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Roberts, G. "Inigo Jones : the architectural historiography". Thesis, University of Essex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387414.
Pełny tekst źródłaSANCHES, MARIA LIGIA FORTES. "PAULO SANTOSNULL CONSTRUCTIONS: THE FOUNDATION OF AN ARCHITECTURE AND URBANISM HISTORIOGRAPHY IN BRAZIL". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7179@1.
Pełny tekst źródłaConstruções de Paulo Santos apresenta a tese de que em sua obra de história - reflexo das formações em arquitetura e em história - estão implícitas duas intenções primordiais: estabelecer novo modo de escrever e de ensinar a história da arquitetura no Brasil e fundar uma historiografia brasileira da disciplina, vinculando o ensino da arquitetura ao seu projeto historiográfico. O fio condutor do processo de formação de Paulo Santos como historiador da arquitetura foi a docência na FNA/UB, pois, professor catedrático da cadeira Arquitetura no Brasil, consolidaria a articulação entre aqueles campos do conhecimento, estabelecendo, assim, o traço singular e marcante de sua trajetória profissional. O trabalho segue eixo temporal entre 1946 e 1985, referente à época de produção dos estudos históricos por ele realizado. O tema é tratado tendo em vista a formação de Paulo Santos como engenheiro-arquiteto e, mais tarde, como docente em sua relação com os contemporâneos; o texto analisa a estruturação de seu pensamento histórico a partir do diálogo com autores da historiografia brasileira e do estabelecimento de sua visão de historiador da arquitetura, fomentada pela interlocução com o arquiteto Lucio Costa.
Paulo Santos´ constructions presents the thesis in which his history works is based on - reflex of the formations in architecture and in history - are implicit two intentions: to settle a new way to write and to teach the history of architecture in Brazil and to found a brazilian historiography of the subject, linking the teaching of architecture to his historiography project. The conductor line of the formation process of Paulo Santos as an historician of architecture was teaching at FNA/UB, because, as the cathedratic professor of Arquitetura no Brasil subject, he would consolidate the articulation between those knowledge fields, creating, that way, a singular and a brilliant trace of his professional trajetory. This work follows the time line between 1946 and 1985, according to the time production of the historic studies made by him. The subject is treated pointed to the formation as an engineer-architect and, later, as a professor in his relation with the contemporaneous; the text analyzes the structuration of the historic thought based on the dialog with brazilian historiography´s authors and establishing the his vision of architecture historician, stimulated by the interlocution with the architect Lucio Costa.
Ruivo, Pereira Ricardo. "Architecture and counter-revolution : the ideology of the historiography of the Soviet "avant-garde"". Thesis, Open University, 2018. http://oro.open.ac.uk/53798/.
Pełny tekst źródłaGuerrettaz, Jean Ellen. "Song of Athens". University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin997988928.
Pełny tekst źródłaBen, Jemâa Hadhami. "L'invention de l'architecture de la Renaissance française au XIXè siècle : le regard de Léon Palustre". Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2025.
Pełny tekst źródłaNineteenth century’s French artistic literature states a dualism in its representation of Italian forms’ appearance in France. Nuanced opinions were rare in between those who pretended the decadence of French genius and those who, contrariwise, extolled the architectural renovation carried out by agents of the Peninsula. Léon Palustre distinguished himself in the historiographical landscape by a dialectical approach generating a reconciling synthesis of styles. This work analyses the topos of a dissertation where history, rhetoric and attributionnism postulate a symbiosis between Renaissance and national genius
CABALFIN, EDSON ROY GREGORIO. "ART DECO FILIPINO: POWER, POLITICS AND IDEOLOGY IN PHILIPPINE ART DECO ARCHITECTURES (1928-1941)". University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054760324.
Pełny tekst źródłaChewning, John Andrew. "William Robert Ware and the beginnings of architectural education in the United States, 1861-1881". Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/14983.
Pełny tekst źródłaMICROFICHE COPY AVAILABLE IN ARCHIVES AND ENGINEERING.
Bibliography: leaves 482-490.
William Robert Ware (1832- 1915) planned and directed the first collegiate program in architectural education i n the United States. He was educated in the liberal arts and civil engineering at Harvard University and received further training in architects' offices before entering into practice with Henry Van Brunt (1832-1903). In 1865 Ware was appointed to the newly established Massachusetts Institute of Technology. He remained on the faculty until 1881, when he was called to Columbia University to organize still another collegiate program in architecture. During 1866-67, Ware traveled in Europe, paying particular attention to the role of national schools and professional organizations in the teaching of architecture in Britain and France. Formal instruction in architecture at M.I.T. began in the fall of 1868. Ware devised a curriculum, which he adjusted throughout the 1870s, including drawing and design, architectural history, and construction and practice (i . e., building materials and components, specifications, and contracts). In the spring of 1872, he recruited Eugene Letang (1842-1892), an alumnus of the Ecole des Beaux-Arts, to teach design. From this time on, the routine studio problems at M.I.T. began to emulate those of the Ecole, and the eclectic neoclassicism of the Beaux-Arts began to predominate in students' drawings. The Department of Architecture at M.I.T. in these earliest years functioned best in providing a one- or two-year course of special study for persons who were graduates of four-year colleges or who had some experience in architects' offices. It also served to prepare Americans for the formal or informal study they intended to pursue in Paris. Ware's department offered, in effect, a postgraduate program, a program in continuing education, and a preparatory program for advanced study at the Ecole des Beaux-Arts. By virtue of its location in cosmopolitan Boston, the M.I.T. Department of Architecture emerged in the 1870s as the preeminent American collegiate program, attracting more students from more diverse parts of the country than the other important early programs at Cornell University and the University of Illinois. Ware trained some 235 students at M.I.T., and many of them became the leaders in architecture and architectural education in the late nineteenth and early twentieth century.
by John Andrew Chewning.
