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Artykuły w czasopismach na temat "Historiography of architecture"
Gohardani, Navid. "ARCHITECTURE IN EFFECT: A Glance at Critical Historiography". International Journal of Architectural Research: ArchNet-IJAR 8, nr 1 (3.03.2014): 184. http://dx.doi.org/10.26687/archnet-ijar.v8i1.335.
Pełny tekst źródłaCaldenby, Claes, i Britt-Inger Johansson. "Historiography of Swedish Architecture". Konsthistorisk tidskrift/Journal of Art History 85, nr 1 (2.01.2016): 1–7. http://dx.doi.org/10.1080/00233609.2016.1144691.
Pełny tekst źródłaPollak, Martha. "Historiography and Architecture I". Journal of Architectural Education 44, nr 3 (maj 1991): 130. http://dx.doi.org/10.1080/10464883.1991.11102681.
Pełny tekst źródłaAnderson, Stanford. "Historiography and Architecture II". Journal of Architectural Education 44, nr 4 (sierpień 1991): 194. http://dx.doi.org/10.1080/10464883.1991.11102693.
Pełny tekst źródłaGarcía-Ramirez, Wiliam. "Revisionismo histórico en arquitectura, en el intersticio de los siglos XX y XXI: reivindicar, rescatar o negar una memoria". Arquitecturas del Sur 38, nr 59 (30.01.2021): 06–27. http://dx.doi.org/10.22320/07196466.2021.39.059.01.
Pełny tekst źródłaMARANCI, Ch. "The Historiography of Armenian Architecture". Revue des Études Arméniennes 28 (1.01.2002): 287–308. http://dx.doi.org/10.2143/rea.28.0.505084.
Pełny tekst źródłaLozanovska, Mirjana, Vladimir Kulić, Alicja Gzowska, Piotr Bujas, Peter Scriver, Amit Srivastava, Alona Nitzan-Shiftan i Claire Zimmerman. "Forum: Cold War Architecture Historiography". Fabrications 31, nr 2 (4.05.2021): 279–94. http://dx.doi.org/10.1080/10331867.2021.1938816.
Pełny tekst źródłaTostões, Ana. "Towards a fresh reading of MoMo historiography". An Eastern Europe Vision, nr 59 (2018): 2–3. http://dx.doi.org/10.52200/59.a.vhvqpxas.
Pełny tekst źródłaKavas, Kemal Reha. "Environmental representation: Bridging the drawings and historiography of Mediterranean vernacular architecture". Journal of Human Sciences 14, nr 4 (13.11.2017): 3472. http://dx.doi.org/10.14687/jhs.v14i4.4758.
Pełny tekst źródłaAkboy-İlk, Serra. "Ali Saim Ülgen: Building a Historiography of Turkish Architecture". Turkish Historical Review 10, nr 1 (7.06.2019): 71–97. http://dx.doi.org/10.1163/18775462-01001001.
Pełny tekst źródłaRozprawy doktorskie na temat "Historiography of architecture"
Roberts, G. "Inigo Jones : the architectural historiography". Thesis, University of Essex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387414.
Pełny tekst źródłaSANCHES, MARIA LIGIA FORTES. "PAULO SANTOSNULL CONSTRUCTIONS: THE FOUNDATION OF AN ARCHITECTURE AND URBANISM HISTORIOGRAPHY IN BRAZIL". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7179@1.
Pełny tekst źródłaConstruções de Paulo Santos apresenta a tese de que em sua obra de história - reflexo das formações em arquitetura e em história - estão implícitas duas intenções primordiais: estabelecer novo modo de escrever e de ensinar a história da arquitetura no Brasil e fundar uma historiografia brasileira da disciplina, vinculando o ensino da arquitetura ao seu projeto historiográfico. O fio condutor do processo de formação de Paulo Santos como historiador da arquitetura foi a docência na FNA/UB, pois, professor catedrático da cadeira Arquitetura no Brasil, consolidaria a articulação entre aqueles campos do conhecimento, estabelecendo, assim, o traço singular e marcante de sua trajetória profissional. O trabalho segue eixo temporal entre 1946 e 1985, referente à época de produção dos estudos históricos por ele realizado. O tema é tratado tendo em vista a formação de Paulo Santos como engenheiro-arquiteto e, mais tarde, como docente em sua relação com os contemporâneos; o texto analisa a estruturação de seu pensamento histórico a partir do diálogo com autores da historiografia brasileira e do estabelecimento de sua visão de historiador da arquitetura, fomentada pela interlocução com o arquiteto Lucio Costa.
