Gotowe bibliografie tematyczne / Horror literature - literary criticism

Gotowa bibliografia na temat „Horror literature - literary criticism”

Autor: Grafiati

Data publikacji: 25 lipca 2024

Data aktualizacji: 26 lipca 2024

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Artykuły w czasopismach na temat "Horror literature - literary criticism"

Tolbert, Jeffrey A., i Dawn Keetley. "Folk horror: An introduction". Horror Studies 14, nr 2 (1.10.2023): 159–72. http://dx.doi.org/10.1386/host_00067_2.

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Our introduction to this Special Issue is premised on the fact that the rich critical work on folk horror has far from exhausted what can be (and needs to be) said about folk horror. There is a particular need for scholarship that extends its reach beyond Britain and for that which self-consciously interrogates, expands and complicates initial theoretical formulations of folk horror. There is a need, in short, for a ‘second wave’ of folk horror criticism that develops the first – that attends more specifically, for instance, to modes within folk horror (and folk horror as a mode), to the ways in which folk horror productions are rooted in particular places and regional lore, and to the ways in which those productions deploy literary, narrative, aesthetic, visual and acoustic strategies. There is also a need to identify and interrogate (in specific contexts) the key (defining) concepts of folk horror, especially the ‘folk’, folklore and horror – all three of which this introduction explores before it introduces the six essays in this Special Issue.

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Frolova, M. V. "Indonesian Yusuf and Zulaikha: Short Story “The Apple and the Knife” by Intan Paramaditha (2008)". Orientalistica 3, nr 1 (29.03.2020): 247–62. http://dx.doi.org/10.31696/2618-7043-2020-3-1-247-262.

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The short story “Apple and Knife” (2008) by Indonesian writer Intan Paramaditha (born in 1979) is analysed within the comparative-typological framework of the Biblical and Quranic narrative about Yusuf and Zulaikha. The continuity of the motif transposition is traced from the literatures of the Middle East to that of the peoples of Nusantara who embraced Islam later. The intermediary was the Javanese Serat Yusup, which dates back to the 17th century. The literary skills and methods by Intan Paramaditha’s find their place somewhere in between the feminist literary criticism and horror stories. The deconstruction of some elements of the traditional narrative about Yusuf (e.g. the episode with the noble Egyptian women) makes the popular story to sound more meaningful to the readers of the modern Indonesian literature. In its turn, it sheds some light on the political and social developments of the “re-Islamized” island state of Indonesia.The author declares that there is no conflict of interest.

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Robbins, Bruce. "Not So Well Attached". PMLA/Publications of the Modern Language Association of America 132, nr 2 (marzec 2017): 371–76. http://dx.doi.org/10.1632/pmla.2017.132.2.371.

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Faultfinding is the fault that Rita Felski's The Limits of Critique attributes to literary criticism. Faultfinding is also, of course, what Felski's book spends most of its time doing. Had it not abandoned itself so completely to faultfinding, its central insight might have led it to do more interesting things. (The fact that these more interesting things are already being done by much socially engaged criticism is one obvious weakness of her argument, which puffs itself up by expanding its range of targets so as to take in nearly the whole profession and then, sensing a challenge, steps back in mock horror so as to suggest, “No, of course, I didn't mean that!”) As an example of these alternative, nonfaultfinding versions of critique, the book might have tried to explore the reasons the humanities are as susceptible as they are to the holier-than-thou self-righteousness that Felski both accuses and, however reluctantly, also personifies.

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Luboń, Arkadiusz. "Scalanie uniwersum. Krytyka translatorska pośród kontekstów recepcji przekładowej poezji H.P. Lovecrafta w Polsce". Krytyka przekładu i okolice, nr 42 (29.12.2021): 92–115. http://dx.doi.org/10.4467/16891864pc.21.019.14330.

