Gotowe bibliografie tematyczne / Hong Kong essays (Chinese)

Gotowa bibliografia na temat „Hong Kong essays (Chinese)”

Autor: Grafiati
Data publikacji: 25 lipca 2024
Data aktualizacji: 26 lipca 2024

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Artykuły w czasopismach na temat "Hong Kong essays (Chinese)"

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Shaoyang, Lin. "Hong Kong in the Midst of Colonialism, Collaborative and Critical Nationalism from 1925 to 1930". China Report 54, nr 1 (2.01.2018): 25–47. http://dx.doi.org/10.1177/0009445517744409.

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In the late 1920s, cultural nationalism in Hong Kong was imbedded in Confucianism, having been disappointed with the New Culture Movement and Chinese revolutionary nationalism.1 It also inspired British collaborative colonialism. This study attempts to explain the link between Hong Kong and the Confucius Revering Movement by analysing the essays on Hong Kong of Lu Xun (1881–1936), the father of modern Chinese literature and one of the most important revolutionary thinkers in modern China. The Confucius Revering Movement, which extended from mainland China to the Southeast Asian Chinese community and then to Hong Kong, formed a highly interrelated network of Chinese cultural nationalism associated with Confucianism. However, the movements in these three places had different cultural and political roles in keeping with their own contexts. Collaborative colonialism’s interference with the Confucius Revering Movement is one way to understand Lu Xun’s critical reading of Hong Kong. That is, Hong Kong’s Confucius Revering Movement was seen as an endeavour of the colonial authorities to co-opt Confucianism in order to deal with influences from China. This article argues that Hong Kong’s Confucius Revering Movement should be regarded as one of the main perspectives through which to understand Hong Kong’s educational, cultural and political histories from the 1920s to the late 1960s. Lu Xun enables us to see several links. The first link is the one connecting the Confucius Revering Movement in Mainland China, Hong Kong and the Chinese community in Southeast Asia. This leads to the second link, that is, Lim Boen Keng (Lin Wenqing), the leading figure of the Confucius Revering Movement in the Southeast Asian Chinese community who later became the President of Amoy University, where Lu Xun had taught before his first visit to Hong Kong. The third link is the skilful colonial administrator Sir Cecil Clementi, who came to British Malaya in February 1930 to become Governor after being the Governor of Hong Kong. We can observe a network of Chinese critical/resistant and collaborative nationalism from these links.
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Tong, Christopher. "Hong Kong Poets and the Making of a Cosmopolitan Literary Genre". Writing Chinese: A Journal of Contemporary Sinophone Literature 2, nr 1 (20.12.2023): 66–87. http://dx.doi.org/10.22599/wcj.44.

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Hong Kong has always existed on the margins of history. Interestingly, Hong Kong’s liminal status also made it a cosmopolitan space for transcultural exchanges between Chinese and Western worlds throughout the nineteenth and twentieth centuries. Despite its unique position vis-à-vis China and the West, however, Hong Kong has long been dismissed as lacking cultural gravitas. As such, Hong Kong culture finds itself self-consciously confronting a perennial crisis: as the People’s Republic of China gains increasing recognition in the canons of world literature, Hong Kong’s cosmopolitan culture is indirectly side-lined in the process. Meanwhile, Hong Kong literature is routinely underrepresented in the canons of modern Chinese literature. Anthologies of modern Chinese poetry and poetry research, for instance, scarcely include Hong Kong poets, if at all. Given this context, this essay seeks to rearticulate the place of Hong Kong in modern Chinese literary history. More specifically, it traces the emergence of Hong Kong poetry as a cosmopolitan literary genre in the latter half of the twentieth century. The goals are threefold: to historicise the confluence of Chinese and Western literary traditions in the city of Hong Kong; to locate specific intersections of identity, language, and politics in the production of Hong Kong poetry; and to introduce biographical and bibliographical data on notable Hong Kong poets.
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Song, Chris. ""The City’s Charms and Challenges" by P K Leung (translation)". Writing Chinese: A Journal of Contemporary Sinophone Literature 2, nr 1 (9.01.2024): 149–52. http://dx.doi.org/10.22599/wcj.56.