Paulo Santos´ constructions presents the thesis in which his history works is based on - reflex of the formations in architecture and in history - are implicit two intentions: to settle a new way to write and to teach the history of architecture in Brazil and to found a brazilian historiography of the subject, linking the teaching of architecture to his historiography project. The conductor line of the formation process of Paulo Santos as an historician of architecture was teaching at FNA/UB, because, as the cathedratic professor of Arquitetura no Brasil subject, he would consolidate the articulation between those knowledge fields, creating, that way, a singular and a brilliant trace of his professional trajetory. This work follows the time line between 1946 and 1985, according to the time production of the historic studies made by him. The subject is treated pointed to the formation as an engineer-architect and, later, as a professor in his relation with the contemporaneous; the text analyzes the structuration of the historic thought based on the dialog with brazilian historiography´s authors and establishing the his vision of architecture historician, stimulated by the interlocution with the architect Lucio Costa.
Ruivo, Pereira Ricardo. "Architecture and counter-revolution : the ideology of the historiography of the Soviet "avant-garde"". Thesis, Open University, 2018. http://oro.open.ac.uk/53798/.
Pełny tekst źródłaGuerrettaz, Jean Ellen. "Song of Athens". University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin997988928.
Pełny tekst źródłaBen, Jemâa Hadhami. "L'invention de l'architecture de la Renaissance française au XIXè siècle : le regard de Léon Palustre". Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2025.
Pełny tekst źródłaNineteenth century’s French artistic literature states a dualism in its representation of Italian forms’ appearance in France. Nuanced opinions were rare in between those who pretended the decadence of French genius and those who, contrariwise, extolled the architectural renovation carried out by agents of the Peninsula. Léon Palustre distinguished himself in the historiographical landscape by a dialectical approach generating a reconciling synthesis of styles. This work analyses the topos of a dissertation where history, rhetoric and attributionnism postulate a symbiosis between Renaissance and national genius
CABALFIN, EDSON ROY GREGORIO. "ART DECO FILIPINO: POWER, POLITICS AND IDEOLOGY IN PHILIPPINE ART DECO ARCHITECTURES (1928-1941)". University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054760324.
Pełny tekst źródłaChewning, John Andrew. "William Robert Ware and the beginnings of architectural education in the United States, 1861-1881". Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/14983.
Pełny tekst źródłaMICROFICHE COPY AVAILABLE IN ARCHIVES AND ENGINEERING.
Bibliography: leaves 482-490.
William Robert Ware (1832- 1915) planned and directed the first collegiate program in architectural education i n the United States. He was educated in the liberal arts and civil engineering at Harvard University and received further training in architects' offices before entering into practice with Henry Van Brunt (1832-1903). In 1865 Ware was appointed to the newly established Massachusetts Institute of Technology. He remained on the faculty until 1881, when he was called to Columbia University to organize still another collegiate program in architecture. During 1866-67, Ware traveled in Europe, paying particular attention to the role of national schools and professional organizations in the teaching of architecture in Britain and France. Formal instruction in architecture at M.I.T. began in the fall of 1868. Ware devised a curriculum, which he adjusted throughout the 1870s, including drawing and design, architectural history, and construction and practice (i . e., building materials and components, specifications, and contracts). In the spring of 1872, he recruited Eugene Letang (1842-1892), an alumnus of the Ecole des Beaux-Arts, to teach design. From this time on, the routine studio problems at M.I.T. began to emulate those of the Ecole, and the eclectic neoclassicism of the Beaux-Arts began to predominate in students' drawings. The Department of Architecture at M.I.T. in these earliest years functioned best in providing a one- or two-year course of special study for persons who were graduates of four-year colleges or who had some experience in architects' offices. It also served to prepare Americans for the formal or informal study they intended to pursue in Paris. Ware's department offered, in effect, a postgraduate program, a program in continuing education, and a preparatory program for advanced study at the Ecole des Beaux-Arts. By virtue of its location in cosmopolitan Boston, the M.I.T. Department of Architecture emerged in the 1870s as the preeminent American collegiate program, attracting more students from more diverse parts of the country than the other important early programs at Cornell University and the University of Illinois. Ware trained some 235 students at M.I.T., and many of them became the leaders in architecture and architectural education in the late nineteenth and early twentieth century.
