Rozprawy doktorskie na temat „Hollywood (Los Angeles)”
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Sprawdź 22 najlepszych rozpraw doktorskich naukowych na temat „Hollywood (Los Angeles)”.
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Oltmann, Katrin. "Remake - Premake : Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930 - 1960 /". Bielefeld : transcript, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=2960330&prov=M&dok_var=1&dok_ext=htm.
Pełny tekst źródłaSannah, Bassim. "The characteristic features of Hollywood's scenographical stylization (1930-1939)". [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=972588477.
Pełny tekst źródłaDammann, Lars. "Kino im Aufbruch : New Hollywood 1967-1976 /". Marburg : Schüren, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016300992&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Pełny tekst źródłaJoniak, Elizabeth A. ""On the street" and "of the street" the daily lives of unhoused youth in Hollywood /". Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023832501&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaLewis, Shane. "Orry-Kelly : an Australian in Hollywood : producing meaning through costume". Thesis, Queensland University of Technology, 1997.
Znajdź pełny tekst źródłaContreras, Gilbert Joseph 1974. "Ending teen homelessness : a case study of Los Angeles Youth Network in Hollywood, California". Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/65246.
Pełny tekst źródłaIn subtitle, the copyright symbol appears after the word California on t.p.
Includes bibliographical references (leaves 79-81).
by Gilbert Joseph Contreras, Jr.
M.C.P.
Sterckx, Laurent S. S. "Systèmes de signification dans le cinéma classique hollywoodien: l'exemple de la comédie sophistiquée". Doctoral thesis, Universite Libre de Bruxelles, 1996. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212325.
Pełny tekst źródłaGranville, Scott. "Mapping the Geographical and Literary Boundaries of Los Angeles: A Real and Imagined City". The University of Waikato, 2007. http://hdl.handle.net/10289/2359.
Pełny tekst źródłaOltmann, Katrin. "Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930 - 1960". Bielefeld Transcript, 2006. http://d-nb.info/984273557/04.
Pełny tekst źródłaMills, Jane Kathryn. "Hollywood and its others porous borders and creative tensions in the transnational screenscape /". View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19823.
Pełny tekst źródłaA thesis submitted to the University of Western Sydney, College of Arts, School of Humanities and Languages, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliography.
Fenske, Uta. "Mannsbilder : eine geschlechterhistorische Betrachtung von Hollywoodfilmen 1946 - 1960 /". Bielefeld : Transcript, 2008. http://d-nb.info/986757047/04.
Pełny tekst źródłaBöhnke, Alexander. "Paratexte des Films : über die Grenzen des filmischen Universums /". Bielefeld : Transcript, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015439218&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Pełny tekst źródłaEvans, Victoria Louise, i n/a. "Douglas Sirk, aesthetic modernism, and the culture of modernity". University of Otago. Department of Media, Film and Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080707.122544.
Pełny tekst źródłaHall, Timothy W. "Surface, substance and the status quo pop cultural influences on architectural design /". Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1085069145.
Pełny tekst źródłaCaston, Emily Katherine. "Hollywood film narratives relating to angelic intervention 1933-1955 : tradition and community". Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614982.
Pełny tekst źródłaCagle, Natalie Kenra. "Costume Design and Production for City of AngelsBook by Larry Gelbart, Music by Cy Coleman, and Lyrics by David Zippel". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437645350.
Pełny tekst źródłaBrophy, Mary-Beth. "Some lost bliss : tracing the dark night of the soul in Jack Kerouac's 'Visions of Gerard', 'The dharma bums', 'Desolation angels', and 'Big Sur' : and an excerpt from the novel 'Mayor of Hollywood'". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2132.
Pełny tekst źródłaJericho, Greg. "Hollywood dreaming: satires of Hollywood 1930-2003". Thesis, 2004. https://researchonline.jcu.edu.au/1115/1/01front.pdf.
Pełny tekst źródłaJericho, Greg. "Hollywood dreaming : satires of Hollywood 1930-2003 /". 2004. http://eprints.jcu.edu.au/1115/1/01front.pdf.
Pełny tekst źródłaOrey, Spencer Dwight. "The Dream Refinery: Psychics, Spirituality and Hollywood in Los Angeles". Diss., 2016. http://hdl.handle.net/10161/13411.