Ph.D.
Masseran, Paulo Roberto [UNESP]. "Diálogo atrevido entre a pedra e o tijolo, ou popular e nacional na arquitetura brasileira, por Luiz Saia e Mário de Andrade". Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/103138.
Pełny tekst źródłaO trabalho trata da relação intelectual e de amizade entre o escritor Mário de Andrade e o arquiteto Luiz Saia. O estreito convívio de dez anos, entre 1935 e 1945, realizado no respeito mútuo e no diálogo sincero, promoveu uma influência recíproca, no trabalho teórico e no posicionamento artístico que professaram. Os desdobramentos dessa relação se apresentam na obra do arquiteto, veemente batalhador por uma arquitetura brasileira fundada na racionalidade e no utilitarismo necessário, da cultura popular. Tal construção teórica se desvela em suas obras teóricas, dedicadas ao estudo dos procedimentos metodológicos da arquitetura e do urbanismo, na produção historiográfica da arquitetura no Brasil e, notadamente, paulista, instrumentalizada no processo conceptivo da arquitetura e do urbanismo, e nas suas obras de restauração do patrimônio histórico paulista, durante os trinta e sete anos em que esteve à frente da regional do SPHAN, em São Paulo. Desse modo, o objetivo do trabalho é a investigação da construção teórica de uma idéia de arquitetura moderna brasileira, de raízes populares, instigada pela relação intelectual do escritor e do arquiteto
The work deals with the intellectual relation and friendship between the writer Mário de Andrade and the architect Luiz Saia. The strait convivial of ten years, between 1935 and 1945, carried out in the mutual respect and in the sincere dialogue, promoted a reciprocal influence, in the theoretical work and in the artistic position that they professed. The developments of this relationship are presented in the work of the architect, a passionate campaigner for a Brazilian architecture founded on rationality and on the necessary utilitarianism, of the popular culture. Such intellectual construction is revealed in his theoretical works, devoted to the study of the methodological proceedings of the architecture and town planning, in the historiographic production of the architecture in Brazil and, especially, the Sao Paulo’s architecture, used in the conceptive process of architecture and town planning, and in his works of restoration of the historical inheritance of Sao Paulo, throughout the thirty-seven years that he headed the regional SPHAN in Sao Paulo. In this way, the objective of the work is the investigation of the theoretical construction of an idea of modern Brazilian architecture, from popular roots, instigated by the intellectual relationship between the writer and the architect
Amraoui, Touatia. "L’artisanat dans les cités antiques de l’Algérie". Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20110.
Pełny tekst źródłaThis study analyzes the place of crafts and the craftsmen in the antique cities of Algeria by reviewing the available documentation - archival, reports of excavations, plans, photos and publications. Leaning on a field work, the updated data brought precision or new elements on the urban workshops discovered between 19th and second half of 20th centuries: the remains of each installation are located, described and documented; a dating is proposed when it is possible. This work of analysis leads to qualify or to refute several interpretations of our predecessors because after consideration, vestiges indicated as workshops finally appear to have not been correctly identified. On the other hand, the craft installations identified with certainty allow studying more in detail the typological and technical characteristics of every attested speciality: the food crafts, the production and the processing of textile industries, the production of ceramic, glass and metal objects, and the crafts of building. The comparison between the technical specificities of the antique algerian workshops and those roman workshops discovered somewhere else in the Empire bring us to recognize very strong similarities but also some local, african differences. Secondly, the study of the distribution and the location of workshops in the city leads to specify the reasons of the presence of the officinae in a specific place according to their speciality. It seems that the choices of establishment were more guided by the needs for supply of raw materials and not by the nuisances which these activities could possibly cause: workshops were located as well in the suburbs as in the residential districts. To finish, the analysis of the inscriptions brings some information about craftsmen and about their social status
Acar, Sibel. "Intersections:architecture And Photography In Victorian Britain". Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/3/12611169/index.pdf.
Pełny tekst źródłathe second to theinteraction between architectural photography and architectural theory/practice
and the third to the relation between architectural photography and architectural historiography.
Dantas, George Alexandre Ferreira. "A formação das representações sobre a cidade colonial no Brasil". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-30042010-100632/.
Pełny tekst źródłaThe critique of the colonial city was one of the most usual themes on the discussion and justification of reforms and improvement plans targeted at several Brazilian cities in the turn to the twentieth century. The critique was reiterated in a virtually homogeneous fashion all over Brazil, regardless of the specific urban characteristics in each settlement, whether it was being applied to cities that concentrated great administrative and economic importance during the colonial times, such as Rio de Janeiro, Salvador and Recife, or to those that carried little relevance in the colony\'s fledgling urban network, such as Natal. Beyond the issue of whether the Portuguese colonizers were \"planning\" settlements, this thesis discusses how representations on Brazilian colonial cities came to be. As the development of this generally negative image is tracked down, this work explores the images of Brazilian cities forged by foreigner travelers, focusing on Travels in Brazil (1816), by Henry Koster; the theme\'s problematization by physicians and sanitary and polytechnic engineers, for whom the theme of colonial city was instrumental to demand for the urban reforms and modernization they sought over the nineteenth century; the appropriation of this theme during the process of formation of urbanism as a discipline; and in the many texts and books that delineated modern historiography on Brazilian architecture. Finally, some considerations are made on the text that could be considered the foundation for these representations: Sérgio Buarque de Holanda\'s \"O semeador e o ladrilhador\", a chapter from his 1936 work, \"Raízes do Brasil\".
Masseran, Paulo Roberto. "Diálogo atrevido entre a pedra e o tijolo, ou popular e nacional na arquitetura brasileira, por Luiz Saia e Mário de Andrade /". Assis : [s.n.], 2011. http://hdl.handle.net/11449/103138.
