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Artykuły w czasopismach na temat "Holocaust, Jewish (1939-1945), and art"
Grimsted, Patricia Kennedy. "Nazi-Looted Art from East and West in East Prussia: Initial Findings on the Erich Koch Collection". International Journal of Cultural Property 22, nr 1 (luty 2015): 7–60. http://dx.doi.org/10.1017/s0940739115000065.
Pełny tekst źródłaButkiewicz, Tomasz. "Synagogues on fire. The end of Polish synagogue architecturein 1939–1941 in the iconography of German soldiers". Res Politicae 14 (2022): 115–39. http://dx.doi.org/10.16926/rp.2022.14.07.
Pełny tekst źródłaTarnowska, Magdalena. "Zagłada i odrodzenie w twórczości ocalonej – łódzkiej malarki Sary Gliksman-Fajtlowicz (1909–2005)". Studia Judaica, nr 2 (48) (2021): 437–71. http://dx.doi.org/10.4467/24500100stj.21.018.15073.
Pełny tekst źródłaTanzer, Frances. "European Fantasies: Modernism and Jewish Absence at the Venice Biennale of Art, 1948–1956". Contemporary European History 31, nr 2 (14.12.2021): 243–58. http://dx.doi.org/10.1017/s0960777321000138.
Pełny tekst źródłaMorawiec, Arkadiusz. "Józef Hen i Józef Bau". Załącznik Kulturoznawczy, nr 9 (2022): 137–59. http://dx.doi.org/10.21697/zk.2022.9.07.
Pełny tekst źródłaPeskova, Anna Yu. "Modern Slovak drama about The Second World War". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 63 (2022): 268–77. http://dx.doi.org/10.37816/2073-9567-2022-63-268-277.
Pełny tekst źródłaWhite, Nick. "Gitta Sereny and Albert Speer's ‘Battle with Truth’ on the London Stage". New Theatre Quarterly 17, nr 2 (maj 2001): 170–85. http://dx.doi.org/10.1017/s0266464x00014573.
Pełny tekst źródłaChechi, Alessandro. "THE GURLITT HOARD: AN APPRAISAL OF THE ROLE OF INTERNATIONAL LAW WITH RESPECT TO NAZI-LOOTED ART". Italian Yearbook of International Law Online 23, nr 1 (17.11.2014): 199–217. http://dx.doi.org/10.1163/22116133-90230044.
Pełny tekst źródłaStone, Daniel. "Coverage of the Holocaust in Winnipeg’s Jewish and Polish Press 1939–1945". Polin: Studies in Polish Jewry 19, nr 1 (styczeń 2007): 183–203. http://dx.doi.org/10.3828/polin.2007.19.183.
Pełny tekst źródłaHamrin-Dahl, Tina. "This-worldly and other-worldly: a holocaust pilgrimage". Scripta Instituti Donneriani Aboensis 22 (1.01.2010): 122–62. http://dx.doi.org/10.30674/scripta.67365.
Pełny tekst źródłaRozprawy doktorskie na temat "Holocaust, Jewish (1939-1945), and art"
Liu, Dan. "Holocaust representation in Art Spiegelman's Maus". Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2456309.
Pełny tekst źródłaFrahm, Ole. "Genealogie des Holocaust : Art Spiegelmans Maus - a survivor's tale /". München [u.a.] : Fink, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2637876&prov=M&dok_var=1&dok_ext=htm.
