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Artykuły w czasopismach na temat "History of drama shows"
Gozansky, Yuval. "Fifty Years of Drama on Israeli Children’s Television". Israel Studies Review 33, nr 2 (1.09.2018): 123–47. http://dx.doi.org/10.3167/isr.2018.330208.
Pełny tekst źródłaLagaay, Alice. "Kristin Gjesdal, The Drama of History: Ibsen, Hegel, Nietzsche". Modern Drama 65, nr 3 (1.10.2022): 415–54. http://dx.doi.org/10.3138/md-65-3-br02.
Pełny tekst źródłaSyukri, Muhammad, i St Rahmaniah Bahrun. "INTERSECTING AND RECOGNIZING THE VALUE OF CULTURE THROUGH LOCAL HISTORY DRAMA “TOPEKKONG AGREEMENT”". JLE: Journal of Literate of English Education Study Program 2, nr 01 (29.07.2021): 14–24. http://dx.doi.org/10.47435/jle.v2i01.650.
Pełny tekst źródłaKhawaldeh, Imad M., Baker Bani-Khair i Nisreen Al-Khawaldeh. "Recalling the Past in Postcolonial Drama: From Counter-History to Sociopolitical Redress". Advances in Language and Literary Studies 8, nr 5 (2.11.2017): 71. http://dx.doi.org/10.7575/aiac.alls.v.8n.5p.71.
Pełny tekst źródła.V, Praveen S. "Shakespeare-The Brand". International Journal of Emerging Research in Management and Technology 6, nr 8 (25.06.2018): 179. http://dx.doi.org/10.23956/ijermt.v6i8.135.
Pełny tekst źródłaXiang, Meng, i Kyung Hoon Han. "A Comparative Analysis Study on Musical Characteristics Shown in the Use of Modes in Korean and Chinese Classical Drama OSTs: Focusing on the Analysis of the Theme Melody of Major Underscores". Korean Society of Culture and Convergence 45, nr 11 (30.11.2023): 1289–99. http://dx.doi.org/10.33645/cnc.2023.11.45.11.1289.
Pełny tekst źródłaPark, Ji Hoon, Yong Suk Lee i Hogeun Seo. "The rise and fall of Korean drama export to China: The history of state regulation of Korean dramas in China". International Communication Gazette 81, nr 2 (11.10.2018): 139–57. http://dx.doi.org/10.1177/1748048518802915.
Pełny tekst źródłaMilne, Drew. "Cheerful History: the Political Theatre of John McGrath". New Theatre Quarterly 18, nr 4 (listopad 2002): 313–24. http://dx.doi.org/10.1017/s0266464x02000428.
Pełny tekst źródłaGędas, Katarzyna. "Foreword by Boris Pasternak to Maria Stuart by Frederick Schiller". Tekstualia 2, nr 65 (13.09.2021): 141–44. http://dx.doi.org/10.5604/01.3001.0015.2786.
Pełny tekst źródłaWarner, Sara, i Mary Jo Watts. "Hide and Go Seek: Child’s Play as Archival Act in Valerie Solanas’s SCUM Manifesto". TDR/The Drama Review 58, nr 4 (grudzień 2014): 80–93. http://dx.doi.org/10.1162/dram_a_00400.
Pełny tekst źródłaRozprawy doktorskie na temat "History of drama shows"
Sager, Jenny Emma. ""The strategy with cunning shows" : the aesthetics of spectacle in the plays of Robert Greene". Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:af29d412-c285-46e4-953c-43eac3e86f13.
Pełny tekst źródłaTener, John V. "Exhibiting the Victorians: Melodrama and Modernity in Post Civil War American Show Prints". The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu149259715322474.
Pełny tekst źródłaPluquet, Céline. "Le cinéma muet, un art musico-visuel : pratiques, théories et esthétiques de la musique de cinéma à Paris entre 1907 et 1929". Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080053.