Pełny tekst źródłaBanca: Antonio Celso Ferreira
Banca: Ana Luiza Martins
Banca: Marcia Barbosa Mansor D'Alessio
Banca: Claudio Silveira Amaral
Resumo: O trabalho trata da relação intelectual e de amizade entre o escritor Mário de Andrade e o arquiteto Luiz Saia. O estreito convívio de dez anos, entre 1935 e 1945, realizado no respeito mútuo e no diálogo sincero, promoveu uma influência recíproca, no trabalho teórico e no posicionamento artístico que professaram. Os desdobramentos dessa relação se apresentam na obra do arquiteto, veemente batalhador por uma arquitetura brasileira fundada na racionalidade e no utilitarismo necessário, da cultura popular. Tal construção teórica se desvela em suas obras teóricas, dedicadas ao estudo dos procedimentos metodológicos da arquitetura e do urbanismo, na produção historiográfica da arquitetura no Brasil e, notadamente, paulista, instrumentalizada no processo conceptivo da arquitetura e do urbanismo, e nas suas obras de restauração do patrimônio histórico paulista, durante os trinta e sete anos em que esteve à frente da regional do SPHAN, em São Paulo. Desse modo, o objetivo do trabalho é a investigação da construção teórica de uma idéia de arquitetura moderna brasileira, de raízes populares, instigada pela relação intelectual do escritor e do arquiteto
Abstract: The work deals with the intellectual relation and friendship between the writer Mário de Andrade and the architect Luiz Saia. The strait convivial of ten years, between 1935 and 1945, carried out in the mutual respect and in the sincere dialogue, promoted a reciprocal influence, in the theoretical work and in the artistic position that they professed. The developments of this relationship are presented in the work of the architect, a passionate campaigner for a Brazilian architecture founded on rationality and on the necessary utilitarianism, of the popular culture. Such intellectual construction is revealed in his theoretical works, devoted to the study of the methodological proceedings of the architecture and town planning, in the historiographic production of the architecture in Brazil and, especially, the Sao Paulo's architecture, used in the conceptive process of architecture and town planning, and in his works of restoration of the historical inheritance of Sao Paulo, throughout the thirty-seven years that he headed the regional SPHAN in Sao Paulo. In this way, the objective of the work is the investigation of the theoretical construction of an idea of modern Brazilian architecture, from popular roots, instigated by the intellectual relationship between the writer and the architect
Doutor
Cerqueira, Icaro Vilaça Nunesmaia. "As mil moradias. Arquitetura [e história] como processo na experiência da USINA CTAH junto à Associação por Moradia de Osasco". Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-02092016-164836/.
Pełny tekst źródłaRecognizing the importance of several critical or alternative experiences carried out since the 60s to the history of architecture and urbanism - and also recognizing the limits of the current historiography in its approach on those experiences since it places the \'architectural form\' as a priority object of analysis -, this work seeks to experience an historiographical practice underpinned by the analysis of the procedural dimension that distinguishes those experiences. In this way, this paper investigates the process related to the design and construction of COPROMO, a set of one thousand housing units in Osasco (São Paulo) built in a self-managed way by the communiy association called Associação Por Moradia de Osasco, with the technical advice of USINA CTAH.
Wei, Xiaoli. "L'histoire de la modernité en Chine : l'architecture au contact avec le monde occidental, discours et pratiques (1840-2008)". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040213.
Pełny tekst źródłaThis thesis goes through the changes that occur in the architecture’s knowledge in modern China, observing the relation between architectural creation and the historical background. Taking into account the diachronic differences between the two cultures, this study analyzes the interpenetration of that knowledge between western countries and China as well as its influence upon Chinese architectural and artistic creation. Modern architecture started spreading over China from late XIXth century, together with the industrial development. In early XXth century, a new approach to modern historiography appears referring to the west. Some complex issues referring to ideology and regarding historiographical methods started to emerge through the first modern studies on Chinese traditional architecture. This thesis, based on such an historical background, analyzes the architectural projects and concepts in order to enlighten the researches, quite personal, made by the Chinese architects and historians and to emphasize their own interpretations of the key concepts on this field. The statements and practices that pave the way of architecture from the 1950s to the 1990s bring up the question of the evolution occurring in the architectural history. Chinese architecture draws its inspiration from abroad mixing it with the tradition established during the Chinese « red years ». After the opening policy and economical reforms were settled, architecture faces a great urban development. Around the end of the 1990s, some Chineseavant-garde architects started a new way aiming at re-interprating the tradition within the discipline itself
Freire, Adriana Leal de Almeida. "Recepção e difusão da arquitetura moderna brasileira: uma abordagem historiográfica". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/102/102132/tde-08032016-095843/.
Pełny tekst źródłaThis thesis investigates how the process of \"diffusion\" and/or \"reception\" of Brazil\'s Modern Architecture\" has been read by historiography, especially by graduate studies that have explored the issue. Resuming the dominant narrative of Brazil\'s Modern Architecture and, in particular identifying its shortcomings, it is possible to highlight the difficulty in incorporating to this narrative the relationship between architecture, culture, city and techniques. Although the significant amount of works around the theme of \"diffusion\", a reflection on the complex mode of appropriation by market mechanisms, values, shapes and technical procedures and spatial solutions developed by scholarly production was not achieved. To understand the scope and significance of the process of Brazil\'s Modern Architecture \"diffusion/reception\", it is necessary to overcome a reading of \"irradiation\" from the Escola Carioca, and to reflect on a cultural more complex process that allowed broad and significant extracts of Brazilian society to have the modern value and the imagery of Brazil\'s Modern Architecture of Le Corbusier root as one of its strongest performances, in a period generally referred as 1950-60.