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Consolidating the Universe. Translation Criticism among Contexts of Translational Reception of H.P. Lovecraft’s Poetry in Poland The article discusses the influence of translator’s criticism and other extra-textual factors on the translations of poetry by Howard Phillips Lovecraft. Since the very first renditions of his Fungi from Yuggoth sonnets by Jerzy Płudowski and Leszek Lachowiecki included in two anthologies of horror poetry, Polish versions of Lovecraft’s verses have always been modified in the process of interlinguistic transfer according to either sole preferences of the publishing houses and evaluations proposed by critics of the English originals or the translators’ reception of the previous Polish variants. In most cases these modifications resulted from more or less stereotypical visions of the American writer held by the translators and were aimed at establishing links to his other works already published in Poland (short stories, essays, letters). Thus effects of the semantic shifts, detectable also in the latest variants by Krzysztof Azarewicz and Mateusz Kopacz, can be referred to as consolidating the universe of the writer’s biographical legend and literary works which is more coherent in the Polish target texts than in the originals.

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Aygun, Ahmet Anil. "The Genealogy of Bram Stoker's Dracula". Technium Social Sciences Journal 9 (16.06.2020): 651–60. http://dx.doi.org/10.47577/tssj.v9i1.961.

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British author of Irish origin, Bram Stoker’s gothic horror novel, Dracula is the most reputed and popular example of the vampire literature that first emerged in seventeenth-century poetry. The first of the two key concepts that this thesis analyzes is the concept of “meme”, which was coined by the British evolutionary biologist Richard Dawkins, that can be defined as a thought, symbol or application transmitted from one individual to another via oral, written and visual methods and means of communication within a culture, replicates itself, transforms, responds to selective pressures, and the second concept is the memetic evolution of the vampire into the character, Dracula by Bram Stoker in Romantic ballads and Victorian horror narratives within the context of Evolutionary Literary Criticism which was theorized by Professor Joseph Carroll. In this regard, the qualities of the vampire phenotype that the Dracula meme inherited some qualities from its antecedent works of vampire fiction through memetic heredity, setting and plot are examined, and the evolutionary process that literary vampire predecessor had undergone towards the Transylvanian, aristocratic, seductive, stereotypical vampire. Finally, in the appendix, the prequels, sequels, and spin-offs of Dracula to demonstrate that the Dracula meme has survived and thrived notwithstanding over a century after its first publication and the selective pressures, and subsist by copying itself.

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Goodrum, Michael, i Philip Smith. "‘This is the end of the road for science’: The mad doctor in Cold War horror comics". Horror Studies 14, nr 1 (1.04.2023): 61–85. http://dx.doi.org/10.1386/host_00062_1.

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This article concerns the representation of scientists, doctors and other agents of reason in Cold War horror comics. Such figures, we demonstrate, are typically represented as misguided, blind to the dangers of their creations or knowingly malevolent. The manifestation of this trend in the 1950s can be understood as a facet of the larger programme of post-Second World War social criticism found in the genre. When horror comics returned after the revision of the Code in 1971, some aligned with the anti-psychiatry movement. These comics portray scenarios in which the discovery of things man was not meant to know extends beyond weapons of war to the human psyche and where psychology as a discipline serves as a repressive apparatus interested primarily in the preservation of social norms rather than the emotional health of patients.

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Correoso-Rodenas, José Manuel. "Poe's Academic Editions in Spain within the First Fifteen Years of the Twenty-First Century". Edgar Allan Poe Review 17, nr 2 (1.11.2016): 161–77. http://dx.doi.org/10.5325/edgallpoerev.17.2.161.

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Abstract The purpose of this article is to show how the academic studies on Poe have been developed during the first fifteen years of the twenty-first century in Spain. To achieve this goal, the critical editions of Poe's works published from 2000 on, along with the works of literary criticism composed around Poe's life and works, will be analyzed. The year 2009, with the celebration of Poe's two-hundredth anniversary, was a turning point where many works were produced and many scholars focused on the works of Poe. Many books, articles, and new editions were produced in every research field; but they were not the only ones who made this effort of paying attention to Poe: Spanish students also got involved in some of the activities that took place during this year. Short stories, poems, Poe's life and travels, his influence in later authors on both sides of the Atlantic, and many other aspects were explored. This article will try to offer an overview of all these new publications and how they were received by the Spanish audience, being acquainted the idea that Poe was (and he is still) unknown for most Spaniards, who only have heard of him as an author of horror stories.

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Hantke, Steffen. "Academic Film Criticism, the Rhetoric of Crisis, and the Current State of American Horror Cinema: Thoughts on Canonicity and Academic Anxiety". College Literature 34, nr 4 (2007): 191–202. http://dx.doi.org/10.1353/lit.2007.0045.