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In this essay “The City’s Charms and Challenges” 城巿的诱惑·城市的挑战' by P K Leung (alias Ye Si 也斯) published in Zhong Hua Du Shu Bao (《 中华读书报》) in 2013, Leung traces his own journey as he -- just like many other Chinese families -- moved with his family from Guangdong to Hong Kong in 1949, where he grew up, lived and taught, becoming one of the best-known Hong Kong writers. In the essay, he also mapped out the early beginnings of Hong Kong literature, its intrinsic roots in Chinese literature, and how it has thrived amidst the socio-cultural and historical changes in Hong Kong in the last few decades. In charting the locality of places, the difference between the urban and the rural living in Hong Kong, Leung highlights the importance to acknowledge the complex layers and dimensions of Hong Kong literature, where both Chinese and English languages and different cultures intersect.
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Chu, Yiu-Wai. "Introduction: Mediating borders: New boundaries for Hong Kong studies". Global Media and China 5, nr 2 (czerwiec 2020): 103–8. http://dx.doi.org/10.1177/2059436420927647.

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There are myriad methods and tactics to study and examine Hong Kong as a former crown colony and a current Chinese special administrative region. Using the idea of border as a critical tool as well as the subject of critique, this special issue highlights and addresses a political and historical fact that the bordering, debordering and transbordering of Hong Kong, as long taken-for-granted through the media, has never been a fixed and stable boundary. If political binarism and cultural parochialism have walled up Hong Kong cultures from national or transnational transformations, the essays in this special issue seek to initiate new discussions and revisit old discovery of Hong Kong amid the ebb and flow of nationality, transnationality and globality. They respond to cross-border ventures in various ways, offering different views and engaging with one another as to shed light on how the changing borderscape might have impacts on the future development of Hong Kong culture.
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Pan, Chienwei. "Drifting in the World Literary Space". Archiv orientální 89, nr 2 (30.09.2021): 389–411. http://dx.doi.org/10.47979/aror.j.89.2.389-411.

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For Hong Kong poet Leung Ping-Kwan (penname: Ye Si, 1949-2013), travel allows him to visit literary capitals, in which his works are translated into local languages. Without regarding himself as merely a Hong Kong writer, Leung intentionally reminisces about his travel accounts in these literary centers, accentuating how his life is permeated by European traditions. This essay examines the trope of travel in Leung Ping-Kwan’s poems along with his prose essays, focusing on the dialectical thinking of centers and peripheries. I contend that the idea of travel points to the poet’s personal experiences as well as his literary endeavors while embarking on his poetic journeys. I adopt the notion of “self-exile” to describe the moment when Leung stays away from his native land and ponders on how Hong Kong Literature – the so-called “small literature” – can raise its visibility if it is presented in the international literary scene. Specifically, he draws several routes to the literary centers, Paris and Berlin in particular. And without simply being assimilated into the dominant literary culture, Leung usually writes in Chinese and tactically inserts the images of Hong Kong while illustrating the European urban imageries.
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Hudson, Dale. "Modernity as Crisis: Goeng Si and Vampires in Hong Kong Cinema (translation into Russian)". Corpus Mundi 2, nr 4 (27.12.2021): 112–42. http://dx.doi.org/10.46539/cmj.v2i4.55.

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This article is a translation of a chapter from the collective monograph Draculas, vampires, and other undead forms: essays on gender, race, and culture, edited by John Edgar Browning and Caroline Joan (Kay) Picart (2009, Scarecrow Press). The author analyzes the question of how Hong Kong cinema responds to the complex situation of Hong Kong's transition from its status as a British territory on loan to a special territory with extended autonomy within the PRC. As a marker pointing to the crisis development of this process, the Chinese people's particular ideas about the so-called “goeng si” (“jumping corpses”) were chosen. These revived corpses move in a peculiar jumping way, due to which they received this name. According to the author, in the images of these creatures, as well as in the cinematic vampires that have become an integral part of films made by Hong Kong studios, all the contradictions of the cultural and political situation in Hong Kong are manifested as in a mirror. Despite the fact that Hong Kong was able to actively oppose the global cinema represented by Hollywood, it had to adjust to the global cinematic trends in which vampires played an important role. All of this led to a certain hybridity of images that combined both Western and Chinese traits.
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KEVIN HO, CHUNG-HIN, i HEI-HANG HAYES TANG. "Building Houses by the Rootless People: Youth, Identities, and Education in Hong Kong". Harvard Educational Review 90, nr 2 (1.06.2020): 282–94. http://dx.doi.org/10.17763/1943-5045-90.2.282.