Pełny tekst źródłaThis ethnography examines the relationship between mass-mediated aspirations and spiritual practice in Los Angeles. Creative workers like actors, producers, and writers come to L.A. to pursue dreams of stardom, especially in the Hollywood film and television media industries. For most, a “big break” into their chosen field remains perpetually out of reach despite their constant efforts. Expensive workshops like acting classes, networking events, and chance encounters are seen as keys to Hollywood success. Within this world, rumors swirl of big breaks for devotees in the city’s spiritual and religious organizations. For others, it is in consultations with local spiritual advisors like professional psychics that they navigate everyday decisions of how to achieve success in Hollywood. As Hollywood attracts creative workers, the longstanding spiritual economy in its shadow attracts spiritual practitioners from around the world, some of whom seek to launch high-profile spiritual careers for themselves by advising other dreamers in Los Angeles.
At stake is how contemporary spiritual organizations and media industries co-create mass aspirations that circulate globally and become lucrative projects in the pursuit of their fulfillment in Los Angeles. Taking up Hortense Powdermaker’s famous description of Hollywood as a “dream factory,” I call attention to the “dream refinery” at work throughout Los Angeles. Through attention to spirituality, I examine how mass-mediated aspirations become embodied by individuals and then made into local projects that can be refined, influenced, and transformed. Hollywood has long been closed for ethnographic access. My work shows that Hollywood and its global influence can be accessed through para-industries to Hollywood. In the shadow of Hollywood, many people and industries work on the dreams of aspirational individuals. By foregrounding spirituality in Los Angeles as a spiritual economy made up of interconnected industries, I examine the historical and contemporary proliferation of spiritual groups, practitioners, and professionals in Los Angeles. Tracking the work of professionals like psychics who work on the dreams of their clients, I follow the dreams and struggles of aspirational individuals in Los Angeles. I examine the consequences that turning to spirituality can have on dreams, the worlds that emerge out of imbuing aspirations with spirituality, and various forms through which spiritual industries appeal to aspirational populations. Based on longterm ethnographic fieldwork with professional psychics, spiritual practitioners, media professionals, and Hollywood hopefuls, my research examines the spiritual economy of Hollywood dreams in Los Angeles.
Dissertation
Mills, Jane Kathryn, University of Western Sydney, College of Arts i School of Humanities and Languages. "Hollywood and its others : porous borders and creative tensions in the transnational screenscape". 2007. http://handle.uws.edu.au:8081/1959.7/19823.
Pełny tekst źródłaDoctor of Philosophy (PhD)
Rust, Stephen A. "Hollywood at the Tipping Point: Blockbuster Cinema, Globalization, and the Cultural Logic of Ecology". Thesis, 2012. http://hdl.handle.net/1794/12299.
Pełny tekst źródłaTwenty-first century American cinema is permeated by images of globalization and environmental change. Responding to what Yale researchers have described as a “sea change” in public perceptions of global warming occurring between 2004 and 2007, this dissertation provides the first extended examination of Hollywood’s response to the planet’s most pressing social and environmental challenge – global climate change. Among the most widely distributed and consumed forms of popular culture, Hollywood blockbuster films provide a unique textual window into the cultural logic of ecology during this important turning point in Americans’ perceptions of environmental risk. The term “cultural logic of ecology” is defined as the collective cultural expression of a society’s dominant perceptions and enactments of its relationships with other organisms and their shared bio-physical environments. Surveying the history of climate cinema, my second chapter examines the production and reception contexts of the two films most responsible for renewing public interest in global warming: The Day After Tomorrow (2004) and An Inconvenient Truth (2006). Despite their generic differences, both films combine the formal techniques of melodrama and realism to translate the science of global warming into a moral vernacular. In subsequent chapters, I further intertwine textual and historical analysis to examine other films released during the period that portray aspects of global warming. Considered a children’s film, Happy Feet (2006) employs digital animation to illustrate the ecological impacts of globalization on Antarctica, thus presenting viewers with a more accurate picture of the threats facing emperor penguins than did the documentary March of the Penguins (2005). I next analyze There Will Be Blood (2007) as a critique of patriarchy and natural resource exploitation that resonated with American filmgoers as oil prices were skyrocketing and President George W. Bush admitted “America is addicted to oil.” Consumed on Imax screens and iPods, and as toys, t-shirts, and video games, blockbusters leave massive cultural and carbon footprints. I conclude by arguing that ecocritical scholarship offers the most effective scholarly toolkit for understanding contemporary cinema as a cultural, textual, and material phenomenon.
Committee in charge: Dr. Michael Aronson, Chairperson; Dr. Sangita Gopal, Member; Dr. Louise Westling, Member; Dr. Jon Lewis, Member, from Oregon StateUniversity; Dr. Patrick Bartlein, Outside Member