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Książki na temat „Historicisation of the fiction”

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Autor: Grafiati

Data publikacji: 3 lutego 2024

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1

Thomas, P. L., red. Science Fiction and Speculative Fiction. Rotterdam: SensePublishers, 2013. http://dx.doi.org/10.1007/978-94-6209-380-5.

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2

1946-, Hottois Gilbert, red. Science-fiction et fiction spéculative. [Bruxelles]: Editions de l'Université de Bruxelles, 1985.

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3

Dietz, Steven. Fiction. New York: Samul French, Inc., 2005.

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4

Gilou, Le Gruiec, i Caujolle Christian, red. Fiction. Munich, Germany: Kehayoff, 2001.

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5

Elish, Dan. Fiction. New York: Marshall Cavendish Benchmark, 2012.

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6

Fiction. Torino: Einaudi, 2001.

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7

Leggett, Jane. Fiction. London: ILEA English Centre, 1986.

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8

Dietz, Steven. Fiction. New York, NY: Samuel French, 2006.

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9

Ackerman, Michael. Fiction. Paris: Delpire, 2001.

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10

S, Gwynn R., red. Fiction. Wyd. 2. New York: Longman, 1998.

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11

Jenise, Williamson C., Alvarez Rafael i Minot George, red. Fiction. Baltimore, Md. (1101 N. Calvert St. #1605, Baltimore 21202): Damascus Works, 1990.

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12

Douglas, Hilker, red. Transitions: Fiction, poetry, and non-fiction. Toronto: Harcourt Brace Canada, 1995.

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13

D, Narasimhaiah C., Srinath C. N i Ford Foundation, red. Women in fiction, fiction by women. Mysore: Dhvanyaloka Publication, 1987.

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14

Roberta, Allen. Fast fiction: Creating fiction in five minutes. Cincinnati, Ohio: Story Press, 1997.

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15

Cranny-Francis, Anne. Feminist fiction: Feminist uses of generic fiction. New York: St. Martin's Press, 1990.

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16

Madden, Frank. Exploring fiction: Writing and thinking about fiction. New York: Longman, 2002.

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17

editor, Davidar David, i Dayal Mala editor, red. 99: Unforgettable fiction, non-fiction, poetry & humour. New Delhi: Aleph Book Co., 2014.

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18

Tacik, Przemyslaw. New Philosophy of Modernity and Sovereignty: Towards Radical Historicisation. Bloomsbury Academic & Professional, 2023.

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19

Tacik, Przemyslaw. New Philosophy of Modernity and Sovereignty: Towards Radical Historicisation. Bloomsbury Publishing Plc, 2021.

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20

Gusman, Tancredi. Reconstructing Performance Art: Practices of Historicisation, Documentation and Representation. Routledge, Chapman & Hall, Incorporated, 2023.

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21

Klimke, Martin. 1968: Europe in Technicolour. Redaktor Dan Stone. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199560981.013.0012.

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Streszczenie:

Even after more than four decades, the events of the tumultuous year 1968 still mesmerise and polarise Europe, both culturally and politically. Although prominent representatives of the continent's student revolt have called for people to ‘forget 68’, Europeans have entered the historicisation and memorialisation process for this period with vigour. Among the causes and contexts of the social movements, acts of dissent, and youthful revolts that are commonly subsumed under the cipher ‘1968’, the Cold War and the division of Europe after 1945 usually enjoy pride of place, although these were by no means the only influences. The rapid demographic changes after World War II were probably the primary force that shaped the context in which the opposition of the youth was to unfold. The postwar baby boom reached its climax in 1947, coinciding with a massive economic growth in many Northern and Western European countries that reached into all segments of society and proved particularly beneficial to the lower middle and working classes.

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22

Boland, Tom, i Ray Griffin. The Reformation of Welfare. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529211320.001.0001.

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Contemporary welfare states attempt to govern unemployment using active labour market policies to reconnect jobseekers with the labour market. Critics suggest these reflect a punitive turn in social policy and are ineffective in any case, leading to debates over the evidence-bases and ideological underpinnings of social policy. Here, we investigate the deeper cultural codes which inform how the state governs the unemployed and how individuals interpret their experiences of work and jobseeking in the labour market. Specifically, we argue that there are unrecognised theological models which animate the contemporary scene – explored through an approach which combines cultural sociology and governmentality studies, a historicisation of the present which we term ‘Archaic Anthropology’. We draw together Nietzsche’s genealogy of the revaluation of suffering, Weber’s thesis on the Protestant work-ethic, Foucault’s analysis of pastoral power and Agamben’s work on how the economy is given a providential meaning in modernity. Through empirical analyses of interviews, ethnographies and social policy we add to this an analysis of the ‘economic theology’ of the welfare state; specifically, we identify a Purgatorial inspiration for workhouses and welfare offices, job-seeking as a form of Pilgrimage, and CVs as confessional declarations of faith. Effectively, the state is dedicated to ‘reform’ – of policies and of individuals, in an almost endless attempt to transform people through purifying suffering. Yet there are alternatives, more forgiving, charitable and generous cultural resources within society.