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In this essay, Chung-Hin Kevin Ho, a history education university student in Hong Kong, narrates his search for civic identity. Composed through a process of critical and reflective dialogue with Hayes Tang, the essay describes the tension between Chung-Hin’s Chinese ethnic and cultural identity and the democratic values held by Hong Kongers. As a student, he and his peers had to navigate these competing conceptions of identity in their coursework and examinations. The youth of Hong Kong, including Chung-Hin, have protested against the Chinese government, and have fought to protect the values of Hong Kong. As a future educator, Chung-Hin has advice for the government administrations of both Hong Kong and China: work with Hong Kongers to help them “build their own house.” Chung-Hin argues that if Hong Kong is to become closer to China, it cannot be done through force or propaganda. Further, Chung-Hin contends that education initiatives that change the history curriculum of Hong Kong schools is not enough to bring the youth of the city to heel. Chung-Hin’s experiences, and his own understanding of history education in Hong Kong, have helped him see that the values of Hong Kongers need to be respected if there is any hope of gaining their trust and acceptance. In this timely essay, Chung-Hin highlights how government policies and historical legacies have shaped his personal experience and educational trajectory in Hong Kong, as well as the other students who are a part of the largest youth protest movement in recent memory.
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Marchetti, Gina. "Chinese Film Studies Online: Technological Innovations, Pedagogical Challenges, and Teaching Chinese-Language Cinema in the Digital Age". Journal of Chinese Film Studies 1, nr 1 (12.03.2021): 135–52. http://dx.doi.org/10.1515/jcfs-2021-0007.

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Abstract Because of the impact of the COVID-19 pandemic on higher education, online initiatives have moved from the periphery to the very heart of teaching and learning across disciplines. However, the profession has just begun to consider the full impact these new technologies have on the way we research and teach Chinese-language cinema. Using the Massive Open Online Course (MOOC) and University of Hong Kong Common Core campus-based course, Hong Kong Cinema through a Global Lens, as my principal case study, I explore some of the ways in which the digital revolution has transformed research on and teaching about Hong Kong film. From surveying the types of material available for research to exploring the differences between MOOCs and flipped classrooms, this essay considers the positive implications and potential drawbacks of these new technologies in global, regional, and local educational contexts.
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Tse, Priscilla. "“One Opera, Two Nationalisms”: Negotiating Hong Kong Identity and Chinese Nationalism in Cantonese Opera". Asian Theatre Journal 40, nr 2 (wrzesień 2023): 381–402. http://dx.doi.org/10.1353/atj.2023.a912921.

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Abstract: While scholarly attention on nationalism of recent Hong Kong sheds light mostly on social movements, social media, and cinema, the performative role of yueju (Cantonese opera), as a Chinese vernacular theatre, in post-1997 Hong Kong is often neglected. This case study examines how different ideologies, political consciousness, and cultural ideals come into conflict and are mediated within the Cantonese opera circle since the 2014 Umbrella Movement. By investigating both the top-down and bottom-up approaches of propaganda as well as the potential of performing the opera as pro-democracy activism, this essay interrogates the dynamics between the hegemonic Chinese nationalism and the rising political consciousness of seeing Hong Kong as a separate entity.
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Han, Song (Abel), i Yu (Heidi) Huang. "“Republic of Southern Sinophone Literature” and Its Memorandum". Journal of World Literature 4, nr 4 (6.12.2019): 488–507. http://dx.doi.org/10.1163/24056480-00404003.

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Abstract This essay reexamines two Sinophone literary uchronias, i.e. Malaysian Chinese (Mahua) author Ng Kim Chew’s dystopian account of the People’s Republic of Nanyang, and Hong Kong writer Dung Kai-cheung’s fabrication of the history of a disappeared street in Hong Kong. As representative pieces of Sinophone literature, these two literary uchronias not only rewrite the authors’ local histories but also bring together a critical examination of the geo-political conditions in the Sinophone sphere. Reflecting on the spatialized and materialist models of world literature studies, this essay aims to investigate the Hong Kong-Mahua link in terms of their world-making power.
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Rozprawy doktorskie na temat "Hong Kong essays (Chinese)"

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Chu, Wan-kam, i 朱韻琴. "An evaluation of the genre approach to prose writing in matriculation level Chinese literature =". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B4004001X.

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Wu, Kam-yin. "Chinese/Cantonese writing in Hong Kong". Click to view the E-thesis via HKUTO, 1992. http://sunzi.lib.hku.hk/HKUTO/record/B38626342.