Pełny tekst źródłaThis thesis intends to articulate the historical, theoretical, cultural and aesthetic aspects of film music during the silent era through the case of Parisian theaters. It questions the role of music and how it defined cinema at that specific time. This study shows the establishment of practices, theories, filmic and musical forms conditioned by film music. A first definition of film music between 1906 and 1907 describes the cinematic show as being a cinematic pantomime from the moment it appears as an artistic representation, as both a musical and visual experience. Shortly after the Great War, film music is gradually marked by the recognition of the orchestra as a model of musical accompaniment practice in Parisian theaters. Finally, film music becomes fully embedded when theorists establish the idea of the musical accompaniment of a cinematic art throughout the 1920s.This investigation thus leads us to rethink the role of the cinematic show in the definition of cinema. In short, film music represents the cornerstone which brings together a perception of cinema as being both an art and a performance
Curel, Agnès. "Une voix en métamorphose. De l'art du boniment au bonimenteur en scène : enquête sur une mémoire sonore du théâtre". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA142.
Pełny tekst źródłaThis thesis was written as an investigation. It first focuses on the presence on contemporary stages (20th and 21st centuries) of characters commonly known as bonimenteurs and the recurrent reference to the art of boniment. What does this imaginary world convey? How was this fictional figure constructed and how is it rooted in a tangible history? And how have certain specific oral codes used in boniment contributed to its historical durability? Our research was developed around a dual historical investigation. It examines what constituted the art of boniment throughout the 19th century, while also considering the introduction of boniment into fiction, due in part to a partial shift into an art form also observed in the 19th century. The study of the transition between a theatrical function precisely defined in a historical timeline and an active dramatic function on stage and modern screens highlights the specificities of the bonimenteur. Thanks to his or her position between room and stage, sound and image, the bonimenteur seems to create a specific dramatic gesture.This work also leads us to consider the bonimenteur as a figure questioning theatre’s relationship with orality and its history, which may embody another representation of theater based on the power of orality as performance
Chopoidalo, Cindy. "The drama of history, examinations in Shakespearean historiography". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59713.pdf.
Pełny tekst źródłaPiatt, Wendy Louisa. "Politics and religion in Renaissance closet drama". Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287042.
Pełny tekst źródłaTaylor, Miles Edward. "Nation, history, and theater : representing the English past on the Tudor and Stuart stage /". view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9986765.
Pełny tekst źródłaTypescript. Includes vita and abstract. Includes bibliographical references (leaves 255-265). Also available for download via the World Wide Web; free to University of Oregon users.
Brown, Ian. "History as theatrical metaphor : history, myth and national identities in modern Scottish drama". Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30714/.
Pełny tekst źródłaWalsh, Maeve. "Re:vision : the interpretation of history in contemporary Irish drama". Thesis, Goldsmiths College (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286613.
Pełny tekst źródłaMillet, Sandra Kay. "Theatre History in the Secondary Drama Classroom and Beyond". BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3507.
Pełny tekst źródłaKsiążki na temat "History of drama shows"
Larsen, L. Dawn. American traveling tent theatre, 1900-1940: Rural and small town tent shows performed in the midwest (including scripts of popular theatricals). Lewiston, New York: Edwin Mellen Press, 2014.
Znajdź pełny tekst źródłaSabin, Roger. Cop shows: A critical history of police dramas on television. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2015.
Znajdź pełny tekst źródłaHare, Elissa Beatrice. Enchanted shows: Vision and structure in Elizabethan and Shakespearean comedy about magic. New York: Garland Pub., 1988.
Znajdź pełny tekst źródłaJośī, Bihāga. Chāyanāṭaka: Saṃskr̥ta nātyasāhityano eka vismr̥ta adhyāya. Amadāvāda: Pārśva Pablikeśana, 2007.
Znajdź pełny tekst źródłaWei, Liqun. Zhongguo pi ying yi shu shi. Wyd. 8. Beijing: Wen wu chu ban she, 2007.
Znajdź pełny tekst źródłaNichols-Pethick, Jonathan. TV cops: The contemporary American television police drama. New York: Routledge, 2012.
Znajdź pełny tekst źródłaErtuğ, Mehmet. Anılar ve alıntılarla geleneksel Kıbrıs Türk seyirlik oyunları: Karagöz, meddahlık, ortayunu, kukla ve diğerleri--. Lefkoşa [Cyprus]: Mehmet Ertuğ, 2007.
Znajdź pełny tekst źródłaMcMillin, Scott. The musical as drama: A study of the principles and conventions behind musical shows from Kern to Sondheim. Princeton, NJ: Princeton University Press, 2007.