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Serravalle de Sá, Daniel. "Gótico brasileño: el cine de Walter Hugo Khouri y José Mojica Marins". Catedral Tomada. Revista de crítica literaria latinoamericana 9, nr 17 (10.01.2022): 177–96. http://dx.doi.org/10.5195/ct/2021.516.

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This paper seeks to connect the concepts of “terror” and “horror” proposed by Gothic novelist Ann Radcliffe to films by Brazilian directors Walter Hugo Khouri and José Mojica Marins. It will be discussed here how such concepts manifest themselves in the national context and in which senses, trapped somewhere between repetition and difference, Khouri and Mojica’s films can be deemed expressions of a Brazilian Gothic. Stemming from elements derived from Anglo-American criticism, but, highlighting the different meanings that these elements gain in Brazil. To interpret Brazilian films in the light of the Gothic means addressing the issue of “construction of meaning” in national history, as the Gothic has the potential to revive old traumas and generate discussions about specific social contexts.

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Malykh, Viacheslav Sergeyevich. "HYBRID SPECULATIVE FICTION AS A GENRE PHENOMENON IN MODERN LITERATURE OF THE U.S. AND RUSSIA". Russian Journal of Multilingualism and Education 14 (28.12.2022): 79–85. http://dx.doi.org/10.35634/2500-0748-2022-14-79-85.

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The article is devoted to theoretical exploration of modern hybrid speculative fiction. This term comprises a huge body of creative works which are written at the intersection of genres related to speculative prose. On the one hand, hybrid speculative fiction is rooted in post-modern epoch, on the other hand, it returns to the principles of hybrid genre genesis, which flourished at the beginning of the 20th century. The tendency to genre eclecticism is a common feature of a great number of modern creative works and seems to be an efficient way out of conceptual crisis emerged in speculative fiction at the close of the 20th century, that is why the future development of speculative fiction is expected to be closely connected with the expansion of hybrid genre forms. The overall goal of the article is to scientifically comprehend hybrid genres in modern speculative fiction of the United States and Russia. The investigation of hybrid speculative fiction as a genre and cultural phenomenon leads to setting three goals. Firstly, it is necessary to determine genre taxonomy of such genres of traditional speculative fiction as science fiction, fantasy, and horror. Secondly, it is necessary to investigate genre-forming models, which underlie modern hybrid works. Thirdly, it is important to understand common features of the works of hybrid speculative fiction. The study of the genre interaction in modern speculative fiction is based on the descriptive and functional methods. The comparison of Russian and American works involves the use of comparative, typological and cultural-historical methods. Using the genre blocks common for both literary criticism, readers’ expectations and publishing practice, it is possible to identify such genre-forming models of hybrid speculative fiction, as: science fiction+fantasy; science fiction+horror; fantasy+historical novel; fantasy+postmodernist novel. It is also possible to sum up such common features of the works of hybrid speculative fiction, as: irrational world outlook; distortion of the very structural basis of traditional science fiction; shift of sociocultural model of world outlook; polyphonic principle of narration and potentially an endless unravelling of the plot without a pronounced climax; postclassical narrative model; the complexity of storyline. To conclude, modern hybrid speculative fiction can be treated as a separate literary and sociocultural phenomenon in the literature of the U.S. and Russia. It destroys inner canons of traditional science fiction, it is deeply influenced by post-modern cultural paradigm, and could be described as a significant cultural movement, which is aligned with demands and values of modern society.

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Rozprawy doktorskie na temat "Horror literature - literary criticism"

Jeffery, Thomas Carnegie. "The location of meaning in the postmodernist literary text: a reading of Mark Z. Danielewski's House of Leaves and related material". Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1002238.