Pełny tekst źródłaCuri, Fabiano Andrade 1971. "Maus de Art Spiegelman : uma outra historia da Shoah". [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270246.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-13T07:42:00Z (GMT). No. of bitstreams: 1 Curi_FabianoAndrade_M.pdf: 5800196 bytes, checksum: fa1306d7a4bd82f8efed9032794645d2 (MD5) Previous issue date: 2009
Resumo: Este texto tem o objetivo de apresentar a obra Maus, de Art Spiegelman, como uma nova forma de transmissão dos traumas da Shoah. Com a proximidade do fim das gerações de sobreviventes, as atenções se voltam para produção daqueles que tiveram contato indireto com a tentativa de aniquilamento de judeus nos campos de extermínio nazistas. Nesse grupo encontra-se o autor da obra que analisamos com um livro no formato de quadrinhos absolutamente inovador não só entre os testemunhos, mas também entre os próprios quadrinhos. A composição de textos e desenhos feita por Spiegelman enfrenta as mesmas limitações de outras obras de testemunhos diretos ou indiretos ao tentar narrar o que não se narra, mas traz elementos bastante interessantes na representação artística da memória, como a adequação dos relatos ao espaço dos quadros, as feições antropomórficas dos personagens e toda a discussão sobre a obra dentro dela mesma. Além disso, Maus traz uma série de experiências nesse tipo de literatura ao justapor a história de sobrevivente de Auschwitz narrada pelo pai com a sua própria vida de filho de sobrevivente com as difíceis implicações dessa situação. Dessa forma, Spiegelman trabalha em diferentes níveis de narrativa, alternando e relacionado biografia e autobiografia.
Abstract: This text aims to present the Art Spiegelman's work, Maus as a new way of transmitting the traumas of the Shoah. With the generations of survivors coming to an end, the attention has turned to the production of the new generations, who have had indirect contact with the attempt of annihilation of Jews in the Nazi?s extermination camps. In this group, there is the author of the work that we look with a comic book format that is absolutely innovative, not only among the Shoah?s narratives, but also among the comics itself. The composition of texts and drawings made by Spiegelman faces the same limitations that other important testimonies direct or indirect have on trying to tell what cannot be told, but has very interesting elements in the artistic representation of the memory and the suitability of reporting the area of the drawings, the anthropomorphic features of the characters and the whole discussion on the work inside itself. Moreover, Maus has a lot of experiences in this type of literature when juxtapose the story of an Auschwitz survivor narrated by his father with his own life as the son of a survivor with the difficult implications of this situation. As a result, Spiegelman works in different levels of narrative, alternating and linking biography and autobiography.
Mestrado
Mestre em Teoria e História Literária
Furgang, Lynne Eva Art College of Fine Arts UNSW. "The city that never sleeps". Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/43556.
Pełny tekst źródłaStenekes, Willem Jacob. "History denied a study of David Irving and Holocaust denial /". Sydney : UWS, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030704.164555/.
Pełny tekst źródłaStenekes, Willem J. "History denied : a study of David Irving and Holocaust denial /". View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030704.164555/index.html.
Pełny tekst źródła"A thesis presented to the University of Western Sydney in the fulfillment of the requirement for the degree of Master of Arts (Honours), May 2002." Bibliography: p. 300-333.
Motl, Kevin C. "Victims of Hope: Explaining Jewish Behavior in the Treblinka, Sobibór and Birkenau Extermination Camps". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2558/.
Pełny tekst źródłaLincoln, Margaret L. "The Online and the Onsite Holocaust Museum Exhibition as an Informational Resource". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5407/.
Pełny tekst źródłaAltomonte, Jenna A. "The Postmemory Paradigm: Christian Boltanski's Second-Generation Archive". Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1244047774.
Pełny tekst źródłaDecoster, Charlotte. "Jewish Hidden Children in Belgium during the Holocaust: A Comparative Study of Their Hiding Places at Christian Establishments, Private Families, and Jewish Orphanages". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5468/.
Pełny tekst źródłaKsiążki na temat "Holocaust, Jewish (1939-1945), and art"
Gilbert, Martin. The Holocaust: The Jewish tragedy. London: Folio Society, 2012.
Znajdź pełny tekst źródłaZahava, Seewald, i Musée juif de Belgique, red. Holocaust. Antwerp, Belgium]: Pandora, 2000.