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Liang, Hin-suen Raymond, i 梁憲孫. "Malignant lymphomas in Hong Kong Chinese". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31981379.

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Wu, Kam-yin, i 胡錦賢. "Chinese/Cantonese writing in Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B38626342.

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Tao, Libin, i 陶利斌. "Essays on microstructure of Hong Kong markets". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40987747.

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Tao, Libin. "Essays on microstructure of Hong Kong markets". Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40987747.

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Lee, Tsz-him, i 李子謙. "A study of "Hong Kong styled Chinese"". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46089664.

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Sung, Rita Yn-Tz. "Acute bronchiolitis in Hong Kong Chinese infants". Thesis, Cardiff University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339352.

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Mong, Ka Sing. "A Chinese government building in Hong Kong". Thesis, Virginia Polytechnic Institute and State University, 1987. http://hdl.handle.net/10919/53146.

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This thesis proposes a Chinese government building in HONG KONG reflecting the contemporary social, economic and political situation. It includes three parts: First, the study of the building systems of the building which reflect the symbolic idea of a gateway in the Central Business District of Hong Kong; second, the proposal to connect the existing system of elevated footbridges in the urban fabric of CBD in Hong Kong; Third, the implementation of this project by an advanced computer graphics workstation IBM 5080 with the softwares CADAM and ISD. In this way, the results are elucidated by a series of computer drawings which not only exemplify the architectural design process but also act as guidelines for students interested in computer-aided design.
Master of Architecture
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Chan, Chee-wun Joyce, i 陳志雲. "Pernicious anaemia in Chinese". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43085702.

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Książki na temat "Hong Kong essays (Chinese)"

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"Xianggang wen xue" bian ji bu., red. "Xianggang wen xue" jing xuan ji =: Hong Kong literary collection. Wyd. 8. Guangzhou Shi: Hua cheng chu ban she, 2008.

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J, Clarke David. Art & place: Essays on art from a Hong Kong perspective. Hong Kong: Hong Kong University Press, 1996.

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Zhang, Xiaoxian. Tan yi chang bu fen shou de lian ai: Never breaking up : selected prose of Amy Cheung. Wyd. 8. Xianggang: Huang guan chu ban she (Xianggang) you xian gong si, 2013.

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Dong, Qiao. Cong qian: Once upon a time. Hong Kong: Oxford University Press, 2002.

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Dong, Qiao. Cong qian. Wyd. 8. Beijing Shi: San lian shu dian, 2002.

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Xianggang Zhong wen da xue. Zhongguo yu yan ji wen xue xi = Chinese University of Hong Kong. Department of Chinese Language and Literature. Zhong da, shan shui, ren wen. Wyd. 8. Xianggang: Niujin da xue chu ban she, 2012.

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Wang, Yixing. Yi lu zou lai. Wyd. 8. Xianggang: Ming bao chu ban she you xian gong si, 2009.

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Cen, Yifei. Mei de huan xin. Wyd. 8. Xianggang: Ming chuang chu ban she you xian gong si, 2002.

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Luo, Sun. Xianggang wen xue ji yi. Wyd. 8. Xianggang: Xianggang wen hui chu ban she, 2005.

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Lin, Yongchen. Piao liu bie lian. Wyd. 8. Xianggang: Qing ma wen hua shi ye chu ban you xian gong si, 2013.

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Części książek na temat "Hong Kong essays (Chinese)"

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Shek, Daniel T. L. "What Makes Chinese People Happy? Insights from a Traditional Chinese Essay and a Hong Kong Cantopop". W The Pope of Happiness, 217–26. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-53779-1_23.

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Lau, Kai-Yiu. "Chinese Martial Arts". W Hong Kong History, 241–60. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2806-1_10.

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Foster, Paul B. "Hong Kong literature". W Routledge Handbook of Modern Chinese Literature, 656–68. London; New York, NY: Routledge, 2018.| Includes bibliographical references and index.: Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-54.

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Dupré, Jean-François. "Making Hong Kong Chinese". W State and Majority Nationalism in Plurinational States, 8–26. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003352815-2.

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MacShane, Denis. "Piers in Hong Kong". W Stalin on Linguistics and other Essays, 253–57. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403919236_9.

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Yung, Kenneth Kai-Chung. "China’s Intellectuals and Chinese Culture in Hong Kong". W Hong Kong History, 137–55. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2806-1_6.