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In House of Leaves, Mark Z. Danielewski has produced a text which epitomises the traits and concerns of postmodernist literature. Through his attention to aspects such as metafiction, intertextuality and parody, Danielewski develops a narrative structure which is best understood as a literary labyrinth. It is a structure intended to reflect the social conditions of the twenty-first century and comment on the experience of people living at this time. Some of the meaning-making strategies within the book’s labyrinthine structure are thus discussed in detail in order to demonstrate the relevance and importance of House of Leaves as social commentary. House of Leaves is an exemplary postmodernist text, but it is also one that seeks to guide the reader beyond the intellectual impasse of the postmodernist paradigm toward a renewed ethical and political engagement with the world. One of the most important goals of both Danielewski’s novel and this thesis is to attempt to redefine the postmodernist perspective in such a way as to insist on the necessity of what I call a new realism. This is founded upon an awareness of the pervasiveness of the self-perpetuating ideology of capitalism, even in the perspective of postmodernism (which purports to subvert all authoritative ideologies). Playing a crucial role in perpetuating the status quo of capitalism is the growth of entertainment culture, which works to sideline crucial political issues by replacing information with infotainment. The result is an intensification of the processes of commodification. Such an intensification, it is argued, may be countered by a radical scepticism which draws upon the methods and insights of contemporary science.

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Petersson, Niklas. "Horrifying Empathy : A comparative study of empathy in Stephen King's Pet Sematary and The Shining, with a discussion of the use of horror literature in the EFL-classroom". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-75435.

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This essay is a comparative analysis of the novels Pet Sematary and The Shining by Stephen King, where the empathy that the characters may invoke is analyzed. The focus lies on the children, mothers and fathers of the two families featured in the novels, who are analyzed in terms of Leake’s division of easy or difficult empathy. The essay also discusses the use of horror fiction in the EFL-classroom and how it may train students’ ability to empathize and motivate reluctant readers. The child characters mainly offer easy empathy since they experience negative emotions and victimization. The adult characters appear to be more nuanced, especially the two fathers who may invoke a combination of easy and difficult empathy through their change towards antagonists, or through their abusive behavior. Due to King’s complex characters, and suspenseful storytelling, it is possible that horror fiction of this kind can be used in the EFL-classroom to attract reluctant readers. As the students also come in contact with difficult empathy they can train their ability to understand and empathize with people who may act in ways that the students normally would disagree with. In that regard, it appears that horror fiction can have a pedagogical use in the EFL-classroom.

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Wisch, Stephen H. "Teaching Literary Criticism Through Independent Reading". Ohio Dominican University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1556705309193909.

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Wallace, Nathaniel R. "H.P. Lovecraft's Literary "Supernatural Horror" in Visual Culture". Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417615151.

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Atherton, Carol. "Defining literary criticism : scholarship, authority and the possession of literary knowledge, 1880-2002". Thesis, University of Nottingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275951.

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Bailey, Raymond Frederick. "Some preoccupations of Australian literary criticism 1945-83". Thesis, University of London, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282412.

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Birdsall, Stephanie. "Meaning and the literary text". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24076.

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Often debates over literary meaning can get swept up into larger discussions about social significance, political responsibilities, identity struggles and deification of cultural objects. Literary meaning becomes, in these deliberations, not just a theoretical entity but a powerful social force. All of these queries, however, inasmuch as the literary enterprise is a part of human interaction, are dependent on the brute fact of communication. Any notion of literary meaning must ultimately rest upon a concept of meaning that explains, or attempts to explain, how communication is possible. This, in turn, leads down the dark path into human psychology and the relationships of our minds to the world around us. This thesis will attempt to explore various viewpoints about the connections between thought, language, and literature and to argue that these connections necessitate more attention than has been paid to them by literary theorists.

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Phegley, Jennifer. "Educating the proper woman reader : Victorian family literary magazines and the professionalization of literary criticism /". The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488192119261626.

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McVeigh, Jane. "Literary biography and its critics". Thesis, University of Roehampton, 2013. https://pure.roehampton.ac.uk/portal/en/studentthesis/literary-biography-and-its-critics(a8f5e71a-c008-4fe2-b56b-2f3ab633e6d7).html.