Znajdź pełny tekst źródła1946-, DeCoste F. C., i Schwartz Bernard 1937-, red. The Holocaust's ghost: Writings on art, politics, law, and education. Edmonton, Alta., Canada: University of Alberta Press, 2000.
Znajdź pełny tekst źródłaBaigell, Matthew. Jewish-American artists and the Holocaust. New Brunswick, N.J: Rutgers University Press, 1997.
Znajdź pełny tekst źródłaB'nai B'rith Klutznick National Jewish Museum., red. Art and the Holocaust: Destruction and survival. Washington, DC: B'nai B'rith Klutznick National Jewish Museum, 1995.
Znajdź pełny tekst źródłaGodfrey, Mark. Abstraction and the Holocaust. New Haven: Yale University Press, 2007.
Znajdź pełny tekst źródłaToll, Nelly S. When memory speaks: The Holocaust in art. Westport, Conn: Praeger, 1998.
Znajdź pełny tekst źródłaNagy, Katalin S. Emlékkavicsok: Holocaust a magyar képzőművészetben 1938-1945. Budapest: Glória, 2006.
Znajdź pełny tekst źródłaBaigell, Matthew. Jewish artists in New York during the Holocaust years. Washington, D.C: United States Holocaust Memorial Museum, Center for Advanced Holocaust Studies, 2001.
Znajdź pełny tekst źródłaLiberman, Judith Weinshall. The Holocaust wall hangings. [Jerusalem]: Yad Vashem, the Museum, 1992.
Znajdź pełny tekst źródłaCzęści książek na temat "Holocaust, Jewish (1939-1945), and art"
Antonelli, Valerio, Raffaele D'Alessio, Roberto Rossi i Warwick Funnell. "Accounting and expropriation of Jewish property in Fascist Italy 1939–1945". W Accounting for the Holocaust, 164–95. London: Routledge, 2024. http://dx.doi.org/10.4324/9781032685328-8.
Pełny tekst źródłaMichman, Dan. "Understanding the Jewish Dimension of the Holocaust". W The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 225–50. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0013.
Pełny tekst źródłaBrod, Peter. "Avigdor Dagan, Gertrude Hirschler and Lewis Weiner, editors. The Jews of Czechoslovakia. Historical Studies and Surveys. Vol. III. Philadelphia: The Jewish Publication Society of America. 1984. Pp. 700." W Polin: Studies in Polish Jewry Volume 1, 376–77. Liverpool University Press, 2004. http://dx.doi.org/10.3828/liverpool/9781904113171.003.0041.
Pełny tekst źródłaBauer, Yehuda. "Some Introductory Comments". W The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 3–8. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0001.
Pełny tekst źródłaTrochimczyk, Maja. "Jewish Composers of Polish Music after 1939". W Polin: Studies in Polish Jewry Volume 32, 371–86. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781906764739.003.0020.
Pełny tekst źródłaSTONE, DANIEL. "Coverage of the Holocaust in Winnipeg’s Jewish and Polish Press 1939-1945". W Polin: Studies in Polish Jewry Volume 19, 183–204. The Littman Library of Jewish Civilization, 2022. http://dx.doi.org/10.2307/j.ctv2kcwnw6.14.
Pełny tekst źródłaDiner, Dan. "Memory and Method: Variance in Holocaust Narrations". W The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 84–99. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0007.
Pełny tekst źródłaLangmuir, Gavin I. "Continuities, Discontinuities and Contingencies of the Holocaust". W The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 9–29. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0002.
Pełny tekst źródłaMarrus, Michael R. "Auschwitz: New Perspectives on the Final Solution". W The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 74–83. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0006.
Pełny tekst źródłaPaulsson, Gunnar S. "The Demography of Jews in Hiding in Warsaw, 1943‒1945". W Polin: Studies in Polish Jewry Volume 13, 78–103. Liverpool University Press, 2000. http://dx.doi.org/10.3828/liverpool/9781874774600.003.0005.
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