Znajdź pełny tekst źródłaMcMillin, Scott. The musical as drama: A study of the principles and conventions behind musical shows from Kern to Sondheim. Princeton, N.J: Princeton University Press, 2006.
Znajdź pełny tekst źródłaSheward, David. It's a hit!: The back stage book of longest-running Broadway shows : 1884 to the present. New York: Back Stage Books, 1994.
Znajdź pełny tekst źródłaCzęści książek na temat "History of drama shows"
Saber, Fathieh Hussam. "Shellyseer: A Literary Evolution". W Gulf Studies, 365–80. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-7796-1_22.
Pełny tekst źródłaReiter, Nils, i Marcus Willand. "What are they Talking About? A Systematic Exploration of Theme Identification Methods for Character Speech in Dramatic Texts". W Germanistische Symposien, 473–508. Stuttgart: J.B. Metzler, 2022. http://dx.doi.org/10.1007/978-3-476-05886-7_20.
Pełny tekst źródłaRosenstone, Robert A. "Mainstream drama". W History on Film/Film on History, 28–43. Third edition. | Abingdon, Oxon ; New York : Routledge, 2017. | Series: History: concepts, theories and practice: Routledge, 2017. http://dx.doi.org/10.4324/9781315113654-3.
Pełny tekst źródłaRosenstone, Robert A. "Innovative drama". W History on Film/Film on History, 44–61. Third edition. | Abingdon, Oxon ; New York : Routledge, 2017. | Series: History: concepts, theories and practice: Routledge, 2017. http://dx.doi.org/10.4324/9781315113654-4.
Pełny tekst źródłaRosenstone, Robert A. "Mainstream drama". W History on Film/Film on History, 37–55. Wyd. 4. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003377467-3.
Pełny tekst źródłaRosenstone, Robert A. "Innovative drama". W History on Film/Film on History, 57–78. Wyd. 4. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003377467-4.
Pełny tekst źródłaAebischer, Pascale, i Nicolas Tredell. "Theatre History". W Jacobean Drama, 26–39. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06669-5_3.
Pełny tekst źródłade Schipper-Leeuw, Mineke. "Drama". W Comparative History of Literatures in European Languages, 588–602. Budapest: Akadémiai Kiadó, 1986. http://dx.doi.org/10.1075/chlel.vi.45sch.
Pełny tekst źródłaOrmond, Leonée. "History and Drama". W Alfred Tennyson, 175–85. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22998-7_10.
Pełny tekst źródłaCassidy, David C. "Science, History, Drama". W Farm Hall and the German Atomic Project of World War II, 89–94. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59578-8_3.
Pełny tekst źródłaStreszczenia konferencji na temat "History of drama shows"
YANG, LING, i SHENG-DONG YUE. "AN ANALYSIS OF THE CHARACTERISTICS OF MUSIC CREATION IN MEFISTOFELE". W 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35726.
Pełny tekst źródłaBondareva, O. Ye. "“DRAMA PANORAMA 2023” IS A NEW FORMAT OF UKRAINIAN DRAMATIC ANTHOLOGIES". W MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 2. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-27.
Pełny tekst źródłaCHIMITDORZHIEVA, L. S. "ABOUT THE HISTORY OF THE RUSSIAN DRAMA THEATRE FOUNDATION IN BURYATIA". W Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-219-221.
Pełny tekst źródłaWu, Saijuan, Pengfei Fu i Wei Wang. "HISTORY AND LEGACY: A RESEARCH OF THE HEILONGJIANG AIGUN DRAMA “MAHY”". W Россия и Китай: история и перспективы сотрудничества. Благовещенский государственный педагогический университет, 2020. http://dx.doi.org/10.48344/bspu.2020.90.58.106.
Pełny tekst źródłaКурочкина, Анжелика Валерьевна. "THE MODERN «WOMAN’S DRAMA» IN THE CONTEXT OF «THE NEW DRAMA»: THE ETERNAL TOPIC OF THE WOMAN’S FATE". W Социально-экономические и гуманитарные науки: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Декабрь 2020). Crossref, 2021. http://dx.doi.org/10.37539/seh294.2020.75.84.008.
Pełny tekst źródłaKrupina, L. L. "The principle of opposition in the musical drama of I.S. Bach (on the example of his clavier fugues)". W Scientific Trends: Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-05-2020-11.