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This thesis analyses Anglo-American criticism of biography, during the late twentieth century from within and outside the academy. It moves on to discuss the work of three contemporary British biographers, Claire Tomalin, Richard Holmes and Hermione Lee, in the context of recent debate about the genre. Claire Tomalin, is an independent freelance biographer; Hermione Lee, is a lifelong academic who writes biography for the general and academic reader; and Richard Holmes has had a foot in both camps in his experience both as an independent biographer and an academic. The aim is to make the case that contemporary British biography since 1970, literary biography in particular, has not only responded to objections from some academics critics but, at least in the biographies by Tomalin, Holmes and Lee, embraces aspects of recent academic literary theory, New Historicism and Feminism in particular. It is not within the remit of my thesis to provide an overview of literary theory or weigh up its arguments. It is rather the intention to argue that objections to the genre have been influenced by aspects of recent theory, and that critics have not acknowledged the extent to which biographers have also been aware of, and have responded to comparable influences. I will also consider the extent to which objections to the genre are reflected in reviews of biographies by Tomalin, Holmes and Lee, as well as recent developments in the academic study of the genre. The first chapter will identify major objections to biography influenced by academic theory, drawing on both British and American sources. The next chapter will discuss how biographers, within and outside the academy, have responded to these objections. A study of Claire Tomalin’s biographies in Chapter Three will explore the extent to which she considers ‘truth’ as mediated and provisional; how she approaches autobiographical evidence; her use of anecdotes and chronology; and the use she makes of speculation. Richard Holmes, the subject of Chapter Four, is often associated with debates about identification in biography and the chapter devoted to him will explore the extent to which his approach can be seen as ‘Romantic’ in its treatment of the subject as an isolated individual, a great i man or autonomous genius; the extent to which he places his biographical subjects within their social, political and cultural contexts; and his approach to historiography, influenced by the ontological and fictional focus important to Ira Nadel. Hermione Lee, the subject of Chapter Five, is a distinguished academic whose biographical writing negotiates the balance between fact and fiction and ontological and historical knowledge differently from that of Holmes, in ways more congruent with academic practice. Chapter Six will consider the critical reception of biographies by Hermione Lee, Claire Tomalin, and Richard Holmes in academic journals and the reviews of academics in the quality press. Chapter Seven will discusses the extent to which biography as a written narrative has been subsumed within the academy into the wider field of life-writing, and how this subsuming has affected its status and character as a literary genre.

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Black, Devin Charles. "An economic model of literary studies /". View online, 2010. http://repository.eiu.edu/theses/docs/32211131524871.pdf.

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Książki na temat "Horror literature - literary criticism"

Geary, Robert F. The supernatural in Gothic fiction: Horror, belief, and literary change. Lewiston, N.Y: E. Mellen Press, 1992.

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Morgan, Jack. The biology of horror: Gothic literature and film. Carbondale: Southern Illinois University Press, 2002.

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Strengell, Heidi. Dissecting Stephen King: From the Gothic to literary naturalism. Madison, WI: University of Wisconsin Press, 2006.

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Strengell, Heidi. Dissecting Stephen King: From the Gothic to literary naturalism. Madison, WI: University of Wisconsin Press, 2005.

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1965-, Robbins Ruth, i Wolfreys Julian 1958-, red. Victorian Gothic: Literary and cultural manifestations in the nineteenth century. Houndmills, Basingstoke, Hampshire [England]: Palgrave, 2000.

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Gunzenhäuser, Randi. Horror at home: Genre, gender und das gothic sublime. Essen: Blaue Eule, 1993.

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Emma, Beseghi, i Faeti Antonio 1939-, red. La Scala a chiocciola: Paura, horror, finzioni : dal romanzo gotico a Dylan Dog. Scandicci, Firenze: La Nuova Italia, 1993.

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1952-, Anolik Ruth Bienstock, i Howard Douglas L. 1966-, red. The Gothic other: Racial and social constructions in the literary imagination. Jefferson, N.C: McFarland & Co., 2004.

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Carroll, Noël. The philosophy of horror, or, Paradoxes of the heart. New York: Routledge, 1990.

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Richter, David H. The progress of romance: Literary historiography and the Gothic novel. Columbus: Ohio State University Press, 1996.

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Części książek na temat "Horror literature - literary criticism"

Gutzwiller, Kathryn J. "Literary Criticism". W A Companion to Hellenistic Literature, 337–65. Oxford, UK: Blackwell Publishing Ltd, 2014. http://dx.doi.org/10.1002/9781118970577.ch23.

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Latané, David E. "Literary Criticism". W A Companion to Victorian Literature and Culture, 388–404. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405165358.ch26.

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Latané, David E. "Literary Criticism". W A New Companion to Victorian Literature and Culture, 430–46. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118624432.ch28.