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23

Leacock, Stephen. Frenzied Fiction: Fiction. Independently published, 2018.

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24

Jean Michel, et al. Alberola. Fiction? Non-Fiction? Editions Florence Loewy, 1995.

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25

Fiction and Non-fiction. Rigby Educational Publishers, 2007.

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26

Fiction South-Fiction North. Ridgefield Press, 1992.

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27

Eliot, George. Romola: Historical Fiction,Psychological Fiction. Independently Published, 2021.

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28

Bodenberg, Angela Sommer. Fiction: Little Vampire (Hippo Fiction). Scholastic Ltd, 1994.

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29

Fiction: Tina Tuff (Hippo Fiction). Scholastic Ltd, 1994.

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30

Navigator Fiction and Non Fiction. Rigby Educational Publishers, 2002.

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31

Kingsley Widmer; Sesshu Foster; e. c. rire; Virginia Harabin; Guro Masaki; Kenzo Masaki; Yoko Tawada; et al. Fiction International 24: Japanese Fiction. Wyd. 2. San Diego State University, 1993.

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32

Sutherland, J. A. Fiction and the Fiction Industry. Bloomsbury Publishing Plc, 2013.

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33

Spencer, Mark. Fiction Club: Writing Excellent Fiction. Independently Published, 2019.

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34

Interactive Fiction (Literacy World Fiction). Heinemann Educational Books - Primary Division, 2004.

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35

Elish, Dan. Fiction. Cavendish Square Publishing LLC, 2012.

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36

RIvard, Gabriel. Fiction. Independently Published, 2019.

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37

Lamarque, Peter. Fiction. Redaktor Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0021.

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The concept of fiction is not identical to that of literature, and the discussion that follows concentrates on the former alone. Not only do the terms ‘fiction’ and ‘literature’ have different extensions — not all fictions are literary and not all literary works are fictional — but their meanings differ too, not least because the latter has an evaluative element lacking in the former. Of course, many of the great works of literature are also fictional, so an analysis of fiction will shed light on one aspect of them. But it should not be supposed that an analysis of fiction will exhaust all there is to say about literature, nor that such an analysis will encompass distinctively literary qualities.

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38

Author, The, i Author. Fiction. Xlibris Corporation, 2001.

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39

Cox, David, John Coldwell, Nick Warburton i Erica James. Fiction. Oxford University Press, 2012.

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40

Abell, Catharine. Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198831525.001.0001.

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The aim of this book is to provide a unified solution to a wide range of philosophical problems raised by fiction. While some of these problems have been the focus of extensive philosophical debate, others have received insufficient attention. In particular, the epistemology of fiction has not yet attracted the philosophical scrutiny it warrants. There has been considerable discussion of what determines the contents of works of fiction, but there have been few attempts to explain how audiences identify their contents, or to identify the norms governing the correct understanding and interpretation of works of fiction. This book answers a wide range of both metaphysical and epistemological questions concerning fiction in a way that clarifies the relations between them. The metaphysical questions include: what distinguishes works of fiction from works of non-fiction; what is the nature of fictive utterances; what determines the contents of works of fiction; what kinds of fictive content are there; how broad in scope is fictive content; and what kinds of things are fictional entities? The epistemological questions include: how do audiences identify the contents of authors’ fictive utterances; how does understanding a work of fiction differ from interpreting it; and what role do thinking and talking about fiction from an external perspective play in enabling communication through fiction? This book develops the first single theory that provides answers to all these questions.

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41

Petrushevskaya, L. Fiction. Koch, Neff & Oetinger & Co, 1997.

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42

Trimmer, Joseph F. Fiction. Wyd. 4. Harcourt College Pub, 1999.

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43

Matthews, L. S. Fiction. Hodder Arnold, 2006.

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44

O'Callaghan, Conor. Fiction. Wake Forest University Press, 2005.

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45

Kitson, Peter J., Debbie Lee, Anne K. Mellor i James Walvin. Fiction. Redaktor Srinivas Aravamudan. Routledge, 2020. http://dx.doi.org/10.4324/9780429348471.

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46

Kitt, Selena, i Parker Ford. Fiction. Excessica, 2010.

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47

O'Callaghan, Conor. Fiction. Gallery, 2005.

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48

Ford, Parker. Fiction. CreateSpace Independent Publishing Platform, 2010.

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49

Fiction. Warren Machine, 2003.

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50

Fiction. BOOM! Studios, 2016.

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