by John Andrew Chewning.
Ph.D.
Masseran, Paulo Roberto [UNESP]. "Diálogo atrevido entre a pedra e o tijolo, ou popular e nacional na arquitetura brasileira, por Luiz Saia e Mário de Andrade". Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/103138.
Pełny tekst źródłaO trabalho trata da relação intelectual e de amizade entre o escritor Mário de Andrade e o arquiteto Luiz Saia. O estreito convívio de dez anos, entre 1935 e 1945, realizado no respeito mútuo e no diálogo sincero, promoveu uma influência recíproca, no trabalho teórico e no posicionamento artístico que professaram. Os desdobramentos dessa relação se apresentam na obra do arquiteto, veemente batalhador por uma arquitetura brasileira fundada na racionalidade e no utilitarismo necessário, da cultura popular. Tal construção teórica se desvela em suas obras teóricas, dedicadas ao estudo dos procedimentos metodológicos da arquitetura e do urbanismo, na produção historiográfica da arquitetura no Brasil e, notadamente, paulista, instrumentalizada no processo conceptivo da arquitetura e do urbanismo, e nas suas obras de restauração do patrimônio histórico paulista, durante os trinta e sete anos em que esteve à frente da regional do SPHAN, em São Paulo. Desse modo, o objetivo do trabalho é a investigação da construção teórica de uma idéia de arquitetura moderna brasileira, de raízes populares, instigada pela relação intelectual do escritor e do arquiteto
The work deals with the intellectual relation and friendship between the writer Mário de Andrade and the architect Luiz Saia. The strait convivial of ten years, between 1935 and 1945, carried out in the mutual respect and in the sincere dialogue, promoted a reciprocal influence, in the theoretical work and in the artistic position that they professed. The developments of this relationship are presented in the work of the architect, a passionate campaigner for a Brazilian architecture founded on rationality and on the necessary utilitarianism, of the popular culture. Such intellectual construction is revealed in his theoretical works, devoted to the study of the methodological proceedings of the architecture and town planning, in the historiographic production of the architecture in Brazil and, especially, the Sao Paulo’s architecture, used in the conceptive process of architecture and town planning, and in his works of restoration of the historical inheritance of Sao Paulo, throughout the thirty-seven years that he headed the regional SPHAN in Sao Paulo. In this way, the objective of the work is the investigation of the theoretical construction of an idea of modern Brazilian architecture, from popular roots, instigated by the intellectual relationship between the writer and the architect
Amraoui, Touatia. "L’artisanat dans les cités antiques de l’Algérie". Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20110.