Petrosino, Mauricio Miguel. "João Batista Vilanova Artigas - residências unifamiliares: a produção arquitetônica de 1937 a 1981". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-16032010-090950/.
Pełny tekst źródłaThis work analyses the one-familiar houses designed by the architect João Batista Vilanova Artigas and built in São Paulo city between 1931 and 1981. We promoted an exhaustive bibliographic, documental and field survey, verifying this houses permanence or not, and their actual conditions. We identified 80 unities, which permitted to develop an original analyze of Artigas work, identifying this typologys importance to his career, the main districts where he worked for, beyond the study of its functional and formal characteristics, and its building elements, consisting a large panorama of the architects references. This survey is a contribution not only to study Artigas houses, but also to the paulista production as a whole, considering his influence to successive architects generations. The comparative analyze among all houses permitted to establish Artigas path, verifying his references, and so contributing to the comprehension of his real importance to the Brazilian architecture. The many unpublished information here revealed may stimulate the interesting to new task as well as revision of Artigas historiography.
Tournikiotis, Panayotis. "Historiographie de l'architecture moderne". Paris 8, 1988. http://www.theses.fr/1988PA080286.
Pełny tekst źródłaWe have studied a "corpus" of textes pretending to be histories of the genesis, the grandeur or the decline of the modern movement, from the late "20s to the late '60s. These texts are a blend of history and theory consistinf of (1) a statement on the essence of architecture, (2) a concept philosophy of history and, thus, a point of view on history as a whole, (3) a pattern of exemplary elements that form, both, a texture of the historical interpretation and the principles of the future architectural creation, and (4) a social programme. These dimensions compose a kind of "textual design" that is presented as a theoretical guide for architects. The historians and critics of the modern movement have played, in that sense, one of the major roles in the development of conscience of historical change, of the historicity that dominates, either way, the principal tendencies of contemporary architecture
Mansion-Prud'homme, Nina. "Archives d'architectes en France, 1968-1998 : jeux d'acteurs et enjeux historiographiques autour de l'Institut français d'architecture". Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30056.
Pełny tekst źródłaThis thesis analyses the milestones of the development of a public and national policy for the conservation of the archives of architects in France in the last quarter of the 20th century and its effects on the history of contemporary French architecture. Covering a period from the late 1960s to the early 2000s, this work highlights the role of an institution: the Institut français d'architecture. On the one hand, the thesis analyses the modalities of emergence and institutionalization of structures in charge of collecting architectural archives in France by looking into the challenges of institutional competition, the stakes of the programmatic debate and the individual trajectories. On the other hand, through the question of architects' archives, this work questions the construction of the historical discipline in architecture. By drawing the portrait of a milieu, the study questions the autonomy of a disciplinary field divided between different educational institutions and between divergent ambitions. By examining the evolution of its collection and the way history was written through publications and exhibitions, the study establishes the place of the IFA and its Centre d'archives d'architecture du XXe siècle in the production of the history of recent architecture in France. Through the cross-referenced analysis of written and oral sources, this work proposes to consider three periods (1968-1980; 1980-1988; 1988-1998) during which the development of a policy for the conservation of the archives of architects defined an institutional, methodological and epistemological framework which renovated the way architectural history was made, taught and written. In addition to the institutional, administrative and political dynamics, the thesis highlights the role of pioneering personalities (André Chastel, Maurice Culot, Bruno Foucart, etc.) who have shaped contemporary architectural French history as we know it today
Sim, Jean C. R. "Designed Landscapes in Queensland, 1859-1939: experimentation - adaptation - innovation". Thesis, Queensland University of Technology, 1999. https://eprints.qut.edu.au/10835/1/wholePHDsim1999.pdf.
Pełny tekst źródłaCaillou, Jean-Sylvain. "Les tombeaux royaux de Judée : historiographie, symbolisme et architecture". Paris 4, 2004. http://www.theses.fr/2004PA040008.
Pełny tekst źródłaThis thesis deal with the tombs of David, Salomon, the kings of Juda, the Asmonean and the Herodian kings. It's starting with the history of the several localisations of the supposed tombs of the judean kings of the first temple period, and then with a new analysis and commentary of biblical indications. In a second part, the judean kings of the second temple period are studied in the context of the tombs of the kings in the classical Antiquity, before focus on the Asmonean's and Herodian's tombs, especially the Maccabean monument, the Herodion and the monument of Herod in Jerusalem. Finally, the study show that the tombs of the kings always had a strong symbolism in literature and architecture, and this symbolism can explain a lot more that it usually believed
Kourniati, Marilena. "Des Congrès Internationaux d'Architecture Moderne à Team 10 : une autre génération intellectuelle". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH188.