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Rowland, Susan. "Getting started in Jung and literature". W Jungian Literary Criticism, 1–17. 1 Edition. | New York : Routledge, 2019. | Series: Jung: The essential guides: Routledge, 2018. http://dx.doi.org/10.4324/9781315561752-1.

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Ogden, Benjamin H. "From literature to psychoanalysis". W Beyond Psychoanalytic Literary Criticism, 21–37. London ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351234382-2.

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Ogden, Benjamin H. "From psychoanalysis to literature". W Beyond Psychoanalytic Literary Criticism, 38–49. London ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351234382-3.

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Olsen, Stein Haugom. "Biography in Literary Criticism". W A Companion to the Philosophy of Literature, 436–52. Oxford, UK: Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444315592.ch23.

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Jiong, Zhang. "Marxism and Literary Criticism". W Literature and Literary Criticism in Contemporary China, 3–21. London ; New York : Routledge, 2017. | Series: China perspectives: Routledge, 2017. http://dx.doi.org/10.4324/9781315708386-2.

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Zhenzhao, Nie. "Rereading Classical Literature". W Introduction to Ethical Literary Criticism, 78–84. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003231899-8.

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Benjamin, Andrew. "Literary Potential: The Release of Criticism". W Literature and Philosophy, 170–78. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230598621_13.

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Streszczenia konferencji na temat "Horror literature - literary criticism"

Zhang, Tingting. "Research Literature Review on Western Feminist Literary Criticism". W 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemaess-15.2016.219.

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Slamova, Karolina. "CZECH LITERARY CRITICISM FROM THE EXILE PERSPECTIVE". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.05.

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The paper deals with the exile view of Czech literary criticism in the past decades, reflected in two essays: one by Igor Hajek, and the other one by Kvetoslav Chvatik. Igor Hajek (1931�1995), a Czech literary critic, who went to exile in 1969, played a significant role in presenting Czech literature abroad. Kvetoslav Chvatik (1930�2012) was a Czech philosopher, aesthetician, art historian, and literary theorist. Hajek taught at universities in the English-speaking world, while Chvatik worked in a German-speaking environment. Two periods are covered and compared in the paper: the first period, the period of pluralistic democracy and the resulting cultural structure when the literary criticism contributed to the fact that Czech literature reached the European level, and the period after February 1948 when the ruling ideology started to interfere in the development of literature. Two completely contradictory conceptions are described showing the radical changes that took place in literary criticism after 1948. The text looks at the role of literary criticism in an era when plurality of opinion is possible, and at the impact of the suppression of freedom of speech on the work of literary critics. It also shows how the process of the shift of literary criticism towards its true function in the spirit of democratising tendencies had gradually won its way.

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Letaeva, N. "PRINCIPLE OF SIMPLICITY IN THE RUSSIAN DIASPORA LITERARY CRITICISM". W VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3724.rus_lit_20-21/190-193.

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The article deals with the principle of simplicity as an artistic category of Paris School works of Russian Literature. The understanding of the simplicity principle by Russian Diaspora critics, and its significance, and aesthetics in the writer's work are analyzed. It is noted that the principle of simplicity has actualized the question about a new aesthetic ideal of the writer's work.

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"Ecofeminism Literary Criticism and its Application in British and American Literature Teaching". W 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.125.

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Dong, Xiao. "UNDERSTANDING OF RUSSIAN AND SOVIET LITERATURE DURING THE “CULTURAL REVOLUTION” IN CHINA". W 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.26.

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Russian and Soviet literature had a special experience in China during the “Cultural Revolution”. It was fiercely criticized by the Chinese critical circle at that time, and this criticism embodies the unique characteristics of “skewness and rightness”. At the same time, although there is a sharp contrast between the fierce criticism of Russian and Soviet literature during the “Cultural Revolution” period and the worship of it during the “seventeen years”, the criticism still reveals a similar literary concept with the “seventeen years” behind it, and also has some secret connection with the mainstream literature of the Soviet Union. This criticism of Russian Soviet literature during the “Cultural Revolution” was inevitably related to the cold reception of Russian Soviet literature in contemporary China.

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Grebenshchikov, Yu. "AKSAKOLOGY IN THE PRACTICE OF LITERARY CRITICISM OF THE XX-XXI CENTURIES". W VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3729.rus_lit_20-21/210-213.