Pełny tekst źródłaThis study analyzes the place of crafts and the craftsmen in the antique cities of Algeria by reviewing the available documentation - archival, reports of excavations, plans, photos and publications. Leaning on a field work, the updated data brought precision or new elements on the urban workshops discovered between 19th and second half of 20th centuries: the remains of each installation are located, described and documented; a dating is proposed when it is possible. This work of analysis leads to qualify or to refute several interpretations of our predecessors because after consideration, vestiges indicated as workshops finally appear to have not been correctly identified. On the other hand, the craft installations identified with certainty allow studying more in detail the typological and technical characteristics of every attested speciality: the food crafts, the production and the processing of textile industries, the production of ceramic, glass and metal objects, and the crafts of building. The comparison between the technical specificities of the antique algerian workshops and those roman workshops discovered somewhere else in the Empire bring us to recognize very strong similarities but also some local, african differences. Secondly, the study of the distribution and the location of workshops in the city leads to specify the reasons of the presence of the officinae in a specific place according to their speciality. It seems that the choices of establishment were more guided by the needs for supply of raw materials and not by the nuisances which these activities could possibly cause: workshops were located as well in the suburbs as in the residential districts. To finish, the analysis of the inscriptions brings some information about craftsmen and about their social status
Acar, Sibel. "Intersections:architecture And Photography In Victorian Britain". Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/3/12611169/index.pdf.
Pełny tekst źródłathe second to theinteraction between architectural photography and architectural theory/practice
and the third to the relation between architectural photography and architectural historiography.
Książki na temat "Historiography of architecture"
Florita Z. Louis de Malave. Architecture--historiography: A general bibliography. Monticello, Ill., USA: Vance Bibliography, 1990.
Znajdź pełny tekst źródłaThe historiography of modern architecture. Cambridge, Mass: MIT Press, 1999.
Znajdź pełny tekst źródłaMemories of architecture: Architectural heritage and historiography in the distant past. Apeldoorn: Spinhuis, 2009.
Znajdź pełny tekst źródłaFrank, Salmon, Paul Mellon Centre for Studies in British Art i Society of Architectural Historians, red. Summerson and Hitchcock: Centenary essays on architectural historiography. New Haven: Published for the Paul Mellon Centre for Studies in British Art [and] the Yale Center for British Art [by] Yale University Press, 2006.
Znajdź pełny tekst źródłaAalto University School of Arts, Design and Architecture. Department of Architecture, red. What is going on in Moscow? Historiography. [Borgå]: Aalto University School of Arts, Design and Architecture, 2012.
Znajdź pełny tekst źródłaUrsprung, Philip. Philip Ursprung : representacion del trabajo: Representation of labor : historiografía performativa = performative historiography. Santiago de Chile: Ediciones ARQ, Escuela de Arquitectura Pontificia Universidad Católica de Chile, 2018.
Znajdź pełny tekst źródłaMental life of the architectural historian: Re-opening the early historiography of modern architecture. Newcastle upon Tyne, England: Cambridge Scholars, 2011.
Znajdź pełny tekst źródłaKleinbauer, W. Eugene. Early Christian and Byzantine architecture: An annotated bibliography and historiography. Boston, Mass: G.K. Hall, 1992.
Znajdź pełny tekst źródłaElisabeth, Tostrup, Hermansen Christian i Nordic Association of Architectural Research., red. (Theorising) history in architecture. [Oslo]: Arkitekthøgskolen i Oslo, 2003.
Znajdź pełny tekst źródłaLeach, Andrew. Manfredo Tafuri: Choosing history. Ghent: A&S Books, 2007.
Znajdź pełny tekst źródłaCzęści książek na temat "Historiography of architecture"
Akcan, Esra. "Partitions and an Anti-Xenophobic Architectural Historiography". W Art and Architecture of Migration and Discrimination, 19–32. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003410010-3.
Pełny tekst źródłaAkcan, Esra. "Kreuzberg and an Anti-Discriminatory Architectural Historiography". W Art and Architecture of Migration and Discrimination, 111–25. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003410010-14.
Pełny tekst źródłaEngel, Ute. "Imperial Style and the Content of Architecture". W Art Historiography and Iconologies Between West and East, 103–15. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003137528-8.
Pełny tekst źródłaNorton, Christopher. "Richard of Fountains and the Letter of Thurstan: History and Historiography of a Monastic Controversy, St Mary’s Abbey, York, 1132". W Perspectives for an Architecture of Solitude, 9–33. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.mcs-eb.3.1838.