Pełny tekst źródłaThe present thesis aims to shed new light on a widely debated chapter in the history of 20th century architecture, constituted by the dissolution of CIAM and the emergence of Team 10. Situated in a socio-historical perspective, and taking inspiration from the reflexive turn in social sciences, this research relies on the observation that the social relations between the actors are inseparable from their discourse and their actions, and must be taken into account to understand the ways they act in the field of architecture. Thus, rather than putting forward doctrines or projects, we follow the actors, taking into account their mutual relationships, relationships with the institutions and, as far as possible, with the outside world. Looking at archives –such as correspondences, meetings, resolutions-, the thesis firstly analyzes the CIAM as a longstanding organization that is created in parallel with the established but ephemeral congresses of CIAM, whose structure and mode of operation are both an issue and a condition of the whole action. Within this organization, Team 10 is formed as the new generation that is entitled with the mission impossible to ensure the continuity of the organization but also the renewal of the movement. In this context “generation” is perceived beyond its biological aspects. The thesis focuses on the social construction of Team 10 as a "young generation" but also as "creators", "heirs" and "avant-garde" at the same time. On a second level of analysis, the thesis examines through the graphic documents (grids CIAM), articles and mediated texts, the discourses, representations and resources mobilized by the actors in their various national contexts. The third axis of our research, goes beyond the textual analysis of Doorn Manifesto and Team 10 Primer and looks into them as documents that inform, by their statements, but also by their formatting, the passage from one of a field of action to another, from CIAM to Team 10 Meetings, and ultimately the reinvention of Team 10 itself.By assuming the task of renewing, the architects who inform Team 10 and differ from each other, -on grounds of their professional situations and resources-, will construct an intellectual system of differences with their professional environment and with, of course, their Masters; it is primarily in relation to them that Team 10 seeks to emphasize otherness and produce alternatives. Rigid structured, and full of contradictions, by their ambitions to form an international organization, an avant-garde, and a reform movement, the CIAM seems to have generated their own dissolution. This reinforces the story of the birth of a new avant-garde, especially since this new elite of heirs no longer needs the CIAM to assert itself.The thesis establishes correlations between the formation of Team 10 and the dissolution of CIAM not so much in terms of their doctrines and conflicts between their members, but on the basis of their specific form of organization and governance. More generally, the stake of this research is to understand the theoretical and formal proposals of architects, from the analysis of their practices (social, institutional, professional organization), and to contribute in a sociohistorical interpretation of architectural forms.Furthermore, this kind of study in historiography highlights the uses we make today of Team 10, while a timeline (1988-2018) invites us to reflect on the relationship between intellectual constructions and material destructions, concerning postwar architectures
Oléron-Evans, Émilie. "Transferts culturels et historiographie de l'art : le cas de Nikolaus Pevsner (1902-1983)". Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030098.
Pełny tekst źródłaThis thesis demonstrates how the works of art and architectural historian Nikolaus Pevsner (1902-1983), a British scholar of German origin, played a major part in the accession of the history of art and architecture to the status of an academic discipline in the United Kingdom in the 1930s and 40s. This case study, along with the various networks that played a part in his displacement from Germany to Britain in 1933, sheds a different light on current research on the history of émigré intellectuals, as it seeks to show that there is a latent conflict between the ideal of universalism in science and the national socio-cultural vectors at play in transnational displacements.Our research focuses on methodological, institutional and historiographical transfers that made Pevsner’s career into a milestone in the historiography of art, architecture and design. It tackles the main aspects of his contribution, from the issue of the Modern movement, through the use of the concept of space in the architectural discourse based on the principle of empathy (Einfühlung), to the exploration of the artistic production and the architectural heritage of Pevsner’s country of adoption.Our contention is that the role of an art historian as a mediator between his subject and society goes beyond the realm of academia. This thesis shows how Pevsner found a place in British culture as editor, broadcaster and art critic, while basing these activities on German models, and how these activities gradually transformed an interpreter of culture into a cultural institution
Sido, Anna E. "Making History: How Art Museums in the French Revolution Crafted a National Identity, 1789-1799". Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/663.
Pełny tekst źródłaHanna, Bronwyn Planning UNSW. "Absence and presence: a historiography of early women architects in New South Wales". Awarded by:University of New South Wales. Planning, 2000. http://handle.unsw.edu.au/1959.4/18217.
Pełny tekst źródłaLefils, Fabienne. "Etude de l'oeuvre architecturale commerciale de Victor Gruen: mise en perspective historiographique". Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209482.
Pełny tekst źródłaThis thesis establishes the retail work of Victor Gruen in the history of modern architecture. It analyses its architectonic values, establishes the economic, politic and sociologic conditions that promoted its creation. In addition, this thesis reveals how Gruen’s work was perceived at the time of its creation and compares the critiques’ welcome to the historiography of Modern Architecture. Ultimately, this thesis demonstrates that the architectonic qualities of Victor Gruen’s retail architecture should be included in Modern Architecture history monographs.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished
Panzeri, Miriam. "Le projet d'un nouvel humanisme dans la culture architecturale en Italie et en France après la Seconde Guerre mondiale (1945-1965)". Paris 1, 2012. http://www.theses.fr/2012PA010532.
Pełny tekst źródłaMandoul, Thierry. "L' «Histoire de l'architecture » d'Auguste Choisy : entre raison et utopie". Paris 8, 2004. http://www.theses.fr/2004PA083577.
Pełny tekst źródłaThe study of this work is the engineer Auguste Choisy's book, "Histoire de l'architecture", published in 1899. The dissertation examines the book's conception of history, revealing the scientific construction underlying the historical narrative. It discusses the manner in which the "Histoire" was subject to the episteme of its time, influenced by engineering and natural sciences as well as social and political utopias. The study also focuses on the status and the use of graphic representation, exploring a working thought process in which the rational and the imaginary prove to be inseparably associated. It aims to define the significant elements that form both the rules of architectural production and the structure of the historical interpretation itself. Finally, it situates "Histoire de l'architecture" within a general history of labour and considers to what extent the book may be qualified as a technical and Saint-Simonian utopia
Brucculeri, Antonio. "L'architecture classique en France et l'approche historique de Louis Hautecoeur : sources, méthodes et action publique". Paris 8, 2002. http://www.theses.fr/2002PA082134.