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The article highlights the history of aksakology of the XX-XXI centuries. The beginning of scientific practice is associated with the name of S.I. Mashinsky and his monograph on the work of S.T. Aksakov. The research of E.L. Voitolovskaya, O.N. Belokopytova, A.V. Chicherin became the most systematic research of the 1950s - 1970s. It is shown that the main vectors of aksakology, since the 1980s, were set in the works of E.I. Annenkova, V.A. Koshelev, Yu.V. Mann. The efforts of Ufa linguists and literary critics, as well as participants of the Samara conferences of 2017 and 2020, were particularly noted. The monograph by V.E. Ugryumov and the developments on poetics made in recent years by A.A. Churkin are considered significant at the present stage.

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"A Study of the Literary Criticism Style in Xia Zhiqing's The History of Chinese Modern Novels". W 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.45.

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BILGI, Levent. "ONTOLOGICAL THEORY IN LITERATURE". W 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-3.

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Ontological theory has developed with unnamed ideas since Aristotle. Roman Ingarden talked about the layers of being in his works of art. Ontology has come to the fore especially when analyzing the texts of poetry. Ontological theory works by not paying attention to extra-textual elements in the analysis of a text. It focuses on the text itself. It tries to understand the layers of literary text. Ontological Theory in Turkish Literature came to the forefront with Takyettin Mengüşoğlu and İsmail Tunalı's work called Art Ontology. İsmail Tunalı's work named Art Ontology has been published. After the publication of Art Ontology, it is seen that the publications on ontology have increased. Later, Ontological Theory gradually became one of the criteria for evaluating the work of art in our literature. Key words: Ontology, Theory, Art, Work, Criticism.

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Rudenko, M. S. "BULGAKOV AND SHOLOKCHOV IN THE LITERARY CRITICISM OF THE FIRST WAVE OF RUSSIAN EMIGRATION". W VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3725.rus_lit_20-21/194-198.

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The question of how the first wave of emigration evaluates the works of Bulgakov and Sholokhov is far from simple. While Bulgakov is perceived by emigrants as a Soviet, or at least “sub-Soviet” writer, such definitions are not given to Sholokhov. It is obvious that Sholokhov is perceived as a writer of the first rank, a singer of the Cossacks, and the creator of a wide epic canvas. The completely socialist realist “Virgin Soil Upturned” also receives a fairly positive assessment. At the same time, critics are obviously biased towards Bulgakov. He is valued as a satirist, but his position in “The White Guard” and especially in “Days of the Turbins” is regarded rather as Soviet, and his objectivity is sometimes interpreted as slander. If Sholokhov is perceived almost without criticism, then critical arrows fall on Bulgakov not only from Khodasevich and Adamovich, who seem to be quite unanimous on this issue, but also from a number of connoisseurs of Russian literature.

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Raporty organizacyjne na temat "Horror literature - literary criticism"

Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina i Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], lipiec 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by (ethno)logy, and is implicitly embedded into (cosmo)logy. The technology application object is the text of the twentieth century Cuban poet José Ángel Buesa. The choice of poetry was dictated by the appeal to the most important function of emoji – the expression of feelings, emotions, and mood. It has been discovered that sensuality can reconstructed with the help of this type of meta-linguistic digital continuum. It is noted that during the emoji design in the Emoji Maker program, due to the technical limitations of the platform, it is possible to phenomenologize one’s own essential-empirical reconstruction of the lyrical image. Creating the image of the lyrical protagonist sign, it was sensible to apply knowledge in linguistics, philosophy of language, psychology, psycholinguistics, literary criticism. By constructing the sign, a special emphasis was placed on the facial emogram, which also plays an essential role in the transmission of a wide range of emotions, moods, feelings of the lyrical protagonist. Consequently, the Emoji Maker digital platform allowed to create a new model of digital presentation of fiction, especially considering the psychophysiological characteristics of the lyrical protagonist. Thus, the interpreting reader, using a specific digital toolkit – a visual iconic sign (smile) – reproduces the polylaterial metalinguistic multimodality of the sign meaning in fiction. The effectiveness of this approach is verified by the poly-functional emoji ousia, tested on texts of fiction.

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