Pełny tekst źródłaDonabédian, Patrick. "Culmination of a Late Antique Legacy? The Golden Age of Armenian Architecture in the Seventh Century". W Re-Thinking Late Antique Armenia: Historiography, Material Culture, and Heritage, 24–41. Turnhout, Belgium: Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.convisup-eb.5.135374.
Pełny tekst źródłaSpampinato, Beatrice. "A Theoretical Topography of Architecture. On the Problematic Connections between Rome, Byzantium, and Armenia in Italian Historiography (1914–1945)". W Re-Thinking Late Antique Armenia: Historiography, Material Culture, and Heritage, 134–51. Turnhout, Belgium: Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.convisup-eb.5.135380.
Pełny tekst źródłaPisano, Raffaele, i Julie Robarts. "A Short Comparative Historiography of Science & Technology of Mechanics into Engineering—and—Architecture Literatures During the Renaissance". W Explorations in the History and Heritage of Machines and Mechanisms, 227–40. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98499-1_19.
Pełny tekst źródłaVan de Vijver, Dirk, i Krista De Jonge. "1.3: 'Ces fleurons lointains à notre splendide diadème artistique’. The Historiography of the Influence of Netherlandish Architecture in Europe". W The Low Countries at the Crossroads, 31–49. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.archmod-eb.4.00134.
Pełny tekst źródłaBotti, Giaime. "Towards a Quantitative Turn: Frontiers of Architectural Historiography". W Designing Emerging Markets, 19–53. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-1552-1_2.
Pełny tekst źródłaLours, Mathieu. "Architecture XVIe-XIXe siècles". W Historiographie de l'histoire de l'art religieux en France à l'époque moderne et contemporaine, 13–17. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.behe-eb.4.00813.
Pełny tekst źródłaStreszczenia konferencji na temat "Historiography of architecture"
Guo, Wenbo, i George B. Johnston. "Revisionist Approaches to the Historiography of Chinese Architecture". W 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.84.
Pełny tekst źródłaLu, Duanfang. "A Conceptual Framework for Architectural Historiography". W The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4005p6e3c.
Pełny tekst źródłaLivesey, Graham, i Antony Moulis. "From Impact to Legacy: Interpreting Critical Writing on Le Corbusier from the 1920s to the Present". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.712.
Pełny tekst źródłaAladro-Prieto, José-Manuel, Francisco Javier Ostos-Prieto i María Murillo-Romero. "The standardisation of vernacular architecture. Wine buildings in Andalusia". W HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15136.
Pełny tekst źródłaMollo, Giuseppe, i Giuseppe Piccolo. "La trasformazione dell’impianto fortificato della città di Nola tra Quattrocento e Cinquecento". W FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11416.
Pełny tekst źródłaFondevilla Aparicio, Juan José. "La Banda Gallega: vertebración defensiva de un espacio de frontera en el límite noroccidental del alfoz hispalense en la Baja Edad Media". W FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11485.
Pełny tekst źródłaQuesada-García, Santiago, i María Lozano-Gómez. "Levantamiento y análisis espacial de la presa de Garganta del Ciervo y el paisaje regado por el embalse andalusí Albuhera (s. XII)". W FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18104.
Pełny tekst źródłaBaeva, Olga. "Studying the Traditional Architecture of Ingushetia in the Late 19th to First Decades of the 20th Century: Aspects of Historiography". W 4th International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2022). Amsterdam: Athena International Publishing B.V., 2023. http://dx.doi.org/10.55060/s.atssh.221230.006.
Pełny tekst źródłaKatrib, Leen. "Excavating the University Campus: A Pedagogy of Deconstructing Architecture’s Myths". W 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.64.
Pełny tekst źródłaMatchegora, A. V., i I. I. Orlov. "Briff historiography of the Cult Gothic architecture of the South France in the context of general trends in the development of Medievistics". W Scientific achievements of the third millennium. Scientific achievements of the third millennium, 2022. http://dx.doi.org/10.18411/satm-08-2022-02.
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