Pełny tekst źródłaThis thesis combines two aspects: the intellectual and professional biography of the art's historian Louis Hautecœur (1884-1973) and the definition of the notion "classical architecture" in France. Hautecœur develops this notion on one hand through his new way of looking at an historical cycle, on the other hand taking part in the contemporary architectonic and cultural debate. According to the hypothesis carried out by this research, his Histoire de l'architecture classique en France (1943-1957), conceived and constructed in a rigorous way, following "archaeological" principles, takes on a didactic value not only for preservation of architectonic heritage but also for the project of contemporary architecture, so justifying the historian's action in both these fields. This thesis means to modify the usual point of view about a chief work in the historiography of French architecture: such a work is not reducible to a piece of academic erudition, but it is expression of a knowledge belonging to a wider intellectual horizon, involving first of all the dimension of present time
Maraszak, Emilie. "Figures et motifs des croisades : étude des manuscrits de l'Histoire ancienne jusqu'à César, Saint-Jean-d'Acre, 1260-1291". Thesis, Dijon, 2013. http://www.theses.fr/2013DIJOL014.
Pełny tekst źródłaThe Crusader States have created a society in the Holy Land developing a syncretic art at the crossroads of Latin, Byzantine and Arabic worlds. In addition to religious and military architecture, manuscripts are also evidences of a cosmopolitan Levantine culture. The study of Crusader Art has shown that the painting of manuscripts was revived at Acre in the early 1250’s, after Louis XI’s stay in the Middle East. Secular manuscripts written mostly in Old French became popular, as well as new historical literature. The most popular examples were the Histoire d’Outremer by William of Tyre and the Histoire Ancienne jusqu’à César. This illustrated text was first composed in France for Roger de Lille and brought to the Crusader East in the mid-thirteenth century. Frankish aristocracy and crusader illuminators have created a cycle of miniatures in order to integrate their images in the cosmopolitan Crusader Art. Artistic choices have then come to light and been defined as conscious choices to offer works that represent the best of the Frankish culture of Acre and integrate them in an almost two centuries old artistic tradition : the borrowing from Western and Oriental artistic traditions in order to create their miniatures, the revelation of heroes linked to the Holy Land and the Franks, and sometimes the representation of their Oriental environment. This process of personalization and multicultural content, set within the context of the cultural society of Saint Jean d’Acre at the end of the thirteenth century, are the evidences of the remarkable artistic acculturation of Frankish society in the Holy Land, at the crossroads of the West and the Near East
Grudet, Isabelle. "L' "Histoire de l'urbanisme" de Pierre Lavedan de 1919 à 1955 : entre savoir et action". Paris 8, 2005. http://portaildocumentaire.citechaillot.fr/search.aspx?SC=theses&QUERY=cour+ouverte#/Detail/%28query:%28Id:%270_OFFSET_0%27,Index:1,NBResults:1,PageRange:3,SearchQuery:%28CloudTerms:!%28%29,ForceSearch:!t,Page:0,PageRange:3,QueryString:Grudet,ResultSize:10,ScenarioCode:theses,ScenarioDisplayMode:display-standard,SearchLabel:%27%27,SearchTerms:Grudet,SortField:!n,SortOrder:0,TemplateParams:%28Scenario:%27%27,Scope:%27%27,Size:!n,Source:%27%27,Support:%27%27%29%29%29%29.
Pełny tekst źródłaThis work questions the correlation between theoretical and doctrinal aspects of discourses about the city. It analyses the first series of History of urbanism written by the historian of art Pierre Lavedan (1885-1982), a major reference for town planners, historians and geographers, especially after the Second World War. The hypothesis is that this author, as an intermediary figure between knowledge and action, has produced texts that reflect the positions he has successively occupied in the field of history of art and later in the field of urbanism. The empirical study shows that these positions have in common to support the idea of mediation: as an historian – mediator Pierre Lavedan has nurtured several paradigms of urbanism. This work invites to study the mediation of urbanism and to overcome the critics of the correlation between knowledge and action on the one hand, and of the orientation of history on the other hand, in order to think of the historian – mediator as an actor in the field of urbanism
Chamorro, Trenado Miquel Àngel. "La construcció de l'església de Sant Feliu de Girona al segle XIV. Els llibres d'obra". Doctoral thesis, Universitat de Girona, 2004. http://hdl.handle.net/10803/7836.
Pełny tekst źródłaAquesta tesi doctoral esta dividida en quatre parts. En la primera part s'analitza la historiografia de l'església de Sant Feliu de Girona des del segle XVII fins a l'actualitat. Dins d'aquest apartat s'analitzen les notícies que aporten els diferents autors i es situa el context historiogràfic de cadascun dels segles. S'ha realitzat un estudi molt exhaustiu en les darreres publicacions del segle XX i inicis del segle XXI. Un cop analitzades aquestes fonts - secundàries -, dins d'aquesta primera part del treball s'ha passat a analitzar els llibres d'obra del segle XIV. S'analitzaràn els aspectes formals i els diferents escrivans encarregats de realitzar aquests llibres d'obra. Aquesta serà la documentació bàsica per realitzar aquesta tesi doctoral.
En la segona part del treball es procedirà a analitzar la gestió i el finançament de l'Obra. Es tracta d'una anàlisi, bàsicament dels ingressos, per veure quines són les estratègies que es duen a terme per aconseguir el màxim de recursos per la construcció i per les necessitats "litúrgiques" de l'església de Sant Feliu de Girona. En aquest apartat s'ha analitzat l'Obra com a entitat amb les persones que formen part d'ella i el paper que correspon a cadascuna d'elles (l'obrer, l'escrivà, el mestre d'obres, el questor). També s'han analitzat els promotors i aquells ingressos que, pel seu volum, subministren el nombre més gran de diners a l'Obra ("annates", bacins, etc.).
La tercera part ha consistit en l'elaboració de la cronologia constructiva de l'església de Sant Feliu de Girona partint de la informació obtinguda en els llibres d'obra corresponent a les despeses. S'han analitzat totes aquelles obres, tant pel que fa a la construcció de l'edifici com pel que fa a reparacions i manteniment, que tenen lloc entre l'any 1349 (data del primer llibre d'obra de despeses) i l'any 1391. En aquesta part no s'ha entrat a analitzar de forma exhaustiva les figures que fan possible la construcció de l'església al segle XIV ja que això pertany al contingut de la darrera part del nostre treball.