Pełny tekst źródłaKonieva, T. M. "WESTERN EUROPEAN AND UKRAINIAN “NEW DRAMA” AT THE TURN OF THE 19TH–20TH CENTURIES: CONNECTIONS AND TYPOLOGICAL CONVERGENCES". W MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 1. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-21.
Pełny tekst źródłaYuhan, N. L. "PROJECTION OF PSYCHOANALYTIC CONCEPTS AND PSYCHODRAMA IN CONTEMPORARY GERMAN DRAMA: N.-M. STOCKMANN’S PLAY “THE SHIP WILL NOT COME” IN THE INTERTEXTUAL CONTEXT". W MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 1. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-11.
Pełny tekst źródłaSaulini, Mirella. "Twenty-Five Years of Research on Jesuit Drama: an Italian Contribution to the History of Theatre". W Új eredmények a színház- és drámatörténeti kutatásban (17-19. század). Eszterházy Károly Katolikus Egyetem Líceum Kiadó, 2022. http://dx.doi.org/10.17048/ujeredmenyekaszinhaz.2022.145.
Pełny tekst źródłaMilovanović, Ana. "Mogućnosti i izazovi nastave dramske umetnosti u izmenjenom društvenom kontekstu". W Nauka, nastava, učenje u izmenjenom društvenom kontekstu. University of Kragujevac, Faculty of Education in Uzice, 2021. http://dx.doi.org/10.46793/nnu21.189m.
Pełny tekst źródłaRaporty organizacyjne na temat "History of drama shows"
Kellett, D., S. Pehrsson, D. Skipton, D. Regis, A. Camacho, D. Schneider i R. Berman. Thermochronological history of the northern Canadian Shield: a synthesis. Natural Resources Canada/CMSS/Information Management, 2024. http://dx.doi.org/10.4095/332507.
Pełny tekst źródłaCrouch, Luis, i Deborah Spindelman. Purpose-Driven Education System Transformations: History Lessons from Korea and Japan. Research on Improving Systems of Education (RISE), marzec 2023. http://dx.doi.org/10.35489/bsg-rise-wp_2023/139.
Pełny tekst źródłaWestwick, Peter. Lessons from Stealth for Emerging Technologies. Center for Security and Emerging Technology, marzec 2021. http://dx.doi.org/10.51593/20200071.
Pełny tekst źródłaMiller, Sebastián J. Why Do Populist-Outsiders Get Elected?: A Model of Strategic Populists. Inter-American Development Bank, maj 2011. http://dx.doi.org/10.18235/0011203.
Pełny tekst źródłaLevy Yeyati, Eduardo, i Martín González Rozada. Global Factors and Emerging Market Spreads. Inter-American Development Bank, maj 2006. http://dx.doi.org/10.18235/0010852.
Pełny tekst źródłaWenner, Mark D. Lessons Learned in Rural Finance: The Experience of the Inter-American Development Bank. Inter-American Development Bank, październik 2002. http://dx.doi.org/10.18235/0008854.
Pełny tekst źródłaAudsley, Neil, Gonzalo Avila, Claudio Ioratti, Valerie Caron, Chiara Ferracini, Tibor Bukovinszki, Marc Kenis i in. Two-lined Chestnut Borer, Agrilus bilineatus (Weber). Euphresco, 2023. http://dx.doi.org/10.1079/20240228443.
Pełny tekst źródłaSaleem, Raja M. Ali, Ihsan Yilmaz i Priya Chacko. Civilizationist Populism in South Asia: Turning India Saffron. European Center for Populism Studies (ECPS), luty 2022. http://dx.doi.org/10.55271/pp0009.
Pełny tekst źródłaNarvaez, Liliana, Sally Janzen, Caitlyn Eberle i Zita Sebesvari. Technical Report: Taiwan drought. United Nations University - Institute for Environment and Human Security (UNU-EHS), sierpień 2022. http://dx.doi.org/10.53324/ujzw5639.
Pełny tekst źródłaBolivar, Ángela, Juan Roberto Paredes, María Clara Ramos, Emma Näslund-Hadley i Gustavo Wilches-Chaux. You Are What You Eat. Inter-American Development Bank, kwiecień 2016. http://dx.doi.org/10.18235/0006316.
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