary, in addition to other documents that we will address through the research, There is also an appendix with the names of a number of companies involved in supplying the government at that time with unconventional weapons, including missile weapons and other weapons Chemical materials and advanced technology, and this is very clear in the violation of human rights by extremely barbaric repressive methods and means, and northern Iraq has become the scene of these crimes that have been circulated between international press agencies and television screens, articles, photos and documentaries expressing the horror of the calamity and the magnitude of the tragedy. Well-known international documents and documents and what Halabja has been exposed to are classified within the concept of genocide wars. This type of war is not attended by all international laws and segments only, but also the simplest rules of behavior and human and civilized interaction between people belonging to the human race. We will also show the issue of Halabja in the corridors of the Iraqi Parliament, which was during the session on 7/3/2011 of the second electoral cycle, the first legislative year, the second legislative term in the Iraqi Council of Representatives, held in Baghdad, by submitting a proposal to the Council of Representatives regarding the position of the House of Representatives regarding the crime of bombing Halabja with chemical weapons. In conclusion, I hope you will like this summary."
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Kayode, Babatope, i Mahmoud Jamiolahmady. "A New Methodology for Calculating Wellbore Shut-in Pressure in Numerical Reservoir Simulations." W International Petroleum Technology Conference. IPTC, 2021. http://dx.doi.org/10.2523/iptc-21417-ms.

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Abstract In low permeability reservoirs, the pressure transient response of the build-up takes a long time to stabilize. During the history matching process, the observed non-stabilized build-up pressure cannot be compared to simulated well block pressure (WBP). This challenge arises because most reservoir simulators convert the WBP of flowing wells to wellbore pressure using Peaceman’s equation, but do not perform this conversion for build-up pressure data. Such conversion is particularly important for low permeability reservoirs. This paper discusses a new method to calculate the wellbore pressure of shut-in wells and highlights its benefits. A full superposition equation for analytical wellbore-pressure, without the usual logarithmic approximation of Ei function, is the basis of the mathematical formulation proposed here. A modified equivalent radius concept together with the superposition principle are used to arrive at an expression to calculate numerical wellbore pressure from simulated WBP. To verify the validity of the approach, the calculated numerical wellbore pressure data is compared with analytical wellbore pressure build-up data described by the Horner function. The results show that numerical wellbore pressure is in better agreement with the non-stabilized observed pressure data than WBP. This is because WBP is an average pressure over a spatial distance in which theoretical pressure varies as a logarithmic function of distance. Therefore, when the grid size is large and spatial pressure gradient is significant (as the case in low permeability reservoirs), simulated shut-in WBP may be very different from observed shut-in wellbore pressure measured by a downhole gauge. Our results demonstrate that this difference increases with increasing grid size. If, during numerical well testing, numerical wellbore pressure is used for the log-log pressure derivative plot instead of WBP, the early distortions of infinite acting radial flow (IARF) stabilization, which has been observed by some investigators is eliminated. In summary, the presented methodology to calculate shut-in wellbore pressure is practically attractive to complement existing simulator capabilities for relating wellbore pressure to well block pressure. The use of numerical wellbore pressure instead of WBP, which is currently used, eliminates the need to apply the time-shift proposed by some investigators to correct IARF signature deviation, and observe the true flow regime.
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