La darrera part del treball correspon a l'execució de les obres. En aquesta part trobem quatre grans capítols: els mestres d'obra, la mà d'obra, els materials i els mitjans auxiliars. En cadascun d'aquests capítols s'ha incidit sobre el rol dels diferents treballadors durant la construcció del temple, els materials utilitzats i les seves característiques (pedra, fusta, aglomerants, etc.) i els mitjans auxiliars utilitzats per col.locar aquests materials en obra. S'han separat els mestres d'obres de la resta de treballadors ja que els primers juguen un rol diferenciat dels segons. S'ha intentat analitzar en ambdós casos els seus sous i les tasques de cadascun d'ells. Pel que fa als materials també s'ha procedit a analitzar d'on s'extreuen, com han arribat a peu d'obra i on s'emmagatzemen i manipulen o transformen abans d'ésser col.locats en obra. Dels mitjans auxiliars s'ha intentat analitzar les funcions per la qual es fan servir les eines (apareixen totes les de l'ofici de pedrer), els enginys (elevar pesos), les bastides (poder treballar en alçada) i el encofrats (garantir la resistència inicial dels elements constructius).
Evidentment s'han establert unes conclusions de cadascuna de les parts i unes conclusions finals. La tesi també inclou els agraïments corresponents, el prefaci i la bibliografia.
This doctoral thesis how it says their title focuses on analyzing the construction of the church of Saint Feliu of Girona in the 14th century through the analysis of the books of work preserved on the Archive Diòcesa of Girona.
This doctoral thesis esta divided into four deliveries. In the first part the historiography of the church of Saint Feliu de Girona since the 17th century until the present is analyzed. In this section the news that the different authors bring is analyzed and the historiogràfic context of each of the centuries is placed. A very exhaustive study has been carried out in the last publications of the 20th century and beginnings of the 21st century. Once analyzed these fountains|sources? secondary?, in this first part of the work has been gone|passed to analyzing the books of work of the 14th century. The formal aspects and the different court clerks been of carrying out these books of work in charge will be analyzed. This will be the basic documentation to carry out this doctoral thesis.
In the second part of the work people will proceed to analyzing the formality and the funding of the Work. It is about an analysis, in a basic way of the admissions, to see which they are the strategies that they are carried out to achieve the maximum of resources for the construction and from the "liturgical" needs of the church of Saint Feliu de Girona. In this section the Work as an entity with the persons who are part of her and the paper|role that corresponds to each of them (the worker, the court clerk, the master builder, the questor) have been analyzed. The promoters and those admissions|incomes that, for its volume, supply the Work ("annates", bowls, etc) with the greatest number of money have also been analyzed.
The third part has consisted of the elaboration of the constructive chronology of the church of Saint Feliu de Girona following the obtained information in the books of work corresponding to the expenses. All those works, regarding the construction of the building as well as regarding repairs and maintenance, that have place among year 1349, (it dates from the first book of expenses work) and in year 1391 have been analyzed. In this part people have not entered to analyze in an exhaustive way the people that make the construction of the church in the 14th century possible since this belongs to the contents of the last part of our work.
The last part of the work corresponds to the execution of the works. In this part we find four big chapters: the teachers of work, the labor, the materials and the auxiliary means. In each of these chapters the role of the different workers during the construction of the temple, the used materials and its characteristics (stone, wood, binders, etc) has been fallen upon and the auxiliary means used for placing these materials in work. The master builders of the rest of workers have been sorted out since the first play a role differentiated from the seconds. It has been attempted to analyze their salaries and the tasks of each of them in both cases. Regarding the materials has also been proceeded to analyzing from where they are extracted, how they have arrived on foot of work and where they are stored and where they manipulate or where they transform before being placed in work. Of the auxiliary means has been attempted to analyze the functions for which the tools (they turn up all the ones of the profession of gizzard) are used, the wits (to elevate weights), the scaffolds (to be able to work in height) and the framework (to guarantee the initial resistance of the constructive elements).
Obviously some conclusions of each of the parts and some final conclusions have been established. The thesis also includes the corresponding gratitude, the preface and the bibliography.
Talenti, Simona. "L'histoire de l'architecture en France : émergence d'une discipline (1863-1914)". Paris 8, 1998. http://www.theses.fr/1998PA08A006.
Pełny tekst źródłaThe subject of this study is the transformation of history of architecture and of the historiographical conceptions between 1863, date of the pedagogical reform at the parisian ecole des beaux-arts, and 1914, date that signifies a break in teaching and publishing. From huyot to Magne, from Reynaud to Choisy, history of architecture aims more and more to become an independant matter. This research of autonomy means to define clearly the fields of inquiries, the objectives and particular methods. History of architecture refuses to provide only auxiliary knowledge to illustrate political or literary history, to be confined to the same existence as numismatical studies for example. Archeology, comparative anatomy and other sciences supply important models. But for the architects or engineers a major difficulty exists : they need to define the links between a scientific' history and the architectural pratice, searching desperately for the caracteristic style of their own century. The most important items of this transformation studied here are the aims and ideas of the authors, their analytical methods, their conception of classification and their manner of using images and illustrations
Mailleur, Stephanie. "Imagining roman ports : the contribution of iconography to the reconstruction of roman mediterranean portscapes of the impérial period". Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2049.