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Zhou, Xuelin. "‘Made in Hong Kong’". W Youth Culture in Chinese Language Film, 138–63. Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: Media, culture and social change in Asia ; 47: Routledge, 2016. http://dx.doi.org/10.4324/978131559124-7.

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Ortmann, Stephan. "Legality and the Hong Kong Protests". W Chinese Legality, 161–77. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003294887-13.

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Chen, Lingchei Letty. "Hong Kong Androgynous: Embodying Cultural Hybridity". W Writing Chinese, 77–98. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403982988_5.

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Teo, Stephen. "The Hong Kong Cantonese Cinema". W The Chinese Cinema Book, 103–10. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-84457-580-0_12.

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Streszczenia konferencji na temat "Hong Kong essays (Chinese)"

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Qiu, Yu-Qing, Ronald C. W. Ma, Brian Tomlinson, Juliana C. N. Chan, Larry Baum, Ting-Fan Leung i Nelson L. S. Tang. "Fine-scale stratification analysis of Hong Kong Chinese population". W 2010 IEEE International Conference on Bioinformatics and Biomedicine Workshops (BIBMW). IEEE, 2010. http://dx.doi.org/10.1109/bibmw.2010.5703914.

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Lin, H. Q. "Computational Many-Body Physics and Parallel Computation in Hong Kong". W Proceedings of the Third Joint Meeting of Chinese Physicists Worldwide. WORLD SCIENTIFIC, 2002. http://dx.doi.org/10.1142/9789812776785_0021.

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Tse, Lap Ah, Feng Wang, Priscilla Ming Yi Lee, Wing Ming Ho i Chi Fai Ng. "521 Nightshift work and prostate cancer among hong kong chinese men". W 32nd Triennial Congress of the International Commission on Occupational Health (ICOH), Dublin, Ireland, 29th April to 4th May 2018. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/oemed-2018-icohabstracts.1372.

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Tse, Lap Ah, Feng Wang, Priscilla Ming Yi Lee, Wing Ming Ho i Chi Fai Ng. "1656c Nightshift work and prostate cancer among hong kong chinese men". W 32nd Triennial Congress of the International Commission on Occupational Health (ICOH), Dublin, Ireland, 29th April to 4th May 2018. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/oemed-2018-icohabstracts.1377.

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Li, Bin, Jing Shao i Sunyoung Oh. "Reciprocal Perception of Chinese and Korean Affricates and Fricatives". W 163rd Meeting Acoustical Society of America/ACOUSTCS 2012 HONG KONG. ASA, 2013. http://dx.doi.org/10.1121/1.4772392.

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Yu, Mullin, Brian Chung, Marcus Chan, Kit San Yeung, Clara Tang i Claudia Chung. "108 Actionable pharmacogenetic variants in hong kong chinese exome data and projected prescription impact in the hong kong population leading to precision medicine". W RCPCH Conference Singapore. BMJ Publishing Group Ltd, 2021. http://dx.doi.org/10.1136/bmjpo-2021-rcpch.61.

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Leung, Ruth, Corey Lam i Eric Ziea. "Integrating modern technology with Traditional Chinese Medicine, sharing information across Hong Kong". W 2012 IEEE 14th International Conference on e-Health Networking, Applications and Services (Healthcom 2012). IEEE, 2012. http://dx.doi.org/10.1109/healthcom.2012.6380062.

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Nikolayev, Andrey, Maia Egorova i Sergey Barov. "THE PROBLEM OF THE SPREAD OF THE CHINESE LANGUAGE IN HONG KONG". W 13th International Technology, Education and Development Conference. IATED, 2019. http://dx.doi.org/10.21125/inted.2019.1699.

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Yeung, Yuk. "A Study of Good Chinese Learners at the University of Hong Kong". W The European Conference on Language Learning 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2188-112x.2022.2.

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Yeung, Yuk. "A Study of Good Chinese Learners at the University of Hong Kong". W The IAFOR International Conference on Arts & Humanities – Hawaii 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2432-4604.2024.1.

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Raporty organizacyjne na temat "Hong Kong essays (Chinese)"

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Lo, Pui-Lam. Ethnic Identity Changes Among Hong Kong Chinese Americans. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6483.

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Hanson, Gordon, i Robert Feenstra. Intermediaries in Entrepot Trade: Hong Kong Re-Exports of Chinese Goods. Cambridge, MA: National Bureau of Economic Research, styczeń 2001. http://dx.doi.org/10.3386/w8088.

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