Pełny tekst źródłaUnder the Roman Empire, harbours played an important role for the image of the city. They were more than utilitarian constructions. The buildings and monuments were organised within the space of the port in a programmatic way that made up a genuine urban landscape that I have described as a “portscape”. This term, derived from Zanker’s townscape concept, is understood as the urban aspect, layout and design of Roman ports but also as the lived environment with its societies reflected by its cultural characteristics. Despite recent excavations conducted at Roman ports, our knowledge of portscapes under the Roman Empire is very unclear and the reality of port monuments remains poorly understood. Most known ancient Mediterranean ports are not well preserved, and often only preserved archaeologically at the level of their foundations. Whilearchaeologists are able to reconstruct a plan, understanding ports three dimensionally is at best a challenge. What did Roman ports really look like?Due to the lack of ancient sources relating to Roman ports, using iconography could be useful. This research aims to demonstrate that port depictions, quite abundant during the Imperial period and decorating various type of artistic media (coins, ceramics, mosaics, paintings, gemstones etc.), can make an important contribution for learning more about ports as they are the only source of information that allows us to understand volumetrically, the architecture of portsthat no longer survives archaeologically.Through this work, I will see how the pictorial genre of maritime landscape emerged during the Augustan period as well as the process of its diffusion, reception and standardisation in art during the Imperial period. I will also address the issue of the contexts in which port-themed decoration has been found. I will focus on the main characteristics of portscapes by means of a linguistic approach that distinguishes the different messages conveyed by images according to their contexts (domestic, funeral, politics, etc.).By means of three specific case studies, I will demonstrate how it is possible to deal with the iconographic and epigraphic evidence in order to better understand the components of Roman portscapes. Case-study 1 focuses on the weighing control systems (sacomaria). Case-study 2 studies the single monuments that decorated the portscape, such as freestanding column monuments and honorific arches. Case-study 3 aims to better understand cult spaces in portcontexts by using the example of the sanctuaries of Isis.Finally, I will focus on the urban syntax of the portscape through the case-study of the port of Leptis Magna. Enquiry will ascertain the extent to which the urban programme of its portscape corresponded to a standard design in reality and in iconography
Wittich, Elke Katharina. "Karl Friedrich Schinkel zum Beispiel". Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2012. http://dx.doi.org/10.18452/16531.
Pełny tekst źródłaIn a historical scientific context, the period around 1800 is distinguished by a fundamental change in scientific discourses. This also applies to the controversies within architecture, which at this time were marked by a detachment from the the older scientific models and by a significant growth in scientific knowledge. The first decades of the 19th century seem that much more important as a period of upheaval for an assessment of the culture of discourse, because at the same time teaching concepts for architectural training were being developed, periodicals were enabling new forms of communication and developments in book printing were facilitating a multiplicity of publications. As a generic investigation, the present work deals with the knowledge and methods in the architectural discourse of the early 19th century using as an example the architect Karl Friedrich Schinkel. The teaching concept of the training institute in Berlin, which was later called Berlin Building Academy (Bauakademie), and the publication of its lecturers, are examined as a possible embodiment of the compilation and assembly of scientific knowledge. They can also be used to find out, which publications about architecture were regarded as the definitive works around 1800 for architectural training. The consequences of this teaching can be traced in detail from the work of Karl Friedrich Schinkel; classification systems and visualisation processes prove to be particularly relevant in this regard. The discourses were overlaid with the characteristics of architectural historiography since the mid 19th century. After an introduction to the concepts, methods and conventions in architectural discourse in the early 19th century, the two main chapters of the work are based on publications of in Berlin active art historians of the mid 19th century, who defined architectural historiography and the perception of the work of Schinkel. The definitive discourses are exemplified against this background.
Arango, Lievano Lucia. "Evangélisation et précarité dans l'Amérique espagnole : l'architecture sans guildes ni Académies : une histoire culturelle du bâti religieux de la Nouvelle Grenade (Colombie XVIe siècle - XVIIIe siècle)". Phd thesis, Université Panthéon-Sorbonne - Paris I, 2013. http://tel.archives-ouvertes.fr/tel-01011611.
Pełny tekst źródła"Paulo santos' constructions: the foundation of an architecture and urbanism historiography in brazil". Tese, MAXWELL, 2005. http://www.maxwell.lambda.ele.puc-rio.br/cgi-bin/db2www/PRG_0991.D2W/SHOW?Cont=7179:pt&Mat=&Sys=&Nr=&Fun=&CdLinPrg=pt.
Pełny tekst źródłaHerman, Leslie. "Building Narratives: Ireland and the “Colonial Period” in American Architectural History". Thesis, 2019. https://doi.org/10.7916/d8-z7y3-gk87.
Pełny tekst źródłaGodel, Addison McMillan. "Metropolitan Equipment: Architecture and Infrastructural Politics in Twentieth-Century New York City". Thesis, 2021. https://doi.org/10.7916/d8-26qx-v550.
Pełny tekst źródłaSrivastava, Amit. "Encountering materials in architectural production: the case of Kahn and brick at IIM". Thesis, 2009. http://hdl.handle.net/2440/63373.
Pełny tekst źródłaThesis (Ph.D.) -- University of Adelaide, School of Architecture, Landscape Architecture and Urban Design, 2009.
Hanna, Bronwyn J. "Absence and presence : a historiography of early women architects in New South Wales /". 1999. http://www.library.unsw.edu.au/~thesis/adt-NUN/public/adt-NUN2000.0006/index.html.
Pełny tekst źródłaHoráček, Jaroslav. "Kapitola z historiografie dějin umění a památkové péče. František X. Beneš (1820 - 1888)". Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-342907.
Pełny tekst źródłaQuraishi, Fatima. "Sir Sayyid Ahmad Khan's Asar-ul-Sanadid: the construction of history in nineteenth-century India". Thesis, 2009. http://hdl.handle.net/1828/1419.
Pełny tekst źródłaHrabová, Martina. "Mýtus a realita: čeští asistenti Le Corbusiera 1924-1937". Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-267826.
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